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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: improvisation

CEDE – Na sHpilkah

CEDE – Na sHpilkah
[231]

CEDE

“Na sHpilkah”

CEDE – Na sHpilkah
1.11MINUTE 11:27
2.ABVGDEEZ 02:45
3.ANTYBIRD 03:26
4.AZTOY100 01:02
5.BEZDOROG 01:06
6.BOMZHUEM 01:20
7.DAVIDBLY 13:30
8.DELAPL0H 01:32
9.DOMDOMDO 02:20
10.II849001 00:40
11.JEFFTV01 09:13
12.KISSALMO 01:04
13.KOSSABIL 01:46
14.MUSISICK 01:27
15.NOMER003 17:16
16.NOMERDVA 27:05
17.NOMRODIN 26:02
18.NQMER3-2 17:16
19.NUIDERMO 01:25
20.NUYPOHUI 01:48
21.ODINODIN 01:16
22.PINKOD29 02:07
23.PODWIZHN 11:14
24.POVERHU1 01:03
25.PYNOMENT 06:27
26.RASSTVOR 02:02
27.TEX000_3 05:23
28.TEX001_3 07:21
29.TEX002_5 06:42
30.TEX003_7 10:48
31.TEX004_1 13:30
32.ZADNECA1 01:48
33.ZELENAYA 04:31
34.ZLOY7900 03:26
35.ZVUKOSEN 02:50
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posted 12 December 2015

Samurau – Things left unsaid

Samurau – Things left unsaid
[LBN032]

Samurau

“Things left unsaid”

Samurau – Things left unsaid
“Things Left Unsaid” is not only the testimony of a precise moment, but rather the result of a long research, composition and improvisation done by the band: there’s a common area where musical elements from diametrically opposed musical worlds such as jazz and contemporary music, rock and blues coexist without forgetting the melodic vocation in each composition.
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posted 07 December 2015

Martin Rach – Early Autumn Quartets

Martin Rach – Early Autumn Quartets

Martin Rach

“Early Autumn Quartets”

Martin Rach – Early Autumn Quartets
Instruments:
September Quartet 1 – chord zither, kalimba, metalophone and bongo drum
September Quartet 2 – chord zither, kalimba, bongo drum and water hose with sax mouthpiece
October Quartet 1 – chord zither, kalimba, bongo drum and korg volca bass
October Quartet2 – chord zither, zither harp, kalimba and bongo drum
posted 10 November 2015

Mike Cooper – Forbidden Delta Planet Blues

Mike Cooper – Forbidden Delta Planet Blues
[LOR 066]

Mike Cooper

“Forbidden Delta Planet Blues”

Mike Cooper – Forbidden Delta Planet Blues
Linear Obsessional is delighted to present this album of two recent pieces by the legendary British folk/blues/world/avant garde guitarist Mike Cooper.
“Forbidden Delta Planet Blues” is a long form work built from over lapping loops and featuring some beautiful Hawaiian style slide guitar.
“The Pain Was Bad, But The Tuna Good” is a spellbinding live solo performance recorded at London’s 100 Years Gallery. A solo for a steel resonator guitar (and some voice) which explores all the nuances of the instrument’s considerable cultural baggage, with breathtaking extended technique (bowing, electric fan) and a fascinating stream of invention- it lives up to Cooper’s science fiction/trad interface admirably.
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posted 20 October 2015

Junya Nishimura – Instant EP+

Junya Nishimura – Instant EP+
[EPV_178]

Junya Nishimura

“Instant EP+”

Junya Nishimura – Instant EP+

EPV_178

■ Bonus track (M-4)
20 min Piano Improvisation @ sitting room

01.”Mirror”
02.”Neighborhood”
03.”Mirror II”

※No field recording (There is neighborhood noise)

■ Bonus item
Wallpaper (iPhone6, iMac, Macbook pro)

All tracks by Junya Nishimura
Artwork by ono & Junya Nishimura

[Artist info]
http://epv-artists.tumblr.com/post/129128715732/junya-nishimura

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posted 01 October 2015

Daniel Barbiero & Cristiano Bocci – Nostos

Daniel Barbiero & Cristiano Bocci – Nostos
[AT051]

Daniel Barbiero & Cristiano Bocci

“Nostos”

Daniel Barbiero & Cristiano Bocci – Nostos
Nostos

“Strange things there may be, out there, but it sure beats boredom” Trebuchet

νόστος (Nostos) – Greek for “returning home” and the root of the word “nostalgia”-is a collection of eight new electroacoustic works for double bass and electronics by double bassist Daniel Barbiero (Silver Spring, MD USA) and sound artist/electric bassist Cristiano Bocci (Follonica, Italy). The pieces are the result of an international collaboration-sonic action at a distance-over the web.

Each piece is grounded in a solo double bass performance wich was then modified, dismantled and reassembled into constructions that explore timbral nuances as well emerging harmonies, counterpoint and rhythms. “L’ultimo treno per Follonica” is a virtual duet for Barbiero’s double bass and Bocci’s six-strings bass.

