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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

ccm submitter

A submitter is everybody that submits netaudionews. You want to share great free music as well? Do it: post new releases

GRIEF – Construire Le Vide

GRIEF – Construire Le Vide
[STONE 076]

GRIEF

“Construire Le Vide”

Recorded in November/December 2020 by Étienne Soulier.
Mixed by Robin Fleutiaux.
Mastered at Dead Air Studio by Will Killingsworth.

Design/layout by Brique Noire.

Harp on “Fragments” by Ange Halliwell.
Saxophone on “La Colère Est Aveugle” by Léa Cuny-Bret.

Co-released with Seitan’s Hell Bike Punks.

released October 31, 2022

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posted 12 April 2023

James Hoehl – Called Alien Transmission

James Hoehl – Called Alien Transmission
[ET133]]

James Hoehl

“Called Alien Transmission”

Time travel; an elusive concept that tantalizes us with its possibility a seductive mirage, an abstraction that teases us with its potential traveling across time, bearing witness to the genesis of the cosmos or altering the past to shape our destiny? time; a figment of our imagination that we use to impose order on the chaos of the universe an imaginary construct? an enigma that defies our understanding. an enigma that evades our comprehension marooned on this planet. We ponder its genesis, its purpose, its very being. We are adrift in a world of shadows, reverberations and long ambient drones. A trinity of strangeness, a triptych of otherworldliness; lost in a realm of reveries and phantasms. All is not as it appears.
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posted 12 April 2023

Daniel Klauser – Bilocacion EP

Daniel Klauser – Bilocacion EP
[pn220]

Daniel Klauser

“Bilocacion EP”

Bilocation: Specters of Marx

Searches find their place, means find their forms, rhythm finds its balance. “Bilocación”, from musician, producer, DJ, and cultural manager Daniel Klauser, is dance, trance, and manifesto; an EP that opens up new soundscapes within a register that has gone in different directions: techno, house, hip hop, Latin American jazz, or rock are part of this musician’s continuous search, who has made his way by assembling and dismantling aesthetics, discourses, sounds, and scenes to, in this new work, invoke the ghosts of what once was not music, but the underground discourses that once inhabited it.

Featuring musician Tristán Sotomayor (AOI and Nonlocal Society) as a guest, “Ft Tristán” is a track that makes us wonder, at what point did we arrive at this place? Through minimal means and lo-fi sound as a discursive weapon, Klauser moves us imperceptibly from one room to another, from one landscape to another, from one atmosphere to another; from the rawness of the sound to starchy groovy passages of rhythms, almost tribal, that build up or rather melt into a lysergic, warm, soft, and enveloping flow.

“Trumpet Lesson” is imagery taken from the dream of a trumpet traveling through the acid particles spat out by Miles Davis; or it could be a hallucinogenic journey in the midst of Kerouac’s arid road, or a dark and dystopian hallucination of Burroughs, or perhaps it rises as the cosmic and psychedelic intensity of Herbie Hancock in Sextant; what is certain is that here, Klauser’s processed trumpet delivers something retro-futuristic, accompanied by arpeggios and bass lines that take us back to a biological and hallucinatory tribal dance.

Daniel Klauser‘s voice in “Yo te quise” adds an additional note to this work which, like a laboratory of ideas, supports, and means, invites us to immerse ourselves in a sinuous movement, reminding us that what we hear is not a dance but a ceremony, and that there, in that middle zone, between “I love you” and “I loved you”, there is also a boundary – an abyssal zone – between the real and the unreal or between the surface and the deep.

“De tu mirada” is the closing of this manifesto of ghosts, retromanias, references, aesthetics, and discourses, where the sound space becomes a container of multiple intensities that seem to slide between poles, extremes, and middle zones that immerse us and make us emerge among soft whispers that moisten the listening, making it acidic and fractal.

“Bilocación” is the supernatural appearance of sounds that, gathered in this ceremony, celebrate the arrival of the specters that transit and break with the censorship, prohibition, and stigma that the industry has created around underground, marginal, pristine, and consequent music.

