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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: electronic

4T Thieves and Pandacetamol – She danced on the sand

4T Thieves and Pandacetamol – She danced on the sand

4T Thieves and Pandacetamol

“She danced on the sand”

Netlabel Day 2019

After the success of our previous co-op release last year, here is the latest work from both 4T Thieves and Pandacetamol. Tracks and credits:

Produced by 4T Thieves: Cricket Pit, Standalone Serenity, The Rusty Key, Waldorf Salad Along Here, Find The Shape

Produced by Pandacetamol: Cob Backwards, Industrial Incident, Nordic Harmony, She danced on the sand, Origins

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posted 15 July 2019

elAstrum Waves

elAstrum Waves
[phokes135]

elAstrum

“e-Waves”

The moment, when sound waves surprisingly appear in vacuum.
A cosmic dream symphony,
presented by a playful gravitational wave orchestra.elAstrum is a conscious electronica cosmonaut from Russia, online already known from his releases at Kahvi lately and one album earlier on Otium, as well as different spacey noise releases, that can be found at archive.org.

You can expect masterly sounding melodic electronica, sometimes playful and also sometimes referencing old soviet-russian radio sounds or songs, rising to the uber hymn, the “Epic Rise and Fall”, where all the essentials: love, longing and hope come together for the climax in the Now, heading for the tomorrow, binding you with us and all the other listeners through spacetime.

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posted 12 July 2019

xDEx – PANTA RHEI (πάντα ῥεῖ)

xDEx – PANTA RHEI (πάντα ῥεῖ)
[mhrk219]

xDEx

“PANTA RHEI (πάντα ῥεῖ)”

xDEx is a project and main scene pseudonym of Victor Prodanov. Lately, the constant accelerating societal decay and de-stricturation, the alienating aspects of the globalisation processes and the so called “common thought” became, by their unavoidability and omnipresence, a field of inspiration and cynicism for this project. Victor’s longstanding fascination with DIY digital and analog electronics has put out a solid emprunt over his sound.

The release “PANTA RHEI” is his first and hopefully not the last on Mahorka, after years of discussions, preparations, variants and waiting for the right circumstances in the right moment to come for this debut on the label. Most of the drum parts are produced with 808 and 909 clones, the non-melodic sound layers are mostly filtered spring and digital reverbs, various overdrives and distortions, feedback loops; there are extensive modular synth recordings and most of the paddy parts originate from a FM8 clone and a Waldorf Blofeld. All tracks were recorded on a multitrack at one shot, with little post-editing.

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posted 12 July 2019

Thuoom – Organism

Thuoom – Organism
[thump323]

Thuoom

“Organism”

Thuoom is back from studio hiatus with his 7th full-length album, Organism. The sounds used on this record consist 100% of glitches. More precisely, the original sounds were produced by misusing a sound card and manipulating signal live during a practice session, soundcheck, and live performance (Ambient Evening Trashure Islands, Parainen, Finland) in November 2018. For the album, these sounds were then further mutated in a true Thuoom fashion.
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posted 01 July 2019

Mikk Rebane – Between

Mikk Rebane – Between
[phokes134]

Mikk Rebane

“Between”

Say Hello to synth electronica artist Mikk Rebane from Tallinn, Estonia,
presenting his newest album here at Phonocake.His music is softly depressing and mildly pushing at the same time,
kind of an athletic and powerful melancholy.
An electrifying poetic view on life.

Third round of our new interview series also brings a little insight
on Mikk Rebanes life and music.

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posted 18 June 2019

quefear – (ado​)​r​(​able) (mure​)​mur

quefear – (ado​)​r​(​able) (mure​)​mur
[ACP 1214]

quefear

“(ado​)​r​(​able) (mure​)​mur”

The project has existed since 2014. Located in Moscow, Russia.
Concerning the name of the project: in Spanish, “que” means “what” or “what,” so the name can be considered as the question “what to fear?”. In Russian, the word pronounced “kefir” (or “kephir” – a fermented milk drink).
I’m interested in experimenting with sound. I like to combine different noises and strange samples, effects. I love to improvise.
I use a variety of tools, from traditional to homemade. MS-20 Mini, Kaossilator and Kaoss Pad, the Mopho Keyboard, LYRA, casio sk-8. In addition to them, I use different percussion, tambourines. I impose noise and sounds recorded on the telephone recorder. Sometimes I add my poetry and lyrics.
The result is a kind of collage, a mixture of sounds and noises.
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posted 18 June 2019

Marmalade Furniture – Différance Manifested In Mass Culture

Marmalade Furniture – Différance Manifested In Mass Culture
[s65021]

Marmalade Furniture

“Différance Manifested In Mass Culture”

‘Let the music fill your body. Let the beat show you the différance.’

