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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

303 – True Time

303 – True Time
[JAM008]

303

“True Time”

We met online on the basis of interest in non-standard electronic music its production and distribution.

Trio 303 as an improvisational gang has formed in St. Petersburg, where the participants met on the pretext of the apartment renovation around 2011. The guys devoted all possible time to getting to know local musicians, organizing performance parties and exploring the environment.

In the process of renovation, sound equipment appeared in the flat in the form of a subwoofer amp from a PC system 5.1 and the Radiotehnika S30 speaker. That how we started to improvise in a free style using mostly computers.

We do this constantly and periodically to this day, slightly changing the composition of the participants. Today we are happy to present our a new album.

Attention! illocanblo (6,7), Nishimaru (8) and Potential DifferenSe (9) participated in several jams. Thank you.

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posted 01 June 2020

xenoton – crescent

xenoton – crescent
[tonAtom.140]

xenoton

“crescent”

it has taken more than 5 years until a new xenoton release is finally completed. with a total length of only 21 minutes, the work resembles exactly the format of the original tonAtom releases, which were designed for 3″ cds. six tracks combine dark soundscapes and xenoton-typical, melody-focused electronica miniatures. six studies between stylistic development and continuity with the previous releases “traveller” (2015) and “in a world of lights and glass” (2013). an additional bonus is the crescent-artwork as wallpaper for the background of your computer desktop and in full size as a printable poster
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posted 01 June 2020

Autonomaton – The Underwater Fires

Autonomaton – The Underwater Fires
[mhrk244]

Autonomaton

“The Underwater Fires”

“The underwater fires” is a conceptual EP, revolving all around Autonomaton’s love for the underwater life and rivers, seas, oceans and aquariums. That’s a passion shared with the Mahorka boss Ivo Petrov, so you can guess that this release has been long time coming. In the tracks one can hear actual sounds from real fish (not mammals) captured and presented in very experimental ways. All tunes were produced on a computer but analogue equipment such as a Korg and a 303 machine were utilized in the works, sounds played on/from which were recorded and reworked. All overdubs couresty of Nikolay Stanchev. One of the tunes is actually performed totally live, manipulating the already reworked loops.

This EP includes 4 original works and 2 special remixes by dear friends that further complement the release. The overall style here might be considered to be from experimental dub to obscure dub techno, as the artist himself describes it, but each track takes us on a totally new journey. The remixes are by Abu Ama – a pioneer of the sufi dub sounds and by Virtually J – the computer music pioneer in the Varna region, that started producing music on PC in ’94 with trackers and other audio software, and has been a huge inspiration and support for the regional scene, including for Autonomaton and Mahorka, ever since. Both remixes take really different sound paths from original tracks, but still are made with the thought of being coherent parts of the release, thus making the whole EP even a more colourful and interesting, completing a magical journey through the Earth’s waters and underwater life… Enjoy it loud!

released May 31, 2020

All music by Autonomaton, except for track 5 – remix by Abu Ama and track 6 – remix by Virtually J
Analog mastering by Virtually J
Cover artwork photo by kitthanes

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posted 01 June 2020

Chini.png – Fricativa Velar Sorda

Chini.png – Fricativa Velar Sorda

Chini.png

“Fricativa Velar Sorda”

released May 29, 2020

Compuesta y escrita por Chini Ayarza
Producida, grabada y mezclada por Martin Perez Roa en Estudios Niebla
Masterizada por Arturo Zegers en Estudio 050

Voz, Guitarras, teclados y samples: Chini Ayarza
Batería y percusiones: Gabriel Lele Holzapfel
Teclados y Arreglos adicionales: Martín Perez Roa

Arte de Portada:
Parte Abstracta: Sebastián Riffo
Parte Figurativa: Chini Ayarza

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posted 31 May 2020

Bu.d.d.A. feat. PAAK & Dieter Mauson – glucksandreife

Bu.d.d.A. feat. PAAK & Dieter Mauson – glucksandreife
[ACP 1268]

Bu.d.d.A. feat. PAAK & Dieter Mauson

“glucksandreife”

Bu.d.d.A. are:
Sascha Stadlmeier – violin, effects
Chris Sigdell – editing, mix

guests:
Peter Kastner – voice, accordion, noises
Dieter Mauson – electronics

recorded for Radio Gagarin
thanks to Thomas Beck !

photos & design by EMERGE

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posted 30 May 2020

The Dubwegians – King Of Dub

The Dubwegians – King Of Dub
[DPH041]

The Dubwegians

“King Of Dub”

Two years after their first release “South Of the River Clyde” in 2018, the Scottish duo Gary Lamont and Richy Clark return with a second EP with more reworks of some of their favourite dub tracks. These reworks were written back in 2013 but never received the respect they deserved, suffering from lack of attention, as this is the usual case with most of the artists and producers who are not into the mainstream reggae.

