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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

Miquel Parera – The Dog that Ate Stars

Miquel Parera – The Dog that Ate Stars
[TEFE060]

Miquel Parera

“The Dog that Ate Stars”

The Eternal Feedback of Existence: Gonzo Robot, Noises and Space Monsters.
La Eterna Realimentación de la Existencia: Gonzo Robot, Ruidos y Monstruos Espaciales.

presents…
presenta…

r491 – TEFE060
The Dog that Ate Stars

Miquel Parera – 18/01/20

1- Stars that Disappear. – TEFE060-1-Rhythm-2020-01-18-09-40-05 – 00:02:46.44
2- Trip to the Planet of the Doggy. – TEFE060-2-Trip-2020-01-18-09-28-24 – 00:04:35.67
3- The Observer of Gods. – TEFE060-3-Rhythm-2020-01-18-09-45-22 – 00:03:02.04
4- Bloody Hunt. – TEFE060-4-Bloody-2020-01-18-09-53-27 – 00:03:05.76
5- No Place without Time. – TEFE060-5-Rhythm-2020-01-18-10-00-20 – 00:02:37.52
6- Waves of Chaos. – TEFE060-6-Wave-2020-01-18-10-05-03 – 00:04:40.13

Total Time: 00:20:47.56

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More about Gonzo Robot & The Eternal Feedback of Existence

The Eternal Feedback of Existence:

Archive.org: https://archive.org/details/@computermusicneix
Bandcamp: https://tefe.bandcamp.com/
Spotify: https://open.spotify.com/artist/2jcepTQdEg8OvuE14zLnQY
Google Play: https://play.google.com/store/music/artist/Miquel_Parera?id=Axcvwmwxpx6a6s5rzzewl2krk5i
Tidal: https://listen.tidal.com/artist/10684832

Gonzo Robot Reports:

https://archive.org/details/GonzoRobot

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For more information, critiques, trolls or even generous editorial contracts, you can contact the author, Miquel Parera at:

theeternalfeedbackofexistenceATgmail.com

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#electronica #idm #glitch #breakcore #experimental #acousmatic #algorithmic #repetitive #minimalism #hypnotic #scifi #cienciaficcion #gonzorobot #ia #robotics #livecoding #techno #computermusic #creativecommons
#electronica,#idm,#glitch,#breakcore,#experimental,#acousmatic,#algorithmic,#repetitive,#minimalism,#hypnotic,#scifi,#cienciaficcion,#gonzorobot,#ia,#robotics,#livecoding,#computermusic,#techno,#creativecommons

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License: CC-BY
https://creativecommons.org/licenses/by/2.0/

You are free to:

Share — copy and redistribute the material in any medium or format

Adapt — remix, transform, and build upon the material
for any purpose, even commercially.
This license is acceptable for Free Cultural Works.

The licensor cannot revoke these freedoms as long as you follow the license terms.

Under the following terms:

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.

No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

Button: by-sa
posted 19 January 2020

various artist – PIKADON

various artist – PIKADON
[earS095]

various artist

“PIKADON”

PIKADON is a coproduction between the netlabels :
Cian Orbe Netlabel http://humanfobia.jimdo.com/cian-orbe-netlabel/
Earsheltering http://earsheltering.free.fr
Eg0cide Productions http://eg0cide.com
Murmure Intemporel https://archive.org/details/sillage-intemporel
The Necrophile Humingbird www.horsnorme.org

What is “PIKADON” :
A collective experiment of mutation ?
Or only a remix album of the3 Best Of de Yoshiwaku, the essential of his music since 2011 :
https://archive.org/details/Unsound_Territory_Yoshiwaku
https://archive.org/details/Insane_Territory_Yoshiwaku
https://archive.org/details/Unsafe_Territory_Yoshiwaku

  • Both, at the same time, it depends of You : if You just listen…
    Or if you choise to spend a little of your time to discover what is hidden behind the music… horsnorme.org/PIKADON/index.html
  • Why Pikadon pop up at the dawn of 2020 ?
  • A distress rocket can also be used to draw attention to a solution particularly suited to the current situation…
    Who is Yoshiwaku Mushotoku : A vaguely humanoid sound generator or a kind of synthetic shaman ?
  • It’s a solo project focus on electronic improvisation. It’s also the last mutation of “OresteS”, which was known as “TKno BeurK” in the beginning in 1998.

He’s also a member of the anarcho-post-situationist band “La 6ème République” and of the noise supergroupe “K/W/A/Y” and of the plunderphonic collective without head “Vivid Tribe Of Psychics”
More d’information here http://horsnorme.org/Yoshiwaku/shamanoise.html

VIDEO ART CLIPs :
Pikadon trailer v2 1/3 www.youtube.com/watch?v=OrHJDY5l8hg
Pikadon teaser 2/3 www.youtube.com/watch?v=6zxuv7m9HBI
Pikadon cinemix 3/3 www.youtube.com/watch?v=rLbqmnhyAuY

The playlist is mostly the same than the best of playlists.

Light Dedication :
Pikadon is dedicated to those who participated in Necktar 2017 and have died since : A few of your dreams is shining in our eyes. A bit of your spirits are vibrating in this music.

Burst Dedication :
Pikadon is dedicated to all the peoples who are trying to free themselves from the madness of their leaders. Who are trying to get rid of capitalism to save the planet, humanity and all living creatures.

Thanks :
Thank you from the bottom of my heart to each participant for the meeting of our sound universes.
Thanks to the netlabels without whom this project would have been a little too much ambitious for my frail shoulders.
Thanks to Sono Sion for the discovery of Pikadon in his film “Rabu & Pîsu”.

