Artist: Andrew Clam vs. Finn
Title: Zero EP
Format: File, MP3, EP, 320 kbps
Released: 16 Feb 2013
Style: Deep Techno
01. Finn – Clarity Of Mind (5:24)
02. Andrew Clam – A Small Dose (4:45)
03. Finn – Radio Night (7:55)
04. Andrew Clam – Into Sky (5:05)
Third Pole EP are the newest soundexplorations by Trilingo. Basicly creamy Progressive Trance but with many lovely techy edges. The EP is completed by a remix from Crennwiick who adds the proper electro bubbles.
Celebrating 8 Years of Free Music with our 100th Release.
Thanks to more than 150 Artists for contributing their wonderful Music.
Thanks to all Fans and Listeners for the huge Interest over all those years.
Thanks for more than 700.000 Downloads from all over the Globe.
Thanks to all the DJs and Supporters who dropped this shit on the Dancefloors, the Radio and even on TV.
Thanks to Everyone who likes, links, helps and recommends us. Much more to come in the next 8 years …
We finally have a new release for you. Now from Lithuania our friend and great musician, Esse, gives us an album with four songs full of sounds, textures and rhythms. The beats invite us to shake our body and to travel with our minds freely as the air … and the question is: who does not want to feel so free? The only thing I can tell you is download Breez EP and feel the vibes..
Vintage avant-garde and prestigious artistic flights, these are the bitter ingredients used by Marcio McFly in his solo project, when pausing from “Cani Giganti”. Inspirations from an analogical parallel world, which is back here again to fascinate machines-addicted by exploring a kind of evolved “futuristic techno-pop”. Artificial flowers are sent to the curious mixture of erudite listeners and new-clubbing figures. “Conservare le Macchine è un Dovere” = “TO PRESERVE THE MACHINES IS A MUST”, follows the path indicated by the previously acclaimed “Farsi le Foto”, constituting an artistic work exploding in a self-created-world where Marcio fishes from street-arts and from his most creative illness. “Conservare le Macchine è un Dovere” is an ambitious release where dancy tracks are formidably intersected with pleasant techno-pop songs. This is a though work for you, 51beaters!
01-Air Protection Office-June (Mauro Martinuz dub version)
05-Deni Diezer- Where We Do Not
06-Bifold Dub – OhmikRonz ReDreamer remix
07-Cliff Tower – Paradox
08-Alessandro Crimi & Patrick Zig-Out Of The Bedroom
09-Cold Fiction Music-Immersion
10-Triames-Lanthanum (Asedub High Tech Jazz Reconstruction)
produced by EKAR RECORDS label
all tracks are released under a Creative Commons license BY-NC-ND. -International-
1- June (original)
2- June (Alan Backdrop Re-edit)
3- June (Mauro Martinuz Dub version)
Written,produced and recorded by Air Protection Office
Mixed and Mastered at Transfert studio by : Mauro Martinuz
Cover design by Air Protection Office
Photo artwork all right reserved Fabio Zagolin
JUNE by Air Protection Office is licensed under a Creative Commons Attribuzione – Non commerciale – Non opere derivate 3.0 Unported.
Permissions beyond the scope of this license may be available at a-p-o.tumblr.com/ekar.
Ayqix – Awkish (Remixes Edition) Includes remixes by: Maurizio Miceli, Fingers in the Noise, Axs, Markus Masuhr and Orson Throb | Cover design by Neural Visuals | You can download this release on http://www.temiongrecordings.com.ar/
Summer has arrived, finally. And nothing could prove that better than the new Broque EP from Alec Troniq which seems to anticipate the entire outdoor fun to come in a single EP. The “Mind Mill” EP is loaded with swinging and melodic house tracks and beams with playful ideas, light melodies, a fair share of hands-in-the-air moments and a good deal of pop appeal. Dresden-based Alec Troniq gives us five new tracks seducing us with their sunny temper and light-hearted charm. While “I Don’t Need” is carried by its passionate vocals, the hot-blooded “Like So” and “Soulquake Girl” embrace you with their playful flamenco-like guitar hooks and subtle filter vibes. Last but not least the powerful magic of “Mind Doodles”, featuring the distinctive vocals of Gabriel Vitel, condenses all the magic ingredients of this EP into one strikingly beautiful house track: traditional songwriter skills with a touch of big emotions embedded into enthralling grooves which work their charms on the dancefloor as well as beyond. For the darker side of the night, Broque mate DML contributes his own dub techno take on the “Mind Doodles” theme and concludes an EP which – we are certain – will be a regular encounter during this very summer season.
Dark Detroit techno with very heavy dubed soundscapes gives this album a place in the underground music scene. Telegraphy once again, delivers yet another minimal dubed techno sound that is a far cry from his signature sound.
Zombie Media is a 4 titles EP that speaks of Google, LOL cats and of up-up-down-down-left-right-left-right-BA. Compositions on LSDJ (the famous Game Boy tracker), nuts breakcore that are actually melodies worthy to the best video games of the early 90’s (japanese trend). Jakenpopp gives us an EP super dancefloor and exclusively of great hits.