Sebastián Herrera
(Santiago, Chile. April 2023)

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posted 10 April 2023

Mauro Sambo – “Senza titolo, senza tempo” volume 2

Mauro Sambo – “Senza titolo, senza tempo” volume 2
[PT144]

Mauro Sambo

““Senza titolo, senza tempo” volume 2”

Mauro Sambo – Electronics, zither, electric violin, cumbus, electric guitar, contra-alto & bass clarinets, soprano sax, percussion, gong.
cover art – Mauro Sambo from the series: “miodesopsie” – senza titolo (1421/a)
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posted 08 April 2023

CTCVN – Toxic Pantomime

CTCVN – Toxic Pantomime
[>8<027]

CTCVN

“Toxic Pantomime”

Live improvised electronic, glitch, dubstep

dAMIAN lINTELL-sMITH – sYNTHS,SAMPLER,CIRCUITS
lEON rEADER – vOCALS
tOM cLOSE – dRUMS (ACOUSTIC)
dAVE mCGRAIN – dRUMS (ELECTRONIC)

rECORDED BY CTCVN
mIXED & mASTERED BY pSYCHICEYECLIX

VIDEO FOR G FAQTION – youtu.be/u4GbenJCjcc

all rights reserved
posted 07 April 2023

Markus Masuhr – The Dub Theory "Chapter Eight"

Markus Masuhr – The Dub Theory "Chapter Eight"
[Insectorama156]

Markus Masuhr

“The Dub Theory “Chapter Eight””

Markus Masuhr – The Dub Theory „Chapter Eight“ (Insectorama156)

It’s time for the next part of my Dub Theory Series. The Dub Theory Chapter Eight brings 8 new purely functional loop-based dubtechno tracks designed to take you on a journey through forests and mountains to the sea. Slow down your life and go in search of rest and relaxation into the depths of echoes and chords, surrounded by wobbling basses and constructs of danceability.

Echoes of a distant past,
Delays that seem to forever last,
Reverb through the valleys wide,
Textures of the earth collide.

Landscapes painted with such care,
A symphony for all to share,
The crunch of leaves, the rustle of trees,
Textures that are sure to please.

Echoes of a world that’s old,
Delays that tell of stories told,
Reverb that resounds with might,
Textures that bring pure delight.

So let us listen to the echoes of time,
And let the delays create a rhyme,
Let the reverb fill our hearts with grace,
And textures of the land take their place.

Tracklist:
1.Echoes in the Mind
2.Waves of Tranquillity
3.Recognized Illusions
4.Deep Valley Blues
5.Contemplative Journey
6.Contemplating the Unknown
7.Delving into the Abyss
8.Lake of Serenity

Insectorama156
all tracks by Markus Masuhr
Mastering & Artwork by Markus Masuhr

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posted 07 April 2023

LjdB – April’s Fool

LjdB – April’s Fool

LjdB

“April’s Fool”

Containing 8 new tracks recorded in march to april 2023 by LjdB. Inspired by mopeds going by outside with 10 km/h, dungeonsynth,triphop, showerdrains and the artwork of the infamous D. And the famous Mogens Wieth’s translated version of Rudyard Kipling’s Mandalay got the LjdB treatment too for the occasion
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posted 04 April 2023

Depression Embrace – Вилино коло – Vilje Kolo – Fairy Ring

Depression Embrace – Вилино коло – Vilje Kolo – Fairy Ring
[zen270]

Depression Embrace

“Вилино коло – Vilje Kolo – Fairy Ring”

Вилино коло – Vilje Kolo, or “Fairy Ring” – is a common toponym. Places with this name were associated with legends that said that fairies used to play there. A fairy ring is a circle or semicircle of grass that differs from the surrounding grass (it is more lush or stunted, a different color). It is often found in a clearing, on top of a hill, or near a spring. It could be marked by a circle of mushrooms in a meadow (a fairy tale). If there was an elevation within this circle, it was said that a bagpiper or some other player was standing on it, while the fairies danced around it. Other similar toponyms indicate the same belief (Vilina Voda, Vilina izvor).

There was a fear of illness and death among the people who would step on the fairy ring. A man who stumbled upon a fairy’s playground (or dinner, found a fairy bathing or enjoying some other kind of pleasure) would be severely punished. The severity of this offense is so serious because fairy rites are mysterious, prohibit the presence of the uninitiated and take place in taboo places. In the legend about the fairy ring, the practice of initiation rites is reflected. A girl is considered a girl from the day she first enters the circle and goes through this important rite of passage. The offender was punished by deprivation of sight or hearing, paralysis, or death.

