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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: electronic

Various Artist – 深淵sampler vol.7

Various Artist – 深淵sampler vol.7
[LF206MP3]

Various Artist

“深淵sampler vol.7”

This is a promotional compilation. The purpose of this project is to promote the existence of newcomers by including only their previously released songs, and to stimulate their activities.

Track Listing:
01. Elastic Cubes – 祈り
02. sotteli.mid – sipe.magik
03. suicabearer – きららファンタジア 「ぼっち・ざ・ろっく」参戦決定
04. anya – cat named gurt
05. samebeam – Emotion
06. るるっち – EMPTY
07. 雨熊 – 夢ノ帷
08. スク水 – Do you like a lot of amen breaks
09. 加藤亜依 – anxiety
10. Mizuoka Hana – SigSig (Mizuoka Hana Remix)
11. itsu – Fallen Angel (itsu remix)
12. iroha – 君がいた夏を
13. スパゲテー – 君と夜空とアーメンブレイク
14. SXR4 – 「また、同じ夢を見ていたのですが。」
15. Kettenkrad – Anime MIRO!!!!

Curated by Haruo Ishihara
Artwork by Lefko
Design by Occupied Territories

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posted 24 April 2023

Various Artists – INTENT 2023: Eunoia

Various Artists – INTENT 2023: Eunoia
[mhrk346]

Various Artists

“INTENT 2023: Eunoia”

The INTENT compilation series provides a platform for electronic and experimental music artists to share their work and set goals for the coming year, encouraging and inspiring creativity, innovation, and artistic vision from all corners of the globe. Since its launch in 2019, INTENT has become a powerful resource for artists aiming to realize their ambitions and monitor their progress over time. We are proud to continue providing INTENT as a compilation that goes beyond the ordinary, providing a truly transformative and ever-evolving experience.

In order to tackle the challenges ahead and make progress in life, it’s important to replenish and strengthen your inner resources. This is where “Eunoia” comes in. Providing you with a soothing aural landscape of pure ambient electronica, it will help to revitalize you, restoring balance and providing a sense of calm and peace. Let its dreamy ambiances take you away to a place of harmony and balance, restoring your peace of mind and setting the stage for your success in 2023.

More about INTENT: github.com/linfri/INTENT

Compiled by Nierika Productions in January 2023.
Image by Robert Richarz from Unsplash (January 2018)
Text, mastering and graphic design by LR Friberg.

All tracks were created and produced by the artists involved.

Pete Swinton (Indonesia): peteswinton.bandcamp.com
Wayne DeFehr (Canada): www.waynedefehr.com
Wilfried Hanrath (Germany): wilfriedhanrath.bandcamp.com
Daniel Prendiville (Ireland): www.reincheque.net
Deborah Fialkiewicz (UK): t.ly/-If9
Tone Tone (France): discogs.com/artist/6923928-Tone-Tone-2
LR Friberg (Sweden): linktr.ee/linfri
alfa00 (Ireland): alfa00.bandcamp.com
Nimbostrata (Sweden): linktr.ee/linfri
ElectroFurnace (UK): electrofurnace.bandcamp.com

Released by Mahorka on April 23, 2023

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posted 23 April 2023

Taped Rugs Productions – Persiflage Among Vacuum Cleaners

Taped Rugs Productions – Persiflage Among Vacuum Cleaners

Taped Rugs Productions

“Persiflage Among Vacuum Cleaners”

“Persiflage Among Vacuum Cleaners” is a collection of Taped Rugs recordings which were created and/or published through the collaborative efforts of various artists and producers from 2020 to 2023.

