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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

Internal Fusion – IWWA

Internal Fusion – IWWA
[mhrk311]

Internal Fusion

“IWWA”

Eric Latteux aka Internal Fusion, based in Britany (France), is a dark ambient artist born in 1964. He has been active since the early ’90s with releases on Staalplaat, Désaccord Majeur, Kokeshidisk, Taâlem, Oxidation and Attenuation Circuit, as well as a long list of releases available at his Bandcamp page.

IWWA is his debut album on Mahorka, released June 19, 2022 as free (cc) download and a beautiful limited Digipak CD edition.

Composed and produced by Eric Latteux

Cover images by Désaccord Majeur

Digipak cover design by Ivo Petrov

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posted 19 June 2022

Sebastian Herrera – Portal

Sebastian Herrera – Portal
[pn207]

Sebastian Herrera

“Portal”

“I would like to make a Book that upsets men, that is like an open door and that leads them where they would never have consented to go, simply a door facing Reality.” – Artaud, Antonin. “El Ombligo de los Limbos/El pesa-nervios / The Navel of Limbos/The Nerve-weigher” (1925).

“How can you make the sound of a drop of water with synthesis…” – Maybe I could explain it employing academia, university knowledge or with the aid of YouTube or Wikipedia, but the truth is that I don’t know… for me sound is magic, from how it is produced to the manner through which it reaches our neurons, from how an apparatus plugged into an electrical current is capable of sounding like a musical instrument to how a turntable functions… and what can be said of digital sound… that It’s already black magic, magic-bits, magic-magic. But that question formulated by Ben (Bridet) in one of the first meetings in Sebastián Herrera‘s workshop, was the starting point of a sequence of random events that finally materialized in what you will hear in approximately 25 minutes, when you open (the) “Portal”, or even open the mind/ears to the journey that this sound convenes.

Like the Skylab offering its last signs of life before rushing into the Australian desert, Sebastián’s proposal starts with sounds from space, satellites, shooting stars, descending glissandos, and then begins a route accompanied by a constant beat, which secretly propels us towards different rhythmic environments, all of it growing until it ends in a brief pause in the middle of the track where synthetic sounds and percussions emerge between clouds of feedback delays, to then approach the final part with short and aggressive sound apparitions and impulses, repetitive and mechanical, accompanied by ghostly trumpets of the apocalypse announcing the final fall/ascension.

Welcome to the world of sound Sebastián, you discovered a half-open portal and you dared to cross it, with the compass of sensitivity and curiosity, well wrapped up, you opened a path with no turning back.

Mika Martini
(Santiago, Chile. Junio / June 2022)

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posted 17 June 2022

Luka Prinčič – xenotopic networks

Luka Prinčič – xenotopic networks

Luka Prinčič

“xenotopic networks”

The modern living environment is fully transmedial. The subject is bound in the functionalities and workings of a cyborg, where the question of her rights becomes especially important. However, oozing through the network of different forces is the patriarchal white hetero cis matrix and the mechanism of disciplining, shaping and cultivating. The trans.fail chapter xenotopic.network relies on the concepts of foreign (xeno), space (topic/topos) and network as the primary sources of inspiration. These concepts can be understood and read in various ways, thus presenting the grounds for a critical reading of the world as a patchwork of possibilities:

“Technology isn’t inherently progressive. Its uses are fused with culture in a positive feedback loop that makes linear sequencing, prediction, and absolute caution impossible. Technoscientific innovation must be linked to a collective theoretical and political thinking in which women, queers, and the gender non-conforming play an unparalleled role. The real emancipatory potential of technology remains unrealized. Fed by the market, its rapid growth is offset by bloat, and elegant innovation is surrendered to the buyer, whose stagnant world it decorates.” (Laboria Cuboniks)

“… what is at stake is nothing less than a global redefinition of the relationship between territory and networks. There are major geopolitical rearrangements taking place right now across the entire stack, from physical infrastructure to information, financial and monetary networks. These are attempts at determining ‘digital territories’ and grappling with how to define and assert some sort of ‘digital sovereignty’ in network space. And cryptographic techniques are at the core of such emerging arrangements.” (Jaya Klara Brekke)

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posted 08 June 2022

Geiger von Müller – Space Digger #1

eiger von Müller – Space Digger #1

Geiger von Müller

“Space Digger #1”

‘Space Digger #1’ is the first single off the upcoming 2022 album Slide Sonatas I. The tune is a mid-tempo instrumental hit, combining the slide theme with unexpected guitar harmonics: von Muller’s trademark sound, pretty much. Hunt no further for proof that one guitar can create such a rich sonic fabric.

