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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-sa

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

CorteX – New Ordeal World

CorteX – New Ordeal World
[LCNEP021]

CorteX

“New Ordeal World”

The Necrophile Hummingbird presents the aftermath of a funny spiritual experience. “Acousmatic Music for the Concrète People”
This EP will be part of the album “La Fête du Sillon Sacré”.
No Undergods Were Harmed in the Making of this EP.

Full EP in free download in Flac or Wav on this bandcamp profile yoshiwaku.bandcamp.com/album/new-ordeal-world

The first two tracks designed for this french selfportrait podcast
aligrefm.org/agenda/le-colibri-necrophile-ed-end-480

Which may be related to Ordalie Found Footage https://www.youtube.com/watch?v=baYeo97yqQA

Last year full (except rADio eNd) retrospective is interesting for a global hearing.
https://panoramamix.tumblr.com/post/623102835945537536/ed-ends-retrospective-a-free-to-share

Cinemix :
Bugey pour mémoire

More free music by CorteX
archive.org/details/le-colibri-necrophile?and%5B%5D=creator%3A%22cortex%22

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posted 08 June 2021

Ben Glas – Uhr / To Fade To

Ben Glas – Uhr / To Fade To
[zen231]

Ben Glas

“Uhr / To Fade To”

an ambient random sequence d.i.y. installation, inspired by Eno, Satie and the passage of time

Uhr / To Fade To is an experimentally experiential sound piece which questions the individual listener’s agency within the listening experience and preconceived expectations around the acts of active and passive listening. Comprised of 240 thirty-second triad sinetone drones, this album is to be downloaded and randomly shuffled in a player of one’s choice. The result is a seemingly endless array of tonal possibilities, a larger-than-human-life melody full of aleatoric twists and turns.

The impetus of this piece is to dig deeper into an inquiry that Erik Satie opened with the advent of his so called “Furniture Music” and which was later expanded upon by Brian Eno’s popularisation of “Ambient Music”. This is piece is to be played into an open space and to be forgotten about and returned to. As each track is precisely 30 seconds long, it acts as an abstracted clock. Listeners may drift from and to the space in which they choose to listen in. As the content of this album is made up completely of sinetones, the piece is inherently relativistic and allows listeners to move through the peaks and troughs of the waves.

There are

4,067,885,363,647,058,120,493,575,921,486,885,310,172,051,259,182,827,146,069,75 5,969,081,486,918,925,585,104,009,100,729,728,348,522,923,820,890,245,870,098,65 9,147,156,051,905,732,563,147,381,599,098,459,244,752,463,027,688,115,705,371,70 4,628,286,326,621,238,456,543,307,267,608,612,545,168,337,779,669,138,759,451,76 0,395,968,217,423,617,954,330,737,034,164,596,496,963,986,817,722,252,221,059,76 8,080,852,489,940,995,605,579,171,999,666,916,004,042,965,293,896,799,800,598,07 9,985,264,195,119,506,681,577,622,056,215,044,851,618,236,292,136,960,000,000,00 0,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000

possible variations of the melody that this piece and randomised album present, if shuffled and played from beginning to end.

www.zenapolae.com/releases/zen231/zen231__Ben_Glas__Uhr_ToFadeTo__146.mp3

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posted 07 June 2021

Numa Gama – Memorias de Oneyda

Numa Gama – Memorias de Oneyda

Numa Gama

“Memorias de Oneyda”

Memórias de Oneyda was created during the residency held by São Paulo Cultural Center (CCSP) in celebration of the 85th birthday of the public record library “Discoteca Oneyda Alvarenga” which has one of the biggest archives of latin america and is named after the director and founder Oneyda Alvarenga.

Percussions, beats, harmonic layers, and almost all details were extracted solely from the vast collection of the library, with exception of a few field recordings and instrumentals I’ve recorded for other occasions. These additional audios are also used as sound collage. I took most of the vocals from the historical 1938’s folklore research mission, which aimed into recording traditional music from the north and northeast of Brazil.
I’ve adapted the sonority of the tracks to the quality and texture of the oldest recordings, seeking a sound in between contemporary and a 30’s recording – as it was an old dirty recording of a parallel reality. The são paulo musician and engineer Bruno Palazzo helped me to enhance this feeling with an analog tape master.

