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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: electro

TabiiTaabii – Small Steps

TabiiTaabii – Small Steps
[Insectorama144]

TabiiTaabii

“Small Steps”

TabiiTaabii – Small Steps (Insectorama144)

It is sometimes
as if all threads were cut off…
like everything around you
far and empty
a dead space
and you yourself a strange dream…
…as if the sun would never come again,
as if a song never sounded through,
like everything is slowly coming to an end…
and suddenly it flickers through the clouds
and suddenly a sound hits the ear

Insectorama 144
all tracks by TabiiTaabii
Mastering by Markus Masuhr
Artwork by TabiiTaabii

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https://insectorama.bandcamp.com/album/small-steps
https://insectorama.bandcamp.com
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posted 10 December 2022

88756 – Do You Believe In Me?

88756 – Do You Believe In Me?
[CVU021]

88756

“Do You Believe In Me?”

The CVU series is designed to welcome repeat offenders, and boy howdy is 88756 emerging as a prominent, permanent contributor to the label. After first touching base with the label last year, releases on CVU008 and CVU020 (as well as some stunning visual work on the DVD), and collaborative gigs in Meanjin (Brisbane), Boorloo (Perth), and Naarm (Melbourne), it’s safe to say that the program’s place in the label mainframe is set.

Producing with rapidfire efficiency, CVU021 is another brilliant expression of the core 88756 sound, focusing on a blend of fat classic electro, and lopsided, rhythmic techno. We’re also thrilled to welcome Backpocket Slammers’ co-founder XYSid to the label, with a storming remix of the title track “Do You Believe In Me?”; tying off a rock-solid package.

With more musical and event collaborative goodness on the horizon, as well as the recent launch of 88756’s accessible rehearsal space in Naarm – Mechanical Soul, we’re excited to keep our sights thoroughly fixed on this artist in the future.

releases October 12, 2022

Production: 88756, Oscar Neenan
Mastering: ADMINISTRATOR
Graphic: Brooke Reilly
Text: ADMINISTRATOR

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https://88756techno.bandcamp.com/album/do-you-believe-in-me-cvu021
https://88756techno.bandcamp.com
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posted 11 October 2022

Various Artist – Algorhythmic Bias 2​.​0

Various Artist – Algorhythmic Bias 2​.​0

Various Artist

“Algorhythmic Bias 2​.​0”

With all the amazing music that gets released on other labels that I include in my mixes, I always feel like I’m neglecting the amazing music that is released on Digital Distortions.

So, this is the second of a new mix series that, in conjunction with the BRAWLcast podcast, will feature exclusively tracks released on Digital Distortions. The mixes will feature on the BRAWLcast but will also appear here on Bandcamp with the unmixed tracks and the mix available in lossless formats.

released September 10, 2022

01. W+P: Doug Adamson
02. W+P: Chris Roman
03. W+P: Carlo Pearson
04. W+P: Charlton Ravenberg / Remix: Dennis Bunton
05. W+P: Neil Mallory / Remix: Dennis Bunton
06. W+P: Rob Murphy
07. W+P: Pat Hime
08. W+P: Joby Osman / Remix: Rory St John
09. W+P: Joby Osman, Guy Fforde & Dan Yeomans
10. W+P: Joby Osman / Remix: Blackmass Plastics
11. W+P: Carlo Frio
12. W+P: Nick Byrne
13. W+P: Pat Hime
14. W+P: Jack Carel
15. W+P: Rory Lemon
16. W+P: Fina Rodriguez
17. W+P: Joby Osman & Guy Fforde
18. Compiled and mixed by John Bushby

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https://digitaldistortions.bandcamp.com/album/algorhythmic-bias-20
https://digitaldistortions.bandcamp.com
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posted 13 September 2022

nad labem – IN RUHE AUSRASTEN

nad labem – IN RUHE AUSRASTEN
[djummi.023]

nad labem

“IN RUHE AUSRASTEN”

nad labem, Czech for “on the Elbe”. This is the suffix to the names of some towns that are located at this river on the Czech side. For the trio around the Dresden musician David Friedemann, nad labem also names a place. The one from which his music could emerge, perhaps even had to. It is closely intertwined with his person, the time, and the places (of its creation). nad labem: A fateful place in the best sense of the word, whose vibe constantly resonates through all actions, crafting, and rejection, like a basic tone and ultimately gives the music its peculiar mood.

And it is indeed unique: the vocabulary of Indietronica and Electropop is just the starting point for a sound that seems to get along without references as if it had been created in a valley of the unsuspecting. Bulky grooving beats, well-dosed synthesizer sounds, and clear, direct vocals are the predominant elements of the music. The picture-rich but always encrypted German texts contrast excitingly with this clarity.

