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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

The Billegal Immigrants – Slapnea

The Billegal Immigrants – Slapnea

The Billegal Immigrants

“Slapnea”

This EP was created by my Discord server community: The Billegal Immigrants.

4 members from the server (premo. Sophro, Eliderp & myself) took on the roles of “project file manager” for tunes 1-4 respectively & had people in the server submit parts to us for us to add to our projects. The result is Slapnea!

Enjoy & join the Discord server here if you’re interested in taking part in collaborative projects like this in the future: discord.gg/mBdfFdYPpJ

As always, big ups to Funi for the cover!
credits
released March 15, 2021

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posted 21 March 2021

El Sob – Silence is even sexier

El Sob – Silence is even sexier

El Sob

“Silence is even sexier”

Silence is even sexier if it is your silence!
So shut the fuck up and buy this record to be the sex bomb you’ve always dreamed of.

El Sob is not one of the classic influencers you can find on the internet, He’s the master of the silence. Enjoy his guitar-driven songwriting between Arto Linsday and Bill Frisell as the only thing better than silence is El sob, or it was João Gilberto?
credits
released March 15, 2021

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posted 21 March 2021

heche – guerras avançadas

heche – guerras avançadas

heche

“guerras avançadas”

Então, é com muito amor que eu venho comunicar forma-socialmente que esse é o último lançamento do meu pseudônimo heche – nome que eu adotei em 2014 e venho desde 2015 produzindo sons e etc. Mês passado fez 5 anos do meu primeiro lançamento formal no bandcamp: Máscara de Insetos e hoje to lançando o EP Guerras Avançadas pra fechar esse ciclo, pra quem não ta ligado eu tenho lançado coisas como Rafael de Toledo ou Rafael de Toledo Pedroso e trabalhado com os duos Pedroso & Pedrosa e AC Repair School… meu trampo solo não difere tanto do que eu fazia como heche e tenho um álbum planejado sobre o heche pra realmente pontuar o que foi essa experiência… mas é isso, no heche.bandcamp.com você encontra todos os 14 lançamentos que eu fiz nesses anos, singles, EPS, mixtapes, etc. no youtube da nounouhau tem os vídeos e enfim foi um prazer fazer tudo isso e eu quero agradecer todo mundo que sabe que teve uma influência nisso tudo, não vou citar ninguém pq quem sabe sabe e é isso ai, fica o sentimento, ouça Guerras Avançadas e quem tiver vontade dá uma olhada nos meus trampos solo tipo Informação e Carne, Lakkos Chromatinos e Fly Like Chez Ami (esses trampos são a evolução do heche estão todos em streaming)
bjs obrigado
– Rafael de Toledo Pedroso aka heche – primeiro semestre de 2021
credits
released March 20, 2021
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posted 21 March 2021

am.tape – Moments from the Past

am.tape – Moments from the Past
[insectorama099]

am.tape

“Moments from the Past”

The new Dubtechno Release on Insectorama.

am.tape – Moments from the Past
Insectorama 099

With am.tape there is another new artist on insectorama, who takes us into the deepest worlds of dubtechno with his 4-track ep “Moments from the Past”. Incredibly deep subbass on the edge of the perceptible devours you and takes you on a journey through echoes from another galaxy, far from the reality of the imaginable.

Tracklist:
01. Moments from the Past
02. Resonating
03. Lucid Dreams
04. Symbiotic

all tracks by am.tape
mastering by Torsten Solberg @TriForm Studio
design by Markus Masuhr

The Release is free as always, but you can pay what you want to support my Label!!!

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posted 20 March 2021

Codes&Notes – Troubadour EP

Codes&Notes – Troubadour EP

Codes&Notes

“Troubadour EP”

It took a bit of time, but finally here’s the “Troubadour EP”: three original and fresh tracks for DJs and house music lovers!

As opposed to my previous EP “Together, Alone and Tired”, this one attempts to bring some light. It’s meant to be fun and carrying hope.

The first track, “Troubadour”, is a tech/progressive house tune with a break that switches on a 3/4 tempo and brings in… some medieval-sounding instruments. Hence the name, I guess! In case you are put off by that break, know that I’ve made a “straight edit” version of the tune. On the other hand, that would mean losing what makes this track so fun to listen ;-)

“Emergency Exit” goes into groovy/funky house territory with a seriously-funky bass line, while multiple catch lines are brought in. The objective of this tune is really to bring people on the dance floor. If you happen to play during a gig, feel free to let me know how the crowd reacted!
Again there’s a variation on this track included on the EP, which gets rid of the groovy-organ sections, just in case it’s not your thing.

