about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

Bledi Boraku – Makbeth (muzikë për teatër)

Bledi Boraku – Makbeth (muzikë për teatër)
[foot283]

Bledi Boraku

“Makbeth (muzikë për teatër)”

Bledi Boraku, who has released Tha
in 2017, made a soundtrack album.
“I was commissioned to compose for a theatre piece on Macbeth for the
National theatre of Albania. It is mostly music done on Max/MSP (audio
programming language) & sample manipultion.
I re-edited the music from the original soundtrack so it can fit on an
album concept as the original sountrack is longer and it was meant to be
played live during the theatrical show.”
Button: by-nc-sa
posted 24 May 2020

The Doll – Hand Dryer Solos

The Doll – Hand Dryer Solos
[pmc085]

The Doll

“Hand Dryer Solos”

The Doll spent a year exploring the inner noiselife of the hand dryers and air blades that dwell in castles, cathedrals, pubs, venues, museums etc. This album is made from a selection of live recordings performed in public bathrooms for unsuspecting members of the No Audience Overground.

Recorded on a phone in the toilets of Wales and England, with a splash of Spain, Portugal & Romania for good measure.

Button: by-nc
posted 23 May 2020

TKno BeurK – Coronavirus World Tour

TKno BeurK – Coronavirus World Tour
[CN105]

TKno BeurK

“Coronavirus World Tour”

The full album Coronavirus World Tour is available in free download here https://archive.org/details/Coronavirus_World_Tour_TKno_BeurK Strange mix between electropunk noise rock like ButtholeSurfers and psychedelic triphop like Portishead and experimental electro ethnic like Muslimgauze… indeed this may be mostly post-industrial music

Don’t miss the two extra tracks :
A redux version of “Capitalism is the Virus” on The World is Over! work in progress metacompilation.
https://zonefusion.bandcamp.com/track/capitalism-is-the-virus
And an extended version of “Virus Last Call” on amazing Virus metacompilation ANDREAS 24
http://www.fractionstudiocompilation.bandcamp.com/album/andreas-n-24-virus-compilation-fraction-2020

This album is dedicated to all the victims of the Coronavirus, and to all the medical staff who fight covid-19 all over the world. Especially the french ones, because few months ago while struggling for less worst work conditions they were beat and hurt by the french cops.
We will not forget how aweful is the france governement.
So much blood on their hands…
All track recorded by Ed End in March 2020 at the Cave Haven in Foucherans
https://ello.co/ed_end
and upgrade (²)by Alain Grille at the Studio 112 in Dole till the fall of may 2020.
https://studio112.bandcamp.com/
All the TKno BeurK music is free to download here http://www.archive.org/search.php?query=creator%3A%22TKno+BeurK%22

Our main project is Multiple Personality 3
https://www.facebook.com/MultiplePersonality3/
Our side project is PIRATE Tapes
http://www.horsnorme.org/PIRATE_Tapes/index.html

Artwork is a deriv of this article illustration http://www.librescommeres.fr/read/195

Video Art Clip http://www.youtube.com/watch?v=BV1TDMXSpo4
or here https://www.bitchute.com/video/7rrB9YyjNNKq/

In 1334 in the Hubei province started the Black Plague.
In 2019 in the Hubei province started the COVID -19 pandemic.

“Capitalism is the Virus” is not our idea, it comes from the street culture, and it’s so obvious these days that we were very happy to create a song with. While neo liberalists, or whatever the name we give to the believers of this system are isolating us. Solidarity come from the people and I hope tomorrow together we will save the world out of their dirty hands.

Button: by-nc-sa
posted 23 May 2020

Jose Miguel Candela – Rezos

Jose Miguel Candela – Rezos
[pn155]

Jose Miguel Candela

“Rezos”

The following collection of prayers intends to establish a kind of intimate, microscopic, deep kinesics, an inner “small dance” that opens up introspection, meditation and / or contemplation paths. It is important, therefore, to consider that this set should not be understood as a religious production. Tao Te King (foundation for Taoist philosophy), insightfully states in its XXVIII epigram that religiousness is only an appearance of loyalty, but destitution of a real spiritual dimension.

