hirihiri – fake nostalgies
[MARU-180]
hirihiri
“fake nostalgies”
マルチネから初のリリースとなる「hirihiri」による4曲入りEP。ポップさを維持しながら現在進行形のアブストラクトなフューチャーベースのスタイルを提示している。US在住のトラックメイカーであるDZZによるリミックスも収録。
posted 25 June 2020
music tagged with: electronic
Yamashita Takuya – Renkinjutsu-shi no taitō
[[mi267]]
Yamashita Takuya
“Renkinjutsu-shi no taitō”
Contagious beats and danceable rhythms, so we are welcomed by Yamashita Takuya, the alter ego of the Portuguese Fábio Pinto. The dance floor transposed to our home, to our living room, to our body. An incessant energy, reminiscent of colorful oriental realities!
Electronics and Japan, in one reality! Anime driven Beats!
Over 5 themes, 5 short discharges of sweet and melodic rhythms, of hard beats, 5 aural, punitive amalgams that will drag you across the dance floor, that will embrace you until you fall asleep.
https://mimirecords.bandcamp.com/track/night-classes
posted 23 June 2020
various artist – The World is Over! B-Side
[LCNVA20]
various artist
“The World is Over! B-Side”
B-Side in free download here https://archive.org/details/VA_The_World_is_Over__B_side
What is “The World is Over!” :
An odd audio ordeal ?
Or only a meta compilation about to choose if humanity should Stop or Continue.
Both at the sametime… and perhaps a little more. http://necktar.info/Over/Or/
The World is Over… or not. Depend of us.
Each contributor was invited to send one track to one side :
A-side to stop the humanity and B-side to continue.
There is a rough logbook to understand better everything about it. Especially to follow the process.
It begun like a free will quest and it end with more or less that result :
Why the both side are balance ?
Perhaps it’s because of the kind of confusion like A-side could be interprete like to Stop to do not change. And be side like to continue to try to change. Or it is really mostly because everyone who could try to change the world will do everything to be fair with the other side, and will do their best to avoid to kill any ennemy despite the consequences for all… And everyone who avoid to change the world will do everything to be unfair with the other side, and will do their best to kill any ennemy despite the consequences for all. Thus we can only change ourself… Do I say Yin-Yang is a symbol of balance ? Well find your own answers this logbook is just the quest of mine.
And please be patient because I need to work it out a little more…
If you want to digg it jump here :
http://necktar.info/Over/Or/LogBook.html
One step more in a longer process…
Also this is the second special volume of Necktar after PIKADON. https://archive.org/details/How_To_Download_Free_Music_Unusual_Album_Remix_Pikadon Necktar is hard to define… but the multidimensional journey begun 20 years ago. http://www.necktar.info
Why The World is Over! pop up in 2020 ?
This was planned since few months, I first talked about it in august, it wandered something like a step to the last Necktar. I’ve been watching a doc about Yoko & John and then I see again that amazing photo of the action of “The War is Over”. And thought something like :
– gasp, since half a siecle ago nothing change, that’s insane. At this time the biggest problem was war, actually it seems to be the world end with global warming but indeed it’s still war : the capitalism war against life (only my opinion). Then I find this detournement idea because a disruptive event is the better way to realise things are not impossible to change. And in any case a little bit of introspection can’t harm anyone. Like any experiment small talk are better, experiment is more relevant. So between the 1st april 2020 to the 17th june, this project have been work out as a work in progress project, to be able to show the change in the playlist and to follow the whole process in real time.
Technical Informations :
Due to the extremely diverse nature of the tracks I tried to change their sound level as little as possible, for a version without any modification, please use the bandcamp page https://zonefusion.bandcamp.com/album/the-world-is-over-b-side
List of the projects involve in The World is Over! B-Side :
Andrew Lawrence Jackson
Arcaïde
ardleg
AUDIOSEX KANNIBAL VENOM
Aversion To Reality
aYaTo
BeNe GeSSeRiT
Bleak Star
Chromatic
CSILLAGKÖD
Deathwatch Headband ft. YOL
dormir dans la chambre froide ?