Minimum suggested donation is 5.50€ + vat. 50% of the profits will be donated to the movement of the indigenous woman of Xingu – ATIX Mulher. Depending on how much is raised, other indigenous ONGS will be included.

released February 4, 2021

Criação e Mixagem: Numa Gama
Design: Numa Gama
Masterização: Bruno Palazzo
Fonte desenhada: Clau Smith

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posted 07 June 2021

tourmaline hum – Invasive Species

tourmaline hum – Invasive Species

tourmaline hum

“Invasive Species”

The 100th release on TCFSR Bandcamp is the 28th release by tourmaline hum, although it is five years since their last album ‘system Imperfect’ tcfsr.bandcamp.com/album/system-imperfect
During this time the duo of Lone Cosmonaut and Dental Drill have each created a number of solo releases and contributed to a variety of other projects (and Dental Drill has taken on the day to day running of the TCFSR label) so the tracks for ‘Invasive Species’ were created intermittently between 2017 and 2021. Nonetheless the album demonstrates a thematic consistency. The album has a darker edge than most of tourmaline hum’s previous work.
credits
released June 1, 2021

Everything that you can hear: tourmaline hum
Design: DRILLArt
Photos: Kate Tree, Trixie Delight
Anything else: The Committee For Sonic Research

www.tcfsr.net

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posted 03 June 2021

Jorge Cabieses-Valdes – Poemas de Porcelana

Jorge Cabieses-Valdes – Poemas de Porcelana
[pn188]

Jorge Cabieses-Valdes

“Poemas de Porcelana”

“Poemas de Porcelana” (“Porcelain Poems”) is the title of the album that brings together a selection of two performances realized within the context of the exhibition “De las Prácticas Cotidianas de Oposición” (“From Daily Practices of Opposition”) by Jorge Cabieses-Valdés in the D21 Art Projects (2020). In an individual exhibition the artist presented the works “Porcelanatron IV & V”, musical instruments constructed from pieces of glazed stoneware ceramics. Inspired by the acoustic potential that every piece of ceramic possesses, the instruments emit a sharp and crystalline sound that comes from the hollowness and hardness of their ceramic material.

For “Porcelanatron IV & V” the artist’s work is based on 14 vases from the Lota Ceramic Factory belonging to the Pedro Montes collection, typical of the domestic and ornamental environment. The ceramic pieces made by the artist try to imitate the appearance of these vases, failing irretrievably and presenting themselves in total deformation, thus forcing their rigid surfaces to vibrate and sing grotesquely.

This is not the first time that the artist has worked with the traditional ceramics of Lota. In 2018 he manipulated figures belonging to the collection of the Museum of Decorative Arts (Orfeón, Lota) where each figure had a large-scale acoustic replica that emulated the sound percussed on the figures.

The album features the participation of the musician and producer Marcelo Peña Cortés aka MIOPEC (Tobías Alcayota, MKRNI), who plays viola and synthesizer arrangements and is also in charge of mixing and mastering the album.

archive.org/download/pn188/pn188_01_Jorge-Cabieses-Valdes_1.mp3

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posted 30 May 2021

Diego Lorenzini feat. Niña Tormenta – El Demonio del Mediodía

Diego Lorenzini feat. Niña Tormenta – El Demonio del Mediodía

Diego Lorenzini feat. Niña Tormenta

“El Demonio del Mediodía”

released May 28, 2021
…………………………
Música y letra: Diego Lorenzini

Diego Lorenzini: Voz, U-Bass, ukelele, teclados, batería y percusiones.
Tiare Galaz (Niña Tormenta): Voz
Grabado por Diego Lorenzini
Mezclado y masterizado por Arturo Zegers en Estudio 050

Arte de portada: Diego Lorenzini
…………………………
Music and lyrics: Diego Lorenzini

Diego Lorenzini: Vocals, U-Bass, ukulele, keyboards, drums and percussions.
Tiare Galaz (Niña Tormenta): Vocals

Recorded by Diego Lorenzini
Mixed and mastered by Arturo Zegers in Estudio 050

Cover artwork: Diego Lorenzini

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posted 28 May 2021

PIRATE Tapes – Discontinuité

PIRATE Tapes – Discontinuité
[LCNLP126]

PIRATE Tapes

“Discontinuité”

[Version Française en dessous]

The Necrophile Hummingbird netlabel presents an automatic poetry & music album.
“Ghost poetry & music for ghost listeners”
Under the same title that Arthur Adamov’s ephemeral revue “Discontinuité”are reunited two poems by Monny de Boully. The first one “l’Aorte des fantômes” published only in this revue . The second one Er l’Arménien also published in “Le Grand Jeu” revue. morne.free.fr/celluledessites/Game/index.htm

Free Download in Flac and Wav format on our bandcamp profile
zonefusion.bandcamp.com/album/discontinuit

Improvised Music recorded the 28th January 2020 at Studio 112 in Dole.
Line-up :
Studio 112 studio112.bandcamp.com/
Ed End ello.co/ed_end

We choise to keep volontary buzz, crackles, any kind of sound slags in this recording. This is not sanitized music.

Sleeve Artwork “PAS ENCORE” by Dida de Mayo.