Finally “Unreachable” raises the very important question of what would happen if a robot had to break up with it’s girlfriend, a… weather announcer. Because why not. The track tends towards the deeper end of house and uses a synthesized voice for the robot which is reminiscent of Radioheads’s “Fitter Happier”.
This final track brings a bit of melancholy to an otherwise uplifting EP.

All these tracks are licensed under CreativeCommons BY-SA 4.0, which is as permissive as it gets while respecting intellectual property. So share it, mix it, spread it as you wish. Just leave my name next to it ;-)

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posted 20 March 2021

Pete Cogle – PCP#688… Monsters!

Pete Cogle – PCP#688… Monsters!
[PCP#688]

Pete Cogle

“PCP#688… Monsters!”

Monsters!…with tracks …

J&B Kings – Vice Grip (Disco Dub Mix)
Gatien – Magie
Natural Heights – Wake Me Up
Cherry Poppin’ Daddies – Hammerblow
Neck – Every Day’s St Patrick’s Day
Nordic Giants – Shine (Feat. Cate Ferris)
Adama Yalomba – Mali Za
Thosand Yard Prayer – City of Seven Saints (Cronx Electronica Remix)
Toello – Bats & Butterflies
Boštjan Simon & There Be Monsters – MMMM
Burning Babylon – Dub & Bass
DJ Ironbelly (aka Dubmatix) – Pressure Drop
NeSeBat – Niemals
Sakili – Ma Ninine
Trenton and Free Radical – Sunless Sundays
Swingrowers – Via con me
Barbarossa – Turbine
The Pocket Gods – The Perfect Blue
Lion Of Joppa Soundsystem meets Jah Slave – Conscious Version
Chinese Man – I’ve got that tune

This podcast is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC-NT-NC-ND 4.0) License

petecogle.co.uk/blog/podpress_trac/web/15931/0/pcp688.mp3

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posted 19 March 2021

Petit Bourdon X PYR X Willy Marleen – K7 Split Petit Bourdon X PYR X Willy Marleen

Petit Bourdon X PYR X Willy Marleen – K7 Split Petit Bourdon X PYR X Willy Marleen
[LCNLP122]

Petit Bourdon X PYR X Willy Marleen

“K7 Split Petit Bourdon X PYR X Willy Marleen”

(Version française en bas)
The netlabel the necrophile hummingbird presents a Split between Petit Bourdon X PYR X Willy Marleen.
“Wild music for non-domesticated animals”.
Outside the ordinary circuits, hand to hand, underground music cassettes
are exchanged, and testifies to the resilience of Do-It-Yourself in the digital age.
“Nothing should be sacred, no one should be scared” is as much the anthem of plunderphonic music than of punk, when it waltzes the crowns of queens and kings of this world, in what brings them closest to a certain idea of ​​the anarchy. Even nature laughs softly at the posture of some of its worshipers, who without knowing it would like to perpetuate what assassinates it. Because nature is overflowing, subversion and wild joy, uncontrollable, the balance is unstable, always upset by extreme experiences, accidents. It is an invitation to release the mad torrent because without it there is no clear source, just an arid desert as far as the eye can see.
At a time when robots are traveling on Mars, it is a great joy to find the intact energy that animated this netlabel at its origin, to be able to offer one more testimony to the existence of horsnorme (non-standard) currents.

Find back Willy Marleen in virtual and on cassettes in his duo Zinzinuler
zinzinuler.bandcamp.com/

May the celebration of the Commune not be a sad tribute, but an endless celebration in the present, that of the ongoing humanity liberation.

(English Translation at the top)

Le netlabel le Colibri Nécrophile présente un Split entre Petit Bourdon X PYR X Willy Marleen.
De la “musique sauvage pour animaux non domestiqués”.
En dehors des circuits ordinaires, de la main à la main, des cassettes de musique souterraine
s’échangent, et témoigne de la résilience du Do-It-Yourself à l’ère numérique.
“Rien ne devrait être sacré, personne ne devrait flipper” est autant l’hymne de la musique plunderphonic que du punk, quand il fait valser les couronnes des reines comme des rois de ce monde, dans ce qui les rapprochent le plus d’une certaine idée de l’anarchie. Même la nature rie doucement de la posture de certains de ses adorateurs qui sans le savoir voudraient perpétuer ce qui l’assassine. Car la nature est débordement, subversion et joie sauvage, incontrôlable, l’équilibre est instable, toujours bouleversé par des expériences extrêmes, des accidents. Elle est une invitation à libérer le torrent fou car sans lui, il n’y a pas de source claire, juste un désert aride à perte de vue.
A l’heure où des robots voyagent sur Mars c’est une grande joie de retrouver l’énergie intacte qui anima ce netlabel à son origine, de pouvoir offrir un autre témoignage de l’existence des courants hors-normes.