The single comes with a Lego Classic Space animation music video: https://youtu.be/S4dWDOW2dG0

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posted 05 June 2022

Quiet Clapping – Among The Haze

Quiet Clapping – Among The Haze
[mhrk308]

Quiet Clapping

“Among The Haze”

Quiet Clapping is a project of Jonathan Deasy – guitarist, improviser, composer, splitting time between Ireland and France. “Among The Haze”, his debut on Mahorka, is a departure somewhat from the usual Quiet Clapping formula of long form 20 minute ambient compositions. The pieces here are shorter, saturated and brimming with emotion. Written while reading Borges and living through a pandemic.

released May 28, 2022

Music by Jonathan Deasy

Artwork photo by Eberhard Grossgasteiger

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posted 28 May 2022

Martin Hoogeboom – Colony

Martin Hoogeboom – Colony
[ET60]

Martin Hoogeboom

“Colony”

Etched Traumas is more than happy to release ‘Colony’ by Martin Hoogeboom. ‘Colony’ is a soundscape work based on the sounds of ants. Martin says about ‘Colony’ :

“It might be an ethical concern to fill an ant’s nest with molten aluminum, to let it cool down, and to then dig it up. But this is the only way to get a building that looks like it has been designed by an alien architect.

Recent studies have shown that ants regularly communicate with each other by sound. Most ants have a natural washboard and plectrum built-in into their stomach. By rubbing these against each other, they create sound. This enables the queen to order her workers. Researchers can record these sounds, which are the basis of Colony, with the newest audio techniques.

I gave sound designer Theo Calis and trumpet player Ed van den Berkel the following instructions for improvisation: autumn forest, cold, blue sky, strong wind, chasing clouds. In the same forest where you are enjoying your walk, a superorganism is building complex colonies. Like aliens on a new planet.”

An Etched Traumas ET60 release February 2014

Credits

Written and performed by Martin Hoogeboom, Ed van den Brekel & Theo Calis.
Ed van den Brekel (soundcloud.com/ed-trum-ped): trumpet & electronics.
Theo Calis: fractal rhythms/sounds, sound design, additional recording, mastering.
John Grzinich (maaheli.ee) & Veljo Runnel (soundcloud.com/estlander): field recordings
Adrian Smith (adrianalansmith.com )& Robert Hickling (home.olemiss.edu/~hickling/): ant sound recording.
Mayako Nakamura (mayakonakamura.jp/): artwork (‘Futatsuboshi – A Pair of stars’)

I am very grateful to everyone for their support and commitment to this project.

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posted 27 May 2022

Various Artist – Sleep Paralysis

Various Artist – Sleep Paralysis

Various Artist

“Sleep Paralysis”

Compiled, cover artwork collage by Sábila Orbe.
released by Internet Daemon Netlabel (ex-Cian Orbe):
internetdaemon.bandcamp.com/
archive.org/details/fav-obscvre_triangle_compilations
ello.co/creativecommonsmusic
www.facebook.com/yaka.anima.noise

Each track composed by the respective artist. Links:
– Humanfobia: humanfobia-official.bandcamp.com/
– Wilfried Hanrath: wilfriedhanrath.bandcamp.com/
– Persefone: https://soundcloud.com/user-928550581
– Lunar Eclipse: https://soundcloud.com/jesse-james-42
– Mayhem Lettuce: mayhemlettuce.bandcamp.com/
– Insatiable Void: insatiablevoid.bandcamp.com/
– Mrs Dink: degeneratetrifecta.bandcamp.com/
– Mean Flow: meanflow.bandcamp.com
– Filmy Ghost: humanfobia.jimdofree.com/filmy-ghost/
– Tribe of Astronauts: archive.org/search.php?query=creator%3A%22Tribe+Of+Astronauts%22
– flyoversx: flyoversx.bandcamp.com/
– Boban Ristevski: bobanristevski.bandcamp.com/
– Origin Of Styx: originofstyx.bandcamp.com/
– Lärmschutz: larmschutz.bandcamp.com/
– {AN} EeL: panpanpanaviandistresscall.bandcamp.com/

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posted 25 May 2022

Polwor vs Baltazár – Raw Opera

Polwor vs Baltazár – Raw Opera
[pn206]

