about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

The Gold Miner’s Tusk – Days in the Hive

The Gold Miner's Tusk – Days in the Hive

The Gold Miner’s Tusk

“Days in the Hive”

A Netlabel Day 2022 Release

The artist invites us into an experience of pure drone and to imagine ourselves perhaps as we might be on an omni-biological level: individuals under the sway of waves of sensual stimulation and response in a Great Link.

Words from the artist:

“Days in the Hive” parts 1 & 2 are the title and concluding tracks from the forthcoming album by The Gold Miner’s Tusk.*

An audio speculation of what human life would be like if lived ‘hive-bound’. Here suspended in the bees’ complex atmosphere of neural extremes, all human perceptions of scent, sound, texture and taste require an adapted form of sensory equilibrium.

*A collaboration between Wood Ship (Keyboards and production) and rakerman (Cello and electric guitar)

Tracks:
Days in the Hive Pt. 1
Skeps
Apis Mellifera – Only The Females Sting
Propolis
In The King’s Garden
Days in the Hive Pt. 2

woodship.bandcamp.com
www.instagram.com/wood_ship_band/

released July 14, 2022

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posted 20 July 2022

Fabio Keiner – wintersongs

Fabio Keiner – wintersongs

Fabio Keiner

“wintersongs”

A Netlabel Day 2022 Release

A tabula rasa of sound.

A sinister wind emanates from the cracks, tundra, and ravines of an ice-covered ocean world; the harmonies of long-petrified seas are only found now in an ancient seashell’s resonance.

Or perhaps the relentless tones can shock us into awareness of the electrical pulses weaving and stimulating our brainwaves, via our headphones and through our networks, to a shared resonance of infinite applications.

Visual accompaniment:
vimeo.com/730097531

fabiokeiner.bandcamp.com
vimeo.com/fabiokeiner
credits
released July 14, 2022

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posted 17 July 2022

exm|Mitoma – e​|​m

exm|Mitoma – e​|​m
[S27-191]

exm|Mitoma

“e​|​m”

Previous iterations:
FF0000
touched.bandcamp.com/album/ff0000
I/0 DISC
kaer-uiks.bandcamp.com/album/i-0-disc
credits
released July 14, 2022

‘e|m’ font design by Daniel Glaser
danielglaser.de

Audio by exm & Mitoma
Mastered by exm

exmat.bandcamp.com
mitoma.bandcamp.com

Released by S27
Cat No. [S27-191]

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posted 15 July 2022

Kamizdat – Access Frame: Colony

Kamizdat – Access Frame: Colony

Kamizdat

“Access Frame: Colony”

For Netlabel Day 2022 Kamizdat is presenting a new compilation of local adventurous electronic music. This years edition features 12 exceptional female artists of various electronic and experimental genres with mostly exclusive tracks.
credits
released July 14, 2022

Credits:
Maruša Hren · printing, zinemaking
Tina Ivezić · design
Andrej Pervanje · production & promotion
Luka Prinčič · mastering, executive production
Luka T. Zagoričnik · production
Sabrina Železnik · promotion assistance

About Access Frame:
The series of compilations titled Access Frame aim to present a wide spectrum of local alternative music (with emphasis on electronic and experimental music) that has found its safe haven on the internet. The never before encountered entwinement of technology, society, making music and ownership rights has been causing a serious conflict between free culture and the outdated and exploitative concepts of copyright. Adhering to the spirit of free access, online labels are the first in the struggle for equal access and a more fair copyright (facilitated by the introduction of the Creative Commons license).
Archive at: kamizdat.si/tag/access-frame/

About Netlabel Day:
In this spirit we are supporting the annual celebration of netlabel culture every July 14th. Every year labels participate and release free music releases specifically for the event to support the initiative by M.I.S.T. Records in Chile and curated now by The Seattle Star.
More at: netlabelday.com.

produced by Emanat
released by Kamizdat
with support by City of Ljubljana and Radio Študent Ljubljana
kamizdat.si

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posted 15 July 2022

Kolna – Dobešho Bešho

Kolna – Dobešho Bešho

Kolna

“Dobešho Bešho”

released July 14, 2022
Out take z alba Tehilim, cesty šeré (vyjde po prázdninách 2022 na LP v nákladu 100ks; ale bez této písně…)

