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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-nd

This license is the most restrictive of our six main licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Various Artists – 13YRS​-​MX

Various Artists – 13YRS​-​MX
[S27-189]

Various Artists

“13YRS​-​MX”

Marking a 13 year milestone for S27 with this two part showcase mix, digging deep into the archives of the many sounds and artists that make up the label discography.
All tracks written & produced by the respective artists. Check the track pages for ID’s.
credits
released April 25, 2022

Showcase compiled and released by S27
Cat No. [S27-189]

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posted 27 April 2022

various artist – Dreamcore Music vol​.​2

various artist – Dreamcore Music vol​.​2

various artist

“Dreamcore Music vol​.​2”

Compiled, cover artwork collage by Sábila Orbe.

Released by Internet Daemon Netlabel.
internetdaemon.bandcamp.com/
archive.org/details/fav-obscvre_triangle_compilations
ello.co/creativecommonsmusic

Each track composed by the respective artist. Links:
– Filmy Ghost: archive.org/details/fav-sabila_orbe02
– Humanfobia: humanfobia.jimdofree.com/discography-ii/
– tone tone: archive.org/search.php?query=creator%3A%22Tone+Tone%22
– Tribe Of Astronauts: archive.org/search.php?query=creator%3A%22Tribe+of+Astronauts%22
– Cult Of Parallax: ghostskull.bandcamp.com/
– Persefone: https://soundcloud.com/user-928550581
– Lezet: lezet.blogspot.com/
– Mayhem Lettuce: mayhemlettuce.bandcamp.com/
– Terbeschikkingstelling: sturmunddrang.bandcamp.com/
– Cuntboi: bandcamp.com/search?from=autocomplete&q=Cuntboi
– Origin of Styx: https://soundcloud.com/originofstyx
– Saint De L’Abime: saint-de-l-abime.bandcamp.com/
– Mean Flow: meanflow.bandcamp.com/
– Timmy the Tapeworm: timmythetapeworm.bandcamp.com/
– VICTOR HEADRICK: –

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posted 23 April 2022

Palancar – Aliquid Ex Nihilo

Palancar – Aliquid Ex Nihilo

Palancar

“Aliquid Ex Nihilo”

Most scientists today believe in reductionism, a principle that says all phenomena in nature can ultimately be reduced to just two physical theories: general relativity and the standard model.

Another way of saying this, perhaps more interestingly, is that all phenomena we see in the macro world around us are derived from uncountable (but finite) numbers of fundamental interactions that together add up to results of amazing complexity and intricacy — results that seem impossible given how elementary are the fundamental interactions.

Scientists call this sort of thing “emergent phenomena”, the situation when an entity has properties its component parts do not have on their own. Everything we see around us, including life and consciousness, happens as a side effect from vast numbers of fundamental interactions, all taking place simultaneously and purely by accident. I’m no deist, but this state of affairs feels to me uncomfortably like magic. My thoughts as I write these words are just physical accidents derived from all the known physics churning inside me? Untenable. There has to be more to the story than that.

For this reason, emergence in nature has always fascinated me. I’ve long felt there is something profound lurking in emergence that our science and philosopy today do not yet understand. Why does the random statistical behavior of a sea of particles add up to life and sentience, and not just some bland featureless noise? And where did music come from in all this miraculous emergence?

This is precisely what I am studying in the method for this album. What happens when I stochastically combine musical phrases and ideas that are themselves self-generated? Will emergence occur? Or will I end up with bland featureless noise?

The rules for the method are simple: 1). constrain myself to (virtual) analog modular synthesis; 2). construct generative musical phrases in isolation of each other that share only a few basic properties; 3) combine these phrases stochastically; and finally 4). orchestrate the results so there is a human element involved and the results feel intentional. The hope is that with this method I can construct music that is only partially of my own creation, that somehow enlists the help of emergence, so that nature itself is also helping to construct the music.

That’s the idea, anyway.

Did I succeed in causing emergence to spontaneously occur? Well, I don’t know about all that, but I can say that I enjoyed the method and will certainly continue to explore the world of generative music. I find the results worthwhile, and so I thought I should share the music with you, the listener, so you can form your own opinions about whether nature intervened to create listenable music.

So I am happy to unveil my latest release, called “Aliquid Ex Nihilo”, which is Latin for “something out of nothing”. Did I create something or did I create nothing? You be the judge. I’m just here having fun and loving the process.

