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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: lofi

Plutonien – VORSTELLUNG ERARBEITEN

Plutonien – VORSTELLUNG ERARBEITEN
[phokes143]

Plutonien

“VORSTELLUNG ERARBEITEN”

Brain factory in Metropolis.
Lofi plough and extended lunch break.
The supervisor bends his head, and bangs.

From Dresden’s electronica underground comes Plutonien and ploughs our brain walls with experimental-beat-heavy lofi art, most of which was produced using Sunvox, which is of course great. Head banging is allowed, even dancing is possible with some of the tunes. The artist of the project Plutonien has a liking for all arts, art history, but also for more or less strange human creations of all kinds. The openness and at the same time strictness associated with this is easy to hear in the tunes. The sounds are not charming at all, more like sitting in the middle of a mechanical clockwork, listening to and watching its production. The big machine is rolling. And it is not soothing but, to put it mildly, revealing.

This is the first time we have re-released a musical work that was already published under Creative Commons before. With a licence that is given and somewhat different from our standard licence.
Basically, a re-release of CC music is possible at any time. In the context of attention islands in media oceans, this somehow also makes additional sense.
It also makes sense from a long-term perspective, because digital releases are much more ephemeral than, for example, records and CDs that are still traded.
>From the time of the beginnings of music publication on the net, almost none of the hundreds of labels are active or accessible any more.
Archive.org is of course a wonderful implementation, especially thanks to Simon von Monotonik, who recognised the potential early on and built the bridge between the netlabels and archive.org.

The contact to Plutonien was established via Rajko, thanks.

Button: by-nc-sa
posted 05 July 2021

JOTA ESE – JOTA​-​19

JOTA ESE – JOTA​-​19
[#DOR083]

JOTA ESE

“JOTA​-​19”

Produced by JOTA ESE for Trilobite Donuts
Engineered by Mitch Jones
Mixed and Mastered by JOTA ESE
Additional Production by Kyle Davis, Caleb Hickman, Mitch Jones, and Charlie Shea
Vocals, Guitar, Bass, Drums, and Samples by JOTA ESE
Guitars by Tyler Davis, RICHIE, Evan Penza, and Charlie Shea
Keys by Mitch Jones
Saxophones by Caleb Hickman
Percussion by Kyle Davis
Background Vocals by Alicia Gail and Tyler Davis
Artwork by Tyler Davis
Recorded at Mitch’s Studio, Nashville TN USA
2021 Day Old Records
#DOR083

www.DayOldRecords.com
credits
released May 14, 2021

(j. stout, m. jones, k. davis, c. hickman, c. shea, r. kirkpatrick, t. davis, e. penza, a. gail)

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posted 15 May 2021

Autito, el niño autista – Parkour Emocional

Autito, el niño autista – Parkour Emocional

Autito, el niño autista

“Parkour Emocional”

ARCHIVO:

Viajamos hasta un lugar sin carteles, ningún cartel en el camino ni en los costados, sólo árboles y de vez en cuando un auto estrellado. Seguimos la señal hasta una montaña de ventiladores y ventanas. Trepamos como pudimos, algunos se quedaron abajo esperando. En la subida vimos un brazo de muñeca y algunos alacranes espiando. Vimos un cuchillo en un cuaderno y también vimos una sombra cantando. Ya caía el sol cuando llegamos a la cima y lo encontramos: tenía una luz verde titilando. Conectamos nuestros cuerpos al aparato y algunas voces se presentaron, una a una dijeron sus nombres y comenzaron a sonar. Pasamos la noche escuchando y a la mañana bajamos. Era un día festivo y decidimos festejarlo. Nos conectamos al resto y les contamos lo que habíamos escuchado. No eran los mismos sonidos, era nuestro tributo a esa cima oxidada y a ese camino y a ese día festivo. Volvimos caminando de noche y no paramos hasta ver un cartel. Pero seguíamos conectados en el camino y en la cima y en la música y sonando.