Polwor vs Baltazár

“Raw Opera”

Scroll. Swipe up. Towns moving to transition phase. Revolt flashbacks. Governability. Populism. 2020 was going to be the year. #selfie. Body positivism. F at chat. tbt. Covid advisors board. That’s not the name for that board. Elites. I left my mask at home. Barricade. Are we meeting via Zoom? Or Google Meet? No, I go for Jitsi. You hear me ok?. Skincare. Citizenship. Subtle. Opinions scrolling. Statements for the press. Hunger. Olla común at neighborhood board. Hunger protest. Hunger screened on a building. Indigenous Peoples. U checked this meme out?. Thermometer on forehead. Liquid on my hands. I’ve got the conviction. Sinovac, Pfizer, J&J. What’s wrong with AstraZeneca? Is there any CanSino? Freighter stuck in narrow canal. Isolation. Bomb at the Lebanon. Mom. Let ‘s play. Non-ironic. Lateral Scroll. Got a match. No stock. Rappi got lost. Silent majority. Let’s try Corner. Election suspended? It’s on Netflix. Mood. Telemedicine. Democracy. Find their Tiny Desk show. #URGENT. Rent. Twitter being Twitter. Parity. But you’re not ready for that talk. No mask. Antivaccine. Transition. Who are these independent/indie ones. Here’s a thread. Thread of threads. Rumination. It’s on Disney+. 30 years. Critical care beds. Noise upstairs. Where are the arts?. Memes. Wholesome memes. Dankmemes. Gamestop stocks. Metamemes and antimemes. FeelsGoodMan. I’m two years older or two years younger. Pedro Pascal. Queen Mónica. Distance at the queue. Back to quarantine. Close contact. The street sounds like everyday, though. We’re a trending topic. Thanks for mansplaining. U got that reference?. We’re the river taking its bed back. San Benito. That’s not music, that’s noise. Social distance. Virtual partay. We’re the indigenous constituent power. Dua Lipa is inspiring. What’s your sign according to your sign. Social rights. They’re not listening. ICU beds. IDU. CP. BF. CD. HP. PAP. LOL. HR. EU. KEKW. TERF. PSC. BTS. GNP. CIT. G2. G7. OCD. Right. Epidemiology. Pedagogy. Communication. Fondart. Pulsar. Put some more Instagram hype. Call for works. Streaming. Webinar. Release. Online workshop. Who’s got the link?. Global Pandemics. Full venue. Mind rumination. Shh. Visual noise. White noise for sleeping. Noise for wellbeing. We are noise blooming from sound. Noise blooming from machines. Noise blooming from noise. Noise from the environment. Ambient Noise. #9 “Raw Opera Vol.1” is flux, and continuity, and affordance towards noise and noise in discrete noise era.

Matías Serrano aka misaa
(Santiago, Chile. Mayo / May, 2022)
English version by Carlos McPherson #stillsafeinHonolulu

The work by these two relatives has been coming out for some time via sonic research, working solo and as part of different projects. But there’s a notorious link behind all the tapes, cables, knobs and electricity around them. They experiment connecting situations, controlling voltage, in order to create this “Raw Opera Vol.2”.

Polwor vs Baltazár take us to a crossroads of dreams, mystical delusions, and parallel universes, where we are able to see the Nexus of separation between this timeline and bypassing to the other side. Sometimes this work takes us somewhere else, feeling like listening to someone else’s daily life, the sounds we’re hearing like field recordings from a universe beyond, or situations we are prone to watch in fever, hallucinations that can perfectly be seen in altered states. “Raw Opera Vol.2” is without a doubt a good way to go.

Máximo Campos (Ciudad Sonora)
(Santiago, Chile. Mayo / May, 2022)
English version by Carlos McPherson #stillsafeinHonolulu

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posted 25 May 2022

Adolf Plays The Jazz – Low Life | We Can’t Lose. We Have Already Lost.

Adolf Plays The Jazz – Low Life | We Can't Lose. We Have Already Lost.