Button: by-nc-sa
posted 17 January 2020

Sambarnyawa – Hutan dan Teriakan

Sambarnyawa – Hutan dan Teriakan

Sambarnyawa

“Hutan dan Teriakan”

Hutan hampir selalu menjadi referensi bagi kesunyian, meski sunyi tidak pernah benar-benar ada. Ranting-ranting bergoyang terhempas angin, diiringi daun-daun yang berguguran. Lalu, bunyi-bunyi gesekan, terkadang mendesis, mendesau, dan menderu, silih berganti mengisi celah-celah pepohonan. Lebih seksama lagi, sayup-sayup suara burung atau fauna lainnya bersahut-sahutan. Dan hutan, kita tahu, menjadi penopang kehidupan semesta: menjaga keseimbangan, tempat bagi air dan udara bereproduksi, menyimpan ragam sumber daya yang melimpah. Di beberapa masyarakat non-urban, keberadaannya disakralkan. Mitos membalutnya dan diimani orang-orang yang hidup di sekelilingnya. Hutan disucikan, sekaligus ditakuti, angker, wingit.

Tapi, hutan juga menyimpan teriakan-teriakan. Sebelum pemukiman menjalar liar, hutan adalah medan laga pertempuran. Pangeran Sambernyawa bertahan dari gempuran tentara gabungan Kompeni dan Mataram di hutan Sitakepyak. Atau, taktik perang gerilya yang menjadikan hutan tempat persembunyian, seperti saat Perang Revolusi Indonesia dan Perang Vietnam. Di hutan pula, pembantaian sering terjadi. Berita-berita acap kali mengabarkan penemuan jasad pembunuhan. Ada juga kisah tentang pembantaian besar, seperti di Indonesia paska 1965. Mereka yang simpatisan atau dituduh penganut paham kiri, banyak yang dibunuh di dalam hutan, menyisakan lubang-lubang kuburan massal.
credits
released January 4, 2020

Albertus Arga Kacang – Vocal Utama dan Backing Vocal, Oscillator Gelombang Kotak
Gerry Pindonta – Bass, Gitar, Synthesizer, Tom Tom, Backing Vokal
Ian Pramana – Keyboard, Backing Vocal
Johanes Handjono – Bass, Synthesizer, Gitar, Backing Vokal
Riska Farasonalia – Drum, Perkusi, Backing Vocal

Artwork cover oleh Debby Selviana

Button: by-nc-nd
posted 06 January 2020

Stadlmeier feat. Guiguisuisui & Gerald Fiebig – enchantments

Stadlmeier feat. Guiguisuisui & Gerald Fiebig – enchantments
[1024]

Stadlmeier feat. Guiguisuisui & Gerald Fiebig

“enchantments”

Sascha Stadlmeier: guitar, bass, effects
Nan Guazi: vocals
Guigui: guitar
Gerald Fiebig: electronics

attenuation effect / Daftpop Sounds
1024 / DPS07 ° 2019
live @ villa, Augsburg, 24.08.18
recording, mastering, photography and design by EMERGE

Button: by
posted 01 January 2020

Various – another bean sits tough right ahead controlling tender

Various – another bean sits tough right ahead controlling tender
[ACPS 1035]

Various

“another bean sits tough right ahead controlling tender”

01. PHILIPPE NEAU – oOnhe 10:45
02. SOUND_00 – Metal Kratovo 10:59
03. WALTER FINI – Echoes 09:30
04. BR – A sto ako ti kazam deka ovoj svet e samo obid, verba i cekorenje kon podobroto 10:40
05. THE SUBAQUATIC BULLETIN SERVICES BUREAU – Recent Transmissions 08:31

cover art by Claus Poulsen
design by EMERGE

Button: by
posted 26 December 2019

randomVOLT – Stand Alone Complex

randomVOLT – Stand Alone Complex
[pn148]

randomVOLT

“Stand Alone Complex”

The album “Stand Alone Complex” arises from a reflection on the cyborg and the ideas embodied in the anime film “Ghost in the Shell” by Masamune Shirow, which seeks to reference post-club music from the futuristic dystopia that is currently pursuing us, while dealing with the dilemma of the soul and what or who owns that ghost. The Zeitgeist (this is originally a German expression that means the “spirit” (Geist) of “time” (Zeit) and refers to the current intellectual and cultural climate) generates some shock and reflection on what the body is and the nature of the other.

“Stand Alone Complex” contains music that goes from drone-like structures (“A Structural Point”), through more IDM tracks (“Riding the Noise”) to techno (“Der Inner Geist”, a direct translation of the inner ghost), to more industrial and post rave expressions (“The Harshness Factor” and “TGVBKJGFC”), until the last track (“Surveillance”), which speaks about the issue of surveillance though sounds that are more electronic and less structured by genre labels.

This disc originated with an approximately 20-minute recorded session made in 2014 (https://vimeo.com/105399073) and this subsequently laid the groundwork for a new interpretation of the books of Donna J. Haraway (Simians, Cyborgs and Women: The Reinvention of Nature, 1991) and Kim Toffoletti (Cyborgs and Barbie Dolls: Feminism, Popular Culture and the Posthuman Body, 2007).

It was mixed in FBK studios in Barcelona by Jose Jünemann and Joan Lavandeira and mastered by Jose Jünemann (2019).

Joan Lavanderia aka randomVOLT
(Bercelona, España / Spain, diciembre / December 2019)

Button: by-nc-sa
posted 25 December 2019