While working on the album “IN RUHE AUSRASTEN” the very personal solo project of David Friedemann, also known as the drummer for the Dresden bands Planet9, ne:o and menkenkes, has grown into a trio. Together with the musician friends Friederike Pilz and Marco Sebastian Christ (ne:o, Shortcuts, The Cream Canteens) he worked on his song ideas in 2021/22.

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http://www.djummi-records.de/2022-09/nad-labem-in-ruhe-ausrasten/
http://www.djummi-records.de
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posted 02 September 2022

Sonda – Wahadelko

Sonda – Wahadelko
[BM05R22]

Sonda

“Wahadelko”

Aleks and Seba have already done a bit for the alternative scene. The first one in Renmin Ribao, the second one in Raw Plastic and the Paris Syndrome. Apparently, the boys are still not enough and they try their hand at a completely different form. This is the first time we hear them in this style, but it is safe to say that they know what they are doing. The key to all listening pleasure is the distinctive chorus. Synthwave clashes with blurred vocals, setting a dreamy, even slightly nostalgic mood. Pretty simple diagram, but there is something very catchy here. It’s the same procedure I see in some MGMT or Molly Nilsson songs. Clash of negative and positive emotions in a very light form.

bonimedia.pl/samples/sample_sonda_-_koniec_swiata.mp3

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https://bonimedia.pl
https://bonimedia.pl
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posted 22 August 2022

Various Artist – Another Beast Feast

Various Artist – Another Beast Feast
[LCNLP150]

Various Artist

“Another Beast Feast”

The Necrophile Hummingbird netlabel presents Another Beast Feast by PARRHESIA Sound System VS Ethnomite Pux.
“Magick Music for Magick People”.

When I received the tracks of Ethnomite Pux I was juggling with the development of several albums, so that it was uneasy to think about a collaboration, but one of them is a kinda tribute to one of my best friend left too young in July involving rADio eNd, PIRATE Tapes, Invisible Illusion, A Symbiotic Experience and Yoshiwaku. But there is no music of this friend inside so I thought about to remix his drum ‘n bass tracks for this split album. Also he wanted we do an adaptation song of one Aleister poem, perhaps the hermit, so despite I find it really cliché now, I already did some with Gestalt OrchestrA years ago www.archive.org/details/ZvezdaMix and I’m not that much in this energy. I choose to add few of his recordings I had not use at this time.
Next I had a listen of the tracks at their original speed. And I find it really cool to keep them as they catch really my buddy sound perhaps more than his own tracks. Also it’s forming a slow ascension to the tempo of the Ethnomite Pux tracks and I enjoy the idea to show how PARRHESIA Sound System is built by slowing down electronic music, same way to give in the titles the ratio keys I often use. Because one day too I will no more be here and it would be such a joy younger generation continue to explore these ways to create music. Except the 4th Ethnomite Pux track made with a loop I nearly only added the sound of a frantic play done with my mini kaossilator.

Another Beast Feast complete very well the tribute “A loss hard to measure” which will be release the 30th september, and includes poems by W.B Yeats.

There is a full album by Ethnomite Pux including these tracks soon release here ratasordarec.bandcamp.com

There is an anti-film here with original Ethnomite Pux music www.archive.org/details/img-8207_202208

PARRHESIA Sound System https://www.soundcloud.com/parrhesia-sound-system
Obywan https://www.soundcloud.com/obywan
Ethnomite Pux https://www.soundcloud.com/jaime-cleeland

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https://archive.org/details/parrhesia_sound_system_vs_ethnomite_pux_another_beast-feast
https://archive.org/details/le-colibri-necrophile
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posted 18 August 2022

CPTN – Prepare To Board EP

CPTN – Prepare To Board EP

CPTN

“Prepare To Board EP”

Twisted electro-bass buccaneer CPTN has been making waves with his unique productions, and these 4 explosive tracks showcase his sound to the full. Expect choppy rhythms and torturous distortion.

released May 6, 2013

Artwork by Aidan Barnard
Mastered by Souq Studios

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https://mutantbassrecords.bandcamp.com/album/prepare-to-board-ep
https://mutantbassrecords.bandcamp.com
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posted 09 August 2022

For Example John – Welcome to the Johnnverse

For Example John – Welcome to the Johnnverse
[Wuerfel34]

For Example John

“Welcome to the Johnnverse”

Slapstick, spectacle, riot, downhill, electro-bruzze, party, always firmly on. That’s how we imagine the Johnnyverse, to which For Example John invites us here. A classic second album, more of everything we love, one step further, everything a bit bigger and wilder, the next level. That’s the way we want it. All our expectations are satisfied. Hell Yeah.

