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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: improvisation

Eigenidyll – Bambi, das Schweinchen, das Kind und sein Vater (und wie es nach Hause ging)

Eigenidyll – Bambi, das Schweinchen, das Kind und sein Vater (und wie es nach Hause ging)
[1013]

Eigenidyll

Bambi, das Schweinchen, das Kind und sein Vater (und wie es nach Hause ging)

Eigenidyll – Bambi, das Schweinchen, das Kind und sein Vater (und wie es nach Hause ging)
Tobias Schmitt: objects, digital-processing
Sascha Stadlmeier : guitar, effects, sampler-processing

attenuation effect ° 1013 ° 2017
live @ xerox exotique – INM, Frankfurt, 26.11.17
thanks to Tilmann Jakob ° dedicated to animal life
recording, mastering, photography and design by EMERGE

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https://immerge.bandcamp.com/album/bambi-das-schweinchen-das-kind-und-sein-vater-und-wie-es-nach-hause-ging
http://attenuationcircuit.de/
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posted 03 January 2018

LE SYNDICAT MMX – Chaos Superior

LE SYNDICAT MMX – Chaos Superior
[ACC 1012]

LE SYNDICAT MMX

“Chaos Superior”

LE SYNDICAT MMX – Chaos Superior
Unreleased Pieces Extracted from Live Sessions Performed in 2010 & 2011.

Le Syndicat MMX are:

Popsonne:
Portable Noise Generators, Effectors, Home Made Instruments, Microphone

Ruelgo: Laptop, Scratch, Effectors, Microphone

Scramble System:
Laptop, Effectors, Didgeridoo, Toy Instruments, Microphone

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https://emerge.bandcamp.com/album/chaos-superior
http://attenuationcircuit.de/
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posted 31 December 2017

David Ramos & Arín Dodó – Críptico

David Ramos & Arín Dodó – Críptico
[PT067]

David Ramos & Arín Dodó

“Críptico”

David Ramos & Arín Dodó – Críptico
Track 1, 2 ,3: David Ramos korg Volca Beats, Korg Monotribe, Monotrón Delay, Microkorg, Noise machine; J.G. Entonado (a.k.a. Arín Dodó) voice, piano, trombone, french horn

Track 4: Sam Hall & Tamaya Honda drums; Gori Valarez electric guitar; David Ramos electronics; J.G. Entonado (a.k.a. Arín Dodó) voice

Track 5: Tamaya Honda & Sam Hall drums; Ricardo Rodero sax; David Ramos electronics; J.G. Entonado (a.k.a. Arín Dodó) electric guitar

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http://plustimbre.com/releases/0672017.html
http://www.plustimbre.com/
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posted 10 December 2017

Various Artists – Eastern Block Guitars Compilation

Various Artists – Eastern Block Guitars Compilation

Various Artists

“Eastern Block Guitars Compilation”

Various Artists – Eastern Block Guitars Compilation
On this Various Artists compilation you can hear some vintage guitars produced in Eastern Block former countries, for example guitar brands like Jolana, Musima, Migma, Tonika, Ural, Mensfeld and many more!

26 tracks and over 90 minutes of music!

Project info:
http://easternblock.guitars.bonimedia.pl

YouTube teaser:
https://www.youtube.com/watch?v=YN_qnhRgonM

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http://bonimedia.pl
http://bonimedia.pl
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posted 08 December 2017

HUH – live in Augsburg

HUH – live in Augsburg
[ACP 1119]

HUH

“live in Augsburg”

HUH – live in Augsburg
HUH (recorded drum ver.):
Kyosuke Terada (guitar/voice)
Takuma Mori (drums from sampler/voice)

live @ re:flexions ° Die Ganze Bäckerei, Augsburg, 27.01.17
photography by Dan Penschuck (feindesign.de)
recording, mastering and design by EMERGE

—

HUH is formed in July 2007 in Tokyo Japan by Kyosuke Terada (guitar/voice) & Takuma Mori (drums/voice).
They are presenting a new jazz with free improvisation.
They keep looking for the melting point of the groove and the noise, junk jazz, no wave punk by free form improvisation.
They have many various releases, that not limiter to the domestic,and regardless to the form.
And planing many many independence events in Tokyo.
They began independence label “OOOSOUND” with GEVABOW and VAU! in Tokyo since 2012.