Ethnomite Pux
Farabi Toshiyuki Suzuki
Flavien Gillié
KHΛOMΛN
Leandro Kalén
Lezet
Lorenzo Squilloni
M.NOMIZED
Magic Bullet
Mescalibur & Claire Obscure
Mike Meanstreetz
Miron Ghiu
Multiple Personality 3
Pavel Viry
Pink Punked Heart
PIRATE Tapes
Pharmakustik
Planetaldol
Radiant0paque
Ray Kosmische
Reflex Condition
SPANKTHENUN
SRVTR
Studio 112
SUERO
Thee Eternal Plunderphonic Church of the Final Judgement
The Heidi Witt Experience
The little hand of the faithful
The Wicker Man
TKno BeurK
WHΛLTHISИEY
xaotik muzak
ZERΩ
ZUMAIA
Official webpage :
https://www.necktar.info/Over/Or/
Video Art Clips :
Teaser The World is Over!
https://www.youtube.com/watch?v=lj__bFtaLrM
Easter Eggghost Track
https://www.youtube.com/watch?v=z34Iugf3FRM
Animated Gif Artwork :
http://necktar.info/Over/images/ANIMA_PIKA.gif
Dedication :
The World is Over! is dedicated to those who never give up in the face of adversity and thus often end up discovering new paths… Even sometimes to manage to exercise their free will.
Thanks :
Thanks to Yoko Ono & John Lennon for creating « The War is Over ! »
Thanks to those who have chosen to help this compilation to come alive,
without being afraid to challenge the dogma of the human race’s survival .
Thanks to all the listeners who will ask themselves this question :
– If I had a choice, would I choose to stop humanity or continue?
The final word is about the Covid-19 pandemic :
After realizing that this is a simple question of will to be able to prevent the climatic cataclysm. “The Wold is Over! If you want it … “. Residing in France, shortly after the first confinement’s end, I said to a friend :
– The confinement exit here reminds me a bit of a hanged man who remove his rope to walk to a quiet place to pee and then returns to hang on himself.
posted 23 June 2020
Various Artists – GERGAZ – The Locals 2
Various Artists
“GERGAZ – The Locals 2”
released June 22, 2020
This vinyl should have been released back in April as our contribution to Record Store Day. Due to the global pandemic #RSD20 was postponed and later on the whole concept for this year was changed. We dicided to release the record now.
Supported using public funding by Slovak Arts Council
– fpu.sk/en/
Artwork by Mili Vigerová
– www.behance.net/MiliV
– www.facebook.com/mili.vigerova.photo.graphics
Mastered by / Additional Mastering by Gargle & Expel
– www.gaex.org
Special thanks to all GERGAZ artists, Radio_FM, our all time fans, friends & families
posted 22 June 2020
Various Artists – Music Inspired on Video Games
[CIOR-400]
Various Artists
“Music Inspired on Video Games”
Compiled, cover artwork design by Sábila Orbe.
pics taken from public domain use.
All Cian Orbe Netlabel releases: https://humanfobia.jimdofree.com/cian-orbe-netlabel/
updates: https://www.facebook.com/cianorbenetlabel/
https://ello.co/creativecommonsmusic
posted 21 June 2020
ESDLCP – Historial de Caidas
[pn058]
ESDLCP
“Historial de Caidas”
(10 YEARS ANNIVERSARY OF THE RELEASE)
“Could an electronic musician become a pop artist? ‘Historial de Caídas‘, ESDLCP official debut is a statement in that sense: album and composer prove a style naturally leaning towards in-vogue pop music, using collage to create songs filled with non-existing choruses.
Throughout ten tracks, ESDLCP grabs assorted electronic resources to set up and disjoint material. There’s room for programmming, sampling, jamming, and deconstructing here. Everything merges into popular-music-crossing soundscapes, taking listeners into a tour of varieties, styles, and realms: toying with calm moods in ‘Puertas Adentro’, glancing to our folk music in ‘Un paso al costado’, and even flirting with rock music in ‘Cortina de Humo’, ending up with a high quota of pop in ‘A la velocidad del amor’ and ‘Voluntad de oro’.
