Stems, instrumentals by Neurologick Thunder Rkdz collective.
artwork by Astarte 23.
sounds remixed by Sábila Orbe.
Neurologick Thunder Rkdz // is a collective/label of multiple different projects by Sanja. (aka Agitation Phi) and also of her collaborations with other artists. Also with the collaboration in visual artworks by Astarte23.
neurologickthunder.bandcamp.com/
https://soundcloud.com/user-685450274/tracks
www.deviantart.com/astarte23/gallery
Filmy Ghost. is an experimental, ghostly electronic project from Rancagua, Chile. Created by Sábila Orbe.
humanfobia.jimdofree.com/filmy-ghost/
archive.org/details/fav-sabila_orbe02
hearthis.at/filmy-ghost/
an octopus in the bathtub is the solo project of Ricardo Ramos (member of Dirty Coltrane / The Dirty Coal Train, Tiger Picnic, Puny, Cloudland, and much more…).
After the debut in 2000 with volumes 1 and 2 of 4 track demos where the first improvisations were compiled he released multiple EPs and Albums inside the spectrum of experimental improvised music, noise and contemporary composition.
“Lucky 13” compiles 3 tracks starting with the title track: 13 minutes of double guitar and drums with interpolated tribal rhythms and dissonant chords. The 2nd track “fisga” has a bass drum pattern leading the way while a bowed inverted guitar creates ambients that are punctuated with short drones. The last composition “dead punks” has a trumpet and ambiental guitar singing 2 different songs over a hyper-reverbed percussion.
The Necrophile Hummingbird presents “A Live Au Sanctuaire” by PIRATE Tapes. Last of 2 concerts recorded before and after the first lockdown. A way to show how the spontaneous music that we call “improvisation” is slightly closer of Karlheinz Stockhausen’s intuitive music than of the jazz improvisation. Indeed it’s mostly a live session as we use to do when we record one of our album before split it in several parts and title them as tracks… but with public.
Merely nothing prepared, we plug and play that’s all : total improvisation.
Free Download in Wav & Flac on the bandcamp zonefusion.bandcamp.com/album/a-live-au-sanctuaire
Improvised music recorded live in the sanctuary of the Mont-Roland (france) the Sunday 28th June 2020.
Members :
Alain Grille studio112.bandcamp.com
Ed End ello.co/ed_end
Krackers https://soundcloud.com/doktorkrackers
The Necrophile Hummingbird presents “Performance d’extraction d’un artefact sonore ex nihilo in extremis” by PIRATE Tapes. First of 2 concerts recorded before and after the first lockdown. A way to show how the spontaneous music that we call “improvisation” is slightly closer of Karlheinz Stockhausen’s intuitive music than of the jazz improvisation. Indeed it’s mostly a live session as we use to do when we records one of our album before split it in several parts and title them as tracks… but with public.
Merely nothing prepared, we plug and play that’s all : total improvisation.
Improvised music recorded live the 23th February 2023 at the 36 Art Gallery of Dole (france) “In Extremis Ex Nihilo Sound Artefact Capture Performance” aka “Performance d’extraction d’un Artefact Sonore Ex Nihilo In Extremis”. Musique quasi totalement improvisée à la Galerie du 36 de Dole (france) le 23 février 2023. Si le titre n’est pas assez explicite, la performance improvisée consistait a dévoiler les mystères de la capture d’un Objet Sonore Non Identifié…
Free Download in Wav & Flac on the bandcamp zonefusion.bandcamp.com/album/performance-dextraction-dun-artefact-sonore-ex-nihilo-in-extremis
Original Photography by Aurélien Benoist
www.abenoist.com
Members :
Alain Grille (Electric Guitar & FX)
www.studio112.bandcamp.com
Ed End (Kaossilator, electric frequency generator, turntable & FX)
www.ello.co/ed_end
Jupiter Juniper Berry
(tracks #1-3)
Bruce Golden – knee electronics, percussion, voice and Juniper Slippers
etg (evan gallagher) – much keyboards, percussion, cornet and Jupiter Slippers
George Cartwright – alto saxophone and guitar and Juniper Slippers
Anne Elias – art and Jupiter Slippers
Risa Inoue – conviviality and Juniper Slippers
Starch
(tracks #4-10)
Bruce Golden – percussion, ringing items
etg (evan gallagher) – Casio keyboards
Brian King – vibes
Jeb Stuart – contrabass
George Cartwright – sax, voice, editing, effects, mastering, production
The Puppet
Anne Elias – voice
George Cartwright – production, acoustic guitar, processing,
editing and art
The Sledge Hammer and The Feather.