Adolf Plays The Jazz

“Low Life | We Can’t Lose. We Have Already Lost.”

released May 3, 2022

All music by Adolf Plays the Jazz
Lyrics by Vasilis & Nefeli

Adolf Plays the Jazz are:
Nefeli: Vox
Vasilis: Guitars, Noise
Nikos L: Guitars, Noise
Nikos Z: Bass
Panos: Drums
Aggelos: Sax
Iraklis: Samples, Noise, Synths
Petros: Keyboards, Synths

Front cover: Untitled, by Nikos Kessanlis
Many thanx to Dimitris Tsoublekas & Kyrgiakos Tsiflakos for their kind permission to use this artwork

We would also like to thank Alex Mertzanis, Christina Papatoli, Costas Masseras, Elena Khassalevres, Elli Griva, Evangelos Konstantelos, Giorgos Rorris, Isidoros Sideris, John Sugahtank Roumpanis, Juliano Kaglis, Nikos Vavatsis, Vasiliki Skopelou, Vasilis Gorogias, Vivi Papadimitriou, Yiannis Ntousiopoulos

Drums, Bass Guitar, Vocals and part of the Saxophone engineered, recorded
and edited by Terry Nikas at Zero Gravity Studios, Athens, Greece
Mixed by Terry Nikas & Adolf Plays The Jazz
Mastered by Dinos Prassas at Sound Abuse Studios, Athens, Greece

P & C – MADE IN THE EU
BLACKSPIN RECORDS (BSRLP15) & PRIMITIVE MUSIC (PMRLP07)
THE COPYRIGHT IN THIS SOUND RECORDING IS OWNED BY
ADOLF PLAYS THE JAZZ, BLACKSPIN RECORDS & PRIMITIVE MUSIC

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posted 21 May 2022

Various Artist – 101

Various Artist – 101
[hr101]

Various Artist

“101”

01. Trio Antimanierista. Luego No Te Quejes
02 Pelayo F. Arrizabalaga. Duet con Tony Williams
03. Javier Piñango. Tourmalet Circular.
04. Lucius Works Here. 1+0=1
05. Zozobra. Primer adelanto del mítico disco de zozobra con Hazard que nunca salió
06. Modelbau. The Enormous Space
07. Superelvis. Hope?
08. Cristina Casanova Seuma. Azar 2002|2022
09. David Paredes. Respira
10. Antoni Robert. Frog Ambient
11. File Under Toner. Nubla puzzle piece 022
12. Markus Breuss. FA18 (2022)
13. DJ Hazard plays Trio Antimanierista

Notas / comentarios:

01. “Ponle tú mismo el título”. Hecho.
02. Gracias a Hugo Westerdahl por el mastering.
03. Compuesto, grabado, mezclado y masterizado en Madrid en 2022.
04. No hay mucho más que decir.
05. El título lo explica todo.
06. modelbau.bandcamp.com
07. Grabado por Anki, Meteo & Raimon en 2021.
08. Veinte años no es nada.
09. Creo que David Paredes y Antoni Robert deberían hacer un disco juntos.
10. Poned esta pieza y la anterior en loop y veréis lo que quiero decir.
11. Esta pieza forma parte de un puzzle formado por 27 piezas de 57 segundos.
12. M.B.: trompeta, fliscorno, percusiones, electrónica.
13. “Te mando dos piezas para que elijas una”. Aquí no se tira nada.

public domain
free download
www.hazardrecords.org

Button: zero
posted 20 May 2022

Ghobi – Amba

Ghobi – Amba
[SR239]

Ghobi

“Amba”

Composed between 2020 and 2021, dreamlike and rarefied atmospheres in which the French horn
still colors most of the tracks.

Rhythms mix with the sandy distortions of guitars, drums and reverberations.

Melodies are always sparse and hypnotic. An unpolished sound is always preferred
but anyway intense, rather enhancing and “cradling” the “noise” created during the recordings.

With the aim of keeping the emotion and inspiration of the moment intact and crystal clear.

Credits:

ghobi are:
– lele : guitars, cetra, french horn, keyboards, percussions, effects
– giro : bass, effects
– palla : drums, percussions, udu

Recording end mix by ghobi

Master by simone giorgi ( downtown studio)

Thanks to Anna (Wollstonecraft Air) for vocal contributions on Etruria and Toroide

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posted 17 May 2022

Waldgrenze – Ökoton

Waldgrenze – Ökoton
[mhrk307]

Waldgrenze

“Ökoton”

Waldgrenze (border of the forest) – the project of Theo Kovalev (Wave Resistance), focused on ambient and experimental electronic music, as well as acoustic sound production experiments and field recordings, is inspired by the ecological idea of friendly coexistence of two opposing sides – nature and technology. Born in joint improvisational jam sessions with other artists, the project eventually transformed and acquired its own sound character, retaining the original idea of the changes made to live recordings to preserve the feeling of “here and now”, where in each composition you can hear the unique state of different places.

