DuoSerpe are
Paolo Acquaviva – Trombone
Cristiano Bocci – Live Electronics, Synths, Voice
Recorded at “Octomusic School and Recording Studio”, by Andrea Atreio Marcucci, on April 6, 2019
Mixing by Andrea Atreio Marcucci and Cristiano Bocci
Mastering by Cristiano Bocci
Photos by Cristiano Bocci
How do you think life originated?
Since bacteria were underwater, the first step in evolution was a mistake.
Thus all the steps that have led to evolution and survival have been errors and accidents: a deformation caused the bacteria to perceive light and develop eyes.
That genetic line survived, and it reproduced by inheriting its genes.
There have been errors in the genetic lines that allow organisms to perceive more information from their environment. By perceiving more information, they are able to survive and develop, protect themselves, and even manipulate this environment.
Natural selection and evolution are just mistakes…
Glitches in genetic systems.
Maybe it has no purpose at all.
We are all the result of a series of mistakes … We are all the result of a series of glitches.
Amotken presents his 4th album: “Life’s A Glitch“, the result of a two-year exploration where a synergy fusion between organic textures and digital and analog glitches takes place. Where electricity adjoins a wooden body and strings to explode in endless textures and changes, taking the narrative through the most innocuous places.
released April 9, 2020
Mixing and Mastering by とみめい
とみめい(@tmmi____)さん | Twitter twitter.com/tmmi____
tomimeichan.wixsite.com/tomimeichannet
しょこらあ(@shoooocolat)さん | Twitter twitter.com/shoooocolat
credits
released April 10, 2020
OMOIDE 200 YOU MAKE FLOW
Produced by とみめい
Artwork by しょこらあ
Released by OMOIDE LABEL
Monkeeastronaut is a solo project of the Italian musician Riccardo Occhionero. The purpose is to bring an experimental mixture of soundscapes trying to evoke for the listener a sense of bewilderment, fear and astonishment, just like a monkey could feel travelling through space. Basically it’s an attempt to explore how human curiosity and arrogance can generate forms of evil that are against the nature of things, using innocent living forms as oblivious witnesses of the utopistic reach of a knowledge that is far beyond the present step in evolution. Oh and there’s some random improvisation as well.
“Beware the beast Man, for he is the Devil’s pawn. Alone among God’s primates, he kills for sport or lust or greed. Yea, he will murder his brother to possess his brother’s land. Let him not breed in great numbers, for he will make a desert of his home and yours. Shun him; drive him back into his jungle lair, for he is the harbinger of death.”
(Planet Of The Apes – 1968)
released April 6, 2020
Written, Produced, Mixed and Arranged by Viktor Udvari
Artwork : Jennart And photography
TAR101
@jiggaggij
The fragile earth resonates beneath the rusted rattling engine of fate. The genesis of a new generation baptized in calamity. Roaring back the battle cries of survival, this new sound for our new bearing. A new future, together.
The sound of hacking Loricore Freak’s brain from Russia.
Track Listing:
01. shiroi osaka
02. медсестричка усаги
03. ри~ко
04. roller girls
Artwork by Atrpntime.
Design by Occupied Territories.
Track Listing:
01. anti.negative – ill.call.u
02. mugwort – decaf
03. SCRIPT – 19-11-19
Artwork by Occupied Territories.
A compilation to celebrate the 6th anniversary of the Naviar Haiku challenge, which every week invites artists to make music in response to an assigned haiku poem.
55 artists, 91 tracks, over 9 hours of music selected from the submissions Naviar received in 2019.
Participation in the Naviar Haiku challenge is free and open to all: to participate visit www.naviarrecords.com/about/naviar-haiku
For credits and info about the authors, visit www.naviarrecords.com/blog
…born in the dawn of 2019…
credits
released December 28, 2019
Music and cover art by Tadas Majeris
live @ abraxas, Augsburg, 19.07.19
thanks to Gerald Fiebig
photography (front) by Michael Herbst
photography (back) by Damiano Biella
recording, mastering and design by EMERGE
Prinzip Nemesis works with sounds that translate lyrics into music.
To achieve that, Prinzip Nemesis uses field recordings as well as the voice of Eljara and various noise producing instruments.
The project is inspired by nature, classical music, Black Metal,
Industrial and Post Punk.
One of the main inspirations for their first album was a journey to India.
The duo prefers to keep their live appearances limited.
Each performance is a mix of improvisation and pieces created especially for the event.
Prinzip Nemesis are Birgit Merk (Eljara) and Marc Fischer.
The project was founded in 2012 in Munich, Germany.
The 2020 selection for Nieuwe Electronische Waar, the most important talent development project for electronic music in the Eastern part of The Netherlands. A fine selection of eleven of this year’s most promising new production talents will be coached in producing tracks, perfoming live and business matters concerning a career in music. Nieuwe Electronische Waar also releases this compilation album, proudly presenting the best new electronic music from the Dutch provinces of Overijssel and Gelderland.
This year’s selection consists of Mallard, Fentom, Mansamadi, Fjaler, Presethead, Nobuka, Roel Zweers, Nerds With Acid, Mingvs, Hemisphere and Lost Verses.
All participants are offered a diverse, broad and personal development program, supported by partners and coaches from the Dutch electronic music scene. The acts will be assisted in producing and finishing their tracks, mastering music and other technical challenges. Participants focusing on live performance are linked to bookers and/or managers.
The Nieuwe Electronische Waar program also brings participants to network events such as Dance Fair, Muzikantendag, the Amsterdam Dance Event and other events. As part of Nieuwe Electronische Waar, this compilation album is released including tracks by each of the eleven participants. This compilation is available as a free download, on all relevant streaming channels and is promoted towards the international electronic music industry.
‘Sightline’ is Nicolas Tourney’s first work on Vulpiano Records. A monumentally beautiful work in drone, not a second wasted in the subtle totality of its being.
Words from the artist:
Nicolas Tourney is a French experimental musician, sound designer, and owner of the label Snow in Water Records. His electronic works concern perception and act of listening, with the use of various drones, strings and experimental devices.
Sightline sounds like a landscape made of ether and a silence sewn on our lips. By using spectral rotation of an audible rendering of the present, of a sound as pure perception of the moment, the “Eye-world” (an open concept) introduces the listener into the kinematic perspective of exile and overflight. Listening makes “l’attente” (waiting) your place in life.
Slightline is less about exposing a sound shock than getting into it and, through perception, seeks the withdrawal the senses. Perspectives crossed above visions that are games of scales.
Between Drone making (Drone: rise beyond the present and the gravity of the bodies) and Soundscape practice (Soundscape: one word calls for another, a sound seeks to surpass itself in silence), Sightline is like a slow walk, when you listen to a glass surface in its resonance. In the distance, the soundscape stretches to infinity from a constantly redefined vanishing point.
Andreas Davids, maybe better known for his electro-industrial project XOTOX, but also as part of the Natura Est dark ambient duo, presents another result of his love for all that is ambient, abstract and not so abstract electronica.
“7 Jahre vor der Gegenwart” invites you to take a ride on an emotional rollercoaster with many ups and downs, epic moments, dark and light sides. From dark ambient and broken structures to technoid rhythms and sequences – everything that can happen within seven years is packed in this outstanding piece of music.
Andreas Davids says: “7 Jahre vor der Gegenwart has especially been created for my live debut with this project. This music has only been played live once and will never be played live again – this makes the release very special and I hope you all enjoy it”.
released March 25, 2020
created in 2019 by Andreas Davids at Separate Room, MTH
mastered by verschwinden.org