Davey Williams- text and spoken word
George Cartwright sounds and editing
A Netlabel Day 2021 Exclusive
Inspired by The Caretaker, Azerty returns more subdued than their previous outing, but with a sound drenched in the pure melancholia and static of anxiety; from a tattered amp the waves reverberate on a stranger’s bare floorboards and crumbling ceramic tiles.
avantgarde in electrics
STRöHM combine experimental music (avant-garde ambient drone) with free improvisation and create imaginative sound structures from it. Novel sounds, rhythmically underlaid, expressive, dynamic, then again impulsive with romantic elements, are the musical result of the mutual interplay.
www.zenapolae.com/releases/zen232/zen232__Stroehm__Chromosome__01_Mentions_in_our_Name.mp3
Stef Brans: guitar
Niels Achtereekte: bass guitar, keys
Rutger van Driel: trombone, noise
”A singer can shatter glass with the proper high note,” he said, “but the simplest way to break glass is simply to drop it on the floor.” – from the vampire chronicles #2, by Anne Rice
“Poemas de Porcelana” (“Porcelain Poems”) is the title of the album that brings together a selection of two performances realized within the context of the exhibition “De las Prácticas Cotidianas de Oposición” (“From Daily Practices of Opposition”) by Jorge Cabieses-Valdés in the D21 Art Projects (2020). In an individual exhibition the artist presented the works “Porcelanatron IV & V”, musical instruments constructed from pieces of glazed stoneware ceramics. Inspired by the acoustic potential that every piece of ceramic possesses, the instruments emit a sharp and crystalline sound that comes from the hollowness and hardness of their ceramic material.
For “Porcelanatron IV & V” the artist’s work is based on 14 vases from the Lota Ceramic Factory belonging to the Pedro Montes collection, typical of the domestic and ornamental environment. The ceramic pieces made by the artist try to imitate the appearance of these vases, failing irretrievably and presenting themselves in total deformation, thus forcing their rigid surfaces to vibrate and sing grotesquely.
This is not the first time that the artist has worked with the traditional ceramics of Lota. In 2018 he manipulated figures belonging to the collection of the Museum of Decorative Arts (Orfeón, Lota) where each figure had a large-scale acoustic replica that emulated the sound percussed on the figures.
The album features the participation of the musician and producer Marcelo Peña Cortés aka MIOPEC (Tobías Alcayota, MKRNI), who plays viola and synthesizer arrangements and is also in charge of mixing and mastering the album.
archive.org/download/pn188/pn188_01_Jorge-Cabieses-Valdes_1.mp3
[Version Française en dessous]
The Necrophile Hummingbird netlabel presents an automatic poetry & music album.
“Ghost poetry & music for ghost listeners”
Under the same title that Arthur Adamov’s ephemeral revue “Discontinuité”are reunited two poems by Monny de Boully. The first one “l’Aorte des fantômes” published only in this revue . The second one Er l’Arménien also published in “Le Grand Jeu” revue. morne.free.fr/celluledessites/Game/index.htm
Free Download in Flac and Wav format on our bandcamp profile
zonefusion.bandcamp.com/album/discontinuit
Improvised Music recorded the 28th January 2020 at Studio 112 in Dole.
Line-up :
Studio 112 studio112.bandcamp.com/
Ed End ello.co/ed_end
We choise to keep volontary buzz, crackles, any kind of sound slags in this recording. This is not sanitized music.
Sleeve Artwork “PAS ENCORE” by Dida de Mayo.
Another track extract from the same session is available on yoshiwaku.bandcamp.com/track/welc0me-0n-n0netw0rkz0ne
[English version at the top]
Le netlabel le Colibri Nécrophile présente un album de poésie automatique accompagné de musique improvisée.
“Poésie et musique fantomatiques pour public fantome”
Sous le titre de l’éphémère revue d’Arthur Adamov “Discontinuité”. Voici réunis deux poèmes de Monny de Boully. Le premier l’Aorte des fantômes n’a été publié que dans cette revue. Le second Er l’Arménien a été aussi publié dans le Grand Jeu. morne.free.fr/celluledessites/Game/index.htm
Téléchargement gratuit au format Flac ou Wav sur notre profil bandcamp
zonefusion.bandcamp.com/album/discontinuit
Musique improvisée enregistrée le 28 Janvier 2020 au Studio 112 à Dole.
Membres présents :
Studio 112 studio112.bandcamp.com/
Ed End ello.co/ed_end
Le souffle, les craquements, toutes les scories de cet enregistrement, ont été volontairement conservés. Ceci n’est pas de la musique aseptisée.
Illustration de pochette “PAS ENCORE” par Dida de Mayo.