This diversity sets up an endearing mapping, a fragmented, nice whole, mixing in subtlety all-pervading electronica and organic fantasies. Measured-Pop doses, songs and schemes in harmony, electronic music communicating, trespassing. A healthy way for this José Manuel Cerda solo project, where transforming song as a standard into an in-flux art is taken to exhaustion.”
Felipe Mardones
(Santiago, Junio / June 2010)
posted 16 June 2020
M.A.L.A. & Velez – Gossip
[MNF035]
M.A.L.A. & Velez
“Gossip”
Monofónicos Netlabel presenta el lanzamiento de Gossip, el nuevo material colaborativo entre M.A.L.A. & Vélez donde los cortes llenos de House, buen ritmo, sabores musicales, algo de Breaks, ruidos armónicos con muchas sensaciones para disfrutar en grande este nuevo disco.
Gossip nos trae música con mucha personalidad que llena el espacio de todas las maneras que usted quisiera, desde el house burbujeante y dinámico, hasta el lado más quebrado con una gama de voces inquietas tratando de dar ese mensaje con ritmos enérgicos. Todo es música orientado a los detalles, y la sensibilidad extrema para cualquier cabeza.
Desde Estados Unidos nos llega David Uribe o Dsum, uno de los productores más versátiles del espectro de la música electrónica para presentar su remix que encaja plenamente en los sonidos de vanguardia con la libertad de expresarse abiertamente sin etiquetas, para sentir con toda la fuerza de los bajos y la profundidad melódica con un superlativo groove para poner la mente y el cuerpo a un alto vuelo.
Todos invitados a disfrutar de la versatilidad y frescura musical con los más representativos de la escena local.
posted 15 June 2020
slowfreq – tunnel
[20k365]
slowfreq
“tunnel”
From the glitches and bleeps of track ‘a’ to the mellow piano chords of track ‘c’ to an extended atmospheric drone finale, this EP presents us with a variety of musical expressions employed by producer slowfreq, who is releasing on 20kbps for the first time.
posted 14 June 2020
Marco Ferrazza – Unim
[PT104]
Marco Ferrazza
“Unim”
A non-hierarchical and hybrid cultural exposure of sonorous bodies.
Marco Ferrazza: digital sound processing, dynamic sampler.
Master and digital images by Marco Ferrazza.
Marco Ferrazza: digital sound processing, dynamic sampler.
Master and digital images by Marco Ferrazza.
posted 12 June 2020
Centrul Isteric – KISI
[mhrk245]
Centrul Isteric
“KISI”
Centrul Isteric (FR: Centre Hystérique; EN: Hysterical Center) is the brainchild of Romanian A/V artist Gili Mocanu, better known for his abstract electronics project, Somnoroase Păsărele, which saw over a dozen recordings released on Baba Vanga (CZ), Anti-Everything (US), Czaszka (UK), OBS (RU), OTA and URUBU (PT). His style is distinctive, utilizing atypical synth sounds and asymmetrical or non-rhythmic elements, with several successful incursions into minimalist ambient/drone as well.
When not orchestrating his own samples as Somnoroase Păsărele, Gili has initially (circa 2009-10) used Centrul Isteric as a side-project for messing around with rhythmic loops extracted from popular music – sometimes matching the BPM while other times not. Over time, the experiment has evolved into long-form spectral explorations (2010-16), and has recently settled into a 3rd approach to “organized hysteria”, as illustrated by KISI. On this 36-minute piece, which utilizes source materials provided by his SP companion, Miru Mercury, only the 3 or 4 opening seconds of each soundpiece are sampled and looped, in such ways that would allow for maximum dramatic effect with each subsequent maneuver. KISI thus marks a shift from previous formless ‘agglutination’ to more considered ‘superordination’ in time and space.
released June 7, 2020
Recorded/edited/mastered by Gili Mocanu, Feb 2020
Artwork by Gili Mocanu / Simina Oprescu
Text & project management by Miru Mercury
posted 12 June 2020
King Elizabeth – This is Not My Church
[VULP-0169]
King Elizabeth
“This is Not My Church”
Following from a surprise return to Vulpiano Records after a 7 year departure with The Awakening earlier in 2020, King Elizabeth is back again in short order with This is Not My Church, traversing a variety of moods and styles through incredible song craft and energy. As always, highlighting a favorite is a challenge, but my vote goes to the sultry grit of “A Mighty Man”.