Obsazení:
Jan Faix – Hammondovy varhany
Zdeněk Hmyzák Novák – diatonická citera Hora, mbira, rámové bubny, trubka, šamanský buben, hlas,
zobcové flétny, Korg monotron, Korg Kaosspad, Korg Kaossilator,
tuboflaut, tonový generator, Kastle
Josef Jindrák – basová kytara, elektronický live processing
(mixpult, efektová jednotka, looper), Korg Kaoss DJ, kalimby, ukulele
René Pařez – elektrická kytara

Salvy poděkování: Ondřej Ježek, studio Jámor (nahrávka, míchání,
mastering)

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posted 15 July 2022

Various Artist – NETLABEL DAY 2022

Various Artist – NETLABEL DAY 2022
[MNMN603]

Various Artist

“NETLABEL DAY 2022”

сегодня день интернет-лейбла!

вот уже 8 лет подряд чилийский интернет-лейбл M.I.S.T. Records устраивает свой движ, направленный на поддержку независимых музыкантов и независимой музыки со всего мира.

в этом году мы снова не могли остаться в стороне и присоединяемся к празднику вместе со своим разноплановым сборником, на котором вы найдете экспериментальную электронику в самых разных ее формах.
credits
released July 14, 2022

Button: no
posted 15 July 2022

Various Artist – NETLABEL DAY 2022!

Various Artist – NETLABEL DAY 2022!
[None]

Various Artist

“NETLABEL DAY 2022!”

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posted 14 July 2022

Joan Jordi Oliver – Transit

Joan Jordi Oliver – Transit

Joan Jordi Oliver

“Transit”

“During the time in which I wrote this music I happened to travel a lot. I gathered many impressions from these journeys – pictures and recordings, faces and voices, ephemeral moments, fervent emotions – that I craved to freeze in time and retain forever. My second album “Transit” is an attempt to capture these impressions in the form of music. It’s an exercise of memory, or maybe some sort of personal diary transfigured into sound. The materials I collected, especially the field recordings, charged with meaningful memories of people and places, have become an essential part of this work and have allowed me to construct a genuinely intimate narrative. I strove to write a blurred story told by the distant voices of friends and loved ones, to arrange a chaotic mosaic of contrasting impressions, or to build an imaginary space constructed from fragments of real places I have been to. This artificial reconstruction of memory, the obsessive and futile effort of holding onto emotions that inevitably will slowly fade away, gives a new dimension to the music, created from fragmented motives that try to breathe beneath a dense fog of noise and distortion. Organic and artificial sounds, analogue sources, and digital processes are combined in the creation of a complex but emotionally engaging sonic space, while the more transparent structures support the narrative character of the music and create some sense of perpetual transition. Transit is an ongoing journey with all the emotions it carries – excitement and fear, denial and acceptance, uncertainty and hope.”
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posted 14 July 2022

organon contemporaneous & Lärmschutz – QETESH

organon contemporaneous & Lärmschutz – QETESH
[ACP 1353]

organon contemporaneous & Lärmschutz

“QETESH”

In a multidimensional way through sound search and deepening of temporal and atonal of different sounds reproduced acoustically and electro-acoustically. The temporal relations come from different forms of sound treatment, from the outset. During the process have used distended techniques, growth and development of solo processes and group music having as premise the articulation between different sounds being them of that provenance.
temporal level that intercedes on the micro-,and macro-scale levels of the consubstantiation of sounds in their morphological dimension. being its atonal profusions resulting from the addition of timbric layers that, in their relationship arising from a psycho-semantic relationship held by different instrumentalists, covers the scope through which different instrumentalists make music, the search for exploring the limits of exploration of their own instruments.
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posted 05 July 2022

Ciya – Fantasy

Ciya – Fantasy
[NNRM102]

Ciya

“Fantasy”

In an attempt to get answers to unknown questions of things that are difficult to put into words, sacrifices were made to abstract gods along the way.
Among the narratively drawn accidents, which are tactile sounds that combine into forms, a detailed answer to the question “how are you?” is read between the lines.
Even if they ask such a question to the listener.

