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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

Sambarnyawa – Hutan dan Teriakan

Sambarnyawa – Hutan dan Teriakan

Sambarnyawa

“Hutan dan Teriakan”

Hutan hampir selalu menjadi referensi bagi kesunyian, meski sunyi tidak pernah benar-benar ada. Ranting-ranting bergoyang terhempas angin, diiringi daun-daun yang berguguran. Lalu, bunyi-bunyi gesekan, terkadang mendesis, mendesau, dan menderu, silih berganti mengisi celah-celah pepohonan. Lebih seksama lagi, sayup-sayup suara burung atau fauna lainnya bersahut-sahutan. Dan hutan, kita tahu, menjadi penopang kehidupan semesta: menjaga keseimbangan, tempat bagi air dan udara bereproduksi, menyimpan ragam sumber daya yang melimpah. Di beberapa masyarakat non-urban, keberadaannya disakralkan. Mitos membalutnya dan diimani orang-orang yang hidup di sekelilingnya. Hutan disucikan, sekaligus ditakuti, angker, wingit.

Tapi, hutan juga menyimpan teriakan-teriakan. Sebelum pemukiman menjalar liar, hutan adalah medan laga pertempuran. Pangeran Sambernyawa bertahan dari gempuran tentara gabungan Kompeni dan Mataram di hutan Sitakepyak. Atau, taktik perang gerilya yang menjadikan hutan tempat persembunyian, seperti saat Perang Revolusi Indonesia dan Perang Vietnam. Di hutan pula, pembantaian sering terjadi. Berita-berita acap kali mengabarkan penemuan jasad pembunuhan. Ada juga kisah tentang pembantaian besar, seperti di Indonesia paska 1965. Mereka yang simpatisan atau dituduh penganut paham kiri, banyak yang dibunuh di dalam hutan, menyisakan lubang-lubang kuburan massal.
credits
released January 4, 2020

Albertus Arga Kacang – Vocal Utama dan Backing Vocal, Oscillator Gelombang Kotak
Gerry Pindonta – Bass, Gitar, Synthesizer, Tom Tom, Backing Vokal
Ian Pramana – Keyboard, Backing Vocal
Johanes Handjono – Bass, Synthesizer, Gitar, Backing Vokal
Riska Farasonalia – Drum, Perkusi, Backing Vocal

Artwork cover oleh Debby Selviana

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https://watchpineapple-press.bandcamp.com/album/hutan-dan-teriakan
https://watchpineapple-press.bandcamp.com
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posted 06 January 2020

Stadlmeier feat. Guiguisuisui & Gerald Fiebig – enchantments

Stadlmeier feat. Guiguisuisui & Gerald Fiebig – enchantments
[1024]

Stadlmeier feat. Guiguisuisui & Gerald Fiebig

“enchantments”

Sascha Stadlmeier: guitar, bass, effects
Nan Guazi: vocals
Guigui: guitar
Gerald Fiebig: electronics

attenuation effect / Daftpop Sounds
1024 / DPS07 ° 2019
live @ villa, Augsburg, 24.08.18
recording, mastering, photography and design by EMERGE

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https://immerge.bandcamp.com/album/enchantments
http://www.attenuationcircuit.de/
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posted 01 January 2020

Various – another bean sits tough right ahead controlling tender

Various – another bean sits tough right ahead controlling tender
[ACPS 1035]

Various

“another bean sits tough right ahead controlling tender”

01. PHILIPPE NEAU – oOnhe 10:45
02. SOUND_00 – Metal Kratovo 10:59
03. WALTER FINI – Echoes 09:30
04. BR – A sto ako ti kazam deka ovoj svet e samo obid, verba i cekorenje kon podobroto 10:40
05. THE SUBAQUATIC BULLETIN SERVICES BUREAU – Recent Transmissions 08:31

cover art by Claus Poulsen
design by EMERGE

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https://emerge.bandcamp.com/album/another-bean-sits-tough-right-ahead-controlling-tender
http://www.attenuationcircuit.de/
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posted 26 December 2019

randomVOLT – Stand Alone Complex

randomVOLT – Stand Alone Complex
[pn148]

randomVOLT

“Stand Alone Complex”