posted 12 June 2020
Nesting Error – Il diluvio del 1931 e altri disagi
[NN_EP035_06_20]
Nesting Error
“Il diluvio del 1931 e altri disagi”
A musical breath held and started after many years without a specific motivation. Infused life and breath with full lungs for the debut album dating back to 2007 ignored, kept in the drawer and never released for any label for reasons related to recordings and overall production with then somewhat limited means belonging to the low-fi concept subsequently re-evaluated. Nesting Error are a long-lived and complex duo. Their music close to genres related to digital and analog electronic music of Central European inspiration often takes the listener’s hand to lead him travels through time and history thanks also to the wise and never banal use of samples. In “Il diluvio del 1931 e altri disagi” a meteorological event of exceptional gravity that happened in their Palermo in 1931 is taken as a pretext when a flood of frightening propositions brought the entire city to its knees far from prepared or accustomed to events of the generally reaping several victims. The biblical term “deluge” expands, amplifies and extremes several more or less global spatio-temporal references which at the time of the release of the album evidently had to represent real psychological “hardships” fully narrated in each piece as world wars; the era of the planetary homeland; unfortunate American and Italian presidencies; the chilling deception of the concentration camp of Theresienstadt in a tragic game of jumps between past and present where human and cultural disintegration remains the only link. A circle that closes just where it started, the Second World War and its famous incomprehensible encrypted and encrypted messages that hid strategic information of a world completely out of control under a flood that leaves no way out in an unfortunate epochal context that is repeated without ever end.
posted 12 June 2020
martin rach – Pentacycloops post scriptum
martin rach
“Pentacycloops post scriptum”
Leftovers from https://martinrach.bandcamp.com/album/pentacycloops
posted 10 June 2020
WHΛLTHISИEY – Illuminathis – Robert A. Wilson Remembered – Songs about Maybe * Reality
WHΛLTHISИEY
“Illuminathis – Robert A. Wilson Remembered – Songs about Maybe * Reality”
posted 07 June 2020
misaa – minoritario
[pn156]
misaa
“minoritario”
At times, a tent appears in the hallways of a giant shopping center announcing a collective desire to elope. The times of cynicism and sitting on the beach chair, believing that nothing was going to melt from its foundations, are over.
The exercise of power is a pressure cooker, using (re)pression. Machinery requires to generate a drowning, and drown every slap made by the oppressed. It represses it with physical and economical violence, and with tons of images alluding to static structures. A majority category, a common point, to agree, but fundamentally unreachable and inaccessible in its totality. And there is a minority counterpart: poor, ugly, violeted, spectator of its own minority but immersed in the dream of being included, someday, by the majority.
But there is a third category, the one who does not want or need to continue playing the rules of a game that was created so that they would lose it. People with defective bodies, physically weak, second-level genres, depressed, shy and mutant, although they don’t stop moving. They require shaking and articulating themselves, know each other and look at each other, and so they realize that they were not so alone, and that they did not need the normality that the repressive images proposed to them. Seek the not obvious and realize yourself as a constant flow, that shakes and makes uncomfortable the status; questions, says and screams, and whose only way to be stopped completely, to be killed, is by condemning it to oblivion. Unfortunately, we have a good memory.
“minoritario” is an album that inserts us in a constant intermittency. Short rhythms and textures that draw a landscape where we are forced to be alert. The challenge of paying attention and perceiving what is around usduring a change of decade where we have the challenge of living with uncertainty every day. Musical pieces that announce the arrival of a momentthat does not stop becoming present, and in turn the challenge of facing what surrounds usto follow our constant march.
César Fuenzalida.
Comunicador Audiovisual.
(Santiago, junio / June, 2020)
posted 06 June 2020
Various Artists – Breathe for George Floyd
[Interbella003]
Various Artists
“Breathe for George Floyd”
This is a compilation of various artists who have united to make a contribution to the memory of George Floyd in the wake of his murder by the Minneapolis Police. We call for justice for George Floyd and all victims of police brutality and systemic racism in the USA and the World.