And yet, and yet, and yet…

Every now and then, lines of lyrics stick in our ears for days. “Everything that bothers us now, has to be destroyed long ago”. Our speech, already for years, funny that still nothing has changed. It’s because of “the capital”, of course. And maybe also because of the “bread and games” for which we are always too happy to drive our dreams against the wall. Anyway. “Look at my super flat screen”. None of this bothers us, because we are, after all, the “generation with the retro shoes”. And we hope that this can help us further.” It’s all not so dramatic, we know where the ball is in our court. Even if we have long since lost the laughter of our childhood. And at some point, saving the world will somehow work out. Until then: Party on, party hard.

In this sense: Welcome to the Johnnyverse.

P.S.
I love you.

P.P.S.
But sometimes you stink.

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https://www.derkleinegruenewuerfel.de/en/releases-en/for-example-john-welcome-to-the-johnnyverse/
https://www.derkleinegruenewuerfel.de
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posted 14 July 2022

Zyxbotcba – Homemade Acid

Zyxbotcba – Homemade Acid
[D!HR-56]

Zyxbotcba

“Homemade Acid”

For its 56th release, Da ! Heard It Records revels in reviving rave.
After releasing a first record in 2011 on Da ! Heard It, Astroboiler changes tapes in 2022 and surprise: it is covered in smileys.
Under the name of Zyxbotcba, the musician serves us here a mix of artisanal sonorous fractals with a sour scent. Among the bouncing blips and other roughly digitized vocal samples, old school rhythm boxes and synthetic layers all smoothly will remind the elders of their first mixes.
Reminiscent of IDM stammering and more generally of the electronic effervescent of the 90s, these 11 euphoric pills offer a mental panorama more neon than a cesium 137-flavored highlighter tropical cocktail. Homemade recipe, shake after opening.

Da ! Heard It Records’ 56th release is distributed under a Creative Commons BY-NC-ND license.
The album is available on cassette or digital for free at the following address: www.daheardit-records.net/en/discography/dhr-56#release

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https://www.daheardit-records.net/en/discography/dhr-56
https://www.daheardit-records.net/
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posted 10 April 2022

Sypha Nadon – Lovecraft

Sypha Nadon – Lovecraft
[MZR053]

Sypha Nadon

“Lovecraft”

Mauve Zone Recordings is pleased to announce the Sypha Nadon LP LOVECRAFT. Unlike the conventional pop stylings of 2018’s PLEASANT SONGS or the classy compositions of 2019’s HIRAETH, this marks a return to the band’s more experimental era, which is another way of saying lots of repetitious loops, pretentious song titles, unlistenable noise, and much pointless, meandering noodling. Disclaimer: aside from the album title and song names, this album actually has very little to do with Lovecraft.

Tracklisting:

1. From Beyond (5:02)
2. A Mountain Walked (5:55)
3. The Sad Shoggoth (5:08)
4. “Yes, My Dead Courtesan, I Remember the Red Hook Orgies” (5:36)
5. An Adequately Excellent Lover (3:21)
6. The Zann Variations (4:43)
7. Ambient Loop Parts 1 & 2 (6:35)
8. Owl With A Thousand Eyes (2:55)
9. Not Theirs the Cypress-Arch (5:09)
10. 9876√th Pulse-Beat of the Cosmic Fungus enveloping Yaddith (7:43)
11. Xibalba Chant (6:39)
12. Arkham House (2:54)
13. Destroy Creation (4:48)

Running Time: 66:30

All songs written, arranged, programmed and performed by Sypha Nadon
Produced, engineered and mixed by Sypha Nadon
Recorded at MZR Studios in 2017-2022
Art Design + Design by James Champagne
Background Cover Art by H.P. Lovecraft
Sample on “Xibalba Chant” from MELANCHOLIA
The voice on track 9 is reciting a Clark Ashton Smith poem (of the same name)
Caution: not for use with mono devices

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https://archive.org/details/MZR053/
https://archive.org/details/mauvezone?tab=about
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posted 04 February 2022

Emmerichk – Echo Around 101

Emmerichk – Echo Around 101
[M045]

Emmerichk

“Echo Around 101”

Mexican producer Emmerichk pleases us with a second release for Modismo catalog after releasing ‘Sleepy HZ’ (2019) and adding a track that same year to the third volume of the compilation ‘Chile No está en Guerra.’
His new EP offers us four extensive compositions that in their first line immerses us in a delightful Dub Techno trip which pays tribute to the classic Drum Machine 808 of Roland.
Soon, collisions over analog tape increase tension that later on is released with resounding rhythms provided by the second track. Echo Around 101 keeps a calm environment to then ratchet things up during one of the most unnerving moments of this work.
With a musical trajectory of almost three decades, this talented musician and producer has sustained a highly notorious place in national and international record labels. Always avoiding common places, Emmerichk can be spotted among great talented musicians within the contemporary Latin-American electronic genre, as it is well revealed in Odyssey Stabs, the track that overwhelmingly completes his work.
This is an album with flawless sound that carries German musician Pole’s legacy and takes it to more intense and robust fields where abstraction is loaded by vital and contagious energy.