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posted 15 September 2015

NenTE – BRidGe

NenTE – BRidGe
[SCM-1504]

NenTE

“BRidGe”

NenTE – BRidGe
‘BRidGe,’ Nen.T.E.’s latest offering and the first one on Sucu Music out on July 14th, 2015, for the Netlabel Day 2015 special event, is based on two live performances recorded between October 2014 (tracks one to five, as part of a live installation at ‘Scritture Mobili’ – Mobile Writings – an exhibition by Sicilian artist Michele Lambo) and February 2015 (tracks SF one to five). Both performances were held as a single stream-of-consciousness-like improvisation for electronics, guitar, rhythms and effects, in a way not so dissimilar to what the likes of Tangerine Dream used to do way back in the early seventies, but with a psych-droney-ambient feel that is third millennium to the quick. For this release, however, Nen.T.E. chose to dissect their jams into proper tracks, which on the one side makes the production more accessible to a lot of people, on the other side leaves out nothing of the essence and the beauty of their music.
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posted 13 July 2015

Trev Wignall – Phantom Forest

Trev Wignall – Phantom Forest
[355]

Trev Wignall

“Phantom Forest”

Trev Wignall – Phantom Forest
t’s difficult to put this next release in any words, something quite so unique hasn’t appeared on Kahvi shores before. Trev Wignall is an accomplished ‘foremost pioneer of electric violin’ and his tracks are probably the best definition of how an electric violin should be used. Those of you remembering the good old 8 bit home computer days, can probably recognise the lead appearing in many of these tracks the same as me – as soon as I heard the tracks I thought ‘that sounds like a 21st century c64 lead’.

Some of the chord changes and dynamics of these tracks are quite something, with the sublime Dark Priest beginning the EP, to Vindicator that takes you underground and out into the daylight again. Ending the EP with the 16 minute masterpiece ‘The turning of a stone’ with delicate plucks of the violin strings. I think you’ll agree that this is probably one of those releases that will go down as the defining sound of a genre. Enjoy this amazing example of digital meets analogue!

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posted 25 May 2015

Mauro Sambo & Laure Keyrouz – prima sfiora la montagna…

Mauro Sambo & Laure Keyrouz – prima sfiora la montagna…
[PT013]

Mauro Sambo & Laure Keyrouz

“prima sfiora la montagna…”

Mauro Sambo & Laure Keyrouz – prima sfiora la montagna…
Our new release is a collaboration project by Laure Keyrouz – poetry, voice & Mauro Sambo – electronics, guitar, double bass, soprano sax, bass clarinet, percussion, field recordings, iron…
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posted 16 May 2015

Various Artists – Oompa Loopma Riot

Various Artists – Oompa Loopma Riot

Various Artists

“Oompa Loopma Riot”

Various Artists – Oompa Loopma Riot
From 1979 to 1983, the Australian Terse Tapes label made cassette compilations. These are in danger of becoming “classics”, a complete betrayal of the energy that made them. There is no better antidote to cloying nostalgia than the corpse getting up and refusing the funeral.

So instead say that from 1979 to 2015, Terse Tapes made compilations, and here is more of the same. You could put it on a cassette if that matters.

I invited a few people I know, and they invited a few people they know, and music started to arrive in my inbox. I refused to listen to any of it until April Fools day. No one curated anything, although some people were nice enough to chase up their friends.

Having heard this music over the last 24 hours I can divide it into some useful ‘sides’, but keep in mind you are able to arrange it however you like in this non-linear wonderland in which we are trapped.

Side A: people who have doubts about music.
Side B: people who do not fear a pretty tune.
Side C: people that make graphs and grids.
Side D: people who could plausibly perform in a public ale house
Side T: time lords

Although supplied for no payment, there are specific rights attached to the recordings, which remain the property of the artists. Do not sell this music for a profit, do not use this music for any commercial purpose, including but not limited to, placement alongside advertisements or behind paywalls.
credits
released 01 April 2015

Organised by Tom Ellard at Terse Tapes, Sydney, Australia. Contents made in the USA, UK, Canada, Switzerland, Australia and other parts of the universe that man may visit from time to time. May contain nuts.

posted 11 April 2015

Chris Silver T & Anna Stereopoulou – Spirits

Chris Silver T & Anna Stereopoulou – Spirits
PT010

Chris Silver T & Anna Stereopoulou

“Spirits”

Chris Silver T & Anna Stereopoulou – Spirits
«Spirits» came to life after Chris Silver T invited Anna Stereopoulou to a collaboration project on the same titled track of the album. Chris’s field recording on the specific composition took place during one of his visits to his hometown; a morning walk to the village, through stone pathways and towards a peaceful area, where spirits can be heard in the air.
Anna Stereopoulou: piano, synth, mixing
Chris Silver T: drums, field recordings, (synth at Track No.3)
posted 04 April 2015

lost-radio – Southern City‘s Lab podcast №007: lost-radio — ambient mix

lost-radio – Southern City‘s Lab podcast №007: lost-radio — ambient mix
007

lost-radio

“Southern City‘s Lab podcast №007: lost-radio — ambient mix”

lost-radio – Southern City‘s Lab podcast №007: lost-radio — ambient mix
About:
Электронное расщепление личности под рождение ночных кошмаров.
Волновые колебания звуков тишины и мрачное таинство демонов из подсознания.
Это всё 7 выпуск нашего нечастого подкаста, записанного lost-radio в поддержку своих будущих релизов…