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posted 21 April 2022

Reeder – It Is The Nature Of Dreams To End (Anniversary Remaster)

Reeder – It Is The Nature Of Dreams To End (Anniversary Remaster)

Reeder

“It Is The Nature Of Dreams To End (Anniversary Remaster)”

Notes On The Artwork:

As you’ll read below, the original name and artwork of this album came at a pessimistic time of my life. Five years later, I decided that the whale deserves another chance to fly.

~~

A Letter From The Composer:

After a decade of making music I didn’t think I’d write another album after this one. At least, not publicly.

In 2017 I was kinda miserable. It was my first year as a full time teacher, which was a source of an incredible amount of stress. I was living on my own for the first time, making just enough to pay rent and my bills, in a tiny little apartment I have since come to refer to as “the shoe box”.

The thing with teaching is that it largely obliterates your spare time, if you let it – and gosh was I letting it. I didn’t foresee a future where I could continue doing that work and also have music as a quasi-professional pursuit on the side. There simply wasn’t enough time.

To quote a certain supernatural whale in a video game…

So I went about figuring out what an album would look like. I’d only written one in the past – a daft little thing called Wednesday I wrote when I was an even more miserable university student who’d just discovered brickwall limiting and was listening to too much Ben Folds. I thought if I was going to stop I should at least stop on my own terms and put a capstone on the whole thing. I reinterpreted and renamed some older pieces (Time, Relic, Home, Owl Temple, Theme For A Friend) and wrote some new ones (Farewell, Castle Gate) and also for good measure snuck in that one piece of mine that had actually got any traction. We all know the one and why. I packaged it all up with a collage of public domain images, put it out into the universe, and stepped back satisfied that it was over.

That didn’t work out, did it?

2022 marks a decade of being Reeder, and five years since this record, so I thought I’d finally get around to mastering it. I kinda skipped that part the first time around because I didn’t really think anybody would listen and people mystify the mastering process so much that I thought I wouldn’t be able to do it justice. Now, with five more years of production experience behind me, I finally feel confident enough to go back in and finish Dreams.

I am unfathomably grateful that this music has reached the number of people that it has, and continues to. I’m thrilled that it has found people’s hearts the way I had only dreamed it would. That this only happened because of a wild stroke of luck and one person with a large audience is not beyond me.

Thank you to everybody who listened, and a special thank you to everybody who hung around. I can’t wait to see what I’m gonna make in the next decade. I hope it’s good.

– Reeder, Feb 6 2022
credits
released March 18, 2022

Artwork by Alice Jooren – alicejooren.nl.

All pieces composed or improvised by Reeder.
Engineering by Reeder.

If you enjoy this music please consider sharing it.

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posted 18 April 2022

88756 – TOOLKIT II

88756 – TOOLKIT II

88756

“TOOLKIT II”

Twelve moons following the initial provision of it’s stripped-back techno tooling, the 88756 project returns with a sequel. As far as we’re concerned, an upgrade – the manual coercion of it’s output towards this overly hypnotic, functional sound is proving easier with each release.

Limbo in both name and nature, the opening track; a relentless polyrhythmic whirlpool of sound and 909s; has been stuck in the release backlog for a considerable time now, and is finally making it’s way out of the project’s DJ sets and into your gleeful little hands. The Void tells the story of a solitary synth line caught up in the perpetuity of existence, whilst Space Whirlpool swirls in a smug, self-satisfactory manner. Latent Reality is, to the best of our knowledge, a genuine attempt at interplanetary communication, and finally, Come Get It closes out the extended EP with an invitation of physical violence.

As always, these mechanical outputs are free to download straight from Bandcamp. Your support keeps us safe, and additional commentary is welcomed.
credits
released April 16, 2022

Production and Mastering: 88756
Inner Logo Design: Brooke Reilly

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posted 18 April 2022

Various Artists – one hundred thirty "episode3"

Various Artists – one hundred thirty
[insectorama130_3]

Various Artists

“one hundred thirty “episode3″”

Various Artists – one hundred thirty „episode 3“ (Insectorama130)

The 130 release on insectorama. We’re celebrating this with a large dubtechno Compilation. This is episode 3 of 3 with the last 20 tracks by dubtechno artists from all over the world. Thank you very much to all the artists who make this compilation something very special with their track. 2,5 hours full of echoes and delays that will take you on a journey into the deepest dub valleys. Relax and enjoy these timeless tracks suitable for the cold season.

