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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

Amerigo Gazaway – Don’t Shoot (Single)

Amerigo Gazaway – Don't Shoot (Single)

Amerigo Gazaway

“Don’t Shoot (Single)”

A follow up to Amerigo Gazaway’s 2012 song “Rosebud”:
amerigo.bandcamp.com/track/rosebud

All proceeds will be donated to the Bay Area Anti-Repression Committee Bail Fund: rally.org/covers/3YdX1E8gE2A

released February 23, 2017

Written, Performed and Produced by Amerigo Gazaway

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posted 03 June 2020

Chix, Acrartep – Studio Session

Chix, Acrartep – Studio Session
[SDR045]

Chix, Acrartep

“Studio Session”

Composed, arranged and produced by Chix and Eugenio Petrarca at Strato Dischi Studios, Roma
Mastered by Fabio Pieri at Strato Dischi Mobile, Roma

Chix: drum machine, programming, bass, guitars
Eugenio Petrarca: drum machine, programming

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posted 02 June 2020

303 – True Time

303 – True Time
[JAM008]

303

“True Time”

We met online on the basis of interest in non-standard electronic music its production and distribution.

Trio 303 as an improvisational gang has formed in St. Petersburg, where the participants met on the pretext of the apartment renovation around 2011. The guys devoted all possible time to getting to know local musicians, organizing performance parties and exploring the environment.

In the process of renovation, sound equipment appeared in the flat in the form of a subwoofer amp from a PC system 5.1 and the Radiotehnika S30 speaker. That how we started to improvise in a free style using mostly computers.

We do this constantly and periodically to this day, slightly changing the composition of the participants. Today we are happy to present our a new album.

Attention! illocanblo (6,7), Nishimaru (8) and Potential DifferenSe (9) participated in several jams. Thank you.

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posted 01 June 2020

xenoton – crescent

xenoton – crescent
[tonAtom.140]

xenoton

“crescent”

it has taken more than 5 years until a new xenoton release is finally completed. with a total length of only 21 minutes, the work resembles exactly the format of the original tonAtom releases, which were designed for 3″ cds. six tracks combine dark soundscapes and xenoton-typical, melody-focused electronica miniatures. six studies between stylistic development and continuity with the previous releases “traveller” (2015) and “in a world of lights and glass” (2013). an additional bonus is the crescent-artwork as wallpaper for the background of your computer desktop and in full size as a printable poster
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posted 01 June 2020

Autonomaton – The Underwater Fires

Autonomaton – The Underwater Fires
[mhrk244]

Autonomaton

“The Underwater Fires”

“The underwater fires” is a conceptual EP, revolving all around Autonomaton’s love for the underwater life and rivers, seas, oceans and aquariums. That’s a passion shared with the Mahorka boss Ivo Petrov, so you can guess that this release has been long time coming. In the tracks one can hear actual sounds from real fish (not mammals) captured and presented in very experimental ways. All tunes were produced on a computer but analogue equipment such as a Korg and a 303 machine were utilized in the works, sounds played on/from which were recorded and reworked. All overdubs couresty of Nikolay Stanchev. One of the tunes is actually performed totally live, manipulating the already reworked loops.

This EP includes 4 original works and 2 special remixes by dear friends that further complement the release. The overall style here might be considered to be from experimental dub to obscure dub techno, as the artist himself describes it, but each track takes us on a totally new journey. The remixes are by Abu Ama – a pioneer of the sufi dub sounds and by Virtually J – the computer music pioneer in the Varna region, that started producing music on PC in ’94 with trackers and other audio software, and has been a huge inspiration and support for the regional scene, including for Autonomaton and Mahorka, ever since. Both remixes take really different sound paths from original tracks, but still are made with the thought of being coherent parts of the release, thus making the whole EP even a more colourful and interesting, completing a magical journey through the Earth’s waters and underwater life… Enjoy it loud!

released May 31, 2020

All music by Autonomaton, except for track 5 – remix by Abu Ama and track 6 – remix by Virtually J
Analog mastering by Virtually J
Cover artwork photo by kitthanes

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posted 01 June 2020

Chini.png – Fricativa Velar Sorda

Chini.png – Fricativa Velar Sorda

Chini.png

“Fricativa Velar Sorda”

released May 29, 2020

Compuesta y escrita por Chini Ayarza
Producida, grabada y mezclada por Martin Perez Roa en Estudios Niebla
Masterizada por Arturo Zegers en Estudio 050

Voz, Guitarras, teclados y samples: Chini Ayarza
Batería y percusiones: Gabriel Lele Holzapfel
Teclados y Arreglos adicionales: Martín Perez Roa