All proceeds will go to the George Floyd Memorial Fund and the Justice and Equality Fund which raises funds for multiple organizations to fight racial injustice and police brutality.
posted 05 June 2020
Corrado Saija – Marghera
[Lav84]
Corrado Saija
“Marghera”
Marghera
Presentazione dell’album
Marghera è un’esperienza sonora. Marghera è un itinerario musicale ed emotivo che porta a interpretare i suoni, a interiorizzare un messaggio soggettivo, personale, privato. Marghera è un’elaborazione di idee. Marghera è un riappropriarsi di un luogo-non luogo non antropizzato. Marghera è un gioco velato di sfondi.
Tinte malinconiche si alternano a spazi meditativi, tra densità e rarefazione. Suoni scolpiti, dialoghi, rumori, ritmi discreti; luoghi virtuali che diventano intimi, familiari; atmosfere eteree, vibranti, gassose, prodighe di suggestioni a tratti quasi rituali; ambienti sonori in cui abbandonarsi a sequenze di elettronica sofisticata, con tessiture ambient-glitch, o che indagano con pennellate tenui i diversi territori del suono. Un mondo ambient, lievemente pianistico. Un album che gioca sulle immagini, che presenta visioni di spazi esterni e di luoghi interni, da indagare con un punto di vista nuovo. Tutto questo è Marghera. Il resto va scoperto…
posted 03 June 2020
posted 03 June 2020
Arath – Oblivion
[enrmp460]
Arath
“Oblivion”
Alternative metal using synths and female vocaloids produced by Ecuadorian project Arath.
posted 03 June 2020
Chix, Acrartep – Studio Session
[SDR045]
Chix, Acrartep
“Studio Session”
Composed, arranged and produced by Chix and Eugenio Petrarca at Strato Dischi Studios, Roma
Mastered by Fabio Pieri at Strato Dischi Mobile, Roma
Chix: drum machine, programming, bass, guitars
Eugenio Petrarca: drum machine, programming
posted 02 June 2020
Exthausiva – AG7 EP (incl.Floating Mind Rmx)
[monokrak 235]
Exthausiva
“AG7 EP (incl.Floating Mind Rmx)”
4 free MP3 & WAV’s tracks of ambient and deep minimal techno for monoKraK netlabel (http://www.monokrak.net)
Mastering by Dadive
Mastering by Dadive
posted 02 June 2020
posted 02 June 2020
xenoton – crescent
[tonAtom.140]
xenoton
“crescent”
it has taken more than 5 years until a new xenoton release is finally completed. with a total length of only 21 minutes, the work resembles exactly the format of the original tonAtom releases, which were designed for 3″ cds. six tracks combine dark soundscapes and xenoton-typical, melody-focused electronica miniatures. six studies between stylistic development and continuity with the previous releases “traveller” (2015) and “in a world of lights and glass” (2013). an additional bonus is the crescent-artwork as wallpaper for the background of your computer desktop and in full size as a printable poster
posted 01 June 2020
Kai Nobuko – Typical Trip
[20k364]
Kai Nobuko
“Typical Trip”
The first submission sent to 20kbps’s new inbox came from Yeah I Know It Sucks’s own Kai Nobuko (aka Toxic Chicken). It is a one-track single consisting of a fifteen-minute long track of pleasant IDM. Good for imaginary ballets in imaginative (or imaginary?) minds.
posted 31 May 2020
MOHER – Antropoceno Auto-Infligido
[mi266]
MOHER
“Antropoceno Auto-Infligido”
Joana Moher only grants us a one-way ticket on a trip that will be ours alone, everything we find, whether abstract or objective, is something that only we keep inside. On the launching pad, the viewer has to disconnect from what he sees to start feeling what is going on inside him.
Microseconds of life memorized and stored in the depths of our daily lives. Some of which we can unveil in the projections that our thinking makes throughout this experience.
A psychedelic work in abstraction, geometric in error, sublime in mantra. Outdoor and everyday recordings that are stitched and manipulated for the purpose of flashback, retention or repression of our attention as an active receiver of our daily lives.
MAI 2020
posted 27 May 2020