Tracklist:
01.moodeep – Dark Horizon
02.Nawa – Strange Weather
03.The Open Circle – Contact
04.Markus Masuhr – On The Contrary
05.Stereo Split – 11th Floor
06.Monopsia – Current Capacity
07.LutchamaK – Krtagyata
08.Remote Guest List – Diplopia
09.Gregi – Bifurcation
10.lotech/hijack – snow crunching underfoot
11.mA – Drifter
12.Bethelina – What Do You Want to Be
13.Cbdubs – Deep Souls
14.sleep architecture – cell growth
15.Ocralab – Psithurism
16.LoFi Astronauts – Danger
17.Asphalt Layer – Parameter Depth
18.773b – Morning Frost
19.Highdub – Introspection
20.Spigl – 07072020

insectorama 130 / episode 3
Mastering and Artwork by Markus Masuhr

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posted 15 April 2022

Various Artists – one hundred thirty "episode2"

Various Artists – one hundred thirty "episode2"
[insectorama130_2]

Various Artists

“one hundred thirty “episode2″”

Various Artists – one hundred thirty „episode 2“ (Insectorama130)

The 130 release on insectorama. We’re celebrating this with a large dubtechno Compilation. This is episode 2 of 3 with the next 22 tracks by dubtechno artists from all over the world. Thank you very much to all the artists who make this compilation something very special with their track. 2,5 hours full of echoes and delays that will take you on a journey into the deepest dub valleys. Relax and enjoy these timeless tracks suitable for the cold season.

Tracklist:
01.Dmytro Bobryk – Goverla
02.Post Apocalyptic – Spirit Of The Mountain
03.Altone – Nostalgia
04.Deemkeyne – Vzmah
05.Markus Masuhr – Cosmotronic
06.Ajnkana – 0 49
07.Phil Baenz – Orca
08.Rick Fox – Growing Idea aka Unblocked
09.Davor Tosovic – Deeper Simplicity
10.George Kostopoulos – Scapes
11.Dub Portrait – Siren’s Lure
12.R.Hz – Lighthouse
13.Eterna – Iomante
14.Ekodust – Serac
15.AND 16. – Color Patterns
16.A-MAG – Winter Moods
17.Luca Fontanesi – Flatness Project
18.Infinitedub – Transcend
19.Peter aka Bakker – Insectorama Dub
20.Phonaut – Progress Dub
21.Mindbender & Steve Knots – In Dub We Trust
22.Spigl -11052020

Mastering and Artwork by Markus Masuhr
insectorama 130 *episode 2

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posted 15 April 2022

Various Artists – one hundred thirty "episode1"

Various Artists – one hundred thirty "episode1"
[Insectorama130_1]

Various Artists

“one hundred thirty “episode1″”

Various Artists – one hundred thirty „episode 1“ (Insectorama130)

The 130 release on insectorama. We’re celebrating this with a large dubtechno Compilation. This is episode 1 of 3 with the first 19 tracks by dubtechno artists from all over the world. Thank you very much to all the artists who make this compilation something very special with their track. 2,5 hours full of echoes and delays that will take you on a journey into the deepest dub valleys. Relax and enjoy these timeless tracks suitable for the cold season.

Tracklist:
01.Alexander Bogdanov – Mind Detox
02.am.tape – Crato
03.echOnOmic – Catatonic
04.Francisco Aguado – Smooth Dub
05.Markus Masuhr – The Light of the Night
06.Ian Oskadev – Equinox
07.Adam Carling and Nick De Voost – Dub Elixir
08.Faestos – There Is Absolutely Nothing To Worry About
09.INTRIP – Zorgons
10.Subliminal – Forbidden Teachings
11.Frank Hellmond – Northern Lights
12.Schulz Audio – Volatile
13.Matt Schulz – Wake Up
14.Mime – Old Dub Tape
15.Roman Ridder – Spacetrain
16.The Venusian – Gray Dimension
17.上-JYOUGE-下 – Winter Blue
18.Kettenreaktion – Placide
19.Pyrmont – Pinaceae

Mastering and Artwork by Markus Masuhr
insectorama 130 *episode 1

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posted 15 April 2022

Eric Zinman and Vance Provey – Poker Face/ Live​@​Gateway Arts Holyoke MA March 18 2022

Eric Zinman and Vance Provey – Poker Face/ Live​@​Gateway Arts Holyoke MA March 18 2022

Eric Zinman and Vance Provey

“Poker Face/ Live​@​Gateway Arts Holyoke MA March 18 2022″

Poker Face/
Live@GatewayArts Holyoke MA
March 18 2022
Vance Provey trumpet
Eric Zinman piano, percussion

1)As the Paradigm Trembles,
2) play
3) your hand.

