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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-nd

This license is the most restrictive of our six main licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

TabiiTaabii – Small Steps

TabiiTaabii – Small Steps
[Insectorama144]

TabiiTaabii

“Small Steps”

TabiiTaabii – Small Steps (Insectorama144)

It is sometimes
as if all threads were cut off…
like everything around you
far and empty
a dead space
and you yourself a strange dream…
…as if the sun would never come again,
as if a song never sounded through,
like everything is slowly coming to an end…
and suddenly it flickers through the clouds
and suddenly a sound hits the ear

Insectorama 144
all tracks by TabiiTaabii
Mastering by Markus Masuhr
Artwork by TabiiTaabii

Button: by-nc-nd
posted 10 December 2022

Adria Duch – Unknown Protocol

Adria Duch – Unknown Protocol
[Insectorama143]

Adria Duch

“Unknown Protocol”

Adrià Duch – Unknown Protocol (Insectorama143)

Such a timeless and dirty, beautiful analog lofi dubtechno sound that Adria Duch presents to us with its new 5 tracks is definitely not from this world. So we embark with him on this journey of his very own definition of never-ending chords and echoes that completely cancel space and time and you have the feeling of having found long-lost sounds on an old dusty transistor radio.

Tracklist:
1.No One
2.Not Against
3.Unknown Protocol
4.Why Me
5.Without You

Insectorama 143
all tracks by Adria Duch
Mastering and Artwork by Markus Masuhr

Button: by-nc-nd
posted 10 December 2022

DubDude – Conformacion Del Ser

DubDude – Conformacion Del Ser
[Insectorama142]

DubDude

“Conformacion Del Ser”

DubDude – Conformacion Del Ser (Insectorama142)

Here, space and time are offset to such an extent that there is a fusion of dense echoes and chords. The harmony and balance between relaxation and the rhythm accompany us through the night so that we forget everything around us. Dub melodies snatch you from reality and find their way through the loop of space.

Tracklist:
1.Cuando Y Como
2.El Por Que Del Como
3.La Consecuencia De La Verdad
4.Ilanto
5.Conformacion Del Ser

Insectorama 142
all tracks by DubDude
Mastering and Artwork by Markus Masuhr

Button: by-nc-nd
posted 10 December 2022

Humanfobia x Mean Flow – ▼👻░░░

Humanfobia x Mean Flow – ▼👻░░░

Humanfobia x Mean Flow

“▼👻░░░”

Compilation album with collaborations tracks between Humanfobia duo from Chile & Mean Flow from Greece.

All tracks composed by Mean Flow & Humanfobia.
artwork collage, vocals only in track 7: Sábila Orbe.
model in artwork, vocals in tracks 1, 5 & 9: Mist Spectra.

Mean Flow is an experimental, minimalistic, noise composer from Thessaloniki, Greece. links:
https://meanflow.bandcamp.com/
https://www.youtube.com/@teotsteo

Humanfobia is a dark experimental, witch house duo from Rancagua, Chile. links:
https://humanfobia-official.bandcamp.com/
https://archive.org/details/fav-mist_spectra

Button: by-nc-nd
posted 10 December 2022

Holy Fanda & The Reverends – I Will Go II.

Holy Fanda & The Reverends – I Will Go II.

Holy Fanda & The Reverends

“I Will Go II.”

released December 2, 2022

The Reverends:
Martin Rejmíš (tpts), Jarda Svoboda (harm, v), Nick Jennings (dr, bjo, shkrs, v), Holy Fanda (bass, el.& ac. gtrs, autoharp, v). Special guests: Tommy Levechia & Jakub Schmid (tpts), David Babka (pedal steel gtr), Živé kvety (Juro Mironov, Lucia Piussi, Peter Bálik & Ágnes Lovecká) on vocals & the audience from the Malostranská beseda show on Dec 5th 2017 where we recorded the “choir“ part.
Recorded by Vojta Noha & Martin Tvrdý in 2019-22.
Mixed and produced by Martin Tvrdý.
Master GAEX. Artwork Can of Water Design.
Layout Jan Holeček.
Label Polí 5, 2022 EPP 209–1.
Music/Lyrics: Holy Fanda/Holy Fanda with Johnny Feelings
Thanks to Jíří Berdich for the 12str. guitar

Button: by-nc-nd
posted 07 December 2022

O Colecionador de Sons – A Voz do Mundo II (parte 1)

O Colecionador de Sons – A Voz do Mundo II (parte 1)
[emissão 102]

O Colecionador de Sons

“A Voz do Mundo II (parte 1)”

A emissão 102 d’O Colecionador de Sons apresenta pela primeira vez, depois do evento “Dar a Ouvir. Paisagens Sonoras da Cidade”, que entre julho e agosto marcou a programação cultural do Convento São Francisco, em Coimbra, em torno do universo da arte sonora, a 1ª parte da instalação sonora “A Voz do Mundo II”, com curadoria deste Colecionador de Sons, composta por 3 horas de duração com contributos da netlabel portuguesa Green Field Recordings (www.greenfieldrecordings.yolasite.com), da plataforma Audiotalaia, do artista sonoro espanhol Edu Comelles (http://www.audiotalaia.net) e também do mapa sonoro à escala mundial Cities & Memory, da responsabilidade do artista sonoro inglês Stuart Fowkes (https://citiesandmemory.com).