Un autre morceau issu de la même session est disponible sur Mushotoku Ear Bleeding yoshiwaku.bandcamp.com/track/welc0me-0n-n0netw0rkz0ne
Ecléctica es la entrega de Chango Dadá para Pueblo Nuevo. Dividido en tres tracks, el álbum “Trimate” navega entre aspectos afables y otros misteriosos o incluso ásperos en cierta medida. El track de apertura de carácter textural, hila los sonidos y gestos de manera cinemática, transitando entre texturas electroacústicas y motivos instrumentales de piano y clarinete entre otros. En cambio, en la segunda pista, aparecen materiales cercanos a una ‘indietronica’, donde el lenguaje se sustenta en lo tonal y teclados melódicos. El track final vuelve a los ritmos constantes a través de formas y colores cercanos a un IDM donde se superponen voces y colores a veces desde sonidos connotativos y otras desde texturas más abstractas: aquí las grabaciones de campo cumplen un rol timbrístico y a la vez de signo, especialmente las voces y el contenido semántico presentado.
Eclectic is the delivery of Chango Dadá for Pueblo Nuevo. Divided into three tracks, the album “Trimate” navigates between affable aspects and other mysterious or even rough to some extent.The opening track,with a textural nature, threads the sounds and gestures in a cinematic way, moving between electroacoustic textures and instrumental motifs of piano and clarinet among others.On the other hand, on the second track, there are materials close to an ‘indietronica’, where the language is based on the tonal and melodic keyboards. The final track returns to constant rhythms through shapes and colours close to an IDM where voices and colors are superimposed, sometimes from connotative sounds and others from more abstract textures: here the field recordings play a timbristic and sign role, especially the voices and the semantic content presented.
Alejandro Albornoz
Compositor / Composer
(Valdivia, Chile. Mayo / May, 2021)
Released on Mahorka on April 8, 2021.
Orphan Sound System are John El Manahi, Jeff Gburek and John Palumbo.
The release of “Layered Seed Water” happens in concerted effort with net-labels Mahorka (Bulgaria), MuteAnt (USA), Ramble Records (Australia).
A video introduction to the faces and places behind the Orphan Sound System and the announcement of “Layered Seed Water” in 2021:
http://www.youtube.com/watch?v=EDXF3TOOYMU
Thanks to all. Watch the trailer video, please like and subscribe to the OSS channel.
“Juicy music for sugar addicts”
Improvisation Recorded 30th March 2021 at the Cave Haven in Foucherans. (france)
Members on this live session :
Studio 112
www.studio112.bandcamp.com
Ed End
www.ello.co/ed_end
Also involve in these projects
rADio eNd
www.horsnorme.org/rADio_eNd/rADio_eNd_english.html
Multiple Personality 3
www.horsnorme.org/Multiple_Personality_3/
TKno BeurK
www.archive.org/search.php?query=creator%3A%22TKno+BeurK%22
No birds were injured during the recording. This is not pure field recording, just a hijacking.
“Despite life is a joke, we can still laugh…”
Elite Border decided not making it easy for the ones approaching this behemoth opus. A hypothetical eight-hour-working shift turned into a Julio Cortázar like sonic coven. Almost 500 minutes, to be approached in any order, from a series of listening instructions. The album (?) refers to intermingled references. There are glimpses of 1980s indie cassette underground, industrial experiences, but also from concrète and electroacoustic, “serious” music (so to speak); monologues, certain melodic atmospheres diluted to sheer abstraction: noise as raw material and aesthetic discipline (once again).
More than experimenting, there is a leaning towards discipline in our environments’ habitable chaos. A continuum marked by timelessness and an all-encompassing sonic feeling anywhere. Everywhere. Sections filled with rock vigor or oozing city folklore, replacing rural charm with factory rattling and urban atmosphere. Sheer electricity outbursts mingled with brittle notes, while strings introducing glossy melancholy shades. Since this is a proposal based on a dual concept, provided by Pedro Pablo Pedroso (Baltazár) and Pablo Enelotromundo García, it is extended by several guests, weaving an almost unrecognizable skein of instrumental voices. A passage towards ubiquity, the nerve of a present time in crisis.
Where Throbbing Gristle, Stockhausen, Ron Geesin, Merzbow, Kagel, Alain Neffe, Ground Zero current heirs, and any barrier-free sound sniper from last century onwards meet, Elite Border has found a realm between listening inevitability and the dense architecture of dreams. It takes time to face their “Jornada Laboral N°1”, but the imagery comes out startlingly alive from the experience.
Humberto Manduley López
Escritor y crítico musical cubano / Cuban writer and music critic.
(México. Febrero / February 2021)
joint release with Terminal-Tape-Prod.
Christof Hammer
Wolfgang Neven