The album “Stand Alone Complex” arises from a reflection on the cyborg and the ideas embodied in the anime film “Ghost in the Shell” by Masamune Shirow, which seeks to reference post-club music from the futuristic dystopia that is currently pursuing us, while dealing with the dilemma of the soul and what or who owns that ghost. The Zeitgeist (this is originally a German expression that means the “spirit” (Geist) of “time” (Zeit) and refers to the current intellectual and cultural climate) generates some shock and reflection on what the body is and the nature of the other.

“Stand Alone Complex” contains music that goes from drone-like structures (“A Structural Point”), through more IDM tracks (“Riding the Noise”) to techno (“Der Inner Geist”, a direct translation of the inner ghost), to more industrial and post rave expressions (“The Harshness Factor” and “TGVBKJGFC”), until the last track (“Surveillance”), which speaks about the issue of surveillance though sounds that are more electronic and less structured by genre labels.

This disc originated with an approximately 20-minute recorded session made in 2014 (https://vimeo.com/105399073) and this subsequently laid the groundwork for a new interpretation of the books of Donna J. Haraway (Simians, Cyborgs and Women: The Reinvention of Nature, 1991) and Kim Toffoletti (Cyborgs and Barbie Dolls: Feminism, Popular Culture and the Posthuman Body, 2007).

It was mixed in FBK studios in Barcelona by Jose Jünemann and Joan Lavandeira and mastered by Jose Jünemann (2019).

Joan Lavanderia aka randomVOLT
(Bercelona, España / Spain, diciembre / December 2019)

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https://pueblonuevo.cl/stand-alone-complex/
https://pueblonuevo.cl
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posted 25 December 2019

Drehton – ini

Drehton – ini
[phokes138]

Drehton

“ini”

Phonocake-Artist Drehton moves the knobs and keys to the next experimental level. With references to trance, IDM, techno and now and then dub, he shapes the sound of a hyperworld: full of jumps, speed, variety, intensity, clear superabundance. This is where the control takes place, this is where the chips glow. Full of details this HiTekk Electronica purrs full of longing in the metropolis of chip design sound.

The 21st century replaces any category concept of ours. The concepts blur and exceed conventions through freer expression. Freed from any category corset, Drehton presents new experiments in tempo, arpeggio & melody, in its very own sound and recognizable style. Partly the stuff is insanely experimental, especially the first tracks. They tempt us to brain explosions that dissolve Koan like. From song 8 it gets a bit straigther.

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http://phonocake.org/ini
http://phonocake.org
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posted 24 December 2019

Vladimir Luchansky – Helioglabus

Vladimir Luchansky – Helioglabus

Vladimir Luchansky

“Helioglabus”

saxophone/reeds, recording: Vladimir Luchansky
mastering: Ilia Belorukov
curating: Tiago Morais Morgado

Vladimir Luchansky (b. 1990) – composer and improviser from Saint Petersburg, Russia. He worked with musicians from all over the world such as Oliver Lake, William Parker, Assif Tsahar, Tim Hodgkinson, Glen Hall, Ilia Belorukov, Mia Zabelka, Matt Mottel, Kevin Shea, Alexander Markvart, Roman Stolyar, Sergey Belichenko, and many others. A member of International Society of Improvising Musicians, he performed in North America and Europe with solo gigs and in various combos. He interferes with all kinds of contemporary improvisational music from noise to free jazz and multidisciplinary arts.