All proceedings aiming at Unicef UK and Red Cross UK
credits
released April 10, 2022

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posted 14 April 2022

Ca5 – Pastel Tones

Ca5 – Pastel Tones
[mi297]

Ca5

“Pastel Tones”

Ca5 is the newest artist to join the MiMi Records family, but since 2001 he has been released many music on the Internet.

Ca5’s hobby is create a unique system with gadgets such as iPad and arduino. He use controllers at max / msp to reconstruct songs mainly centering on breaks beat, chiptunes and 8bit music.

Pastel Tones is a 4 instrumental tracks EP that will make you feel like you are playing a video game. This was the music we was raised on in a way. We grew up playing video games on the original Nintendo and then Sega Genesis.

We advise you to listen to this EP in loop, leaving the warning that it is very likely that you will get addicted.

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posted 14 April 2022

Jenn Kirby – Ravel

Jenn Kirby – Ravel
[pyr315]

Jenn Kirby

“Ravel”

This album explores different aspects of the manipulation of time. I have been asking myself how the digital results of manipulating time relate to my perception of time in the physical world. Having become comfortable watching videos at 2x speed, I recently found myself wanting to 2x a video call. In that moment, getting the information in real-time seemed inefficient. I wondered if I saw efficiency as simply squashing as much as possible into as little time as possible, and what does that mean for making and experiencing music.

I chop up the sounds as I chop up my time – squashing some meaningful moments and escaping from time through rituals of repetition. I enjoy the frantic sound of fighting time, but I am equally interested in the moments of surrender.

I wanted to create and experience music in different time scales. While there is no auditory container for sound, there is a time frame. We have physical limitations to how we can perceive music as the perception of sound is directly linked to time.

The artefacts that are produced from extended time-stretching are processed further to create textures and glitches. The results appear to me as fragments that suggest something lost or something found. Through a collapsing, expanding and ravelling of information, something new is created. It is not simply the same thing played fast or slow, but a new ‘thing’ that is very different to the original source, though still connected to it.

All these tracks began as improvisations. There are no restrictions to the processing and production, except that nothing gets redone. There is some quality in the spontaneity that I want to preserve. Though the material is shaped and transformed in many ways, it has an origin that is connected to a time, place and emotion.

Album artwork by Daryl Feehely.

Full album available for free download here: www.panyrosasdiscos.org/pyr315-jenn-kirby-ravel/

Any proceeds from this album will be donated to Women’s Aid. www.womensaid.ie
credits
released March 18, 2022

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posted 11 April 2022

Zyxbotcba – Homemade Acid

Zyxbotcba – Homemade Acid
[D!HR-56]

Zyxbotcba

“Homemade Acid”

For its 56th release, Da ! Heard It Records revels in reviving rave.
After releasing a first record in 2011 on Da ! Heard It, Astroboiler changes tapes in 2022 and surprise: it is covered in smileys.
Under the name of Zyxbotcba, the musician serves us here a mix of artisanal sonorous fractals with a sour scent. Among the bouncing blips and other roughly digitized vocal samples, old school rhythm boxes and synthetic layers all smoothly will remind the elders of their first mixes.
Reminiscent of IDM stammering and more generally of the electronic effervescent of the 90s, these 11 euphoric pills offer a mental panorama more neon than a cesium 137-flavored highlighter tropical cocktail. Homemade recipe, shake after opening.

Da ! Heard It Records’ 56th release is distributed under a Creative Commons BY-NC-ND license.
The album is available on cassette or digital for free at the following address: www.daheardit-records.net/en/discography/dhr-56#release

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posted 10 April 2022

various artist – XXI Century Witchcraft

various artist – XXI Century Witchcraft

various artist

“XXI Century Witchcraft”

Compiled, cover collage by Sábila Orbe.
Released by Internet Daemon & Skull Triangle Skull netlabels.-
skulltriangleskull.bandcamp.com/
new-age-vapor-witch.bandcamp.com/
archive.org/details/fav-witch_spectra