Retrouve Willy Marleen en virtuel et en cassettes dans son duo Zinzinuler
zinzinuler.bandcamp.com/

Puisse la célébration de la commune ne pas être un triste hommage, mais une fête sans fin dans le présent, celle de la libération prochaine du peuple.

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posted 18 March 2021

Jazzdefector & Gaetano Fontanazza – Chiaroscuro

Jazzdefector & Gaetano Fontanazza – Chiaroscuro
[SCM-2102]

Jazzdefector & Gaetano Fontanazza

“Chiaroscuro”

The duo of Sebastian Buccheri (guitars) and Gaetano Fontanazza (gong, singing bowls) lands on Sucu Music and delivers a five piece, almost sixty minutes long album drenched in harmonies for the soul.
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posted 18 March 2021

Sandriuska Theremin – Los Sonidos del Eter

Sandriuska Theremin – Los Sonidos del Eter
[pn183]

Sandriuska Theremin

“Los Sonidos del Eter”

On the occasion of the publication of her book “Los Sonidos del Éter” (“The Sounds of the Ether”), the artist Sandriuska Theremin releases a brief composition, just over four minutes long, paying sonic homage to this invention that originated electronic music and founded the alliance between music and sound throughout the 20th century.

A notable interpreter of the Theremin, Sandriuska offers us a small symphony of a gothic character, where a melodic phrase in a minor key produced by synthesizer glides progressively along with sonic oscillations from the Theremin, together capturing an atmosphere between the spectral and the dramatic, with ancestry and undulatory climates that evoke images of Europe at the beginning of the 20th century, with all the weight of its wars, confrontations, and the aesthetic urgencies of avant-garde art. This theme could have been the soundtrack of some German expressionist film, I am thinking specifically of “The Golem” by Paul Muni, or as a backdrop for the novels of the Austrian Gustav Meyrink, the last great European master of Gothic literature.

While Sandriuska offers a tribute to the Theremin that was already reflected in part through her book “Los Sonidos del Éter” (Marciano Ediciones, 2020), the novelty of this composition is that it does not create a historicist narrative or documentary demarcation: this work also alludes to the pop music movements that have used electronic instruments to support their styles, creations, and aesthetics since the 1960s. Hence, perhaps we are in the presence of a musical aftertaste from the early days of the German artists Tangerine Dream, or the dark pop of bands like England’s Bauhaus, or even smart techno groups like the English Cabaret Voltaire. In short, this homage dedicates its tribute to an era that began in 1920s and that continues on into the present century. Indeed, a hundred years after the appearance of the Theremin, this instrument still builds worlds and dimensions that liberate perception and lead us to a cosmic trance where magic, mind and body come together in a physical and spiritual communion that only music, and in this case electronic music, can create and provoke with its invocation of mystery.

A beautiful work by this artist who as a composer still has much more to offer.

Fabio Salas Zúñiga
Writer
(Santiago, March, 2021)

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posted 18 March 2021

SEPL – QUASAR_VARIATION

SEPL – QUASAR_VARIATION
[mhrk268]

SEPL

“QUASAR_VARIATION”

Thierry Arnal, musician/composer/remixer based in Lyon, France, is an artist of several aliases and began his journey into music in 2006 and has released quite a few albums and EPs since, as well as a movie soundtrack, under the project names fragment., AMANTRA, SEPL, THA, 2W on various labels around the world, such as Justin Broadrick’s label Avalanche Recordings, Ohm Resistance, KVITNU, M-TRONIC, Thisco Records, Pharmafabrick and others. The SEPL (short for SCORCHED EARTH POLICY LAB) adventure started in 2018 in the need to experiment in new territories.

In March 2021 SEPL debuts on Mahorka with the specially prepared for the label “QUASAR_VARIATION”, a recording directly connected to and based on the compounds of his previously self-released “QUASAR” 4 track collection of virtual electronic instruments improvisation recordings..

released March 13, 2021

“It’s all about physical perception.”

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posted 14 March 2021

Mauro Sambo & Marcello Magliocchi – .​.​.​camminava solo sotto le stelle​.​.​.

Mauro Sambo & Marcello Magliocchi – .​.​.​camminava solo sotto le stelle​.​.​.
[PT116]

Mauro Sambo & Marcello Magliocchi

“.​.​.​camminava solo sotto le stelle​.​.​.”