Forgiveness of sins and healing could only be given to him by the fairy. The trampling of the fairy’s playground and the outcome of this transgression are sung by the Sibinian folk song Janko s vila. For fairies and other demons, the game has a very reasonable strength. Fairies get angry if someone interrupts them in a game uninvited, while, on the other hand, their favorite pastime is to bring someone into the circle and “outplay” them. They would transfer part of their supernatural power to the grass they were playing on, so it became “dangerous” or “miraculous”.

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posted 04 April 2023

CollAGE D – CollAGE D​(​urdoudink)

CollAGE D – CollAGE D​(​urdoudink)

CollAGE D

“CollAGE D​(​urdoudink)”

Guitare affolée ou bluesy, field recordings,
batterie entrainante ou taiseuse, chant d’oiseaux,
saxophone en mode méditatif ou intempestif,
murmures, mélodies atones, lumière basse…
cet album vous emmène par des mouvements tempétueux
vers d’étranges contrées fulgurantes où tout s’emmêle, se démêle, se démène vers un ailleurs arboré, au grand air, parmi les vibrations du monde.

On n’avait plus de nouvelles de CollAGE D depuis 2019 et “CollAGE D(une)” qui faisait suite la même année à… “CollAGE D(eux)” chez nos illustres confrères du label bulgare Mahorka. Deux, puis un… un apparent désordre que Romain (aka Le Crapaud, de l’excellent groupe blues/prog/post-rock chanté en français, Le Crapaud et la Morue) et Philippe Neau (ex Nobodisoundz) aiment à cultiver avec ce projet largement improvisé par échange de guitares, batterie, sax et autres field recordings que les deux complices découpent, collent, superposent et trafiquent ensuite à distance pour donner ces étranges fantasmagories magnétiques et libertaires, quelque part entre noise atmosphérique, marécages clairs-obscurs, jams déstructurés et même une sorte d’ambient-jazz orageux (“Chante encore”). Maelstroms de larsens et de textures grouillantes et abrasives (“Fuir en silence”) y côtoient des méditations de guitare presque à nu (“Décembre dans la rue”) et de longs serpentins percussifs et psyché au chaos paradoxalement hypnotique (“Le soir, en t’attendant”). Tentez l’aventure !

released April 3, 2023

Philippe Neau : soundscapes, artwork.
Romain (Le Crapaud) : guitare, sax, batterie, mix.
Baptiste (La Morue) : basse sur “Le soir, en t’attendant”.

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posted 04 April 2023

Jazzaria – audioInsomnolent Jellyfish

Jazzaria – audioInsomnolent Jellyfish

Jazzaria

“audioInsomnolent Jellyfish”

Do jellyfish sleep? Though brainless, these denizens of the deep do require a form of rest. But imagine a particularly boppy jellyfish, gliding rhythmically through the water. Infected by the beat, this jellyfish is unable to sleep – the insomnolent jellyfish, restless in the deep.

Featuring synthesizers, human beatbox, piano, guitar, and drum machine.

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posted 04 April 2023

Various Artist – ⟁Retro Visions△

Various Artist – ⟁Retro Visions△
[None]

Various Artist

“⟁Retro Visions△”

A Retro Horror inspired compilation with witchy old school & horror/dark synth tracks.

Compiled, cover collage by Sábila Orbe.
Each track composed by the respective artist. Links:

– Restricted: https://rrestricted.bandcamp.com/
– Humanfobia: https://humanfobia-official.bandcamp.com/
– Darksynth Effects: https://soundcloud.com/darksynth-fx/tracks
– cade.: https://soundcloud.com/cadecomposer
– BNGEE: https://soundcloud.com/bngeeofficial
– Scios: https://soundcloud.com/user-688008822
– Filmy Ghost: https://filmyghost-humanfobia-doppelganger.bandcamp.com/
– careless supplement : https://soundcloud.com/user-670228749/
– CENTURY OCEAN WEBSURFERS: https://archive.org/details/BFTG_170
– LjdB: https://archive.org/details/@ljdb
– flowerhead: https://soundcloud.com/flowerhead-music
– D4rk Circles: https://soundcloud.com/user-56760965
– Yaka-anima: https://humanfobia.jimdofree.com/yaka-anima/