Arte de Portada:
Parte Abstracta: Sebastián Riffo
Parte Figurativa: Chini Ayarza

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posted 31 May 2020

Bu.d.d.A. feat. PAAK & Dieter Mauson – glucksandreife

Bu.d.d.A. feat. PAAK & Dieter Mauson – glucksandreife
[ACP 1268]

Bu.d.d.A. feat. PAAK & Dieter Mauson

“glucksandreife”

Bu.d.d.A. are:
Sascha Stadlmeier – violin, effects
Chris Sigdell – editing, mix

guests:
Peter Kastner – voice, accordion, noises
Dieter Mauson – electronics

recorded for Radio Gagarin
thanks to Thomas Beck !

photos & design by EMERGE

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posted 30 May 2020

The Dubwegians – King Of Dub

The Dubwegians – King Of Dub
[DPH041]

The Dubwegians

“King Of Dub”

Two years after their first release “South Of the River Clyde” in 2018, the Scottish duo Gary Lamont and Richy Clark return with a second EP with more reworks of some of their favourite dub tracks. These reworks were written back in 2013 but never received the respect they deserved, suffering from lack of attention, as this is the usual case with most of the artists and producers who are not into the mainstream reggae.

In this second EP entitled King Of Dub, they concentrate on the works of King Tubby, using the same approach recording wise as in South Of The River Clyde, trying to emulate some great King Tubby masterpieces. Richy played guitar, Garry played bass and covered all other sounds and the production, but this time the duo was enriched with the addition of Ian Borthwick on the drums, trying to get the feeling of a live dub band.

That was the second and apparently the last try of The Dubwegians to establish themselves as a dub band. Unfortunately the project that Richy dreamed off in 2013, never really managed to pull off. It kind of fizzled out after a while as people came and went. Up for a jam and some good time but not up for putting in the hours of practice needed.

We thought it would be nice to share these tunes, done a long time ago, and give them another lease of life! We hope you enjoy them!

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posted 29 May 2020

kol9remesez – leelya

kol9remesez – leelya
[EEM005]

kol9remesez

“leelya”

The overcomplexity of drums, reaching levels of spaceflight through curved spacetime. Together with the overmixture of styles with ever-changing moods from easy-going to harsh and active, but always in perpetual motion. Which lead to overabstraction of mind and space resulting in rotating mindspace.
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posted 29 May 2020

MOHER – Antropoceno Auto​-​Infligido

MOHER – Antropoceno Auto​-​Infligido
[mi266]

MOHER

“Antropoceno Auto​-​Infligido”

Joana Moher only grants us a one-way ticket on a trip that will be ours alone, everything we find, whether abstract or objective, is something that only we keep inside. On the launching pad, the viewer has to disconnect from what he sees to start feeling what is going on inside him.

Microseconds of life memorized and stored in the depths of our daily lives. Some of which we can unveil in the projections that our thinking makes throughout this experience.

A psychedelic work in abstraction, geometric in error, sublime in mantra. Outdoor and everyday recordings that are stitched and manipulated for the purpose of flashback, retention or repression of our attention as an active receiver of our daily lives.

MAI 2020

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posted 27 May 2020

Yaka-anima & Revolution Peak – Ghost of Himalaya

Yaka-anima & Revolution Peak – Ghost of Himalaya
[WTS115]

Yaka-anima & Revolution Peak

“Ghost of Himalaya”

Mixed, cover artwork design by Sábila Orbe.
stems, sound designer: Revolution Peak.

Yaka-anima aka Sábila Orbe aka Filmy Ghost is an experimental electronic project from Rancagua, Chile.

websites for more music:
https://archive.org/details/@yaka-anima_noise
https://hearthis.at/yaka-anima/
https://humanfobia.jimdofree.com/yaka-anima
https://www.facebook.com/yaka.anima.noise/

Revolution Peak is an electronic project from Fort Mcmurray, Alberta, Canada.

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posted 26 May 2020

Lokom – Sunday Break Storming

Lokom – Sunday Break Storming
[AR_098]

Lokom

“Sunday Break Storming”

Binaural symphony in clouds. Planets are to be swallowed, Jesus your lactated tar. The universe is a gigantic ball pool filled with kneeling cosmic giants. Chiseled cor-pustules and rubber sides. Watch out for humans, shrillness for the tendons, the robots shall prevail. Narrow but flexible galaxies, a good omen.
credits
released May 26, 2020

Original tracks by Lokom
Mastering by Stazma The Junglechrist
Artwork by Haedre

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posted 26 May 2020