In this second EP entitled King Of Dub, they concentrate on the works of King Tubby, using the same approach recording wise as in South Of The River Clyde, trying to emulate some great King Tubby masterpieces. Richy played guitar, Garry played bass and covered all other sounds and the production, but this time the duo was enriched with the addition of Ian Borthwick on the drums, trying to get the feeling of a live dub band.

That was the second and apparently the last try of The Dubwegians to establish themselves as a dub band. Unfortunately the project that Richy dreamed off in 2013, never really managed to pull off. It kind of fizzled out after a while as people came and went. Up for a jam and some good time but not up for putting in the hours of practice needed.

We thought it would be nice to share these tunes, done a long time ago, and give them another lease of life! We hope you enjoy them!

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posted 29 May 2020

kol9remesez – leelya

kol9remesez – leelya
[EEM005]

kol9remesez

“leelya”

The overcomplexity of drums, reaching levels of spaceflight through curved spacetime. Together with the overmixture of styles with ever-changing moods from easy-going to harsh and active, but always in perpetual motion. Which lead to overabstraction of mind and space resulting in rotating mindspace.
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posted 29 May 2020

MOHER – Antropoceno Auto​-​Infligido

MOHER – Antropoceno Auto​-​Infligido
[mi266]

MOHER

“Antropoceno Auto​-​Infligido”

Joana Moher only grants us a one-way ticket on a trip that will be ours alone, everything we find, whether abstract or objective, is something that only we keep inside. On the launching pad, the viewer has to disconnect from what he sees to start feeling what is going on inside him.

Microseconds of life memorized and stored in the depths of our daily lives. Some of which we can unveil in the projections that our thinking makes throughout this experience.

A psychedelic work in abstraction, geometric in error, sublime in mantra. Outdoor and everyday recordings that are stitched and manipulated for the purpose of flashback, retention or repression of our attention as an active receiver of our daily lives.

MAI 2020

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posted 27 May 2020

Yaka-anima & Revolution Peak – Ghost of Himalaya

Yaka-anima & Revolution Peak – Ghost of Himalaya
[WTS115]

Yaka-anima & Revolution Peak

“Ghost of Himalaya”

Mixed, cover artwork design by Sábila Orbe.
stems, sound designer: Revolution Peak.

Yaka-anima aka Sábila Orbe aka Filmy Ghost is an experimental electronic project from Rancagua, Chile.

websites for more music:
https://archive.org/details/@yaka-anima_noise
https://hearthis.at/yaka-anima/
https://humanfobia.jimdofree.com/yaka-anima
https://www.facebook.com/yaka.anima.noise/

Revolution Peak is an electronic project from Fort Mcmurray, Alberta, Canada.

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posted 26 May 2020

Lokom – Sunday Break Storming

Lokom – Sunday Break Storming
[AR_098]

Lokom

“Sunday Break Storming”

Binaural symphony in clouds. Planets are to be swallowed, Jesus your lactated tar. The universe is a gigantic ball pool filled with kneeling cosmic giants. Chiseled cor-pustules and rubber sides. Watch out for humans, shrillness for the tendons, the robots shall prevail. Narrow but flexible galaxies, a good omen.
credits
released May 26, 2020

Original tracks by Lokom
Mastering by Stazma The Junglechrist
Artwork by Haedre

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posted 26 May 2020

Eafhm – Flora

Eafhm – Flora
[ST016]

Eafhm

“Flora”

Eafhm is a multidisciplinary project created recently by the evolution of different artistic and exploratory stages.
This project has developed different facets, including a career as an interpreter and audio producer when experimenting with a wide variety of musical sequences. It seeks the integration of oscillating interpersonal ideas among the variety of solid conceptions. This project also defines the transformation of the artist that has developed under different aliases for many years.
Each interpretation is made to create an atmosphere based on sound art, generative art and Techno in its different variations.
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posted 25 May 2020

Bledi Boraku – Makbeth (muzikë për teatër)

Bledi Boraku – Makbeth (muzikë për teatër)
[foot283]

Bledi Boraku

“Makbeth (muzikë për teatër)”

Bledi Boraku, who has released Tha
in 2017, made a soundtrack album.
“I was commissioned to compose for a theatre piece on Macbeth for the
National theatre of Albania. It is mostly music done on Max/MSP (audio
programming language) & sample manipultion.
I re-edited the music from the original soundtrack so it can fit on an
album concept as the original sountrack is longer and it was meant to be
played live during the theatrical show.”
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posted 24 May 2020

The Doll – Hand Dryer Solos

The Doll – Hand Dryer Solos
[pmc085]

The Doll

“Hand Dryer Solos”

The Doll spent a year exploring the inner noiselife of the hand dryers and air blades that dwell in castles, cathedrals, pubs, venues, museums etc. This album is made from a selection of live recordings performed in public bathrooms for unsuspecting members of the No Audience Overground.