This guy remains true to himself and these four titles are the perfect example of a pop culture that shows us that in the year 2013 the geeks are cool, that can be really fun, handsome and that you can also make your performance in bathing suit.
Mixed and mastered by Jean-Christophe Andréoni at Micro Studio. Cover by Jankenpopp.
Horror Pleni is experimental techno in contemporary form of minimalism, between Actress and Four Tet, but it crumbles in the subsoil or better in underworld red as blood. The album carries the listener in psychedelic fogs and isolate atmospheres, while the incessant advance of 4/4 gets more granitic. The moving through the nine tracks is made by stable and inescapable steps, between clear and obsessive visions of the past and noising dreams for men from the future. Mind is free to fly, while body slides through seediest part of hell. The album begins with a palpitation “Wasted Summer”: something got wrong and rhythm chases changeable and enraged, with heavy pace. “Dreaming Baby Balcony” is light and shadow, between acid rays of sun and rasping wind, under an orange sky. “Live Twice” converts in sound two beings in opposition: sweetly gloomy melody and frenetic rhythm fuse in balanced contradiction. “Inside a Candy” is a scary trip who first digests you and lately spits you in a highly toxic mixture. In the very middle of the album, “Leave the Land” is a fugitive heart from its missing beat, in the Space. With the unique vocal of the album, “Rana Delay” it’s a pause from obsessive atmospheres, replaced with gothic taste for a while. “Horror Pleni” condenses all suggestions in stratified and chasing emotions. “Sidi Bouzid to Cairo” (Checkpoint 303 reworked) doesn’t take prisoners, shooting on sight in 4/4. “Krome” says goodbye to the first artistic album from Idga, getting to subsoil by procession of killer percussions. Mind is already free, just remains sinking body. [Maracuja&Plasman]
This is a very important release for us, since it marks an important step into the most modern music releasing approach. You can use this music whatever you like as far as it is for a private use/context. Please, feel free to copy-paste-send this release to your best friend or dj and to play it during your own private parties –>enjoy it !!
At the same time these works are regularly registered to the Danish Collecting Rights Society “Koda”, which will collect royalties in the behalf of the artist/composer: IDGA, and the publisher: 51beats, when this music will be employed in any commercial context.
We believe this is close to the ideal approach toward the most intelligent way of publishing music and arts, today.
It’s that time again. Youri Tkatchenko aka TkY has his next album at the start. Catched ideas are reflected in 10 new tracks. The album goes definitely the way to Deep House. Also techno, drum & bass to trip hop elements are included. A very fine album that primarily draws its power and authenticity from the stylistic sound design. One can recognize the handwriting always and everywhere in these continuous successful tracks.
All files are in a quality of 320 kbit/s and are ready for the (free) download.
MP3s, Cover and “all inclusive” ZIP-package are available here or on: http://www.garganrecords.com
Release Date: 2013-05-15
Genre: Deep House – Electronic
Label: Gargan Records
(01) Intro 4:41
(02) Perspective 6:09
(03) Hot Winter 8:11
(04) Escape 8:59
(05) I Need You (Deep Mix) 7:56
(06) Multi People (Dub Mix) 7:15
(07) Go Back Once 5:41
(08) Felecia 7:24
(09) Jack is OK 7:01
(10) MaPaMa 7:28
“Substak”, who also mixed up the first Krata-Netlabel Mix, now takes the next step with his first release and two additional remixes by Krata-Artists “Electric-Control” and “Taer & Fehder” on our label.
Enjoy as always!
1.Voices In My Mind (Original Mix) – 04.20
2.Voices In My Mind (Electric-Control Remix) – 06.41
3.Voices In My Mind (Taer & Fehder’s Weemix) – 06.21
Title….: Two EP
Medium….: 4 x File / EP
Playtime….: 20min 14sec
Quality….: (1411 kBit/s)
Release.date….: 14 Mar 2013
Rel.Artwork….: M. Kirschenstein
Style….: Tech-House, House*Release Artwork: Original picture
taken by Matthias Kirschenstein
Title: Serial Disco Rocker
Format: File, MP3, EP, 320 kbps
Released: 30 Dec 2012
Style: Tech House, Minimal TechnoTracklisting:
01. Strehm – Serial Disco Rocker (4:43)
02. Strehm – White Trails (8:12)
03. Strehm – The Left Of The Wirlpool Galaxy (4:49)
Beira (он же Giovanni Nembrini) родился в 1995-м году в Италии и в 2010-м начал создавать chiptune, noise и другую экспериментальную музыку, находясь под влиянием восьмибитных игровых саундтреков, шума, эмбиента и техно. В настоящее время в качестве инструментов использует трекеры (famitracker, lgpt, renoise), миди-клавиатуру и любимую NDS.
Blue Boy – маленький релиз, созданный в холодные дни зимы между горячими чашками чая и узкими плохо отапливаемыми купе в поездах. Короткие и быстрые треки, ни больше, ни меньше.