Попытка получить ответы на неизвестные вопросы сложно поддающихся словам вещей, по пути принесены жертвы абстрактным богам.
Среди повествовательно нарисованных случайностей, представляющих из себя тактильные звуки, объединяющиеся в формы, между строк читается подробный ответ на вопрос “как дела?”.
Даже если задают такой вопрос слушателю.

released March 2, 2022

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posted 04 July 2022

Ladisa / Giannandrea / Magliocchi – SE

Ladisa / Giannandrea / Magliocchi – SE
[PT133]

Ladisa / Giannandrea / Magliocchi

“SE”

Stefania Ladisa / french violin
Marcello Giannandrea / bassoon,de-compositioned
Marcello Magliocchi / drums,perc.,traps
recorded on April 16, 2022 by Stefania Ladisa for SETTILE lab-prod at
Trullo Improvisations, Monopoli / IT
Mixed by Adrian Northover,OXO Studios – London
© all the music by Ladisa/Giannandrea/Magliocchi
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posted 01 July 2022

rADio eNd – OddSchool

rADio eNd – OddSchool
[LCNLP149]

rADio eNd

“OddSchool”

The Necrophile Hummingbird Netlabel presents Oddschool by rADio eNd.

“Odd Music for Derealizationed People”.

About beneath and above the surface of this album :
Oddschool is the third album of rADio eNd with for members the same trio*. While Hum Antenna was more about psychedelic explosion, Underground Culture was… well, about the Underground Culture, OddSchool is focus perhaps more on the reality study. And maybe the way we can communicate through music. We could have stayed more in the comfort zone with a mostly instrumental music, but since the very beginning, rADio eNd is thought like a kind of sonar. That’s why OddSchool needed to be haunted by lyrics as well as by any kind of crypto mantras, to show how, each can unlock these mantras to get a personalized message, as I did.
Also, despite I far enjoy not straight political stuff, mostly because the way this music is created is far more political than any talk, and that Dead or Alive ! could have been more universal and timeless, only with the mantra about the reversing of the symbols. I will not do a list of how the world is in huge trouble these days, but the decision to overturn Roe v. Wade law in the United States is too much dramatic for so many women, to keep my mouth shut down.
It can be interesting also to notice, that despite I do not voluntary transposed them in this song, many ideas were already in the word I added to underground culture presentation, to understand the whole creation process.
About Ok with everything… the meaning is first at the edge of two interpretations, in the industrial music style. It needs to decipher it by yourself as you can do with a koan, then only, the mantra deliver its message. This could talk, as well about acceptation, as a way to upgrade oneself, as I experienced it in my own life, acceptation (not resignation), to be able to really integrate something. As well, about fake acceptation, the same way that the kind of stuff like being friend with everyone indeed lead to be friend with no one, avoiding conflict can, that way, make you stand up for wicked things, at the opposite to any values which could motivate to do this.
Next I added the lyrics about Karpman triangle, perhaps because to remove these roles is a fine way to solve this mantra. More generally, like if you learn to remove your own storytelling,
you’ll be able to remove the propaganda storytelling.
Last but not least, there is an educational dimension in the whole album. When I was younger I’ve been studying, a short time, in the “lycée expérimental de Saint-Nazaire”. A school based on active pedagogies. Where students are equal in right with the educative team members. Where everyone does as well administrative tasks, cleaning, cooking, etc. students choice what they want to study and vote for the establishment choices.
There are other ways to learn if we want another world. In france in ordinary colleges, things are very slowly changing, but what is the meaning to form the teachers to the caring without to let them do the criticism of the system ? While the whole society is build on violence, competition, exclusion, and so on. Also, if certain are still thinking like being superior because of their knowledge to the student. And often haven’t got experience outside of scholar system as human being. Or also the way sometime teachers can disgust students by showing art through the academic critic’s point of view, for example avoiding anything really subversive as well in the shape than in the essence.
Or still severing everything instead to show how linked all domains, learn to transpose, can help you to build yourself and live by yourself.
So many things to say about this kind of things, that I prefer to do not develop this more. An anecdote about the artwork, to complete the way things are linked, I made it with a glass photography of a school in ruin.
D-I-Y studies shall be a lifetime task, to experiment with art for example is a fine tool to learn, creations are meaningful fruits to help you to grow up.