Each track composed by the respective artists. Links:
– Oxceranoid: https://soundcloud.com/oxceranoid/tracks
– Afterdeath: afterdeath0.bandcamp.com/
– Humanfobia: humanfobia-official.bandcamp.com/
– Seven Daggers: https://soundcloud.com/seven-daggers
– Filmy Ghost: archive.org/details/fav-sabila_orbe02
– Revolution Peak: https://open.spotify.com/artist/2bl0xje3eQtFvOske0BtIX
– Brainquake: brainquake.bandcamp.com/
– Anastasia Vronski: anastasiavronski.bandcamp.com/
– GrevusAnjl: grevusanjl.bandcamp.com/
– Assá: rodrigovalentim.bandcamp.com/
– α Ori: apsu.neocities.org/
– Name Constant: https://soundcloud.com/random-coil
– Mean Flow: meanflow.bandcamp.com/
– Yaka-anima: humanfobia.jimdofree.com/yaka-anima/

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posted 09 April 2022

Church of Illusion – The Gydening Wyre

Church of Illusion – The Gydening Wyre
[LCNLP145]

Church of Illusion

“The Gydening Wyre”

The Necrophile Hummingbird netlabel presents « The Gydening Wyre » by Church of Illusion.

About beneath the surface :
Gus used this poem when Trump got in power as it reminded him of populism and the rise of fascism that W. B. Yeats went through as well. He wanted the original track to start dark and end light, so a passage from darkness into light, a kind of alchemy. Then the pandemic happened and next the war in Ukraine amongst other disasters.
Sadly about a century later, this allegory describes the atmosphere of those gloomy days well.
Perhaps because history will loop until we learn from it.

The Second Coming

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

William Butler Yeats, 1919.

About above the surface :
This EP was waiting for months to be release. When Gus purposed me to release it, I was very enthusiast of course because of the music but also because of the loop concept :
to dive further in this sound thru alternate versions.
And finally because « The second coming » poem as a special meaning to me :
The first Video Art Clip I ever created was for this poem as well it was also one of the first track of Gestalt OrchestrA in 2005.
So I decided to inspire myself of Church of Illusion to create the moniker Invisible Illusion to collaborate with Gus.

Download it also here :

gusandco.bandcamp.com/

Contributors
Church of Illusion https://soundcloud.com/churchofillusion
Gus and Co gusandco.bandcamp.com/
The Oroonies www.facebook.com/theoroonies/
Chromatic https://soundcloud.com/chromatic-project-ion
Gestalt OrchestrA www.facebook.com/Gestalt-OrchestrA-332291456814407
Invisible Illusion https://soundcloud.com/invisibleillusion

Video Art Clips « The Gydening Wyre » by The Church of Illusion
https://www.youtube.com/watch?v=VLIhaZkcy8s
« The Second Coming » by Gestalt OrchestrA
https://www.youtube.com/watch?v=kSheBtQWNdU

Sleeve artwork by Gus.

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posted 08 April 2022

Zbytečný luxus – Zbytečný luxus

Zbytečný luxus – Zbytečný luxus

Zbytečný luxus

“Zbytečný luxus”

released April 4, 2022

Zbytečný luxus jsou písně Petra Mazúra v aranžích Martina Strakoše, za doprovodu milých hostů. Album dokumentující putování donquijotského hrdiny od jara do zimy bylo nahráno v průběhu roku 2020 a 2021, povětšinou distanční formou.

Na albu se podíleli:
Petr – zpěv, akustická kytara, kvákavá elektrická kytara, klavír, klávesy, akordeon, bendžo, zobcová flétna, harmonium, terénní a archivní nahrávky

Martin – zpěv, syntezátor ewi, klarinet, příčná flétna, saxofon, melodika, foukací harmonika, okarína, elektrická kytara, basová kytara, saz, zvonkohra, kalimba, brumle, clave, guiro, tamburína, řehtačka, chrastítka, cajon, ruchy, terénní nahrávky

Martina Červenková – zpěv (4)
Heda Fialová – zpěv (2, 9)
Anežka Matoušková – zpěv (10)
Jana Havláková – housle (5)

Hudba a texty: Petr Mazúr
Mix a master: Honza Balcar (StudioBros.)

Ilustrace v bookletu: Helena Čubová, Tadeáš Polák, Alexandra Bílá, Karolína Bathory, Zuzana Beliš, Heda Fialová, Markéta Jelínková, Andrzej Cieslar.

Foto: Lukáš Hamáček, Petr Mazúr
Grafická úprava: Monika Paholok

V roce 2022 vydal Zbytečný luxus & Polí5 (Trojanova 9, Praha 8).
Made in Czech Republic, EU. www.poli5.cz

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posted 06 April 2022

Oizak – Camping Sauvage !

Oizak – Camping Sauvage !

Oizak

“Camping Sauvage !”