Beira (aka Giovanni Nembrini) was born in 1995 in Italy and began making chiptunes, noise and experimental music in 2010.
Drawing influences from 8-bit video game soundtracks, noise, ambient, and techno;
currently is weapons of choice are tracker (FamiTracker; LGPT; Renoise) a midi keyboard and his beloved NDS.
Blue Boy is a short release grown in the cold days of winter, between hot tea cups and narrow bad-heated train compartments.
Short and fluent tracks, nothing more, nothing less.
A live impromptu live set from Ionosonde Recordings resident artist – Telegraphy. Using tracks from his latest album Kurz-above , Telegraphy creates different pallets of sound through heavily processed dubbly delays. The textural differences from “Kurz-above [iono-12] can be apparent in this extended track which begins as if you were in the deepest part of the ocean where everything has a fluidity quality about it. Slowly you and the company of an octopus, rises toward the surface of the water as the track progresses.
As recorded live at Ionosonde studios on March 15, 2013. All tracks were produced by Richard Sudney (Telegraphy) 2013.
01. oliver martini feat kathrin – hold me (jay ree mareks dont turn around remix)
02. oliver martini feat kathrin – hold me (omara remix)
03. oliver martini feat kathrin – hold me (haarspalters menthal remix)
04. oliver martini feat kathrin – hold me (Fcode remix)
05. oliver martini feat kathrin – hold me (audiofetish remix)
06. oliver martini feat kathrin – hold me (tony vogler remix)
07. oliver martini feat kathrin – hold me (freigaenger remix)
08. oliver martini feat kathrin – hold me (mr. dee remix)
09. oliver martini feat kathrin – hold me (tooltech remix)
10. oliver martini feat kathrin – hold me (kujats 5 vor 12 remix)
11. oliver martini feat kathrin – hold me (delp uv aktiv remix)
I never shall see the world again
as i saw it once – the sunlight, the rain,
the spring and the autumn, the starry night,
the sea and the woods and the moon’s full light.I never shall see it quite as of old –
the sunset’s red and the noonday’s gold;
for I never shall see it henceforward now
except through your love, I scare know how.Then be careful, my dearest, how you go,
for from under your feet the rivers shall flow;
and never again will the world be fair
except in the light of your eyes and your hair. by Wallace B Nicols
The twelfth release of ionosonde recordings is all about dub techno on a micro scale. An analog synthesizers were used in this album which explored the the sonic wonders of the super high frequency (SHF) electromagnetic band where radars listen intently. This freqency rang goes by the name “the Ka band” or Kurz-above.
Using only analog gear to produce the best sound quality as posible, Telegraphy recreates sounds that might be heard by a person who’s in control of one of these radars. Atmospheric noise mixes with the steadily cycling “on’s and off’s” of the radar signal, are mimic by synthesizers. Echo’s from distant targets shows up on the view scope in the radar room, the same goes for Telegraphy as he echos his target chord.
With a compute only used as a MIDI source, Telegraphy produces ionosonde recording best sounding album.
Manuel Sabbion aka Terminal Sync was born in Padova in 1985. His passion for the electronic and techno music has already begun in the 1999 as he started listening some techno musicassetes of various old clubs in Padova. In 2005 he begins to collect some techno and electronic records and, a few years later, he buys his first turntables and discovers the deep and warm sound of the vinyl. In the first years he starts to learn by himself the art of the djing and in October of 2006 he became a member of a crew called Thursdaysdeep.
During these years of Thursdaysdeep he has maturated technique and experience and develops his own personal imprint for experimental sound. With deep passion for music he discovers other genres, as ambient and dub, and then he finds the way in which music can create such different situations, for instance the intimate atmosphere of an after hour. All this teaches him how to express sensations and emotions to the flow through music and it also makes him mature enough to start playing with the crew in some private parties and clubs in Padova.
All tracks were written by Blacky B. except:
t.1, 6 written by ΞΥΝΑΨΙΣ [Blacky B. & KrAtOS]
t. 7 written by OkiDNA [Blacky B. & DannyBoy]
mastered and mixed by Blacky B. between August and December 2012 at r:enella rec. study in Naples – Italy
Dub Knob closes a long production period of different styles. During the making of, i worked with other on-line artists, tracks like Slurp08 as well as Porta4Tuna, born as a loop for scratch-battles. The electronic music characterizes the album which obviously has been affected by Blacky B’s music influences like Almamegretta, Orbital, Underworld, Massive Attack adn Alva Noto.
Artist….: THE WEB & CXXXVI
VideoArt….: THE WEB & CXXXVI
Title….: The Bunny Project EP
Label….: DAST Net Recordings
Medium….: 5 x File / EP
Extras….: 5 x File / mpeg4 / 5 x Official Music Video
Playtime….: 31min 20sec
Quality….: (1411 kBit/s)
Country….: Switzerland, Australia
Rel.artwork….: THE WEB
Release.date….: 13 Feb 2013
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