Their collaboration guest name…
T.Mikawa (Incapacitants), ASTRO, Tadashi Kumihara (Gunjogacrayon), GOVRENMENT ALPHA, Jin Harada, Atsuhiro Ito, Punkuboi, Hahanosikyu, Cal Lyall, Python vs Cobra, Les Conferences Bunker, Coco, Naoki Nomoto, PUNSUCA, DJ MEMAI, etc…

Released labels…
OOOSOUND(JPN/Self label), attenuation circuit(Germany), WORD iS OUT!(JPN), Productora Mutante(Chilli), Grindocore Karaoke(US), bumtapes(UK), etc…

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https://emerge.bandcamp.com/album/live-in-augsburg
http://attenuationcircuit.de/
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posted 30 November 2017

Haase+Santis – Dos Trazos

Haase+Santis – Dos Trazos
[pn126]

Haase+Santis

“Dos Trazos”

Haase+Santis – Dos Trazos
The second album by the improvisatory duo Johannes Haase (Germany) and Óscar Santis (Chile), in this work we find two strokes, each one with a particular character and energy, music born from an ambient minimalism of high contrast based on the energy and sonority of each of them, together they create these sonorous images of highly oneiric and aquatic depth, that revoke the dunes, the sea, and the factories near Ritoque.

Trazo uno (Stroke one); of an aggressive character, contained and defragmented, the sonorities created by the electric violin of Haase are hidden between textures blurred by processes and loops, these at moments, contrasted by the electronics of Santis, overwhelming, from aleatoric rhythms and great sonic density, almost pixelated, together they create landscapes that are deconstructed and assembled in an organic way, creating textures of high spatiality.

Trazo dos (Stroke two); a deep and spacious texture, of aquatic time that is constructed of subtle gestures that coexist in a state of contemplation, the temporal absence that they generate immerses us in a very deep listening almost like daydreaming, a continuous variation that little by little comes and goes transforming and giving rise to this fragmented minimalism that brings us back to that which is human.

A disc where temporality and form are given through the organic needs of the moment, which takes us into subtle states of listening, where we can manage to enter the fine interwoven fabric and the decisions through which the music was tacken on, at the personal level, a work of brief landscaping with an occultist essence, two strokes that propose contrasting states from the same nature, listening and freedom.

Cesar Bernal
(Valparaíso, Chile. Noviembre / November 2017)

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http://www.pueblonuevo.cl/dos-trazos.htm
http://www.pueblonuevo.cl
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posted 29 November 2017

Thuoom – Live Enhanced

Thuoom – Live Enhanced
[thump320]

Thuoom

“Live Enhanced”

Thuoom – Live Enhanced
Live Enhanced (#06/2017.5.18/ae7) features the full live show Thuoom played at Ambient Evening 7 in Parainen, Finland on May 18th, 2017. As usual for these evenings, Thuoom performed simultaneously with other artists but for this record, there’s no trace of other artists’ sounds. The sounds on this release have been processed to get a richer overall sound but the underlying performance has been left untouched.

Alongside the mp3s, there is a limited edition of physical CDR’s that will only be available at live shows.

Instrument used on this record: electroacoustic guitar.

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https://texturalhealing.blogspot.com/2017/11/thuoom-live-enhanced.html
https://texturalhealing.blogspot.com
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posted 18 November 2017

LORENZO ABATTOIR – line on sacred wall

LORENZO ABATTOIR – line on sacred wall
[ACP 1121]

LORENZO ABATTOIR

“line on sacred wall”

LORENZO ABATTOIR – line on sacred wall
live @ re:flexions ° k15, Augsburg, 23.06.17
photography by Lorenzo Abattoir
recording, mastering and design by EMERGE

Lorenzo Abattoir is an italian based audio engineer, noise artist since 2008. Founder of several projects into noise scene [ Nascitari, Psicopompo ] & sound art [ Mare di Dirac, Tevet Icetone Process ].Unconventional methods of composition to generate textures & installations with use of: electroacoustic instruments, isolation from environment, mental sound’s manipulation.
His work takes shape in a context of underground extreme music to become accesible through various projects related to contemporary art.