The third Waldgrenze album “Ökoton” is dedicated to the boundary between Earth and space in order to emphasize the unity of people living on a tiny planet in the middle of the infinity. The word ecotone was coined from a combination of eco(logy) plus -tone , from the Greek oikos (house) and tonos (tension) – in other words, a place where ecologies are in tension.
credits
released May 13, 2022

Music and cover by Theo Kovalev.

Mastering by Anatoly Grinberg.
Participated in recordings:
Vadim Rumyantsev (1,7 track) – electronics;
Alexander Shumilichev (2 track) – electronics;
Andrey Podolin (8 track) – vocal, flute;
Anton Popov (9 track) – sitar.

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posted 16 May 2022

Rafael Cheuquelaf – Camino interior

Rafael Cheuquelaf – Camino interior
[pn205]

Rafael Cheuquelaf

“Camino interior”

During the Pandemic that we have all lived through, we have had to modify our habitual behaviors and adapt to circumstances that, until not so long ago, seemed to only exist in the most dystopian imagination. Each one of us has dealt with their ghosts in their own way. I have found mine, returning to the habit of leaving the city to photograph whatever the Magellanic landscape could offer me. And I photographed the most solitary places of the steppe, going into those interior paths that few people travel. There are no human beings in these images, but there is the mark they have left, in the form of abandoned buildings corroded by time. Old houses and empty sheep stalls. Little shrines raised on the side of the road in memory of people who never returned home. Machine gun nests where soldiers waited for a war that never came. Remains of a forest burned by ranchers decades ago. And in the midst of all this, the non-human inhabitants who continue their eternal wandering through the land of the Aonikenk, today crossed by barbed wire that the guanacos jump until they get entangled and die.

Today I share with you the result of a creative exercise: composing and recording music inspired by this photographic record of Magellanic solitude, in a very short time and only using synthesizers, electric bass and an electroacoustic guitar. By doing this I wanted to draw a more complete vision of how I see my habitat and what catches my attention about it. With images and sounds I can express in a deeper way than with words the sensation of strangeness and melancholy that certain places produce in me. And thus reveal new textures under the hard light that illuminates this boundary. I hope you enjoy this brief visual and sonic pass through places where it is easy to imagine that the world has already ended. Because I believe that what would come after our disappearance will be just as calm as that interior path I love to lose myself on.

Rafael Cheuquelaf
(Punta Arenas, Chile. May 2022)

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posted 11 May 2022

various artist – Junji Ito’s: TOMIE (川上 富江 by Internet Daemon Netlabel

various artist – Junji Ito's: TOMIE (川上 富江 by Internet Daemon Netlabel

various artist

“Junji Ito’s: TOMIE (川上 富江 by Internet Daemon Netlabel”

Compiled, cover collage by Sábila Orbe.
model, photography: Mist Spectra.

Released by Internet Daemon, Post-witch music section:
new-age-vapor-witch.bandcamp.com/

Each track composed by the respective artist, Links:

– Axis Project: https://soundcloud.com/axis_project
– absolute despair: greypuppy.bandcamp.com/
– LEANKXZ: https://soundcloud.com/leankxzdubz
– Filmy Ghost: humanfobia.jimdo.com/filmy-ghost/
– Humanfobia: humanfobia-official.bandcamp.com/
– Mean Flow: meanflow.bandcamp.com/
– e.k1ypse: https://soundcloud.com/e-k1ypse/tracks
– 7Turtles: https://soundcloud.com/keepitfilthycasual
– devilrise.: https://soundcloud.com/devilrise
– DOSICK: https://soundcloud.com/dosick-ibarra
– still ∞ alive: stillalivetheband.bandcamp.com/
– FR3AKZ: https://soundcloud.com/fr3akzofficial
– Fahz: https://soundcloud.com/fahzbeats
– Magic Bullet: mickmagic.bandcamp.com/
– Name Constant: https://soundcloud.com/random-coil
– DJ_Iterate: archive.org/details/ThomasParkBenchmarkHub

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posted 08 May 2022

Ouranoise And Ed End – Darkness Is Knocking At My Door

Ouranoise And Ed End – Darkness Is Knocking At My Door
[LCNLP148]

Ouranoise And Ed End

“Darkness Is Knocking At My Door”

The Necrophile Hummingbird Netlabel presents Darkness is knocking at my door by Ouranoise and Ed End.