Specifics:

1) “Umber None,” “Burnt Meow,” and “Herb Met Rune” were all created by Charles Rice Goff III as potential mixing fodder for the project: “Pen Pals 5: Flea Market” by Don Campau. Pen Pals 5 is a collaboration between Campau and several musicians, who each provided Campau with recordings to which he added lyrics, vocals, and/or instrumental embellishments. “Burnt Meow” features baby sounds by A-Lex Butler. Pen Pals 5, released in July, 2022, can be accessed at the link below:

https://doncampau.bandcamp.com/album/pen-pals-5-flea-market

2) “Similac” was composed by Charles Rice Goff III for the compilation album: “Deconstructing Reality Volume 2,” produced by Chris Phinney’s Harsh Reality Music. The album, released in August, 2022, can be accessed at the link below:

https://harshrealitymusic.bandcamp.com/album/deconstructing-reality-volume-2

3) “From From From” is a collaborative effort between Charles Rice Goff III and Gen Ken Montgomery. The raw sonic materials for this recording were captured via an open-air digital camera on December 20, 2022 at the Taped Rugs studio in Kansas City, Kansas. Goff remixed the piece presented here on January 7, 2023, and it makes its first public appearance in this collection.

4) The version of “Inner Transmission” presented here is a previously unreleased out take from the album: “Salvator Salvandus” by Radio End. Ed End and Charles Rice Goff III released versions of the album in August, 2021, via both the Necrophile Hummingbird and Taped Rugs Productions recording labels. In addition to the version of this piece that appears on those albums, End created a variant version for a video. The version of Inner Transmission presented here was a potential alternative to End’s video mix, created by Goff. Listeners will note that each version includes different bits of a recording of a large, hand-cranked wheel, which is prominently featured in End’s video.

Original Taped Rugs Album:
https://archive.org/details/SalvatorSalvandus

Ed End Video: https://www.youtube.com/watch?v=M9HRBGNfLpQ

5) Charles Rice Goff III recorded “The Microsoft Updates Blood Ritual” for the 2022 Aural Films “Horror Films” compilation album. This collection consists of over seventeen hours of original recordings by 71 different artists, and was released in October, 2022. The compilation was the fourth release in Aural Films “Horror Films” series, begun in 2017. It can be accessed at the link below:

https://auralfilms1.bandcamp.com/album/horror-films-2022

6) C. Goff III created “With Which You Were Not Born With” for the album: “Electronic Cottage Compilation 7, Forgotten Memories Of A Harsh Future, a tribute to the Harsh Reality Music label.” This collection was curated by Harsh Reality’s Chris Phinney and released by Hal McGee’s Electronic Cottage label in July, 2020. The track itself was credited to Goff’s nom de plume: Swami Loopynanda. It can be accessed at the link below:

https://halmcgee.bandcamp.com/album/electronic-cottage-compilation-7

7) “Duzah Pamih Vapah” was created for the Aural Films compilation album: “Fourth World Is”, described as “a tribute and continuation of the late Jon Hassell’s vision.” The piece was produced by Charles Rice Goff III and includes percussion bits by Michael LaGrega. It was credited to Taped Rugs Productions. Fourth World Is, released in August, 2021, can be accessed at the link below:

https://auralfilms1.bandcamp.com/album/fourth-world-is-jon-hassell-tribute

8) “Action Alexander” is the soundtrack for the video, “Action Alexander,” produced by C. Goff III in December, 2021. All the sounds in this piece were created by playing recorded bits of the voice of A-Lex Butler through a Yamaha VSS-30 sampling keyboard. The “Action Alexander” video has to date not been released to the public. The soundtrack makes its first public appearance in this collection.

9) “Fluorescence Dynamics” was produced for the Aural Films compilation album: “Mars Perseverance,” released to commemorate the Mars Perseverance rover landing in February, 2021. The piece was edited together by Charles Rice Goff III from recordings made by Goff and Michael LaGrega, and is credited to: C. Goff III & Michael LaGrega. It can be accessed at the link below:

https://auralfilms1.bandcamp.com/album/mars-perseverance

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posted 21 April 2023

Merzlux – Sweitter Watood

Merzlux – Sweitter Watood
[20k375]

Merzlux

“Sweitter Watood”

Merzlux, the experimental project by Vziel, is an exploration of artifice and chaos through electronic music. This two-track single offers a glimpse into Vziel’s unique approach to composition. Sweitter Watood is a soundscape that draws on the genre of musique concrete, incorporating a range of samples and field recordings to create a disorienting yet captivating experience. Generation, on the other hand, features a thumping beat that drives the track forward, interwoven with synth lines and sound effects to create a sense of momentum.
all rights reserved
posted 20 April 2023

Humanfobia – Vorhees on the witchy cabins

Humanfobia – Vorhees on the witchy cabins
[None]

Humanfobia

“Vorhees on the witchy cabins”

Compilation of past humanfobia tracks inspired on the classic horror movie series “FRIDAY THE 13TH” also some collaborations about it.