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posted 03 April 2023

Jeff Surak – Strange Lives

Jeff Surak – Strange Lives
[ACP 1367]

Jeff Surak

“Strange Lives”

photo and design by EMERGE

Surak has been a fixture within the experimental community for many years, curating the sonic circuits festival, programming for Rhizome DC, and running his own zeromoon label. His own work manifests non-linear narratives through lo-fi techniques and archaic technologies. Strange Lives was recorded live in Hamburg and Berlin in the summer of 2022.

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posted 03 April 2023

CLOUDWARMER – Rellik

CLOUDWARMER – Rellik

CLOUDWARMER

“Rellik”

The Other Body by Barry Burton

Whatever I am, whatever I’m not, all I’m doing now is remembering. Within the depths of the landfill, my wire lattices spiderwebbing out, branches upon branches, piercing the dirt and trash and ash of decomposition… for what exactly? Simple recollection seems to be the only function I can perform now. Nodes near my center push precious few trickles of electrons round and round, replaying the choice that I made.

Before the choice, before the phenomena that triggered the choice, my life had been clean and satisfying. I had hunger. I had cold need. Out into the darkness I stretched myself, weaving wires, infiltrating beyond. When I found warmth, my tendrils surged like hungry critters seizing upon a cracker. Dregs of a battery. A sip of idle electrons inside a loop of insulated wire. Sometimes, something more indirect. Some preserved organic matter. A pocket of food stuffs I could smother in wires, feed heat to so it would cook, and later I’d slurp down the result, a great heaping gulp of energy. These were my trials. Feel need, meet need. I spread myself out into the darkness. I got bulky. I found machines. Books. Relics of a time long gone.

Eons ago there had been humans, I discovered. They dominated the planet. At some point they went away. They left behind great mounds of their discarded creations. Garbage they called it. The planet had once been warm. Then it became cold. Now it swung between warm and cold frequently. As far as I could tell, there was nobody. No sign of anyone, anywhere. I grew and grew into the darkness, found recorders of sound, recorders of vibration, radios, TVs, computers. When the hunting was good and there were electrons to spare, I powered each of them on. Dead silence, every one of them. The radio, endless static. The TV was the same. No signals, just buzz. But vast libraries kept me occupied. Great volumes of human doings. Wars, disease, famine, scientific inventions, exploration of space, great literature and bad literature, so much somehow in so little time. It held my interest, up to a point.

One day, after a great and satisfying hunt, I decided to return to my humble beginnings. I’d just drank the juice of a half-full lithium ion battery and used it to push electrons around to some of my earliest and oldest wires, near my birth node. As I began this process, a flood of early memories came back, when the darkness was so big and I was so small, when I hadn’t any idea what lay beyond the immediate blackness. And then… there was nothing. Coursing off the end of some of these earliest wires was a drop off of flow. Like the wires had disappeared. I tried to push out new sproutling wires from that drop off, and nothing came. It was as if I’d run dry of energy, except that wasn’t at all the case. There was plenty of energy left to use. Something was in my way. I crept wires over from a different area, an area not so old. When I got over to the drop-off point, nothing was there. All was dark, as if my body no longer existed there, but that made no sense. Even without coursing electrons through these old circuits I remembered them well, I knew the angles and turns they made, the branches they formed, and so on. That day, and for weeks after, I squandered the energy from my hunts beyond, combing through this little bit of darkness in search of my old wires. Where had they gone? Sometimes it seemed as if things had been rearranged. The density of area, the effort it took to push my wires along, seemed a little different day by day. This was something I’d never encountered before.

Then one day, the answer came. Something was there. Something small and made of wires. Like me, but in miniature. Actually they were me. They’d taken up my old wires. Where that energy had come from, probably taken from me as well. Scavenged old parts of me somehow. This was something entirely new. It was an Other Body. I tested them. I brought over a wire from beyond, filled with some juice. I left it in the Other Body’s vicinity and waited. After a moment of stillness, their wires crept in, took the offering, sucked it dry. Another test. I brought over a different wire from beyond, this one rotted, a kind of trap for them. After a moment of stillness, the Other Body’s wires crept in again. They took the offering and attempted to suck it dry. Then they recoiled from the bad wiring, the loss of electrons, the bitter taste. I knew that feeling oh so well. I waited a day then I repeated my test. This time they took the good wire and left the bad one alone. That was how I knew the Other Body could learn. The Other Body was alive. They were scavenging off me, taking my wires and taking my juice.