*Extraído del INFORME SOBRE EL INCIDENTE EN LA MONTAÑA DE… more
credits
released April 5, 2021

Button: by-nc
posted 09 April 2021

El Sob – Silence is even sexier

El Sob – Silence is even sexier

El Sob

“Silence is even sexier”

Silence is even sexier if it is your silence!
So shut the fuck up and buy this record to be the sex bomb you’ve always dreamed of.

El Sob is not one of the classic influencers you can find on the internet, He’s the master of the silence. Enjoy his guitar-driven songwriting between Arto Linsday and Bill Frisell as the only thing better than silence is El sob, or it was João Gilberto?
credits
released March 15, 2021

Button: by-nc-sa
posted 21 March 2021

heche – guerras avançadas

heche – guerras avançadas

heche

“guerras avançadas”

Então, é com muito amor que eu venho comunicar forma-socialmente que esse é o último lançamento do meu pseudônimo heche – nome que eu adotei em 2014 e venho desde 2015 produzindo sons e etc. Mês passado fez 5 anos do meu primeiro lançamento formal no bandcamp: Máscara de Insetos e hoje to lançando o EP Guerras Avançadas pra fechar esse ciclo, pra quem não ta ligado eu tenho lançado coisas como Rafael de Toledo ou Rafael de Toledo Pedroso e trabalhado com os duos Pedroso & Pedrosa e AC Repair School… meu trampo solo não difere tanto do que eu fazia como heche e tenho um álbum planejado sobre o heche pra realmente pontuar o que foi essa experiência… mas é isso, no heche.bandcamp.com você encontra todos os 14 lançamentos que eu fiz nesses anos, singles, EPS, mixtapes, etc. no youtube da nounouhau tem os vídeos e enfim foi um prazer fazer tudo isso e eu quero agradecer todo mundo que sabe que teve uma influência nisso tudo, não vou citar ninguém pq quem sabe sabe e é isso ai, fica o sentimento, ouça Guerras Avançadas e quem tiver vontade dá uma olhada nos meus trampos solo tipo Informação e Carne, Lakkos Chromatinos e Fly Like Chez Ami (esses trampos são a evolução do heche estão todos em streaming)
bjs obrigado
– Rafael de Toledo Pedroso aka heche – primeiro semestre de 2021
credits
released March 20, 2021
Button: no
posted 21 March 2021

Diego Funes – Oficinas en el desierto

Diego Funes – Oficinas en el desierto

Diego Funes

“Oficinas en el desierto”

released March 3, 2021

Todos los temas tocados y compuestos por Diego Funes en el tiempo llamado cuarentena, en home estudio Ra, Salsipuedes, Cordoba 2020, Argentina.

Diseño de tapa: Pau Lee (www.instagram.com/sheispaulee/)

Julio Kaegi, trompeta en DooM y El cielo en la tierra. Silvia Marco, coros en DooM.
Federico Disandro mezcla, producción y masterización en los temas Miller, DooM y El cielo en la tierra. Estudios 3db; Noviembre del 2020, Barcelona España.
En Rew se uso extracto de la obra “Onírico” del colectivo sonoro PH, Cordoba Argentina.

Button: by-nc
posted 06 March 2021

JPEGMAFIA – EP2!

JPEGMAFIA – EP2!

JPEGMAFIA

“EP2!”

produced by JPEGMAFIA
written by JPEGMAFIA
mixed by JPEGMAFIA
mastered by JPEGMAFIA

“PANIC ROOM!” produced by James Blake & JPEGMAFIA

sometimes u have to remember who you really are and what you really stand for and then you realize you should have never been around them in the first place. luve u all

credits
released February 12, 2021

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posted 12 February 2021

Kingdom Scum / Buffalomckee – AD D dth EA brth D DE

Kingdom Scum / Buffalomckee – AD D dth EA brth D DE
[LF131MP3]

Kingdom Scum / Buffalomckee

“AD D dth EA brth D DE”

Kingdom Scum returns and teams up with Buffalomckee from Japan!