Another track extract from the same session is available on yoshiwaku.bandcamp.com/track/welc0me-0n-n0netw0rkz0ne

[English version at the top]

Le netlabel le Colibri Nécrophile présente un album de poésie automatique accompagné de musique improvisée.
“Poésie et musique fantomatiques pour public fantome”
Sous le titre de l’éphémère revue d’Arthur Adamov “Discontinuité”. Voici réunis deux poèmes de Monny de Boully. Le premier l’Aorte des fantômes n’a été publié que dans cette revue. Le second Er l’Arménien a été aussi publié dans le Grand Jeu. morne.free.fr/celluledessites/Game/index.htm

Téléchargement gratuit au format Flac ou Wav sur notre profil bandcamp
zonefusion.bandcamp.com/album/discontinuit

Musique improvisée enregistrée le 28 Janvier 2020 au Studio 112 à Dole.
Membres présents :
Studio 112 studio112.bandcamp.com/
Ed End ello.co/ed_end

Le souffle, les craquements, toutes les scories de cet enregistrement, ont été volontairement conservés. Ceci n’est pas de la musique aseptisée.

Illustration de pochette “PAS ENCORE” par Dida de Mayo.

Un autre morceau issu de la même session est disponible sur Mushotoku Ear Bleeding yoshiwaku.bandcamp.com/track/welc0me-0n-n0netw0rkz0ne

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posted 18 May 2021

Laurent Fairon – Lexicon Katapult

Laurent Fairon – Lexicon Katapult

Laurent Fairon

“Lexicon Katapult”

Short, to-the-point electronic tracks exploring MIDI sound possibilities and pseudo-Vocoder abuse. Some electro beats appear here and there, simile-analog synth creeps everywhere, but mostly the focus is on the weird side of electronic music.
Spelled in German fashion for extra impact, the ‘Lexicon Katapult’ concept refers to recurring, abstract Vocoder utterances in the music as well as whimsical individual track titles—mostly actual English words plus French portmanteau words of my own design.
Recorded January–April 2021.
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posted 17 May 2021

"Various Artist" – 3pr(iii)9ses

"Various Artist" – 3pr(iii)9ses
[earS103]

“Various Artist”

“3pr(iii)9ses”

1 – Robert Cole Rizzi “Wind, Water, Wood”
I went out sound hunting on february 26th 2021. Had an idea about recording the ambient sound as well as a contact mic recording of a tree simultaneously… Went to a nearby place by a stream, where I knew there would be reasonably quiet.
It was kind of windy, so there’s some low rumble in the recording from the tall trees
3 channels 2 from Lewitt LCT 540S’s in NOS and 1 from the Schertler “tree bug” microphone, mixed into stereo
www.facebook.com/robertcole.rizzi

2 – Frédéric Nogray “Hydroboulisme cauchemar d’une sardine en boite”
C’est avec étonnement et fascination que nous sommes invités à partager les tribulations ombrageuses d’une sardine en ivresse parmi quelques unes de ses consoeurs sur la piste de danse d’un recoin reculé du Canal de l’Ourcq à Paris capturées lors d’une chaude journée de printemps 2015 par la membrane attendrie d’un microphone jeté là par dépit par son propriétaire qui recherchait rageusement la roue avant de son vélocipède ayant de toute évidence du se jeter dans les eaux tumultueuses du canal dans le but plus qu’évident de se rafraichir. An extraordinary and historic document of such things that sometimes happened far from the ears of a common nature.
fredericnogray.bandcamp.com/

3 – Acoustic Mirror “Threshold”
“Threshold” is the result of one of many work processes I engaged with while researching the condition of listening under confinement. In this case, I resorted to the sound-activated recording feature of a small handheld recorder. Sound-activated recording needs an indication of what sound level is to be recorded – this is the so-called threshold. I configured it and set it up in my studio, and went around my usual chores.

The resulting recordings ranged from basic room tone, footsteps, housekeeping and other domestic soundscapes, and the occasional street noise, all starting with a particular sound that went, so to speak, over the threshold.
acousticmirror.tumblr.com

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posted 16 May 2021

Mournful Skank – Amor Fati

Mournful Skank – Amor Fati

Mournful Skank

“Amor Fati”

Composed from September 2020 to May 2021, home-crafted in Jard-sur-Mer (H6 zoom, Acid pro).
credits
released May 15, 2021

Classical guitar Cuenca, fretless micro-bass, voices, arrangements (sample work on synths, drums, brass, FX) – Kohree aka Mournful Skank
Thanks to Joseph Sardin for his free sounds and Erin O’Rourke for her reading of ‘A vampire’ of Luigi Capuana on ‘Fangs’.