– All tracks mixed, remixed, cover collage by Sábila Orbe.
– Accompained by respective collaborators in each track. (except tracks 3 & 7 solo humanfobia tracks)
– Vocals in tracks: 1,2,4,5.6,7 & 9, model in the cover: Mist Spectra.

Humanfobia is a dark experimental, witch house, ghostly electronic music duo from Rancagua,Chile. Members: Sábila Orbe (sound mixer and male vocals) & Mist Spectra (lead female vocalist)
https://humanfobia-official.bandcamp.com/
https://hearthis.at/humanfobia/
https://archive.org/details/fav-mist_spectra

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posted 18 April 2023

Droomsfeer – Unity

Droomsfeer – Unity

Droomsfeer

Unity

“In a world where reality blurs and dreams come alive, there exists a sound so ethereal, so otherworldly, that it transports you to a realm beyond your wildest imagination. Fluffy clouds drift through the air, carried by the winds of change, painting the sky with colors beyond the spectrum of light. As you close your eyes and surrender to the music, you find yourself floating through a sea of stars, surrounded by the cosmic symphony of the universe. This is a journey through uncharted territory, a pilgrimage to the heart of the unknown. Let the sounds wash over you, let the melodies carry you away, and let your mind soar to the very limits of existence.

This is music like no other, a gift from the cosmos, a reminder of the magic and wonder that exists just beyond the veil. This is the soundtrack to the dreams of humanity, a portal to the infinite, and a celebration of the mysteries from the universe.”

————————————————–

Unity is a compilation album that contains all of Droomsfeer’s tracks which were created and released between April 2020 and April 2023. The album features around three hours of dreamy and atmospheric music, spread across more than fifty separate tracks.

All tracks on Unity are distributed via the freest form of the Creative Commons licenses. This means that everyone is free to share these works and to create adaptations based on the originals. You have Droomsfeer’s kind permission to copy and redistribute the tracks in any medium or format. You may also remix, transform, and build upon the material for any purpose, even commercially. However, you must give appropriate credit, provide a link to the license, and indicate if changes were made.

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posted 15 April 2023

Daniel Klauser – Bilocacion EP

Daniel Klauser – Bilocacion EP
[pn220]

Daniel Klauser

“Bilocacion EP”

Bilocation: Specters of Marx

Searches find their place, means find their forms, rhythm finds its balance. “Bilocación”, from musician, producer, DJ, and cultural manager Daniel Klauser, is dance, trance, and manifesto; an EP that opens up new soundscapes within a register that has gone in different directions: techno, house, hip hop, Latin American jazz, or rock are part of this musician’s continuous search, who has made his way by assembling and dismantling aesthetics, discourses, sounds, and scenes to, in this new work, invoke the ghosts of what once was not music, but the underground discourses that once inhabited it.

Featuring musician Tristán Sotomayor (AOI and Nonlocal Society) as a guest, “Ft Tristán” is a track that makes us wonder, at what point did we arrive at this place? Through minimal means and lo-fi sound as a discursive weapon, Klauser moves us imperceptibly from one room to another, from one landscape to another, from one atmosphere to another; from the rawness of the sound to starchy groovy passages of rhythms, almost tribal, that build up or rather melt into a lysergic, warm, soft, and enveloping flow.

“Trumpet Lesson” is imagery taken from the dream of a trumpet traveling through the acid particles spat out by Miles Davis; or it could be a hallucinogenic journey in the midst of Kerouac’s arid road, or a dark and dystopian hallucination of Burroughs, or perhaps it rises as the cosmic and psychedelic intensity of Herbie Hancock in Sextant; what is certain is that here, Klauser’s processed trumpet delivers something retro-futuristic, accompanied by arpeggios and bass lines that take us back to a biological and hallucinatory tribal dance.