Track Listing:
01. Kingdom Scum – A Journey to Humility Begins with Death
02. Kingdom Scum – An Autopsy of the Body Politic Evolving into Metaphysical Necrophilia
03. Kingdom Scum – Convening an Assembly of the Spirits of Scavengers, Fog, Triumph, and Decay
04. Kingdom Scum – Transcendent Cycles/Candescent Trials
05. Kingdom Scum – Retroactive Resurrection
06. Buffalomckee – Audio Graffiti
07. Buffalomckee – Grinding Teeth
08. Buffalomckee – Dango Touch
09. Buffalomckee – Black Stone
10. Buffalomckee – Spiderweb Quartet

Cover design by Phoenix X Eeyore.

Button: by-nc
posted 24 January 2021

Fray Bentobox et son orchestre – Special Delivery

Fray Bentobox et son orchestre – Special Delivery

Fray Bentobox et son orchestre

“Special Delivery”

Affectionate tribute to decaying haunters and Monplaisir, through barqouey proggy psychey atmos impro electro bossa make-do whatever e nonsense. Otherwise, eseentially meaningless.
credits
released January 4, 2021

Shoutouts to pete’s truckin and morl (shrallock). Also, little pigs often look quite cute.

Button: by-sa
posted 14 January 2021

Joseph – Grand Chien Sombre

Joseph – Grand Chien Sombre

Joseph

“Grand Chien Sombre”

En face A, Grand Chien Sombre est une chanson lancinante évoquant le fond de la nuit, portée par des sonorités synthétiques interprétés sur le langage de programmation musical Foxdot.
En face B, Aqua donne à des samples glanés dans la nature et dans les rues une unité concrète grâce à la manipulation numérique.
Button: by-nc
posted 12 January 2021

Shinnosuke Sugata – The Actual Decade By Shinnosuke Sugata スガタシンノスケによる実際の10年間 (2011​~​2020)

Shinnosuke Sugata – The Actual Decade By Shinnosuke Sugata スガタシンノスケによる実際の10年間 (2011​~​2020)

Shinnosuke Sugata

“The Actual Decade By Shinnosuke Sugata スガタシンノスケによる実際の10年間 (2011​~​2020)”

今作は、私が作曲を始めた2010年の次年、2011年の年始に『2011』という曲を作ったところから始まりました。
その当時は家電量販店で買った通話用の1000円のステレオミニプラグマイクをPCに直挿しして、
フリーソフトであるAudacityで録っていました(Audacityはいまだに現役です)。
それをかのMy Spaceにアップロードしたのです。
それから毎年始に曲を作り、10曲貯まったのがこの作品です。
当初は、必ず西暦を歌詞に入れ、「前年を振り返り、本年を想う」というような趣旨で作っていたはずなのですが、
『2019』の冒頭で語られているように、終盤の曲ではそういった”ルール”はほとんど撤廃され、
作りたい感じで作ればいいというラフな姿勢になっていきました。
ですがまあ一応、個人的であれ、世間全体であれ、そういった時事を取り入れようとはしていたものですから、
友人から「『2016』の”謎の建物”って新国立競技場のことでしょ?」とか、
「『2019』の”ツノ”は亥年だからでしょ?」などと思ってもいなかったことを言われ、
面白かったのを覚えています(猪はキバだと思いますが)。
そしてさらに面白いのは、作った曲がその年にフラッシュバックするような場面が訪れることでした。
「うわ!今のこの状況、年始に歌ったぞ・・・。」ということが不思議と毎年ありました。
今年など清洲橋を歩いて渡るときに、殺されるのではないかとビクビクしたほどです。
もはや自分にとっては呪いのようになってしまっていたのかもしれません。
そういったこともあって、『2021』は、果たして作るべきなのか今非常に悩んでいます。
もうキリ良くやり切ったのだから、もうこの企画からは足を洗うべきなのか。
加えて、次回はコロナのことも絶対念頭に入れなければなりませんし。
とにかく本作は、序盤の曲など聞き苦しいことこの上なく、
発表することなど私にとっては恥をさらす以外の何事でもないのですが、
もし他の人がやっていたなら、絶対に聴いてみたいと思うはずですし、
なにより10年前の自分の野望を無下に却下できないというのもあり、
発表に踏み切りました。
credits
released December 30, 2020

作詞・作曲・編曲:Shinnnosuke Sugata
twitter.com/VisitToSugata

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posted 12 January 2021