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https://emerge.bandcamp.com/album/line-on-sacred-wall
http://attenuationcircuit.de/
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posted 17 November 2017

PHONOGRAPHIA – live @ lab​.​30

PHONOGRAPHIA – live @ lab​.​30
[ACP 1122]

PHONOGRAPHIA

“live @ lab​.​30”

PHONOGRAPHIA – live @ lab​.​30
ONLY AVAILABLE FOR A LIMITED TIME !

performed live @ lab.30 festival
abraxas, Augsburg, 27.10.17

thanks to Martina, Barbara, Julia, Gerald and the whole lab.30 crew !

photography by Tilmann Jakob
recording, mastering and design by EMERGE

performers: szmt, Acid Discharge, EMERGE

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https://emerge.bandcamp.com/album/live-lab-30
http://attenuationcircuit.de/
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posted 05 November 2017

Magliocchi / Northover / Thompson / Okamoto – Music from dreaming skaters

Magliocchi / Northover / Thompson / Okamoto – Music from dreaming skaters
[PT065]

Magliocchi / Northover / Thompson / Okamoto

“Music from dreaming skaters”

Magliocchi / Northover / Thompson / Okamoto – Music from dreaming skaters
Trio 1
Marcello Magliocchi/Adrian Northover/Daniel Thompson

Marcello Magliocchi / drums, percussion
Adrian Northover / soprano & alto sax
Daniel Thompson / acoustic guitar

Recorded at Iklectik – London on April 19th 2016
Recorded by St Austral Sound

Trio 2
Marcello Magliocchi/Adrian Northover/Maresuke Okamoto

Marcello Magliocchi / drums, percussion
Adrian Northover / soprano & alto sax
Maresuke Okamoto / cello

Recorded at Iklectik – London on March 3th 2017
Recorded by St Austral Sound

Cover Photo by Lidia Stranges

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http://www.plustimbre.com/releases/0652017.html
http://www.plustimbre.com/
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posted 05 November 2017

Onde Poussi̬re РVague Seconde

Onde Poussi̬re РVague Seconde
[Eg0_169]

Onde Poussière

“Vague Seconde”

Onde Poussi̬re РVague Seconde
Vague Seconde, the second album of Onde Poussière, documents the group’s evolution since their beginnings and their first album Silent Rain. Doedelzak now plays interconnected analog synthesiszers, and Kecap Tuyul has dropped the guitar and uses a “no-input mixer” with effects. Their improvisations are based on the creation of unstable situations in which some accidental sounds might happen at any time…
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https://eg0cide.com/2017/10/15/eg0_169-onde-poussiere-vague-seconde/
https://eg0cide.com/
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posted 04 November 2017

Gusev/Hoogeboom/Mimlitsch – Trapped!

Gusev/Hoogeboom/Mimlitsch – Trapped!
[TLM010]

Gusev/Hoogeboom/Mimlitsch

“Trapped!”

Gusev/Hoogeboom/Mimlitsch – Trapped!
“Here we are, trapped in the amber of the moment.
There is no why.” Free improvisation soundscapes from Gusev K.P.: electronics/treatments/mixing
Martin Hoogeboom: objects/guitar
Paul Mimlitsch: bassclarinet
https://thirstyleaves.weebly.com/trapped-by-gusevhoogeboommimlitsch.html
https://thirstyleaves.weebly.com
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posted 27 October 2017

dadala – Blues For Richard

dadala – Blues For Richard
[PT064]

dadala

“Blues For Richard”

dadala – Blues For Richard
All tracks edited, arranged / mixed / remixed and produced by Richard Dunlap 2016-2017 from recordings by:
Chris R. Gibson (aka Loopy C)
Roger Sundström (aka Erocnet)
Paul Mimlitsch (aka r369improv)
and André Darius (electric upright bass on trks 3, 7 and 9)
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http://www.plustimbre.com/releases/0642017.html
http://www.plustimbre.com/
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posted 22 October 2017