Daniel Klauser‘s voice in “Yo te quise” adds an additional note to this work which, like a laboratory of ideas, supports, and means, invites us to immerse ourselves in a sinuous movement, reminding us that what we hear is not a dance but a ceremony, and that there, in that middle zone, between “I love you” and “I loved you”, there is also a boundary – an abyssal zone – between the real and the unreal or between the surface and the deep.

“De tu mirada” is the closing of this manifesto of ghosts, retromanias, references, aesthetics, and discourses, where the sound space becomes a container of multiple intensities that seem to slide between poles, extremes, and middle zones that immerse us and make us emerge among soft whispers that moisten the listening, making it acidic and fractal.

“Bilocación” is the supernatural appearance of sounds that, gathered in this ceremony, celebrate the arrival of the specters that transit and break with the censorship, prohibition, and stigma that the industry has created around underground, marginal, pristine, and consequent music.

Sebastián Herrera
(Santiago, Chile. April 2023)

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posted 10 April 2023

CTCVN – Toxic Pantomime

CTCVN – Toxic Pantomime
[>8<027]

CTCVN

“Toxic Pantomime”

Live improvised electronic, glitch, dubstep

dAMIAN lINTELL-sMITH – sYNTHS,SAMPLER,CIRCUITS
lEON rEADER – vOCALS
tOM cLOSE – dRUMS (ACOUSTIC)
dAVE mCGRAIN – dRUMS (ELECTRONIC)

rECORDED BY CTCVN
mIXED & mASTERED BY pSYCHICEYECLIX

VIDEO FOR G FAQTION – youtu.be/u4GbenJCjcc

all rights reserved
posted 07 April 2023

Markus Masuhr – The Dub Theory "Chapter Eight"

Markus Masuhr – The Dub Theory "Chapter Eight"
[Insectorama156]

Markus Masuhr

“The Dub Theory “Chapter Eight””

Markus Masuhr – The Dub Theory „Chapter Eight“ (Insectorama156)

It’s time for the next part of my Dub Theory Series. The Dub Theory Chapter Eight brings 8 new purely functional loop-based dubtechno tracks designed to take you on a journey through forests and mountains to the sea. Slow down your life and go in search of rest and relaxation into the depths of echoes and chords, surrounded by wobbling basses and constructs of danceability.

Echoes of a distant past,
Delays that seem to forever last,
Reverb through the valleys wide,
Textures of the earth collide.

Landscapes painted with such care,
A symphony for all to share,
The crunch of leaves, the rustle of trees,
Textures that are sure to please.

Echoes of a world that’s old,
Delays that tell of stories told,
Reverb that resounds with might,
Textures that bring pure delight.

So let us listen to the echoes of time,
And let the delays create a rhyme,
Let the reverb fill our hearts with grace,
And textures of the land take their place.

Tracklist:
1.Echoes in the Mind
2.Waves of Tranquillity
3.Recognized Illusions
4.Deep Valley Blues
5.Contemplative Journey
6.Contemplating the Unknown
7.Delving into the Abyss
8.Lake of Serenity

Insectorama156
all tracks by Markus Masuhr
Mastering & Artwork by Markus Masuhr

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posted 07 April 2023

LjdB – April’s Fool

LjdB – April’s Fool

LjdB

“April’s Fool”

Containing 8 new tracks recorded in march to april 2023 by LjdB. Inspired by mopeds going by outside with 10 km/h, dungeonsynth,triphop, showerdrains and the artwork of the infamous D. And the famous Mogens Wieth’s translated version of Rudyard Kipling’s Mandalay got the LjdB treatment too for the occasion
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posted 04 April 2023

Jazzaria – audioInsomnolent Jellyfish

Jazzaria – audioInsomnolent Jellyfish

Jazzaria

“audioInsomnolent Jellyfish”

Do jellyfish sleep? Though brainless, these denizens of the deep do require a form of rest. But imagine a particularly boppy jellyfish, gliding rhythmically through the water. Infected by the beat, this jellyfish is unable to sleep – the insomnolent jellyfish, restless in the deep.