* There is another album without Studio 112 here peter-hopes-explodingmind.bandcamp.com/album/purple-circle-the-french-dissection

Featuring :
Peter Hope on tracks 1/4/7
peter-hopes-explodingmind.bandcamp.com/
Studio 112 on all tracks except the 7th
studio112.bandcamp.com/
Ed End on all tracks
ello.co/ed_end

rADio eNd is a process more than a simple musical project…
More informations about rADio eNd on the official page
horsnorme.org/rADio_eNd/rADio_eNd_english.html

Special thanks to anyone, skeptical, non-dogmatic, learning the whole life length.

Dedicated to all the education underground pioneers, like Francisco Ferrer, helping their fellows to build their own system.

Video Art Clip soon here www.bitchute.com/channel/mixuptv/

Latest netlabel news on ello.co/ed_end

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posted 01 July 2022

pokemonolive – a production full of sadness

pokemonolive – a production full of sadness
posted 30 June 2022

IDTAL x Humanfobia – Ritual Lights

IDTAL x Humanfobia – Ritual Lights

IDTAL x Humanfobia

“Ritual Lights”

vocals: Mist Spectra.
mixed, remixed, aditional sounds by Sábila Orbe.
original tracks by IDTAL./ Track 5 original track mixed by Rauppwar.-

IDTAL (InDusTreeAlLace) is an experimental, witch house, ritualwave, industrial noise, psychedelic shoegaze project from US.
for more music of this artist visit:
https://soundcloud.com/idtal/tracks
https://www.reverbnation.com/idtal/songs
5kyeeidtal.bandcamp.com/

Humanfobia is a dark experimental, witch house, ghostly ambient music duo from Rancagua, Chile.
humanfobia-official.bandcamp.com/
archive.org/details/fav-mist_spectra
hearthis.at/humanfobia/

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posted 27 June 2022

Various Artist – Tribute to Internet Explorer

Various Artist – Tribute to Internet Explorer
[None]

Various Artist

“Tribute to Internet Explorer”

RIP Internet Explorer (1995-2022)

Compiled, cover collage by Sábila Orbe-

Released by Internet Daemon netlabel:
internetdaemon.bandcamp.com/
archive.org/details/fav-obscvre_triangle_compilations

Each track composed by the respective artists. Links:
– s0lr: https://soundcloud.com/s0lr
– Yaka-anima: humanfobia.jimdofree.com/yaka-anima/
– ╬ sh sh zombie mamba ╬ : https://soundcloud.com/user-20316104-649672009
– Filmy Ghost: humanfobia.jimdofree.com/filmy-ghost/
– Killpatrick_Xiansheng: https://soundcloud.com/arthur-kilpatrick-1
– 1029chris: https://soundcloud.com/1029chris
– dumbyoyo: https://soundcloud.com/dumbyoyo
– F R A G I L E: https://soundcloud.com/user-32192831-668958257
– Humanfobia: humanfobia-official.bandcamp.com/
– Ten Rose: https://soundcloud.com/ten-rose
– Two Shades: https://soundcloud.com/actualtwoshades
– HDX13: https://soundcloud.com/hdx13
– RGB_OK: https://soundcloud.com/rgb_ok
– ijjjjjjjjjjjjjjjjjjjjjjjj: https://soundcloud.com/ijjjjjjjjjjjjjjjjjjjjjjj
– Mean Flow: meanflow.bandcamp.com/

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posted 24 June 2022

Os Presidentes – Primeiro Plano de Metas

Os Presidentes – Primeiro Plano de Metas
[055]

Os Presidentes

“Primeiro Plano de Metas”

Recebemos em 2007 nos escritórios do Antena este disco, sem nenhuma informação maior sobre ele além de um bilhete datilografado em folha de memorando:

“Excelentíssimos senhores,

“Apresentamos nosso trabalho para apreciação. Na possibilidade que lhes apraza, autorizamos divulgação. Cópias tanto do referido como deste memorando foram encaminhadas ao protocolo. Lhes encaminhamos bons votos de estima e consideração.”

