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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: noise

Kristallo – Persecucion

Kristallo – Persecucion
[pn225]

Kristallo

“Persecucion”

Kristallo is an alternate project by the Argentine artist Pablo Reche, which he defines as his ‘B side.’ With this alias, he explores the sonic possibilities of noise in a field with a stronger presence of rhythm and pulsations, further away from the sound composed of drones. The pieces that make up the EP “Persecución” have a brief format, with a predominant sound of a primitive and rough nature that tends towards pure abstraction.

T1 > Everything begins with a mass of interference and sounds that appear as discoveries in the gaps left in the tuning bands of a radio. These units are waves with changes in their dynamics, which gradually form a constructive process of noise.

T2 > Accents in a hiss grow to form a polyrhythmic block that dissolves into a state close to silence. It’s a structure whose spectrum emerges and lingers.

T3 > In an industrially charged environment, you can feel the pulses and folds as time progresses. Each layer has its own space and communicates with the others as if in conversation. Noise bursts create the grid where everything is organized.

T4 > What remains after a burst is the shape of an echo that extends like a drone. Things become recognizable under a faint layer of sand.

T5 > In the resonant space of a tube, digital rhythmic gestures bounce, moving away from the organic roughness of the previous ones, forming a slow melody. There are openings that mark its development, transitioning from a contemplative tone to a dramatic one.

This set of tracks has the virtue of creating a calm atmosphere in which the subtlest intervals can be perceived.

Oscar Santis
(Santiago, Chile. October 2023)

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posted 13 October 2023

Various Artist – THE DESERT EARS

Various Artist – THE DESERT EARS
[LCNLP172]

Various Artist

“THE DESERT EARS”

The Necrophile Hummingbird Netlabel presents THE DESERT EARS by Psy Shepherd X Ethnomite Pux X Invisible Illusion.

“Desert Music for Desert Lovers”

The story of this record begins with its end, the day I was looking at photos of the triops and fairy shrimps that had hatched at Burning Man in Black Rock Desert, while I was listening to the Electronic Quicksands tracks that my long time collaborator Ethnomite Pux sent me in July 2023. After I did it, I remembered that Psy Shepherd sent me a track to collaborate after Nahel death in July too. So I had no other choice than to manage my time and take a few days to create my part of this split album. Also Psy Shepherd was a very close friend to the one for who we previously did a tribute linked with the last collaboration between Ethnomite Pux and me under another moniker. https://archive.org/details/parrhesia_sound_system_vs_ethnomite_pux_another_beast-feast

So this album seems mostly about how discomfort in music could be enjoyable, same way lead can be turned in gold. The way you look at everything changes everything. A french noiser a few weeks ago posted on a network that perhaps his music was junk, but it’s ok, he can deal with it. If you love it fine, if not he will not force you to listen. So as the AI disruption overturned the chessboard, It pushes us to find what ‘s make the difference between human music and AI music. Where is our humanity ?
As audience when You listen such works like this album, could You imagine for example that I can do the sing of the nomad robot blues and at the same time have no room to play it at home or only when I’m alone. Because my heart family think my music is junk. I deal with this hostile environment because it’s my choice. Life matter more than art, although art sustain my life. And I may not be wrong when I think that it’s the reality for most of the noisers.
I think noise is precisely this resilience. To refuse to follow the mainstream. To refuse the seduction lie, when it’s more about to negate yourself to fit with the norm. This resilience of humanity against all forms of control’s got a side effect called Solidarity. The more you suffer, the more you want to avoid this to the others. Solidarity is a huge fuck to any dominant system.
So what ? Each album is an act of resistance, like sending codes by radio wave during the WWII from london to each isolated sound creator. Keep your freedom, grow up your vegetable garden, you are not alone.

Where is our humanity ? It’s also the question we could ask if we were cops, but happily we are not. Of course In Memory Of Sahel is a variation, indeed a track done in memory of Nahel a 17 years racialized teenager killed by a cop in france in July 2023.

A thing about the form is that the tracks are shorter than my usual improvisations, being cut out in smaller parts, more set to electro ethnic trance and hard techno industrial styles. More than to provide comfort to the listener this is a way to build a serial music structure. Going back to a track, so close to another that your brain think it’s the same, but in reality it is modulated, it’s a variation, something about the nature of reality flux, this coil which come from well known fractal spiral structure…

Also if anyone is curious about were did come from the triops minimal rhythms, they are improvised with an electric frequencies generator.

Because whatever the distance the desert ears can hear. This album is dedicated to all the victims of the earthquake in Morocco & the floods in Lybia and all people dying because of global warming too.

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posted 20 September 2023

Skutiger & Man in the shadow – Cannibale

Skutiger & Man in the shadow – Cannibale

Skutiger & Man in the shadow

“Cannibale”

GoH-614: Skutiger & Man in the shadow – Cannibale

One long piece of haunted, discordant free-improv heavy electronics. A kaleidoscope of lunatic drones, field recordings, dissonant melodies and noise. Get wierd!

all rights reserved
posted 17 September 2023

eww – The Cat Has Left

eww – The Cat Has Left
[EEM066]

eww

“The Cat Has Left”

“The Cat Has Left” is the actual song I was singing in my childhood after I’ve been done with “The Cat Has Cometh”. So, I borrowed the name for this album which features remixes of the most insane tracks from my previous one, first composed during live performances and then recreated.

My music is not always dark, but when it is – it is never dark.
THINK POSITIVE!!!