“Witch Rock for Unborn People”.

About the surface of this album :

Do you remember ?
When the first time you really met another being.
No shapes matter.
I notice that sometime with very sensitive people, some may call this people empaths, it’s like we’ve never been severed.
This kind of unborn children may be still linked to everything, like perhaps before the birth. I can be wrong, but it seems the case of Ouranoise.
Also seems it’s my own case and maybe that’s half why, since my name is Ed End I feel non-binary, darkness and light melt in an inextricable way, the other half may be because of how the patriarchal society is violent against the women as well sometime disallow elementary right as well to own their bodies.
Or it’s just the fruit of my imagination. Indeed, like so many, my father was violent and my mother for example was unable to say or show that she loved me.
Anyway, that’s not the plot. So what would be music if not a fundamental element of the meeting process. The vibrations finding their phases. Tuning. Perhaps the result of love and life melt is o and i overlaid. One of the symbolism analysis possible is that the other dot is replicated inside the o becoming 2.
And again and again each time we meet someone. Sounds crazy ? I don’t know.
I’m walking through life with my eyes blinded to keep my other sens wide open.
No rational process in action. Only fluid moves thru the possible fields.
So Ouranoise musical universe met my musical universe and I’m so happy to share this music with you.

About the depths of this album :

Perhaps it would be not that far in the style index of death rock or darkwave or postpunk…
Let’s dig this with a little of the story about this improvised track. Many of the last tracks recorded are far too long for usual listeners habits.
So first I extracted the most significant parts of them or reduced them to the essential.
Thinking myself that I’m often listening to shorter tracks. But next because I like to think the long time listeners of the netlabel are really open mind, and also that I enjoy these tracks for the trance inducing repetitive effect, so I chose to do not mutilate them, thinking it could coin a new style : Mantra Wave.

Actually, this one is more created like a sort of 45 rpm Single track which really do not care of any limitations.

Last few days ago I was reading Twilight of the idols and was so disappointed with what it shows about Nietzsche, being very different of what I thought when I read Also Sprach Zarathustra…
I realized to what level it’s possible that a book can be far different of the writer thoughts behind. So I choose to keep sharing my point of view,
but I’m warning you to never forget that the music matter more than any of my words.
Or for this release my opinion is the more relevant thing to do is to really listen the poetry of Ouranoise :

An ode to the darkness

The obsessive compulsive of the literal captive disorder of tales and boiling horns lying on its side looks at you so that you smile and see your face in the
you caress with your voices the dream come true where the sweet sacred darkness kneels while kissing its hands of ether until the light appeared
faint whisper of the little birds that wake up to sing those who are being born among the trees their eyes of different colors twinkle to find the infinite seed of the sky and a fresh wind enters my soul to remember that my arms learned to fly like them
now the moon shines for me
now the sun does me good
I love you now and I will love you forever
I just want to be inside you and feel your soul melt with mine
those dreams that come true in the darkness so clear and full of your eyes

looking for delirium the mind closed looking for the void the present is felt and in a sung verse the sun grows as if it were the first day of life
through your hands the oracle of the magicians makes me read the creativity that I possess I am the sweet firmament of the golden in the sunset
I am the full cup of the magician and the heavenly love of lovers
I am that sky full of stars that become light to go through you and kiss you while I rise with you to the imagination of life.

Good listen & thanks a lot for the support.
Love+Share+DIY
ed end

Dedicated to all those who are aware that intuitive mode is the key to allow deep changes without their fundamental difference being block by rational deny mode or misguided by any ersatz process generating only superficial changes.
May self-knowledge be a blessing to walk out of the dark ages.

Ouranoise
www.instagram.com/ouranoise/
Ed End
www.instagram.com/abimamibe/

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posted 06 May 2022

Humanfobia – Phenomena

Humanfobia – Phenomena

Humanfobia

“Phenomena”

Humanfobia is a dark experimental, haunted house music duo from Chile.

Sound Mixer, cover artwork collage: Sábila Orbe.
vocals in all tracks, model in the cover: Mist Spectra.

for more music of this project visit:
humanfobia-official.bandcamp.com/
archive.org/details/fav-mist_spectra
https://open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
hearthis.at/humanfobia/
https://soundcloud.com/humanfobia

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posted 04 May 2022