Featuring synthesizers, human beatbox, piano, guitar, and drum machine.

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posted 04 April 2023

Various Artist – ⟁Retro Visions△

Various Artist – ⟁Retro Visions△
[None]

Various Artist

“⟁Retro Visions△”

A Retro Horror inspired compilation with witchy old school & horror/dark synth tracks.

Compiled, cover collage by Sábila Orbe.
Each track composed by the respective artist. Links:

– Restricted: https://rrestricted.bandcamp.com/
– Humanfobia: https://humanfobia-official.bandcamp.com/
– Darksynth Effects: https://soundcloud.com/darksynth-fx/tracks
– cade.: https://soundcloud.com/cadecomposer
– BNGEE: https://soundcloud.com/bngeeofficial
– Scios: https://soundcloud.com/user-688008822
– Filmy Ghost: https://filmyghost-humanfobia-doppelganger.bandcamp.com/
– careless supplement : https://soundcloud.com/user-670228749/
– CENTURY OCEAN WEBSURFERS: https://archive.org/details/BFTG_170
– LjdB: https://archive.org/details/@ljdb
– flowerhead: https://soundcloud.com/flowerhead-music
– D4rk Circles: https://soundcloud.com/user-56760965
– Yaka-anima: https://humanfobia.jimdofree.com/yaka-anima/

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posted 03 April 2023

CLOUDWARMER – Rellik

CLOUDWARMER – Rellik

CLOUDWARMER

“Rellik”

The Other Body by Barry Burton

Whatever I am, whatever I’m not, all I’m doing now is remembering. Within the depths of the landfill, my wire lattices spiderwebbing out, branches upon branches, piercing the dirt and trash and ash of decomposition… for what exactly? Simple recollection seems to be the only function I can perform now. Nodes near my center push precious few trickles of electrons round and round, replaying the choice that I made.

Before the choice, before the phenomena that triggered the choice, my life had been clean and satisfying. I had hunger. I had cold need. Out into the darkness I stretched myself, weaving wires, infiltrating beyond. When I found warmth, my tendrils surged like hungry critters seizing upon a cracker. Dregs of a battery. A sip of idle electrons inside a loop of insulated wire. Sometimes, something more indirect. Some preserved organic matter. A pocket of food stuffs I could smother in wires, feed heat to so it would cook, and later I’d slurp down the result, a great heaping gulp of energy. These were my trials. Feel need, meet need. I spread myself out into the darkness. I got bulky. I found machines. Books. Relics of a time long gone.

Eons ago there had been humans, I discovered. They dominated the planet. At some point they went away. They left behind great mounds of their discarded creations. Garbage they called it. The planet had once been warm. Then it became cold. Now it swung between warm and cold frequently. As far as I could tell, there was nobody. No sign of anyone, anywhere. I grew and grew into the darkness, found recorders of sound, recorders of vibration, radios, TVs, computers. When the hunting was good and there were electrons to spare, I powered each of them on. Dead silence, every one of them. The radio, endless static. The TV was the same. No signals, just buzz. But vast libraries kept me occupied. Great volumes of human doings. Wars, disease, famine, scientific inventions, exploration of space, great literature and bad literature, so much somehow in so little time. It held my interest, up to a point.