If you squeeze a full discography of minimal techno into 14 minutes you will get a crêpe.
EAT FRUITS!!!

Life is to be enjoyed slowly.
CALM DOWN!!!

“Every moment is in a constant flux of interaction and change.”
“HUEHUEHUE!!!” – said changing colour hues.

Button: by-nc
posted 05 September 2023

Tasuketekun – Yukari

Tasuketekun – Yukari
[[mi302]]

Tasuketekun

“Yukari”

The name 縁 (Yukari) means “connection, affinity”, and that is what we can find and listen in this EP.

Yukari is a 3-track EP that brings us barren, almost deadly industrial landscapes that fuse vastness and apocalyptic vibes with an oddly personal paranoia.

This is a release for noise connoisseurs who love listening to a record and letting themselves be carried away by madness or senescence depending on how they feel about this style of music.

Button: by-nc-nd

posted 04 September 2023

SADO RITUALS & TAKLAMAKAN – Conjuration of Metal & Blood

SADO RITUALS & TAKLAMAKAN – Conjuration of Metal & Blood
[GoH-161]

SADO RITUALS & TAKLAMAKAN

“Conjuration of Metal & Blood”

GoH-161: SADO RITUALS & TAKLAMAKAN – Conjuration of Metal & Blood

Wall of metal junk noise carried by a heavy, hypnotic drone. Pulsating tension meets a bloodthirsty frenzy. Nearly an hour of ritual, blackened industrial.

Some codes to redeem the album for your Bandcamp collections:
8c2c-ys6q
hk99-ctst
6cuh-gc9q
uswj-3hgz
mjs8-cvr6
z2sw-xrl8
ymq4-jsv2
yg84-ydtc
2knh-bl3x
st68-cyst
uh3s-kvjc

all rights reserved
posted 30 August 2023

Spank Hookers and Sado Rituals – Banishing the Demons of Lust

Spank Hookers and Sado Rituals – Banishing the Demons of Lust
[GoH-605]

Spank Hookers and Sado Rituals

“Banishing the Demons of Lust”

GoH-605: Spank Hookers and Sado Rituals – Banishing the Demons of Lust

A long collaboration piece in two different mixes made by each artist. Wall noise rumblings meet deep, atmospheric dark ambience.

all rights reserved
posted 28 August 2023

Spank Hookers and Friends – Friends With Benefits

Spank Hookers and Friends – Friends With Benefits
[GoH-601]

Spank Hookers and Friends

“Friends With Benefits”

GoH-601: Spank Hookers and Friends – Friends With Benefits

A massive, three hours long album including Spank Hookers’ collaborations with twelve different artists from all around the world. Top notch, heavy dark ambient conjoined with various styles including industrial, noise and drone from artists like Crepuscular Entity, I,Eternal, Valley of Sorrow, Fabio Keiner and others! Do not miss this one!

all rights reserved
posted 28 August 2023

Zippy Kid and Razxca – Split

Zippy Kid and Razxca – Split
[20k377]

Zippy Kid and Razxca

“Split”

Zippy Kid and Razxca of Genetic Trance fame have teamed up to create this split single. Opened by some playful synth impro of Zippy Kid’s ‘Cloudz and Snow’, we suddenly find ourselves listening to an electric guitar solo before Razxca’s ‘Untitled 001’ takes over and sets the tone with a minimal noise texture of epic length.
all rights reserved
posted 18 August 2023

Demain Sans Faute – 1054 KM

Demain Sans Faute – 1054 KM

Demain Sans Faute

“1054 KM”

Record, mix and mastering by L’Austral between Malhaussette and Hanvec – France.

Seb : Guitar / Keyboards / Voice / Table larsen.
L’Austral: Guitar / Keyboards / Percussions / Table larsen.

Visual by Boris Jakobek.

A coproduction of Epicericords, Araki, Gnougn Records,
Cheap Satanism, Coeur Sur Toi, Capsule Records, Ged
And Seitan’s hell bike punks.
credits
released May 1, 2023

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posted 03 July 2023

Chafouin – Trois, quatre

Chafouin – Trois, quatre

Chafouin

“Trois, quatre”

Record and mix by L’Austral at Epicericords Studio, Hanvec, Finistère, France.
Visual by Damien Tran.

released May 13, 2023

A coproduction with Epicericords, Araki Records, Hidden Bay,
Pied De Biche Records, Out Of Thunes, GED, Quixotemusic,
La Loutre Par Les Cornes, Table Basse Records, Cœur Sur Toi Records and Do It Youssef !

all rights reserved
posted 12 June 2023

Yoshiwaku – Häxan Cult

Yoshiwaku – Häxan Cult
[LCNLP166]

Yoshiwaku

“Häxan Cult”

The Necrophile Hummingbird netlabel presents Häxan Cult by Yoshiwaku.
“Witch house for Queer people”
Live improvisation recorded in April 2023. As you may notice, it’s a kind of alternative soundtrack for cult film Häxan by Benjamin Christensen…
You can watch on internet archive this version slightly enhanced with super 8 film here with William S. Burroughs voice https://archive.org/details/Haxan-akka-Witchcraft-Through-The-Ages-Benjamin-Christensen

Dedicated to all the witches & other outsiders killed through the ages by the undergods & conformists.

Last but not least, this is the second part of the trilogy “Under the ground, inside the flesh & over the sky” including, in third Remembering the comet and in first Music To Burst In Tears.

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posted 19 May 2023