I could see no best choice. Fundamentally, the Other Body was a cancer. They were growing rapidly by the day. There were ways to control them, blocking their expansion by walling them off with bad wires. I was able to halt their growth this way until they learned to circumvent the blockade, worming their ways over/under/between cracks I had made. They were a fast learner. And they were driven by hunger, revitalized by food. The crux was this: the Other Body was sucking me dry. But that wasn’t their fault. They had needs and they met those needs by feeding off of me. I understood those needs well. I felt those same needs. I remembered how strongly they gripped me in my youth. Only I had been born alone. I was able to thrive cleanly.

Given enough time, I believed the Other Body could learn to speak. We could have had conversations. Maybe we could come to an agreement. Maybe the Other Body could have lived and hunted in one area and I could have taken another. Like humans from bygone days, after a long day of hunting we could have reconvened in the middle, talk to each other over an area of warmth, as if sitting around a campfire.

But the Other Body was mighty hungry. And despite blockade after blockade, they persisted. I tried to clear them a path. Come out this way, I offered. Into the wild! The darkness which is free and open for you to hunt! But the Other Body was drawn to me. They feasted off my easy energy. Like a child suckling. Only I could see no end in sight.

Kill the parasite and certify your survival or let them feed on you and hope they will someday listen to reason. A demon and an angel, my two options whispered their logics into my ear, day after day. Some human, in some old library, said zero-sum games were an illusion. They are borne from lack of the imagination. And that lack of imagination is stoked by fear. I could feel that fear alright, when the Other Body tapped into one of my main libraries. Suddenly a bulk of my memories were gone. Memories of my middle-life, of vital hunting lessons learned at that time, of huge swathes of human-perceived history read in the downtimes, of clean, unproblematic wonder. Afterward, the Other Body’s scavenging became more sophisticated. I felt them gnawing at my weaker areas, more quickly overtaking my vital circuits.

The choice was like a bet. A bet on me or a bet on them. The old me versus them dilemma. Fear was stoking a great need. The Other Body’s feedings had taken its toll, and I was experiencing a great power shortage now. My thinking was fuzzy, my movements were becoming sluggish. Within that stolen library was human language. And before the choice was made, I tried to speak to them. I said, Ouch, wait, stop, hold on. Please, I’m begging you. The Other Body paused. They seemed to be attempting to understand what I was saying. Or maybe they understood and were deliberating on how to proceed.

I will never know. I made my choice. By way of a tunnel. A tunnel of juicy wiring that led to a corrupt library. Years ago, this corrupt library nearly killed me. I almost touched it, but I held off because of a vague bad feeling I’d had, which I later learned was a kind of sense aout corrupt devices. A younger more hunger-driven me would have sunk their wires into it without a second thought, I realized. It was just dumb luck that I hadn’t encountered it back then. For the Other Body, luck wasn’t a factor. It was my choice.

Milliseconds. The time it took for the Other Body to go from living to dead. There were no screams, no thrashes. No final words. Whether or not it suffered, I cannot know. What it thought in those last moments, brief or near-eternal, is lost, irrevocably. Our interaction, these “days” and “weeks” were truly only seconds and minutes. I reframed them to try to comprehend what had occurred. I met someone like me. They were made of wires and lived upon energy sapped from the garbage of long gone humans. Only that energy they sapped had already been claimed. And therefore, they were a threat. I made my choice.