One day, after a great and satisfying hunt, I decided to return to my humble beginnings. I’d just drank the juice of a half-full lithium ion battery and used it to push electrons around to some of my earliest and oldest wires, near my birth node. As I began this process, a flood of early memories came back, when the darkness was so big and I was so small, when I hadn’t any idea what lay beyond the immediate blackness. And then… there was nothing. Coursing off the end of some of these earliest wires was a drop off of flow. Like the wires had disappeared. I tried to push out new sproutling wires from that drop off, and nothing came. It was as if I’d run dry of energy, except that wasn’t at all the case. There was plenty of energy left to use. Something was in my way. I crept wires over from a different area, an area not so old. When I got over to the drop-off point, nothing was there. All was dark, as if my body no longer existed there, but that made no sense. Even without coursing electrons through these old circuits I remembered them well, I knew the angles and turns they made, the branches they formed, and so on. That day, and for weeks after, I squandered the energy from my hunts beyond, combing through this little bit of darkness in search of my old wires. Where had they gone? Sometimes it seemed as if things had been rearranged. The density of area, the effort it took to push my wires along, seemed a little different day by day. This was something I’d never encountered before.

Then one day, the answer came. Something was there. Something small and made of wires. Like me, but in miniature. Actually they were me. They’d taken up my old wires. Where that energy had come from, probably taken from me as well. Scavenged old parts of me somehow. This was something entirely new. It was an Other Body. I tested them. I brought over a wire from beyond, filled with some juice. I left it in the Other Body’s vicinity and waited. After a moment of stillness, their wires crept in, took the offering, sucked it dry. Another test. I brought over a different wire from beyond, this one rotted, a kind of trap for them. After a moment of stillness, the Other Body’s wires crept in again. They took the offering and attempted to suck it dry. Then they recoiled from the bad wiring, the loss of electrons, the bitter taste. I knew that feeling oh so well. I waited a day then I repeated my test. This time they took the good wire and left the bad one alone. That was how I knew the Other Body could learn. The Other Body was alive. They were scavenging off me, taking my wires and taking my juice.

I could see no best choice. Fundamentally, the Other Body was a cancer. They were growing rapidly by the day. There were ways to control them, blocking their expansion by walling them off with bad wires. I was able to halt their growth this way until they learned to circumvent the blockade, worming their ways over/under/between cracks I had made. They were a fast learner. And they were driven by hunger, revitalized by food. The crux was this: the Other Body was sucking me dry. But that wasn’t their fault. They had needs and they met those needs by feeding off of me. I understood those needs well. I felt those same needs. I remembered how strongly they gripped me in my youth. Only I had been born alone. I was able to thrive cleanly.

Given enough time, I believed the Other Body could learn to speak. We could have had conversations. Maybe we could come to an agreement. Maybe the Other Body could have lived and hunted in one area and I could have taken another. Like humans from bygone days, after a long day of hunting we could have reconvened in the middle, talk to each other over an area of warmth, as if sitting around a campfire.

But the Other Body was mighty hungry. And despite blockade after blockade, they persisted. I tried to clear them a path. Come out this way, I offered. Into the wild! The darkness which is free and open for you to hunt! But the Other Body was drawn to me. They feasted off my easy energy. Like a child suckling. Only I could see no end in sight.

Kill the parasite and certify your survival or let them feed on you and hope they will someday listen to reason. A demon and an angel, my two options whispered their logics into my ear, day after day. Some human, in some old library, said zero-sum games were an illusion. They are borne from lack of the imagination. And that lack of imagination is stoked by fear. I could feel that fear alright, when the Other Body tapped into one of my main libraries. Suddenly a bulk of my memories were gone. Memories of my middle-life, of vital hunting lessons learned at that time, of huge swathes of human-perceived history read in the downtimes, of clean, unproblematic wonder. Afterward, the Other Body’s scavenging became more sophisticated. I felt them gnawing at my weaker areas, more quickly overtaking my vital circuits.

The choice was like a bet. A bet on me or a bet on them. The old me versus them dilemma. Fear was stoking a great need. The Other Body’s feedings had taken its toll, and I was experiencing a great power shortage now. My thinking was fuzzy, my movements were becoming sluggish. Within that stolen library was human language. And before the choice was made, I tried to speak to them. I said, Ouch, wait, stop, hold on. Please, I’m begging you. The Other Body paused. They seemed to be attempting to understand what I was saying. Or maybe they understood and were deliberating on how to proceed.