Alongside the electrified side of his music which we showcased last December by releasing “Le Ciel Rouge”, an adventurous and freeform kind of post punk and noise pop whether from his duos Red Space Cyrod, HyperSensible and Tadash or by himself under the simple moniker Cyrod, Cyrille Poumerie has been exploring since 2014 a more electronic venture at the crossroads of ambient and kosmische musik with his Oizak project. Perpetuating a taste for visuals from vintage SF comics like with the two previous records “µ” (2019) and “Cartilages Stellaires” (2020), “Camping Sauvage !” (“Wild Camping” in English) is already the 13th release of this alias interested in abstract musical narratives, an album all the more captivating for attempting to draw a rather unprecedented bridge between synthetic soundscapes, psychedelic collages and cinematographic sampling, asserting a singular aesthetic equally influenced by 70s krautrock, 80s experimental pop and 90s abstract hip-hop. After diving into drone, stellar folk, noise dissonances, motorik and some sort of bedside neo-classical music, so many influences that reappear intermittently throughout “Camping Sauvage !”, Oizak offers us 5 new mutating instrumentals where downtempo beats, dreamlike synths, decadent arpeggiators and keyboards from another time mingle with vocal and orchestral samples (“Repérage Désordonné”), bursts of freejazz brass (“Amorçage des Possibles”) and more syncopated rhythms with a chopped up groove (the opening part of “Piétinement Orbital”), not hesitating to give in to its most baroque inspiration to finally remind us of a strange crossbreed between The Residents, Tangerine Dream and Kid Koala – or maybe Trans Am, Boards of Canada and 80s Morricone – without the avant-garde aspect ever taking over the cinematic impetus and delicate breathe of emotion. Not to be missed !
credits
released March 29, 2022
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posted 30 March 2022

Various Artist – Witch House Music [The Haunted Horror Collection]

Various Artist – Witch House Music [The Haunted Horror Collection]
[None]

Various Artist

“Witch House Music [The Haunted Horror Collection]”

Collection of Humanfobia & Filmy Ghost collaborations, remixes to other artists, etc.

†▲👻†▲ 👁†▲👻†▲ 👁†▲👻†▲ 👁†▲👻†▲ 👁

humanfobia-official.bandcamp.com
humanfobia-official.blogspot.com
open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
archive.org/details/fav-mist_spectra

witchspectra.bandcamp.com
archive.org/details/fav-witch_spectra

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posted 30 March 2022

Various Artist – Occvlt Esoteric

Various Artist – Occvlt Esoteric

Various Artist

“Occvlt Esoteric”

Compiled, cover collage by Sábila Orbe.
Released by Internet Daemon netlabel:
internetdaemon.bandcamp.com/
archive.org/details/fav-obscvre_triangle_compilations
ello.co/creativecommonsmusic

Each track composed by the respective artist. Links:
– Humanfobia: humanfobia-official.blogspot.com/
– Filmy Ghost: humanfobia.jimdofree.com/filmy-ghost/
– The Owl: theowl.bandcamp.com
– ImpulseGame: impulsegame.bandcamp.com/
– KR Seward: krseward.bandcamp.com/
– {AN} Eel: panpanpanaviandistresscall.bandcamp.com/
– Mean Flow: meanflow.bandcamp.com/
– Yoyogi Koen: 433records.bandcamp.com/album/hyakki-yako
– Wilfried Hanrath: wilfriedhanrath.bandcamp.com/
– Terbeschikkingstelling: sturmunddrang.bandcamp.com/
– EL ZOMBIE ESPACIAL: elzombieespacial.bandcamp.com/
– Mayhem Lettuce: mayhemlettuce.bandcamp.com/
– R0[nought]: r0nought.bandcamp.com
– Black Cross: blackxcross.bandcamp.com/
– Cuntspiltterkor (Cuntboi): https://soundcloud.com/cuntsplitterkor
– Cornhole Crucifixion: cornholecrucifixion.bandcamp.com/
– Origin Of Styx: originofstyx.bandcamp.com/
– Timmy the Tapeworm: timmythetapeworm.bandcamp.com/
– Persefone: https://soundcloud.com/user-928550581
– Circumvent: circumvent.bandcamp.com/
– Industrial Strange: industrialstrange.bandcamp.com/
– Oblitus: oblitus1.bandcamp.com/
– Equilibrio Natural: equilibrionatural.bandcamp.com/
– Raffet: raffet.bandcamp.com/
– Boban Ristevski: bobanristevski.bandcamp.com

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posted 27 March 2022