GAAR picks up the skeleton of the Nuer’s previous EP and adds a more vigorous rhythmical structure and textures, creating a sonic hybrid torn between punk and techno.
Noise. Distorsions. Chants.
01. DIGITAL MASS – Armature 07:49
02. CALINECZKA – RA-115 09:34
03. BEARD CLOSET – Crying On Youtube 08:00
04. KAPALI CARSI – Handke’s Wrong Moves 08:17
05. HUMANHATE666 – Drone 12:27
cover art by Claus Poulsen
design by EMERGE
Out now on GGM: Thispossesed by Whalt Thisney
Genre/style: Piano driven ambient, dark ambient, drone ambient
The legendary Whalt Thisney brings you five piano driven ambient pieces serene in their beauty yet indefinably haunting are melodies
Created for a love of all that is Dark Ambient, British Electronic producer Tony Young (Autoclav1.1) and German Industrial/Noise powerhouse Andreas Davids (xotox); first bore fruits of their labour, with their self-titled, monolithic debut in 2018.
2019, continues the story with “Second”. A new chapter of colossal, brooding ambient; where light is slowly crushed by shade, within a multi-faceted arena of sound.
From the nightmarish journey through dying forests and the ruined vestiges of humanity depicted in their debut; the path now leads across desolate moorland and hilltops to the coast. The sea levels are now rising; and we have to face the inevitable, that all will be consumed.
Once more, Natura Est have produced an album that stands tall within the genre; holding an aural mirror to the world, provoking one question. Nature is all, all is nature; but who really is the beast?
released September 9, 2019
also available as limited edition digipak CD
Written & produced by Natura Est: Tony Young and Andreas Davids
Mastered by Anatoly Tokee Grinberg
Artwork by Salt
Bruno Gussoni/Flutes
Adrian Northover/Soprano saxophone
Marcello Magliocchi/Drums
Recorded at Bogliasco-Genova/IT
2019, June 12th
All music by Gussoni/Magliocchi/Northover
Photo & cover design by Adrian Northover
The musical paradigm shift from the outermost points. Believe that we arrive on the cusp of a new musical age. from US, Canada, Argentina, Germany, Spain, Finland, Sweden, Belgium, Russia, Belarus, Singapore, South Korea and Japan.
Track Listing:
01. farmersmanual – 366
02. colongib – potty pilot hi proem
03. Dexid – monky
04. structweird – Awake
05. Forces – Synthetic Society
06. NorthWood – leadership
07. octopus inc – maya
08. Farrelly Sisters – #R10502
09. ]]]]]]]]]] – ()())(l)(())(l)(()()
10. UnDer A CLOUD – 우물속 증조할머니 [great grandmother in the well]
11. Zeekos Perakos – k-long
12. KEISUKE MATSUDA – Flatter
13. eerie_ear – escalator safari
14. miragliuolo – i’m the line out
15. Kisser – Chameleon Police
16. SCRIPT – stuck
17. ilkae – neon white (alternate)
18. WHXX – Escape
19. John Sellekaers – Waiting (3A14)
20. Sphere² – Aqua (Shade)
21. Lesser – Elder Bits
22. proswell – 20070808 froggie
23. marumari – narf
24. Riajuu – foind another pyramid
25. Greg Davis – Glockenspiel & Organ
Curated by Haruo Ishihara.
Artwork by Occupied Territories.
Special thanks to Aaron Munson, Charlie Kramer, Christopher Graves, Gert Brantner, Greg Davis, Jason Doerck, Jeeyon, Joe Miragliuolo, John Sellekaers, Joonas Siren, Joseph Misra, Josh Presseisen, Keisuke Matsuda, Kim Cloud, Lynn James, Pasha Korn, Sebastian Pappalardo, Sergio Rodríguez, Shithead, Zeekos Perakos.
![PIG FEET – Anatidae Webcast #03 [1/2019]](https://archive.org/download/s65030/0cover.png)
01. PPFPESSco. – Morons, Birds, and Monsters (mmmm… yeah) 07:29
02. PICA – Who Committed This Heinous Crime & What Motive Did They Have? 09:46
03. SRVTR – room-mirrors 10:00
04. SHALLOWER – Return Orbit of the Silver Star 08:29
05. FOLTERGEIST – Die gefressenen Kinder schweigen 09:18
cover art by Claus Poulsen
design by EMERGE
released August 13, 2019
Artwork: Matthew Smith // instagram.com/therealmueseum and Thomas Wahle
Mastering Engineer: Saif Bari // fixedmastering.com
z(xW+yV) is a solo project of Kecap Tuyul started spring 2018 while experimenting different ways to generate low volume feedback with small gear. After some tries with one contact microphone and one 1W battery-powered amplifier he developped a modular system on this basis, in order to generate not only feedback, but also feedback of feedback, and feedback of feedback of feedback (…) by chaining amps and microphones in a circular way that blurs more and more the distinction between sound source and sound’s reproduction, between acoustic musical instruments and electronic sound diffusion.
Unlike its first album 3×2(1W+18V) whose 3 pieces where mixes of 2 improvisations, Trois Prises features only raw improvisations played on more complex versions of the set-up (with 3 or 4 amplifiers). Track 1 & 3 contain no edits, track 2 was edited from a longer improvisation.
The album “Discrete Objects” was conceived whilst observing geometry in nature and trying to make a connection between it, neuroscience and abstract physics theories. This led to the question; could using a series of ‘discrete objects’ intentionally cause a cognitive change in the listener?
To test this idea, a number of processes (discrete objects) were used to enhance the recordings. This envolved the subtle usage of neural oscillators (alpha, beta, delta, gamma and theta waves), isochronic tones, binaural beats, harmonic counterpoint and stereo placement.
The result was a slowly evolving musical body of work in which the listener is gradually coaxed into an altered state, vaguely equivalent to ‘tripping’.
In order to fully take advantage of this album, playback on decent stereo speakers that are optimally placed, or good headphones are recommended. However, Discrete Objects can still be enjoyed from a purely musical aspect without these recommendations.
Since Ölü Körpe was released their ‘Saudade’ music video (bit.ly/SaudadeOluKorpe) in January, I feels it might be similiar with his first album with full of guitar ambient. But, last week, when I was checking my email, suddenly I found that Lutfi-man behind Ölü Körpe- sent me his new album called, Great Migration. There are 5 songs included it. And something fresh from the album is the sounds that he made; Less guitar ambient and more percussive sound.
In ‘Great Migration’, Luthfi had more explore their way and approarch to make a sounds. He literally make a ‘great migration’ of his works; Moved a little bit to the sides from his usual Del Toro-ish (Guillermo, not Benicio) to be manic, awkward, and more anxious with his new approach.
You might want to use good headphones for this 5-songs journey. Luthfi put some interesting movements here and there, so that’s that.
credits
released August 9, 2019
![Luther Blissett – [FFO] 6 ampere](https://archive.org/download/Suda0051/Luther%20FFO.jpeg)