Keller/Stadlmeier – transient behavior

Keller/Stadlmeier – transient behavior
[1012]

Keller/Stadlmeier

“transient behavior”

Keller/Stadlmeier – transient behavior
attenuation effect ° 1012 ° 2017
live @ re:flexions – silent series, Ganze Bäckerei, Augsburg, 02.09.17
recording, mastering, photography and design by EMERGE

—

BEAT KELLER:
Guitarist, multi-instrumentalist, composer and bandleader based in Winterthur, Switzerland.
After graduating as a jazz guitarist from the Zurich School of Music and Drama (Hochschule für Musik und Theater Zürich), Beat Keller obtained a Master of Arts in composition from the Lucerne School of Music (Musikhochschule Luzern).
Among his current projects are Keller’s 10, Gunfire Orchestra (CH/NO/SA), Bowee.Keller (CH), Peckinpah Trio (CH/USA), Beat Keller, Darius Ciuata (CH/LIT) and Tilo Weber’s Animate Repose (DE).

His compositions have been played and recorded by NDR Bigband, Lucerne Jazz Orchestra, Ballbreaker Ensemble, Composer’s Group Ensemble, Keller’s 10 and the Haiku String Trio.
Beat Keller has played concerts at renowned festivals in Switzerland, in neighbouring Europe, the United States and on the African continent.
Record releases on: Unit Records, Alpinechic (both CH), Edition Wandelweiser Records, Attenuation Circuit, Shoebill Records (all DE), Silken Tofu (BE), Plus Timbre (GR) and others.

https://immerge.bandcamp.com/album/transient-behavior
http://attenuationcircuit.de/
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posted 17 October 2017

Alejandro Albornoz & Mika Martini – Two Chilean Blokes in the Soundhouse

Alejandro Albornoz & Mika Martini – Two Chilean Blokes in the Soundhouse
[pn124]

Alejandro Albornoz & Mika Martini

“Two Chilean Blokes in the Soundhouse”

Alejandro Albornoz & Mika Martini – Two Chilean Blokes in the Soundhouse
‘Two Chilean Blokes in the Soundhouse’ is Alejandro Albornoz and Mika Martini getting dark and dirty with sound in Studio 2, University of Sheffield Sound StudiosMay 2016, Sheffield, UK. With analogue synthesizers, contact microphones and digital processes rendered live, rough sound objects are hewn from all manner of sources leading to short tracks that challenge and delight at the same time.

Alejandro and Mika go way back so their improvisations are extremely respectful. Track durations vary according to materials and techniques used. Sometimes the analogue electronics are dominant; sometimes recordings of live instruments such as pianos play a major role with electronic sounds clothing the real in soft noise and bristling modulations. There’s a real sense of ‘performance’ which is sometimes hard to hear in improvised electronic music. This sensibility jostles nicely with the ‘hands on’ approach to their kit and sounds, and makes me return to various tracks for ‘another listen’.

Concluding the improvised music are two ‘reconstructions’ – an out of real-time re-consideration of their recorded improvisations. Immediately one hears an alternate approach to time. Real Time is no longer important; the ‘moment’ doesn’t matter; sounds are ordered, re-ordered, edited, and ordered again. The final two tracks are like paintings: sounds once free to roam are rounded up, fed, watered, (caged maybe) but framed to form a journey that neatly concludes an exciting collaboration and an excellent disc.

Adrian Moore
Director University of Sheffield Sound Studios.
(Sheffield, UK. Septiembre 2017 / September, 2017)

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https://pueblonuevo.cl/2-chilean-blokes.htm
https://pueblonuevo.cl
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posted 20 September 2017