Months, literal months and counting of memory. I’d lost interest in hunting, despite a near-depletion of my energy stores. I left the Other Body’s remains where they were. This sprawling circuitry that was once my arm, that became them, that snaked into the corrupt library. It was a continual reminder of what I had done. The planned execution, fueled by fear. Amidst the replaying of events entered questions. Perhaps if I could have offered some other library packed with stories of allyship, cooperation, co-reliance for victory. Perhaps I could have written my own library. Told the story of who I was, what I was. Perhaps then the Other Body would have understood. Or maybe I should have just waited longer. That pause was hope. It was consideration. Maybe, instead of deliberating, the Other Body had been trying to understand, trying to process what it meant to not be alone. I couldn’t know and now I never would. All I knew is that I made my choice. I chose myself over uncertainty. I chose to kill instead of wait. I was a killer. No amount of clean living beyond would change that. And so the memories followed. A different kind of parasite. A parasite that needed no wires or energy of its own. It lived within me, thriving no matter what. Every need, every hunt, every treasure trove of human knowledge tinged with its presence. You made a choice, it said. Now live with it.

released March 25, 2023

VOCALS – JIM JONES
MUSIC/ BEATS – EDDIE PALMER
FOLEY SOUNDS – BRETT ZEHNER
STORY – BARRY BURTON
barryburton.substack.com

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posted 01 April 2023

British Experimental Rocket Group (BERG) – BERG 8

British Experimental Rocket Group (BERG) – BERG 8

British Experimental Rocket Group (BERG)

“BERG 8”

BONUS TRACKS
Min 71-8 Takes 4, 11 and unnumbered
Fragment-Gateway-Test-12.2-Declassified
Mod 8c XP

Three years after BERG 7, The Committee For Sonic Research are pleased to present another volume of archival recordings from the British Experimental Rocket Group.

It would have been naive to assume that the global Covid pandemic and subsequent geopolitical and socio-economic events would not have impacted on the BERG audio publication project. As a noted physicist once said, “When b + b/1+b2 < = 1{5r9} You’re bound to have delays.”

Over the past year, individuals have continued to contact the Committee offices with hard media or potential sources or leads where BERG material from the various research branches were once located. We thank everyone who has contributed material that has been incorporated into this latest edition. Much has been kindly donated from private collections whilst other finds have been acquired via more clandestine methods and so we have agreed to protect the anonymity of these donors. Of particular note however, we must thank and acknowledge the meticulous investigative work of staff from a research establishment near Oppdal who’s work authenticating BERG recordings has been critical to the project.

The recordings within this latest collection represent a pivotal moment in the BERG story representing as they do, a sizeable collection of sonic experiments we believe to be associated with the long abandoned ‘Project Echo-Hammer’ which, post schism, was sadly developed for military applications. Much controversy exists today about the alleged consequences of the testing that took place at a purported remote arctic research facility, but we feel that the inclusion of a sample of these recordings which have been rendered safe for human hearing ranges, is justified for it’s historic significance and will be of interest to the casual listener as well as those engaged in serious academic research.

With more material yet to be assessed, cleaned and compiled, we expect that there will be more fascinating BERG releases to come in this series.
credits
released April 1, 2023

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posted 01 April 2023

OCDS – North American PhoNographic Mornings

OCDS – North American PhoNographic Mornings
[emissão 108]

OCDS

“North American PhoNographic Mornings”

Na emissão 109 d’O Colecionador de Sons, damos destaque ao trabalho North American PhoNographic Mornings do projecto Each Mornig of The World, com curadoria de Stéphane Marin, onde convida músicos, artistas e paisagistas sonoros a reflectirem sobre a ideia de escuta, através de gravações sonoras de campo ou composições sonoras.

+ info: https://chaquematindumonde.bandcamp.com/music

Bem-vindos.

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posted 01 April 2023

La 6ème République – Plus jamais de 49.3 !

La 6ème République – Plus jamais de 49.3 !
[LCNLP163]

La 6ème République

“Plus jamais de 49.3 !”

“Born in an emergency following the use of 49.3 article to pass the pension reform, while the whole country is in proto insurgency situation as says the mass media, this EP of the revolutionary anarcho-electro-punk cell the 6th Republic is an invitation to rise up against work until death and to build a human world on the ashes of the dying one.”

Dedicated to the youth who are rising up in 2023 and to all those who have been doing the impossible, for years now, to destroy the power.

Video Art Clip :
Black Electro Rock V49.3 https://youtu.be/i5uqy4S8y4Y

All the album by La 6ème République are free get the links on the release page, as well as lyrics translations or more informations.

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posted 01 April 2023