mastered by pheek
Instruments used on this record: Human voice alongside Arturia Microbrute Analog Synthesizer & Korg MS-2000, all echoing in a cave.
It is in these terms that I understand Música Inmobiliaria’s work – parallel project of José Gallardo -, titled ‘Dance’, as part of human reality, ‘Who could say that they have never danced?’
Now, the currents of dance music are extensive and for all tastes. What summons us is electronic. A rich sound of featuring classic analog sounds, old-fashioned electro along with vocoder, there is glitch, synthesized strings pads, powerful sinusoidal basses, in sawtooth and squares, TR-808 sound and a robotic voice that says ‘I want to dance’… Why not do it? It even has a rumba to Jean Michel closing the album to enthuse you.
An album with taste and flavor, with textures that, in an imaginative way, present us with a different, experimental and successful dance music. All in good time with Música Inmobiliaria.”
Eduardo Yáñez Torres aka Gozne
(Quilpué, Chile. Julio / July, 2017)
Nel caldo estivo arriva un brivido dark ambient, un giro nei meandri di incalcolabili pazzie e bianche muri che assetati aspettano schizzi di sangue. In Your Ears ha nuovamente l’onore di pubblicare una traccia di Snowfade aka Marco Grosso, una delle migliori menti elettroniche del nostro paese e non solo, ascoltando Solitude lo potrete capire molto bene.
Accogli l’incubo.
In the warm summer comes a dark ambient thrill, a ride in the meanders of incalculable madness and white walls thirsty waiting for blood sketches. In Your Ears is again honored to publish a track of Snowfade aka Marco Grosso, one of the best electronic minds in our country and not only, listening to Solitude you can understand it very well.
Get the nightmare
Part of the fun in making a theme like this was that it left the artists open to interpretation. It could be literal, metaphor, allegory, or any of other ideas that the artists had in mind. And there are fifteen very different perspectives on the storms in our world today.
But there is also a consistency to this release. It’s not just a collection of recordings thrown together. Each artist has contributed a work that fits within the theme, making for a recording that is more experience than it’s predecessor.
The seventeen tracks on Into The Rift Volume Two represent a lot of different thoughts on the world, right now. But, I am optimistic about one thing: this is a work that will transcend current events.
A few tracks revisited from the remastered back catalogue, but plenty of new sound to get your thoughts drifting back to far away places a long time ago.
Bonus track from 4T Thieves as track 28 if you download the entire album. All mastering by Mnemonic and ‘The Dark Crooked Tree’ by Lovekrafty features Tasman on the electric mandolin / violin.
Written/Composed/Performed by Simon Pyke
Mastering by Matt Subjex
TRACKLIST:
01. Chang Tang (2:42)
02. Tibetan Plateau (2:44)
03. Socota Island (2:27)
04. Koryak Okrug (2:12)Bouvet Island (2:17)
06. Ittoqqortoormiit (2:03)
07. La Rinconada (2:44)
Have a nice alchemical audio experience.
A great introduction to the hot summer months by Circa State.
Mastering by Mnemonic Studios.
Escape Now!’s music went more and more microscopic in the years after 2003. Starting from the IDM electronica point he eventually arrived in the ambient domain. Lichtung is a fifty minutes laid back microscope universe, visualizing this path.
Please do not wonder, the release will be published as catalogue number 100, that was not set until now. A festive compilation was thought to go with this number but this was not realized so far, so let’s party and compile later, maybe with the 150 or 200 : )
“The project is centered around water and each track uses the rain within it’s backdrop to provide a soothing white noise alongside various synth waves to create the coming and going of the rain in the spring.
I wanted to create a atmosphere of peace and the rain usually helps in doing so.”(Torin Bell)
Enjoy!
Theme for “Kansai-Cha-han-Reserch-Project”
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■ bonus item
wallpaper for iMac & iphone6&7
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:: Rule of Cha-ken(Kansai Cha-han Reserch Project) ::
First rule of Cha-ken : You do not talk about Cha-ken.
Second rule of Cha-ken : You do not talk about Cha-ken.
Third rule of Cha-ken : When someone sads stop or goes limp,Cha-han is over.
Fourth rule of Cha-ken : Only two guys in a Cha-han.
Fifth rule of Cha-ken : One fight at a time.
Sixth rule of Cha-ken : No Cleanliness,No Prejudice.
Seventh rule of Cha-ken : Cha-han go on as long as they have to.
Eighth rule of Cha-ken : If this is your first night at Cha-ken ,you have to fight.
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■ artist info
:: ono ::
http://epv-artists.tumblr.com/post/59677262412/ono
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Mastered by Gargle&Expel
www.gaex.org
The resulting music does at times resemble anxious rhythms and complex configurations of tranquillized expressions.