Ilia Belorukov is a musician from Saint-Petersburg, Russia. He works in the directions of improvised, noise and electroacoustic music. He’s a member of different projects with local and foreign musicians. He collaborates with artists who work in other musical directions (from hardcore and metal to academic contemporary music); with dancers and painters; with theater. Ilia practices an experimental approach of sound extraction on alto saxophone with objects, uses electronics and other instruments. Also he is a founder of Intonema label (www.intonema.org) and one of curators of Spina!Rec label (www.spinarec.bandcamp.com).

Tiago Morais Morgado | Violetista e laptoper, estudou música clássica, musicologia, informática música e sonologia na Artave, na Esart, nas universidades Nova de Lisboa e do Minho e no Conservatório de Haia. Curador da editora Nachtstuck Records, que criou em 2014. Seleção de concertos: Frequency, na final do Termómetro Unplugged 2005, Alfândega do Porto; Orquestra Artave (viola tutti), com António Rosado e Ernst Schelle, Coliseu do Porto, 2006; Quinteto Pedro Lopes, David Filipe, Tiago Morais Morgado, António José Oliveira e Denis Ferreira, Casa das Artes de Famalicão, 2006; Tiago Morais Solo, Teatro a Barraca, 2010; :papercutz, no Inslington Metal Works de Londres (Reino Unido), no SXSW Austin (EUA) e no Exit Festival (Sérvia), 2010; Encerramento do ciclo “Colaborações Improvisações”, Serralves, 2011; Sonology Electroacoustic Ensemble, com Peter Evans, 2011; Com Yedo Gibson e Ofir Klemperer e como Tiago Morais Solo, no Studio Loos Den Haag, Holanda, 2011; Tiago Morais Morgado Solo, Fiber Festival Amsterdam, Holanda, 2012; Visuais, A First Approach to Morgenstra – Juan Marco Albarracin, 2012; Arnold Schoenbergzaal; Com Nicola Casetta, Maskarade Sinzine; Com James Hewitt e Renato Meganha Ferreira, Leo Svirsky House, Holanda, 2012; Tiago Morais Morgado solo, Kees van Barenzaal, Holanda, 2013; Com Teresa Matias, MNS, 2013; Com Stelios Manousakis, Museu de Arte Contemporanea de Vigo, 2014; Festival O Mundo Somos Nos, 2014 e 2017; Festival Dias de Música Electroacústica, 2015 e 2016; Moita Mostra, 2016 e 2017; Serralves em Festa, 2017; Com Marcelo dos Reis e Sérgio Tavares, MNS, 2017; Jose Lencastre Nau Quartet, MNS, 2017; Ocupa #2, GNRation, 2017.

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https://nachtstuckrecords.bandcamp.com/album/vladimir-luchansky-helioglabus
https://nachtstuckrecords.bandcamp.com/
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posted 23 December 2019

BOGUE x LIGH TN ING – MOLD

BOGUE x LIGH TN ING – MOLD
[IG35]

BOGUE x LIGH TN ING

“MOLD”

This story is about how we got the opportunity to assess the level of moral decay of the Internet society first hand. The soundtrack for the show, which you will watch a second before the neutron burst turns your body into a shadow.
All that remains after you is just irrational hate in anonymous posts, stingy playlists and collections of saves.
You will see pictures of the decaying and self-destructive mass culture of the future, in which our creative process, like mold, is patiently growing and gaining critical mass

Эта история о том, как мы получили возможность с первых рядов оценить уровень морального разложения интернет общества. Саундтрек для шоу, которое вы будете смотреть за секунду до того, как нейтронная вспышка превратит ваше тело в тень.
Всё что останется после вас — лишь иррациональный хейт в анонимных постах, скупые плейлисты и коллекции сохранёнок.
Вы увидите картины гниющей и саморазрушающейся массовой культуры будущего, в которых наш творческий процесс, подобно плесени, терпеливо растёт и набирает критическую массу

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https://internetghetto.bandcamp.com/album/mold
https://internetghetto.bandcamp.com
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posted 18 December 2019