These prayers represent an austere act of ancestral memory, an attempt to voice out a compound of elemental imagery found in many worldviews of the most diverse aboriginal cultures. It is incarnated through singing (an embodiment act) in order to share a willingness to connect with something I consider essential, something we cannot name (for by naming it, it is undone), the ancient, irrational core of all things living. Because of this, I invite you to listen to these pieces not as a work of art, even though they live as musical sound (not electroacoustic this time, but appealing to ambient music). The invitation is, through listening, to build up that bridge (pons + ifice, the bridge builder) that connects us and that primal, atavistic footprint living silently inside of us.

Five years after a homemade, very limited first release, I share this digital-only, free-download reissue via Pueblo Nuevo Netlabel. It is a small gift, looking forward to accompanying (us), one way or another, during these complex, critical (political, social, health, spiritual) moments we are going through as a planetary society.

José Miguel Candela
(Santiago, Chile. Mayo / May 2020)
English version by Gerardo Figueroa.

Button: by-nc-sa
posted 22 May 2020

Brioskj – When new feelings come

Brioskj – When new feelings come

Brioskj

“When new feelings come”

Brioskj has been appearing on Kahvi for many years, usually a track here or there on the annual VA, but this time, due to having plenty of time on his hands due to the current situation, an entire EP arrived in the Kahvi mailbox. Cheerful, bouncy, and perhaps the beginning of summer, ‘When new feelings come’ is a delightful, easy to listen to six track, that sparkles in the sun.
credits
released May 21, 2020
Button: by-nc-nd
posted 21 May 2020

One Million Toys – The Box EP

One Million Toys – The Box EP
[DigitalDiamonds074]

One Million Toys

“The Box EP”

Israeli physicist/engineer, One Million Toys, propels us into the unfamiliar with The Box EP. From start to finish of this journey we’re confronted with cleverly constructed contrasts. Compositionally, we’re sent into orbit with euphoric builds-ups then hurtled back to earth with knife-edge drops. Texturally, it’s torn between the overtly digital and the soothingly organic. Overall, it’s a compelling mix of synth-techno, house and electronica that will coax you into a timeless abyss, matched perfectly with Unknown Concept’s (AUS) profoundly elevated remix of the title track.
Button: by-nc-nd
posted 21 May 2020

Duodecima Hora Aedificare – Paragogi Apokatastasis

Duodecima Hora Aedificare – Paragogi Apokatastasis

Duodecima Hora Aedificare

“Paragogi Apokatastasis”

Induatrial ambient from Brazil

Track 01 taken from Mal d’Oreille’s “Strange Pleasures” compilation
Tracks 02 and 06 previously released as digital singles
Tracks 03, 05 and 09 taken from “Terra Cadaverica”
Track 04 taken from IFAR Musique Concrète “Anthropological Antonymism” compilation
Track 07 taken from unfinished/unreleased album “A Woman Wears the Sun”
Track 08 taken from “Weakened by Force” (split EP with Rubeola Fahrenheit)

Button: no
posted 19 May 2020

Substak – The World Will Not Be The Same Again

Substak – The World Will Not Be The Same Again
[Mixotic 299]

Substak

“The World Will Not Be The Same Again”

Substak – The World Will Not Be The Same Again

Mixotic 299 – Substak – The World Will Not Be The Same Again

This DJ set is mixed by Substak and downloaded from the netlabel www.mixotic.net.

Playlist:

01 – Outward Roots – Drifting Towards The Forgotten Planet (2020 Revision)
Cold Fiction 111 (cfmlabel.com)
02 – MVar – When The Lights Fade
Cold Fiction 110 (cfmlabel.com)
03 – Faserklang – Restless
Cyan Netlabel (cyannetlabel.bandcamp.com/album/easy-mind)
04 – Deeperwalk – Smo
Deep Electronics 045 (deepelectronicspodcast.bandcamp.com/album/de45-deeperwalk-nvdb-ep)
05 – Synthese – Streichkonzert 8
Verform Records (verformrecords.bandcamp.com/album/synthese-streichkonzert)
06 – Archaic Revival – Plan V
Monofonicos 034 (monofonicos.net/mnf034-archaic-revival-trayectoria-sin-final)
07 – Planet 9 – Prism
Deep Electronics 047 (deepelectronicspodcast.bandcamp.com/album/de47-deep-diversity-vol-6-deep-electronics-compilation)
08 – X343 – Page One
Motorlab (motorlab.su/artists/x343/atlas-ep)