Se entendemos bem – as informações da ficha técnica não são claras -, os autores do disco assinam como

JFCCF
JSQ
EBG
JBOF

Sem nenhum link de contato. E nunca tivemos um protocolo. Por quinze anos buscamos descobrir e contatar os autores. Não encontramos informação nenhuma. Mas, sim, gostamos do disco. Aqui está.
credits
released May 1, 2022

Faixas 1, 2, 3, 4, 7a, 14 (“Líquido” 4, 1, 2, e 3; “SC 061229 173146”, “SC 061229 174342”) por JSQ. Faixa 5a, 8b, 16, 19 (“Oh, Leonel”, “so, hey! café filho”, “o velho sobrado”, “wannabee sucuree”) por JFCCF. Faixas 5b, 5c, 7b, 8a, 11b, 18, 19c (“pet”; “O Ideal da Capital no Fim do Mundo”; “O Estado Doce”; “A Cidade É Bonita, Arrojada, mas muito Quente”; “Morrer Talvez; Matar, Nunca”; “E o Itamaraty para isso”; “uma família tradicional”) por JBOF. Faixas 5d, 6, 7c, 12 (“cafe”, “filho”, “figue”, “eil”) por EBG. Faixa 10 (“Itaipu e a Questão Argentina”) por EBG e JBOF. Faixa 11a (“SC 061229 174342 remix”) por EBG e JSQ. Faixa 15 (“doce amor bipolar”) por JBOF e JFCCF. Faixa 22 (“geis”) por EBG e JBOF.

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posted 24 June 2022

Internal Fusion – IWWA

Internal Fusion – IWWA
[mhrk311]

Internal Fusion

“IWWA”

Eric Latteux aka Internal Fusion, based in Britany (France), is a dark ambient artist born in 1964. He has been active since the early ’90s with releases on Staalplaat, Désaccord Majeur, Kokeshidisk, Taâlem, Oxidation and Attenuation Circuit, as well as a long list of releases available at his Bandcamp page.

IWWA is his debut album on Mahorka, released June 19, 2022 as free (cc) download and a beautiful limited Digipak CD edition.

Composed and produced by Eric Latteux

Cover images by Désaccord Majeur

Digipak cover design by Ivo Petrov

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posted 19 June 2022

Sebastian Herrera – Portal

Sebastian Herrera – Portal
[pn207]

Sebastian Herrera

“Portal”

“I would like to make a Book that upsets men, that is like an open door and that leads them where they would never have consented to go, simply a door facing Reality.” – Artaud, Antonin. “El Ombligo de los Limbos/El pesa-nervios / The Navel of Limbos/The Nerve-weigher” (1925).

“How can you make the sound of a drop of water with synthesis…” – Maybe I could explain it employing academia, university knowledge or with the aid of YouTube or Wikipedia, but the truth is that I don’t know… for me sound is magic, from how it is produced to the manner through which it reaches our neurons, from how an apparatus plugged into an electrical current is capable of sounding like a musical instrument to how a turntable functions… and what can be said of digital sound… that It’s already black magic, magic-bits, magic-magic. But that question formulated by Ben (Bridet) in one of the first meetings in Sebastián Herrera‘s workshop, was the starting point of a sequence of random events that finally materialized in what you will hear in approximately 25 minutes, when you open (the) “Portal”, or even open the mind/ears to the journey that this sound convenes.

Like the Skylab offering its last signs of life before rushing into the Australian desert, Sebastián’s proposal starts with sounds from space, satellites, shooting stars, descending glissandos, and then begins a route accompanied by a constant beat, which secretly propels us towards different rhythmic environments, all of it growing until it ends in a brief pause in the middle of the track where synthetic sounds and percussions emerge between clouds of feedback delays, to then approach the final part with short and aggressive sound apparitions and impulses, repetitive and mechanical, accompanied by ghostly trumpets of the apocalypse announcing the final fall/ascension.

Welcome to the world of sound Sebastián, you discovered a half-open portal and you dared to cross it, with the compass of sensitivity and curiosity, well wrapped up, you opened a path with no turning back.

Mika Martini
(Santiago, Chile. Junio / June 2022)

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posted 17 June 2022