Javier Moraga Salazar

Todos los temas compuestos y masterizados por Emmerichk
Arte por Emmerichk
Reseña por Javier Moraga
Traducción al Inglés por Allyson Penelas

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https://www.modismo.cl/EchoAround101.html
https://www.modismo.cl
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posted 12 January 2022

rADio eNd – Underground Culture

rADio eNd – Underground Culture
[LCNLP140]

rADio eNd

“Underground Culture”

The Necrophile Hummingbird Netlabel presents Underground Culture by rADio eNd.

“Underground Music for Underground People”.

About the surface of this album :
Hypnotic like a free fall without gravity thru altered states… between two parenthesis : the break through and the back to this deadly corrupted world.

About beneath the surface :
Mostly recorded at the same time we released Hum Antenna archive.org/details/rADio_eNd_Hum_Antenna trying the best to digg this way, but with free mind, so that’s why it’s a different trip perhaps more introspective, I kind of mediation. It’s hard to create anything artistic in today world. Especially for my example living in france, when I watch a film like 7 Prisioneiros, which shows how the system is built to corrupt anyone, like if there was no alternative between be a prey or a predator, I feel helpless. How can I help, how creating music can help in such a world were life in so many country seems so hellish ? Seems there will be always the damned flag of Punishement Park floating in the dream of most of population. So that’s why this music comes to show as well their will be always people not dreaming to become a predator at the top of food chaine, prefering help other humans to remember what is really making beat their hearts. And it’s absolutly not the mainstream fake needs provided to stay in the confort zone of the controled consumerism. Amongst many things It could be the way we listen our relationship to any living being, the free share of our skills, the fertile mix of our differences and particulary the love which make us act for the others. All kind of transcendant things which lead us to realise inedit utopias. However freedom and happyness are hopeless if it’s not share by all.

A word from Ed End (to be clear that means it engages only me in the project).
These last months I avoided to talk about the situation here mostly because there is no way to have a real discussion. There is no real arguments It’s just an opinion war with behind some who believe that a state care of his population and other who believe that a state won’t do it. Actually some have no more the same rights than other because of medical excuses.
It’s not that new, because in reality it’s an universal thing, everywhere the richs are not with the same rights than the poor, just sometime a trial win for hide the rest. But what is new is that they do not dissimulate it. The french state dissalow to their citizen to choice what to do with our body, with our health. No matter if it could be small problems compare to other shits, when I see a racialized mother asking in a small town library if her children 12 years can come and despite the place is empty the employee refuses because of a vaccinal pass. Each one should be able to choice. If someone want to try an experimental vaccine, I’m ok with it, but I’m not ok if this personn spread the propaganda, and social pressure or threats toward the others. I’m absolutly against some pro experimental vaccine people who talk and act with in their mind, constiously or not, the idea that they would get rid by any way of the people doing not like them. Again that stinky idea that the solution to their probleme is to kill the different ones. I don’t care if they are drive by the fear or control by the state or just mindless. That is inacceptable.

This said I’m doing industrial music because I criticise any control mechanism, I could say anything relevant or whatever, that’s matter not that much. I could say that you should think by yourself, the process will be still a spokesperson saying you what to do, so it sucks anyway.
Everything is about control or conditionned selfcontrol dissalowing you to think by yourself. It’s up to you to shut down the power. I hope you can feel how to escape from the matrix.

Perhaps you’d better stop drink that milk and honey, catch your train to the underground railroad ?

Featuring :
Peter Hope on tracks 1/5/6
peter-hopes-explodingmind.bandcamp.com/
Studio 112 on tracks 2/3/4
studio112.bandcamp.com/
Ed End on all tracks
ello.co/ed_end

rADio eNd is a process more than a simple musical project…
More informations about rADio eNd on the official page
horsnorme.org/rADio_eNd/rADio_eNd_english.html

Special thanks to anyone keeping alive the humanity fire.

Dedicated to all the underground pioneers helping their fellows to escape the matrix.