This mix is free to download and use under the terms of a Creative Commons License. (creativecommons.org/licenses/by-nc-nd/3.0)

Button: by-nc-nd
posted 19 May 2020

SINAVISAR & Joachim Spieth – Newtone

SINAVISAR & Joachim Spieth – Newtone
[AL085]

SINAVISAR & Joachim Spieth

“Newtone”

Ricardo Marichal – tenor sax

Dennis Mateis – guitar and effects

Joachim Spieth – trumpet and flugelhorn
……………….
Esta obra mantiene los ambientes etéreos que son seña de identidad de Dennis Mateis y Ricardo Marichal en sus anteriores ediciones, ahora enriquecida por el impecable sonido de Spieth cuya interpretación encaja a la perfección con los conceptos sonoros del dúo. Una combinación feliz que nos devolverá a esos vuelos lentos por los que el dúo Sinavisar es plenamente reconocido y apreciado… read more
……………
Recorded by Dennis Mateis at Aguagarcía (Tenerife) 2 Nov. 2019
Produced by Sinavisar and Víctor Sequí for Alina Records 2020 – AL085
Mastered by Víctor Sequí. May 2020
Cover by CovAL desing

Button: zero
posted 17 May 2020

WHΛLTHISИEY RECOMPOSED – Thisorder

WHΛLTHISИEY RECOMPOSED – Thisorder

WHΛLTHISИEY RECOMPOSED

“Thisorder”

The music of Whalthisney is a solitary soundtrack to nowhere, a non-tourist map into the unknown; music and images to create new, fully immersive environments, an intriguing aural pilgrimage with no destination in time and space, nuances and labyrinths. Whalthisney selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects.
Button: by-nc-nd
posted 17 May 2020

Acoustic Mirror – Ecos

Acoustic Mirror – Ecos
[self/noise #12]

Acoustic Mirror

“Ecos”

self/noise nació en la primavera de 2013 como la extensión de una práctica – la práctica del activismo sonoro y la investigación sonora militante. Una práctica que iniciamos con la primera manifestación del 15 de mayo del 2011, y con las primeras horas de la ocupación de la Puerta del Sol de Madrid: todo esto que llamamos el #15M.

Desde aquellos inicios, arrancamos un largo camino de investigación y aprendizaje. En ocasiones, hemos tenido la oportunidad de emitir grabaciones de campo de acampadas, asambleas y calles tomadas por el #15M el mismo día que las habíamos realizado. Las llamábamos nuestras emisiones especiales, y, sí, reconocemos que eran bastante caóticas y ruidosas.

Hemos dedicado programas a nuestros antecesores, artistas y colectivos de activismo sonoro que nos han inspirado, como Christopher DeLaurenti (sobre todo, sus grabaciones de campo de la Batalla de Seattle de 1999), o la larga trayectoria del colectivo Ultra-red.

En algunas ocasiones, nos hemos centrado en las formas y prácticas de escucha activa. En 2013 nos sumamos al #WorldListeningDay, que fue, de lejos, el #WLD más comprometido con la escucha como práctica política.

En otras, nos interesábamos por las prácticas sonoras de resistencia y protesta. Así que dedicamos un programa especial a las caceroladas y a otras formas de /rough music/. Cómo no, también nos interesaba el uso del sonido por parte el poder. De ahí, nuestro programa dedicado a las armas sonoras (que sabemos que os gusta mucho).

Pero el sonido no ocurre en un vacío. Relacionarse con el paisaje sonoro es también conocer los espacios que habitamos. En 2014, dedicamos un programa especial a los paseos sonoros, y al caminar como práctica artística y política. (Grabamos el programa, por supuesto, caminando.) Y, en 2016, nos sumamos al proyecto La ciudad demudada, que investigaba las transformaciones que sufría la ciudad de Málaga en manos de la gentrificación.