Différance Manifested In Mass Culture is now available on sub65

#MarmaladeFurniture #junglist #breakbeat #neurofunk #lobit #sub65media

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posted 03 June 2019

Marmalade Furniture – Magenta Campus

Marmalade Furniture – Magenta Campus
[s65020]

Marmalade Furniture

“Magenta Campus “

‘Say the word fuchsia when dancing with the folks who frequent Magenta Campus..the music screeches to a stop, then security storms in.’

Marmalade Furniture’s Magenta Campus is now out on sub65

#broken #house #standards #tape #deconstruction #sub65media

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posted 02 June 2019

BERTHELOT – Principe d’incertitude des espaces imperceptibles

BERTHELOT – Principe d’incertitude des espaces imperceptibles
[earS092]

BERTHELOT

“Principe d’incertitude des espaces imperceptibles”

Composed of modulated quantum capsules, this album analyzes the principle of uncertainty, or, more correctly, the principle of indeterminacy of Heisenberg, under the meta-sonic influence of Berthelot’s theorem on the curvature of imperceptible spaces.

In quantum mechanics, the precise value of a particle’s physical parameters, such as its position or velocity, is not determined until it is measured. A quantum object could therefore be “in several places at the same time” (this is what my neighbor Schrödinger says about his cat, but I think he is using too much wine from the Loire Valley).
But this paradox is only apparent because classical scalar magnitudes are insufficient to describe quantum reality.
We then use the sound wave functions of Berthelot’s theorem, modular vectors that demonstrate that the uncertainty principle invariably leads to imperceptible spaces of infinite dimensions.

If the principle of indeterminacy of Heisenberg is a quantum reality, Berthelot’s theorem is not one.
Only the meta-sound analysis of this album remains, consisting mainly of analogically tangible and numerically virtual electronic structures.
Listening with good quality non-quantum headphones is recommended.

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posted 01 June 2019

303 – Baltdub

303 – Baltdub
[JAM007]

303

“Baltdub”

Selected cuts of the 303 jams in the dub style direction.
It’s like when we are far away “flying” in experiments, into rhythmic noise, in the process of jam, but there is a daredevil who declares: “Let’s play dub!”.It’s like something about dub and techno, somwhere close to noise with broken rhythm. It’s like something with bass and chords and melody, it is mostly rhythmic, stumbles somewhere, sticks somewhere, it is electronic and connected to the “network” …

Attention! illocanblo (11,12,13) and Potential DifferenSe (14) participated in several jams. Thank you.

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posted 01 June 2019

Hardwired – Liminal

Hardwired – Liminal
[kahvi422]

Hardwired

“Liminal”

We’ve featured Hardwired before in a previous VA compilation, but thought it would be good to feature the man again in his own EP release. Liminal is a selection of works from Hardwired back catalogue.

Some retro sounds (angular), very autechre sounding work (folding rna) and even Boards inspired (2nd last dream, 3rd last dream). Mellow, chilled out, atmospheric, in time for the summer sun.

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posted 31 May 2019

Harley Cream – Hexenplatz EP

Harley Cream – Hexenplatz EP
[GAY005]

Harley Cream

“Hexenplatz EP”

Artist: Harley Cream
Title: Hexenplatz
Cat: GAY005
Genre: Super hot out of this world magical cream style
Runtime: 7:46 minGAY super star Harley Cream is back with an amazing bewitching EP ready to haunt you with sheer amaze-balls full of extraordinary music! Filled with mysterious spells, uniqueness and enough fired up fire in his soul; the unbeaten talent brings you to the Hexenplatz. It’s the intriguing place that covers wide arrangements, complete unexpectedness, graveyard party times and bewildering magnificent magical moments! No Viagra could ever make you more rock hard than the material captured on this hot collection of must have material! Super HOT!

posted 29 May 2019

a.d.du.nord – Sana Grano

a.d.du.nord – Sana Grano
[Eg0_207]

a.d.du.nord

“Sana Grano”

A.d.du.nord is a musician who doesn’t work in a particular style but is guided by ideas of the moment without feeling compelled to maintain a single sound aesthetic. His first releases have been a few minimalist drone tracks published in 2018. He now aims to create some kind of “post-music” that is “strange and dysfunctional”. In short, a.d.du.nord is a project for free experimentation, where everything is possible.

Sana Grano is some kind of mixtape that gathers ten one minute long improvised sequences created with granular synthesis tools. The choice of samples was purely intuitive, and the results are partially aleatory. But if you listen between the lines, you may find reminscences of dub and afrobeat.

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posted 21 May 2019