Para esta 1ª parte, apresentamos a composição sonora da responsabilidade da Green Field Recordings, seguindo-se nas emissões seguintes as duas restantes peças, antes da sua edição online, lá para o final do ano, na GFR.

Bem-vindos!

Button: by-nc-nd
posted 27 November 2022

Pagalve – Universe

Pagalve – Universe
[KNOB004]

Pagalve

“Universe”

Usually a lover of a harder techno sound, Pagalve probably suprised himself after he made this special release for Knobs netlabel. Why “Universe”? Well, when your speakers will start to play this beauty, you’ll understand that is all about. Really deep tech stuff! Containing tracks built of TB-909 drums, beautiful stabs, lightly distorted basslines, clicks & cuts, various string structures together with stomping beats are doing a great job to make a feeling like you are somewhere in the universe…
Button: by-nc-nd
posted 27 November 2022

tim susa – 1982

tim susa – 1982
[144]

tim susa

“1982”

Tim Susa’s sound on his recent album is as personal as its title, which marks the year of Tim Susa’s birth. His debut album 1982 seem to be no less than a monument, dedicated to his very personal journey through techno history. It is unmistakable that Tim’s heart beats especially for the heyday of dark shuffled techno throughout the 90s. Produced on a mix of analog and digital devices, the tracks revel in the sound of dancefloor legends like Dave Clarke, whose Red series seems to reminisce more than once on the album, Luke Slater or Gez Varley. The latter’s minimalist proto-anthem „Quo Vadis“ seems to resonate again and again, too. Like Tim, the tracks seem to feel most at home on dark, foggy and strobe lighted dancefloors. Moments of deepness keep popping up though, as tracks like “A Feather” show, that reach already out into the current millennium. In a similar vein, the wonderfully industrial-tinged electro beats of „Leaf Blower“ spread a lot of industrial dancefloor confusion without having to resort to a straight bass drum. In between retrofuturism, history lessons and techno old school, 1982 always manages to simultaneously look ahead and make you want to go back in time.

Release-Date: 23.Juni 2022

Button: by-nc-nd
posted 27 November 2022

Cui – 随集 Major Glitch

Cui – 随集 Major Glitch
[AR 104]

Cui

“随集 Major Glitch”

“随集 Major Glitch” is a random selection of Cui‘s productions from 2018 to 2020. All the songs are different combinations of sounds that share similar elements such as glitch, IDM, and ambient. Cui is telling stories or describing moods through them.
Button: by-nc-nd
posted 22 November 2022

Joko13 – Salami Tactics

Joko13 – Salami Tactics
[COM10]

Joko13

“Salami Tactics”

Joko13’s latest release takes you on a musical journey from 2004 back to 2001. Starting off with the brand new mech-warrior anthem ‘Salami Tactics’, the Austrian artist once again defines his trademark sound of dark stomping minimal where the specific sound aesthetic is based on the use of digital artifacts and tight repetitive beat structures supply the necessary framework. ‘Morphine’, a track created in 2002, refers to the same principle and the outcome is a uplifting tech-house tune with a casual swing. Going back another year, ‘Part Level Boredom’ with its extensive use of spoken word, delay effects and noise represents the somewhat more experimental side of Joko13’s musical work. Enjoy another fine Comatronic release!

Release Date: 2004/11/17

Button: by-nc-nd
posted 21 November 2022

Monopsia & Bleupulp – Music Makes Friends

Monopsia & Bleupulp – Music Makes Friends
[Pertin​-​nce 093]

Monopsia & Bleupulp

“Music Makes Friends”

1_Monopsia – Via San Felice
2_Monopsia – Nudy (Dubfuser remix)
3_Bleupulp – 333 Kind of Moods (Dubfuser remix)
4_Bleupulp – 333 Kind of Moods
5_Bleupulp – 333 Kind of Moods (Ehm remix)
6_Bleupulp – Lost Memories
7_Monopsia – gmbh1
8_Monopsia – Oumuamua – (Matija Milanovic Rework)

released November 18, 2022

Cover by Yanni Ehm.

Button: by-nc-nd
posted 20 November 2022

Mauro Sambo – “Senza titolo, senza tempo” volume 1

Mauro Sambo – “Senza titolo, senza tempo” volume 1
[PT137]

Mauro Sambo

““Senza titolo, senza tempo” volume 1”

Mauro Sambo: electronics, cumbus, zither, double bass, electric bass, electric guitar, flute, soprano and alto saxs, bass and contra-alto clarinets, percussion, gong.
Cover photo – Mauro Sambo
Button: by-nc-nd
posted 19 November 2022

Keith Helt – Something of a Hoosier

Keith Helt – Something of a Hoosier

Keith Helt

“Something of a Hoosier”

Improvised and recorded on January 9, 2021 by Keith Helt. Guitar, pedals, amplifier.