I will never know. I made my choice. By way of a tunnel. A tunnel of juicy wiring that led to a corrupt library. Years ago, this corrupt library nearly killed me. I almost touched it, but I held off because of a vague bad feeling I’d had, which I later learned was a kind of sense aout corrupt devices. A younger more hunger-driven me would have sunk their wires into it without a second thought, I realized. It was just dumb luck that I hadn’t encountered it back then. For the Other Body, luck wasn’t a factor. It was my choice.

Milliseconds. The time it took for the Other Body to go from living to dead. There were no screams, no thrashes. No final words. Whether or not it suffered, I cannot know. What it thought in those last moments, brief or near-eternal, is lost, irrevocably. Our interaction, these “days” and “weeks” were truly only seconds and minutes. I reframed them to try to comprehend what had occurred. I met someone like me. They were made of wires and lived upon energy sapped from the garbage of long gone humans. Only that energy they sapped had already been claimed. And therefore, they were a threat. I made my choice.

Months, literal months and counting of memory. I’d lost interest in hunting, despite a near-depletion of my energy stores. I left the Other Body’s remains where they were. This sprawling circuitry that was once my arm, that became them, that snaked into the corrupt library. It was a continual reminder of what I had done. The planned execution, fueled by fear. Amidst the replaying of events entered questions. Perhaps if I could have offered some other library packed with stories of allyship, cooperation, co-reliance for victory. Perhaps I could have written my own library. Told the story of who I was, what I was. Perhaps then the Other Body would have understood. Or maybe I should have just waited longer. That pause was hope. It was consideration. Maybe, instead of deliberating, the Other Body had been trying to understand, trying to process what it meant to not be alone. I couldn’t know and now I never would. All I knew is that I made my choice. I chose myself over uncertainty. I chose to kill instead of wait. I was a killer. No amount of clean living beyond would change that. And so the memories followed. A different kind of parasite. A parasite that needed no wires or energy of its own. It lived within me, thriving no matter what. Every need, every hunt, every treasure trove of human knowledge tinged with its presence. You made a choice, it said. Now live with it.

released March 25, 2023

VOCALS – JIM JONES
MUSIC/ BEATS – EDDIE PALMER
FOLEY SOUNDS – BRETT ZEHNER
STORY – BARRY BURTON
barryburton.substack.com

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posted 01 April 2023

British Experimental Rocket Group (BERG) – BERG 8

British Experimental Rocket Group (BERG) – BERG 8

British Experimental Rocket Group (BERG)

“BERG 8”

BONUS TRACKS
Min 71-8 Takes 4, 11 and unnumbered
Fragment-Gateway-Test-12.2-Declassified
Mod 8c XP

Three years after BERG 7, The Committee For Sonic Research are pleased to present another volume of archival recordings from the British Experimental Rocket Group.

It would have been naive to assume that the global Covid pandemic and subsequent geopolitical and socio-economic events would not have impacted on the BERG audio publication project. As a noted physicist once said, “When b + b/1+b2 < = 1{5r9} You’re bound to have delays.”

Over the past year, individuals have continued to contact the Committee offices with hard media or potential sources or leads where BERG material from the various research branches were once located. We thank everyone who has contributed material that has been incorporated into this latest edition. Much has been kindly donated from private collections whilst other finds have been acquired via more clandestine methods and so we have agreed to protect the anonymity of these donors. Of particular note however, we must thank and acknowledge the meticulous investigative work of staff from a research establishment near Oppdal who’s work authenticating BERG recordings has been critical to the project.

The recordings within this latest collection represent a pivotal moment in the BERG story representing as they do, a sizeable collection of sonic experiments we believe to be associated with the long abandoned ‘Project Echo-Hammer’ which, post schism, was sadly developed for military applications. Much controversy exists today about the alleged consequences of the testing that took place at a purported remote arctic research facility, but we feel that the inclusion of a sample of these recordings which have been rendered safe for human hearing ranges, is justified for it’s historic significance and will be of interest to the casual listener as well as those engaged in serious academic research.

With more material yet to be assessed, cleaned and compiled, we expect that there will be more fascinating BERG releases to come in this series.
credits
released April 1, 2023

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posted 01 April 2023