Tracklist:
01 brk – Scape 1
02 Igl00 – Variation 1
03 SandSpace – Untitled
04 Пландеркозерон – Вместо Тишины
05 Mon.ka – One coffee for my girlfriend juki
06 73! – Untitled 2
07 Med Gen – Glacial
08 Cycle Of Self – Tactile Hallucinations
09 Fault Justification – Thank you to you for you
10 Helicalin – Next fall everything will be over (demo)

posted 24 March 2015

Mers – Click Pussy

Mers – Click Pussy
EdP072

Mers

“Click Pussy”

Mers – Click Pussy
Controversial producer of the 21st century. A visionary, known for his sod-cutting construction building in electronic music, aleatory composition and sound space.
Follower of the Darmstadt School, his early student compositions remained out of the public eye until the conjunction music experience resolved in the debut album “unsound noisy glitch”.
Mers describes music written in an uncompromising transethnic style with a mixture of recognizable genres.
posted 11 March 2015

Jimmy Ghaphery & Daniel Barbiero – The Convergence of Parallel Lines

Jimmy Ghaphery & Daniel Barbiero – The Convergence of Parallel Lines
[MBP10]

Jimmy Ghaphery & Daniel Barbiero

“The Convergence of Parallel Lines”

Jimmy Ghaphery & Daniel Barbiero – The Convergence of Parallel Lines
The Convergence of Parallel Lines, the second collaborative release from Jimmy Ghaphery and Daniel Barbiero, contains three improvisations and one composition for winds and double bass, and one live improvisation for winds, double bass, percussion and three dancers.

The graphical score for Exchanges II for alto saxophone & double bass by Daniel Barbiero is included as a supplemental file as part of this release.

Track Listing

1. The Convergence of Parallel Lines (1)
2. Silver under Grey on Black
3. The Convergence of Parallel Lines (2)
4. Exchanges II for alto saxophone & double bass
5. Approaching/Contact (for Jose) for three instrumentalists and three dancers

Jimmy Ghaphery: alto saxophone, clarinet, flutes.
Daniel Barbiero: double bass & prepared double bass.
On Approaching/Contact: Jimmy Ghaphery, winds; Daniel Barbiero, double bass; Sam Byrd, percussion and objects; Page Ghaphery, Ken Manheimer and Jose Dominguez, dancers.

Tracks 1-4 recorded January 2013 at Last Resort Studio in Silver Spring Maryland USA.
Track 5 recorded live 5 July 2014 at Pyramid Atlantic Art Center in Silver Spring Maryland USA.
All tracks mastered by Mark Beazley.
Cover Photography by Billy Fox.

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posted 13 February 2015

Lluvia Acida – Zonas de Silencio

Lluvia Acida – Zonas de Silencio
pn096

Lluvia Acida

“Zonas de Silencio”

Lluvia Acida – Zonas de Silencio
“With Lluvia Ácida, we have been making music together for 20 years, always from the Chilean Patagonia. In the beginning, in a context absolutely dominated by Rock and folklore, we made music inspired by the bands that we liked, all European and born of urban and industrial environments. Over time we understood that we had our own environment to inspire us, one in which technology is implemented in wild and lonely places, creating a contrast that is increasingly scarce in our country and the world.

We consider ourselves Explorers, because many of our works exhibited the results of an adventure or an investigation. So it was with albums like, “Tierra de Espectros” (2002), “Antartikos” (2005), “La Idea – Canto a la Federación Obrera de Magallanes” (2007), “Kuluana” (2009) and “Insula in albis” (2013).

“Zonas de Silencio” (Zones of Silence)” is the result of one of these adventures. This consisted of moving the act of Composing and Recording an album and a film outside the comfort of the studio, carrying portable technology to remote locations and abandoned premises of our environment, specifically in the communes of Punta Arenas and San Gregorio. In successive outings between the months of January and May 2014, we managed to record improvisations in places as dissimilar and evocative as a volcanic crater, a steamer rusting on the banks of the Strait, an abandoned lighthouse, a small and little known ranch, the structure of an old fridge, a coal mine, a beautiful cinema closed for more than a decade and a closed hospital. It was our way of merging ourselves with the landscapes that we love, in the shadow of the remains that were left at the edge of the Road of the Magellanes Story.

With “Zonas de Silencio”, we feel that we have contributed another vision of our Frontier Society, one which doesn’t glorify anyone in particular. We are only Ourselves and our Machines, forming a closed circuit but sensitive to the vibrations emitted by the solitary places.”

Lluvia Ácida
(Punta Arenas, Magallanes, Chile, January 2015)

posted 07 February 2015