All songs are for Alejandro Morales Aponte. Alex.

Cover art painted by LB Briggs.

Full album available for free download here:
www.panyrosasdiscos.org/pyr319-keith-helt-something-of-a-hoosier/

Any proceeds from this album will be donated to Chicago Abortion Fund. chicagoabortionfund.salsalabs.org/makeadonation/index.html
credits
released May 15, 2022

Button: by-nc-nd
posted 17 November 2022

Jazzaria – Elongated Epic

Jazzaria – Elongated Epic

Jazzaria

“Elongated Epic”

Some things begin, and then – stretch on. You expect a resolution, yet instead receive reverberant reflections. Wandering, meandering, bordering on redundancy – an elongated epic.

Featuring violin, bassoon, clarinet, low woodwinds, orchestral strings and brass, taiko drum, drum kit, shaker, electric bass, piano, synthesizers, and effects.

Button: by-nc-nd
posted 15 November 2022

Luís Antero – O Colecionador de Sons

Luís Antero – O Colecionador de Sons
[emissão 101]

Luís Antero

“O Colecionador de Sons”

A emissão 101 d’O Colecionador de Sons parte de Coja, em plena Beira Serra, onde escutamos a sua paisagem sonora num domingo de manhã, entre a água límpida e sonora de um ribeiro, as aves que o habitam, o animal de grande porte que muge ali ao lado ou a filarmónica que, em passo lento, percorre a rua principal da vila; já em Viseu percorremos a Rua Direita, que já foi Directa, “comprida e torta”, escutando os seus marcos sonoros, entre depoimentos de comerciantes, a voz desta rua de paixões, e lembramo-nos da instalação sonora que ela habitou na última edição dos Jardins Efémeros; de Viseu regressamos à Beira Serra, novamente, e rumamos a essa aldeia postal de montanha que dá pelo nome de Alvoco das Várzeas, terra natal deste colecionador sonoro.

Bem-vindos!

Button: by-nc-nd
posted 15 November 2022

Trotski Nautique – Marx Exotique

Trotski Nautique – Marx Exotique

Trotski Nautique

“Marx Exotique”

enregistré sur ordinateur avec les logiciels open source LMMS et AUDACITY, masterisé avec un preset par Denis Robert, les photo pour la pochette ont été prises par Julien Courbe, les dessins et le montage sont de David Snug

released November 10, 2022

Trotski Nautique c’est Alda lamieva aux claviers, à la programmation et au chant et David Snug aux claviers, à la programmation et au chant
un disque kif kif bourecords
plus d’infos sur google, merci à l’organisation

Button: by-nc-nd
posted 14 November 2022

Chapadla – Keď si já zaspiev​á​m

Chapadla – Keď si já zaspiev​á​m

Chapadla

“Keď si já zaspiev​á​m”

released November 10, 2022

Gabriela Faix – zpěv
Jan Faix – syntezátory
Jan Ureš – kytara
Kristýna Tomšů – flétna
Robin Tichopád – baskytara
Ondřej Chalupa – bicí

Nahrál: Jan Faix v Signals from Arkaim Studios
Mix: Tomáš Procházka
Mastering: Ondřej Ježek ve studiu Jámor

Design: Gabriela Faix a Jan Polanský

Button: by-nc-nd
posted 14 November 2022

PRISM – Top Budget

PRISM – Top Budget

PRISM

“Top Budget”

In February 2021, we released Christophe Bailleau’s EP “Persistance”, a collection of collaborations, including one with his own duet PRISM on the saturated “Paaattchheeffff”. About 15 references later, it is this project that gets the spotlight today, and associated with Billy Hasni on electric guitars, percussions and guttural vocals, the Belgian musician trades his shapeshifing and stellar electronica for some more abrasive and noisy inspiration, either psychedelic and tribal (“Trip Ritual”), ambient and insidious (“Top Budget”) or pulsating and radical (“Eat Heat Hit”), at the crossroads of industrial music, harsh noise and experimental metal. If you love this kind of exploration as extreme as it is immersive and capable of putting sound aggression at the service of atmosphere, you will certainly find in this album what you might admire in Throbbing Gristle, Wolf Eyes and more recently Duma or the fascinating futuristic noise of the Pharmafabrik label (Ontervjabbit, Cadlag …) : an organic and mutant universe of impressive density (“Usine”), and a taste for magnetic crescendos merging toxic shrillness, hypnotic larsens, obsessive synthetic pulsations and threatening guitar riffs to build the kind of narrative progressions that draw the listeners in their anxiety-provoking logic and take them to unknown territories, without mercy for the darkest folds of their imagination, like “Dinosaure” and its crushing 11 minutes of noise epic.

released November 14, 2022

Recorded at Budget Lab (Huy) during the Covid-19 period.

Christophe Bailleau : programmations, synthesizers, percussions, flute, voice, noises.
Billy Hasni : electric guitars, screaming, percussions, synth on “Top Budget”.

Artwork :

Photo : Chris Farrell
Design : Konejo
PRISM logo : James Duncan

Button: by-nc-nd
posted 14 November 2022