Abstract ambient noise with rare and subtle bursts of techno.
The title means “Graves of Trees”.
All tracks recorded live in Detruita Sonon, Madrid, between 2015 and 2016
Cover art: Mario Sarramián
Canciones:
1. Zero Fighter
2. Oceans
3. Keep It Real
4. Libido Strangerz
Each track merges into the next, creating 84 minutes of pure sound, gradually building and then fading away, with layer upon layer of subtle elements.
Perfect for that rainy afternoon or a lazy day in the sun.
:: fkhr ::
http://epv-artists.tumblr.com/post/59673577393/minus
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:: ono ::
http://epv-artists.tumblr.com/post/59677262412/ono
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“Wenig Duo focuses on the activity of silence where the space works as an amplifier and assumes an important role in the performance.
With a crystallized language, the music of the duo is attentive to detail, it’s written and invites the listener for a greater awareness of the sound where this duo, formed by the musicians Guilherme Rodrigues and André Hencleeday operate.
The instrumentation is variable.”
“O duo WENIG foca-se na actividade do silêncio numa performance e no resultado deste enquanto amplificador do espaço.
A música do duo, já com uma linguagem cristalizada, é uma música atenta ao detalhe, de suporte escrito e que convida o ouvinte para um retiro de maior consciencialização do som do espaço, da música e dos seus envolventes.
É formado pelos músicos Guilherme Rodrigues e André Hencleeday e é de instrumentação variável.”
Guilherme Rodrigues – Cello and Objects
André Hencleeday – Electronics
Recorded by Carlos Santos
After a few years in the urban setting of Ljubljana, there was more and more electronic music knowledge on the table. Igor and his flatmate Mitja Pritržnik were dabbling in writing and production, laying down some charged breakbeat tracks, inviting N’toko – PlankTon’s partner MC at many drum’n’bass gigs – for an ad-hoc recording session. And Mitja’s sister giveth the project the name. At the backdrop of that time were musical influences such as Adam Freeland and Hyper, gigs with the “Illegal crew”, a drum’n’bass crew on the rise, and production discussions with its chief MarkoMan. Lots of hours of tedious work behind the computer resulted in BeatMyth’s debut: “Your Own Two Heads”, an industrial electro-punk collection of bangers.
In the poetics of this work, one can sense the history of personal musical growth: the beginnings in doom metal and the sense of immediacy of jump-up and harder strains of drum’n’bass. Active as a DJ in the last decade, PlankTon moved exceedingly firmly into the contemporary breakbeat scene, very much in line with what can be found on BeatMyth’s first two albums. However, proper appreciation of this project is not possible without taking into account the live performance of PlankTon and N’toko, who have until now always presented BeatMyth in an outgoing onslaught of beats, basslines, synth-stabs, and fast vocal ranting, animating many a sleepy auditorium into something akin to a small riot. And to furthermore bring the tentacles of this project’s context to light, it must be said that at the core of the project stands a multiskilled producer and audio engineer, whose areas of work go beyond mere clicking around his DAW: robotics workshops for kids, technical support for art installations, analogue synthesizer repairs, audio studio building, mastering and mixing a variety of different projects, and live sound.
And finally, this, the third album maturely brings up musical material created through a different approach, a different attitude, and mixes it up with that signature outgoing electro-punk vibe of the previous two albums. This attitude is purposefully playful. It’s a move away from the dance floor, away from the dictate of the live spectacle into an exploration of sound-based sample-heavy trickery. Still, it by no means represents an abandonment of the basic, ever-present principle, the pillar of this sound: firm musical decisiveness and a never-ending search for dynamics in balance.
Quipu is also a project created by Atome Primitf, a collective of musicians and “dreamers” from Europe, a project inspired by that same method of knots, stringing artistic ties and new collaborations, through cross-genre musical interpretations and audio-visual concepts.
In fact Quipu was born as an audio-visual concept. The four tracks of the EP started as original compositions of Atome Primitif, with the elements of voice, violin and acoustic guitar modeling an unplugged sound. Quipu traveled all around Europe, involving artists from different countries, each one adding their own personal knot, inspired by the compositions of Clelia Patrono.
Andrea Presicce aka No Finger Nails adds his own musical knot through his musical experience, ranging from Electronica to Dub. The EP consists of four remixed tracks, offering a very dub-ambient and mystical alternative, using the original organic sounds. The project expands also audio-visually, with videos and visuals being produced, on that same quipu idea. Dubophonic is very proud and honored to be part of this, tying its own knot in this continuously evolving project!
Structurally difficult and non-paced attacking rhythms, getting more complex and running from rules dictated by background structures, while those rules fading away, anxious melodies which are trying to compensate the constant urge to lose the control of composition.