Video Art Clip soon or later here www.bitchute.com/channel/mixuptv/

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https://archive.org/details/rADio_eNd_Underground_Culture
http://horsnorme.org/rADio_eNd/rADio_eNd_english.html
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posted 22 December 2021

Invisible Illlusion – Tohu Wa Bohu Disc 1

Invisible Illlusion – Tohu Wa Bohu Disc 1
[LCNLP137]

Invisible Illlusion

“Tohu Wa Bohu Disc 1”

The Necrophile Hummingbird netlabel and Internet Daemon (Cian Orbe Netlabel) present
Tohu Wa Bohu Disc 1 & 2
“Unreal Music for Real People” or “Real Music for Unreal People” ?
Disc 1here archive.org/details/Invisible_Illusion_Tohu_Wa_Bohu_Disc_1/
Disc 2 here archive.org/details/tohu-wa-bohu-disc-2

Download Disc 1 in Flac and Wav format here yoshiwaku.bandcamp.com/album/tohu-wa-bohu-disc-1

I’m very happy that the first Invisible Illusion is a split with Humanfobia. I orientated my sound with this project to be closer of witch house style for example because of Cian Orbe Netlabel compilations like this one archive.org/details/v-a-post-witch-music-vi and also because we share very close ideas about free music.
This is not the first time we do a split, we already did one “Strange Pearls” archive.org/details/yaka-anima-yoshiwaku-strange-pearls-split with other projects. But this time the process is slightly different, and that’s why this is not a rADio eNd album, last summer I sent the raw improvisation session to Humanfobia and they created these upgraded tracks listenable on disc 2. And next I reworked a little the raw tracks adding one or two layers on one, reading poetry on another one and that’s the disc 1.

While I was trying hard to cut out the Gordian knot about how to organise this split album, thinking about to melt our contributions in the playlist or to follow the rhythm progression for Humanfobia playlist etc, I noticed Humanfobia choice to base their tracks on the 10 egyptian plagues instead of me who based it on the seven plagues of the apocalypse. So I kept the 10 plagues order for the playlist and split the album in two discs.
This to point out that what could seems a missunderstanding could be more meaningfull about the way these two propheties could be link.
Same way I’m not that much in apocalypse topic, really not into collapsology I didn’t choice the theme, it comes by itself. But I noticed that in addition of “The World is Over !”,
archive.org/details/VA_The_World_is_Over__A_side and despite it’s still not achieve we’ve got a Multiple Personality 3 album called Glauko Psyche waiting since several years amongst other things like the french lyrics of Paroxysmic Rhapsody with that sort of end of time theme. Perhaps it’s only because that I feel everything around, I don’t make any statement about it I just think there are many signs. So perhaps the way this album is organise could talk about the way it’s organise between real life and myths, who knows ?
I can only hope each one is conscious about the disasters humanity is spreading over this world.
And that we will not let this rot like a larva wasting its ressources before turn into butterfly and then diying stupidly.
But that we will do obvious choices to stop all this shit. There is a time to think and a time to act.

Last thing this is a share of free culture, and it’s not a hasard if there are two poems ( In french here lundi.am/Arracher-l-art-a-l-artifice ) from an anonymous writer in this album,
free culture is not only the opposite of property but also of narcissic behavior. It was so good to read the writer answer to do whatever I want because its writing owns itself.
This is one of Brion Gysin & William S Burroughs legacy : the Cut-Up teaching shows that most of the artist live only with the illusion to be generator,
because everything is a permanent mix of conscious and subconscious sources. Others know they are only mediums and care of their artworks that way. I mean if we bring children on earth it’s for they do their own choices. Not to be steril clones stuck in a loop.

I struggle for free culture since more than 20 years because the free share of ressources seems for me the key for a world no more rule by nations or multinational corporations.
And that’s one of the things I’m talking about we are all connected to each one, and we need to get ride of the separation illusion.
Invisible Illusion may be a kind of key.

Before this album two tracks by Invisible Illusion are allready release on these excellent compilations :
Communitas Volume 2 mickmagic.bandcamp.com/track/unreal-mixtape
Cicada 17 requiem : brood X 3 camembertelectrique.bandcamp.com/track/flying-salt-shakers-of-death
And last thing there is an interview here in aproximative english here cian-orbe-netlabel.blogspot.com/2021/10/interview-with-ed-end-2021.html or in french in podcast here aligrefm.org/podcasts/la-vie-est-un-roman-08-juin-2021-le-colibri-necrophile-ed-end-1400
But nothing talking as well than the music.

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https://archive.org/details/Invisible_Illusion_Tohu_Wa_Bohu_Disc_1/
https://archive.org/details/le-colibri-necrophile
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posted 31 October 2021