Recorded on a phone in the toilets of Wales and England, with a splash of Spain, Portugal & Romania for good measure.

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posted 23 May 2020

TKno BeurK – Coronavirus World Tour

TKno BeurK – Coronavirus World Tour
[CN105]

TKno BeurK

“Coronavirus World Tour”

The full album Coronavirus World Tour is available in free download here https://archive.org/details/Coronavirus_World_Tour_TKno_BeurK Strange mix between electropunk noise rock like ButtholeSurfers and psychedelic triphop like Portishead and experimental electro ethnic like Muslimgauze… indeed this may be mostly post-industrial music

Don’t miss the two extra tracks :
A redux version of “Capitalism is the Virus” on The World is Over! work in progress metacompilation.
https://zonefusion.bandcamp.com/track/capitalism-is-the-virus
And an extended version of “Virus Last Call” on amazing Virus metacompilation ANDREAS 24
http://www.fractionstudiocompilation.bandcamp.com/album/andreas-n-24-virus-compilation-fraction-2020

This album is dedicated to all the victims of the Coronavirus, and to all the medical staff who fight covid-19 all over the world. Especially the french ones, because few months ago while struggling for less worst work conditions they were beat and hurt by the french cops.
We will not forget how aweful is the france governement.
So much blood on their hands…
All track recorded by Ed End in March 2020 at the Cave Haven in Foucherans
https://ello.co/ed_end
and upgrade (²)by Alain Grille at the Studio 112 in Dole till the fall of may 2020.
https://studio112.bandcamp.com/
All the TKno BeurK music is free to download here http://www.archive.org/search.php?query=creator%3A%22TKno+BeurK%22

Our main project is Multiple Personality 3
https://www.facebook.com/MultiplePersonality3/
Our side project is PIRATE Tapes
http://www.horsnorme.org/PIRATE_Tapes/index.html

Artwork is a deriv of this article illustration http://www.librescommeres.fr/read/195

Video Art Clip http://www.youtube.com/watch?v=BV1TDMXSpo4
or here https://www.bitchute.com/video/7rrB9YyjNNKq/

In 1334 in the Hubei province started the Black Plague.
In 2019 in the Hubei province started the COVID -19 pandemic.

“Capitalism is the Virus” is not our idea, it comes from the street culture, and it’s so obvious these days that we were very happy to create a song with. While neo liberalists, or whatever the name we give to the believers of this system are isolating us. Solidarity come from the people and I hope tomorrow together we will save the world out of their dirty hands.

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posted 23 May 2020

Jose Miguel Candela – Rezos

Jose Miguel Candela – Rezos
[pn155]

Jose Miguel Candela

“Rezos”

The following collection of prayers intends to establish a kind of intimate, microscopic, deep kinesics, an inner “small dance” that opens up introspection, meditation and / or contemplation paths. It is important, therefore, to consider that this set should not be understood as a religious production. Tao Te King (foundation for Taoist philosophy), insightfully states in its XXVIII epigram that religiousness is only an appearance of loyalty, but destitution of a real spiritual dimension.

These prayers represent an austere act of ancestral memory, an attempt to voice out a compound of elemental imagery found in many worldviews of the most diverse aboriginal cultures. It is incarnated through singing (an embodiment act) in order to share a willingness to connect with something I consider essential, something we cannot name (for by naming it, it is undone), the ancient, irrational core of all things living. Because of this, I invite you to listen to these pieces not as a work of art, even though they live as musical sound (not electroacoustic this time, but appealing to ambient music). The invitation is, through listening, to build up that bridge (pons + ifice, the bridge builder) that connects us and that primal, atavistic footprint living silently inside of us.

Five years after a homemade, very limited first release, I share this digital-only, free-download reissue via Pueblo Nuevo Netlabel. It is a small gift, looking forward to accompanying (us), one way or another, during these complex, critical (political, social, health, spiritual) moments we are going through as a planetary society.

José Miguel Candela
(Santiago, Chile. Mayo / May 2020)
English version by Gerardo Figueroa.

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posted 22 May 2020