Mauro Sambo: bass clarinet, soprano sax, double bass, electronics, percussion, electric bass.
Marcello Magliocchi: sounding sculptures ( made by Andrea Dami ), percussion, 1 string, el. & ac. guitar, traps.
track 1 rec. on December 2014
track 2 rec. on December 2015
Music composed by Sambo / Magliocchi
Photo – Mauro Sambo
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posted 13 March 2021

Svayam – Tela

Svayam – Tela
[mi284]

Svayam

“Tela”

Why is perfection always in Major? Sharp echoes run into the tepid fragility of the bones. A staggering roam resumes its straight path and freezes it. Now it’s the heat’s curve that protects me and leaves me in the confort of what I know. The echoes become clear, the texture grows. It’s time to leave. In a sudden, everything returns.

The journey begins from time’s concrete decision. It’s where rests the peace and the martyrdom of the fields coloured with crimson red. An approach, severe and taken by force. Dimension and relief fall like drops of posterity and what comes after. There’s no path, there’s no destiny. Erratic satyric nerve. We’ve found ourselves again and now we accelerate.

The concentration-density of the concept of border. Chromatic suspension of waves, that hiss like small dynamic atmospheres. Textural insertion of notes in reverse osmosis and constant formations in tension.

That feeling of falling from the wake up dream where the rythmic variations lie: in the tunnel, we translate the flavor of a memory. Let it fall. A confirmation from the common sense dissipates all doubts, either ours or from the others. As we’re getting back to perfection, all completes itself. Quietly, we meet up separated.
The reality in reverse.
Text by André Calvário

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posted 12 March 2021

Markus Masuhr – Structures of Emptiness

Markus Masuhr – Structures of Emptiness
[Pragmat018]

Markus Masuhr

“Structures of Emptiness”

Pragmat018
Markus Masuhr – Structures of Emptiness

The Release is free as always, but you can pay what you want to support my Label!!!
This 11 track album takes you on a journey into the emptiness of the structures of endless loops and deep hypnonic patterns. Dystopian drone and surface elements condense the apparently empty structures into a dense whole and let you down into the deep uneasy soul of the sound.

Tracklist:
01.disclosure
02.revelation
03.knowledge
04.realization
05.contemplate
06.expound
07.different
08.regular
09.unrelieved
10.meridian
11.completion

Structures of Emptiness
Pragmat018
Mastering and Design by Markus Masuhr

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posted 11 March 2021

Erich Schall – Mechanische Fabel

Erich Schall – Mechanische Fabel
[Wuerfel30]

Erich Schall

“Mechanische Fabel”

In the middle of the lockdown, in the everyday monotony, Erich Schall comes along and makes us happy quite casually, as if nothing were wrong, with a new album, the Mechanical Fable.

Quasi out of nothing – or, to introduce into the musical theme, quasi out of a misty, enchanted old magic forest. The forest that parents always warn their children about, but that only makes it more attractive.

It begins as a harmless excursion, a downtown cruise, aimlessly wandering. Where to, where only? Why not into the forest after all? Yes, why not?

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posted 10 March 2021

Oriondrive – Healthy Growth

Oriondrive – Healthy Growth
[ACP 1304]

Oriondrive

“Healthy Growth”

Oriondrive combine generative music and voices, exploring what can be called organic and artificial. The only “human” involvement with creation here were mixing and effects, all other material(s), including cover artwork and texts, were generated using AI technologies.

Tones, Python Coding, Generative Atmospheres: Thomas Park
Generative Voices, Effects, Intentions, Mixing, Mastering: Linn Friberg
Samples in “Positive Self-Esteem” and “Healthy Growth”: Chris DeBry

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posted 09 March 2021

Diego Funes – Oficinas en el desierto

Diego Funes – Oficinas en el desierto

Diego Funes

“Oficinas en el desierto”

released March 3, 2021

Todos los temas tocados y compuestos por Diego Funes en el tiempo llamado cuarentena, en home estudio Ra, Salsipuedes, Cordoba 2020, Argentina.

Diseño de tapa: Pau Lee (www.instagram.com/sheispaulee/)

Julio Kaegi, trompeta en DooM y El cielo en la tierra. Silvia Marco, coros en DooM.
Federico Disandro mezcla, producción y masterización en los temas Miller, DooM y El cielo en la tierra. Estudios 3db; Noviembre del 2020, Barcelona España.
En Rew se uso extracto de la obra “Onírico” del colectivo sonoro PH, Cordoba Argentina.

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posted 06 March 2021