Ha pasado bastante tiempo. El contexto y las circunstancias han cambiado. El paisaje sonoro se ha transformado. Nuestra práctica ha evolucionado. Nos guste o no, estamos, literalmente, lejos de aquellas plazas. Pero en algunas cabezas todavía resuenan los ecos de aquello.

Ahora, hemos vuelto. self/noise #12: «Ecos» es un collage sonoro de momentos destacados captados por nuestros micrófonos desde la primera manifestación del #15M y las primeras horas de la #AcampadaSol hasta los últimos estragos del movimiento allá por 2014. «Ecos» fue presentado por primera vez dentro de la instalación Listening Point en la exposición colectiva La Situación 2016, en la Facultad de Bellas Artes de Cuenca.

Emitido el mismo día 15 de mayo de 2020, en el noveno aniversario del inicio de aquellos acontecimientos, «Ecos» pretende ser un homenaje, una celebración, y también una re-evaluación de aquel momento. «Ecos» es un pequeño laberinto/mapa mental de espacios acústicos, que busca encontrar ecos de un futuro posible.

self/noise es un programa dedicado al activismo sonoro, a la escucha situada, y a la investigación sonora militante. Se emite con una temporalidad variable, pero con una persistencia a prueba de bombas.

Button: by-sa
posted 16 May 2020

MZ N-710 – Chemin de Fer du Haut-Forez / Haut-Forez Railway

MZ N-710 – Chemin de Fer du Haut-Forez / Haut-Forez Railway

MZ N-710

“Chemin de Fer du Haut-Forez / Haut-Forez Railway”

Track 1 : En cabine de Craponne-sur-Arzon à Sembadel / Inside cabin from Craponne-sur-Arzon to Sembadel

Track 2 : Retour de Pontempeyrat à Usson-en-Forez / Return from Pontempeyrat to Usson-en-Forez

Comments :

Ces enregistrements ont été faits lors de mon voyage à bord de l’autorail X 2807 du Chemin de Fer du Haut-Forez le 30 juillet 2019. L’association du CFHF, basée à Estivareilles (42), fait circuler des trains touristiques sur la partie réhabilitée de la ligne Bonson – Sembadel, reliant autrefois Saint-Etienne à la Haute-Loire en direction de la Chaise-Dieu et d’Ambert, ligne de montagne au profil difficile, au long de laquelle on découvre des paysages enchanteurs. Le premier enregistrement a été réalisé dans la cabine de l’autorail entre Craponne-sur-Arzon et Sembadel (Haute-Loire), aux côtés du conducteur. On perçoit le tintamarre caractéristique du moteur MGO de 825 cv et le klaxon, souvent actionné à l’approche des nombreux passages à niveau. Je remercie les bénévoles de l’association qui m’ont autorisé à enregistrer dans ces conditions exceptionnelles. Le second enregistrement a été capté pendant le voyage du retour entre Pontempeyrat où la ligne franchit l’Ance sur un impressionnant viaduc et Usson-en-Forez (42). Dans la remorque de l’autorail, les voix et les rires des passagers se détachent sur la “musique” du train, souvenir inoubliable des voyages de mon enfance.

Matériel d’enregistrement : Olympus LS-10

These recordings have been done when I travelled on the X 2807 “autorail” of the Haut-Forez Railway on July 30th, 2019. The CFHF association runs trains on the remaining part of the Bonson to Sembadel line, that used to connect Saint-Etienne to Haute-Loire department, on the way to la Chaise-Dieu and Ambert, in Auvergne-Rhône-Alpes, France. This difficult moutain line runs through stunning landscapes. I recorded the first track in the conductor’s cabin between Craponne-sur-Arzon and Sembadel (Haute-Loire). The typical hubbub of the 825 hp MGO engine can be heard, as the hooter often rings, warning from many level-crossings. I thank the volunteers of the association who allowed me to record in these exceptional conditions. The second track was taken during return between Pontempeyrat, where the line crosses Ance river on an impressive viaduct, and Usson-en-Forez (Loire). In the trailer, voices and laughs of the passengers blend with the train’s “music”, unforgettable memory of my childhood journeys.

Recording device : Olympus LS-10

http://www.cheminferhautforez.com/

Button: by-nc-nd
posted 16 May 2020