To Lucie.
Higgledy-piggledy dedicated to : Djob’, Likma, Vinzou, Tat’, Bav’, Manoche, Brujita, Le Matt’, So, Le Sarg’, Bloody Hell, Ladj’, Pa & Ma, Philou, Le Baron, Christophe ‘Le doc’, Ze Struff family, Djé, Jij’, La Ratch’.

(Under ccbyncsa licence : you can freely download, sample, play even in public provided you name the source properly, indicate changes, publish under the same licence and never use comercially)
May free culture live long !!

Do not hesitate to contact me for infos, use of my songs or projects :)

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posted 15 May 2021

Coletivo NSLO – Sururus Perdidos

Coletivo NSLO – Sururus Perdidos

Coletivo NSLO

“Sururus Perdidos”

Sururus Perdidos presents instrumental compositions by Heitor Oliveira, performed by Dario Rodrigues Silva (piano), Gina Arantxa Arbeláez (flute), Renan Simões and Sabrina Souza (guitars). With significant independent artistic and academic trajectories, the musicians join forces for a collaborative endeavour that result in a series of phonographic releases, of which Sururus Perdidos is the second.

Sururus Perdidos presents three pieces from the authorial repertoire of the Collective NSLO. The duet Novos sururus and quiprocós de um convescote chumbrega contain fragmented narratives: a game that flutist and pianist build from collections of more or less obsolete materials. The duet Tudo é perdido quando o desejo fica repartido, for a couple of guitarists, sonically stages the drama of ambition and its consequences. In Desfotografia, structured improvisation for a quartet, it goes like this: “you remember and then… more
credits
released May 7, 2021

Coletivo NSLO are:
Heitor Oliveira, composer
Dario Rodrigues Silva, piano
Gina Arantxa Arbeláez, flute
Renan Simões, guitar
Sabrina Souza, guitar

Coletivo NSLO brings together a group of musical creators and performers who reside in different regions of Brazil. The letters of the acronym mean north, south, east and west and represent the diversity of where the musicians come from: Palmas (Tocantins), Caçapava (São Paulo), Cali (Colombia) and Mossoró (Rio Grande do Norte).

The genesis of the group took place at the post-graduate program in Music at the Federal University of Rio Grande do Sul, where all the musicians did or are doing their doctorates. The group came together due to personal and artistic affinities that culminated in the sponsorship by Rumos Itaú Cultural of a two-year project to create a new repertoire. To do this the group carry out activities open to the public, in recitals, workshops, round tables, among others, as well as experimentation, rehearsal and production within the collective. The artistic goal was the gradual creation of an original repertoire based on interaction, expressive potential and experiences shared by musicians.

Through a project selected by the Rumos Itaú Cultural 2017-2018 program, between November 2018 and February 2020 Coletivo NSLO performed at various locations in Brazil and Colombia. The repertoire of the group was built and refined during these trips. In 2020, the sponsorship of Banco da Amazônia made phonographic and audiovisual production viable

See Coletivo NSLO perform the compositions from Charlatório, and other works, on their YouTube channel www.youtube.com/channel/UCMWAseVT_AJ9g6phrMtLsAQ

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posted 09 May 2021

Chango Dada – Trimate

Chango Dada – Trimate
[pn186]

Chango Dada

“Trimate”

Ecléctica es la entrega de Chango Dadá para Pueblo Nuevo. Dividido en tres tracks, el álbum “Trimate” navega entre aspectos afables y otros misteriosos o incluso ásperos en cierta medida. El track de apertura de carácter textural, hila los sonidos y gestos de manera cinemática, transitando entre texturas electroacústicas y motivos instrumentales de piano y clarinete entre otros. En cambio, en la segunda pista, aparecen materiales cercanos a una ‘indietronica’, donde el lenguaje se sustenta en lo tonal y teclados melódicos. El track final vuelve a los ritmos constantes a través de formas y colores cercanos a un IDM donde se superponen voces y colores a veces desde sonidos connotativos y otras desde texturas más abstractas: aquí las grabaciones de campo cumplen un rol timbrístico y a la vez de signo, especialmente las voces y el contenido semántico presentado.

Eclectic is the delivery of Chango Dadá for Pueblo Nuevo. Divided into three tracks, the album “Trimate” navigates between affable aspects and other mysterious or even rough to some extent.The opening track,with a textural nature, threads the sounds and gestures in a cinematic way, moving between electroacoustic textures and instrumental motifs of piano and clarinet among others.On the other hand, on the second track, there are materials close to an ‘indietronica’, where the language is based on the tonal and melodic keyboards. The final track returns to constant rhythms through shapes and colours close to an IDM where voices and colors are superimposed, sometimes from connotative sounds and others from more abstract textures: here the field recordings play a timbristic and sign role, especially the voices and the semantic content presented.

Alejandro Albornoz
Compositor / Composer
(Valdivia, Chile. Mayo / May, 2021)

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posted 09 May 2021

Krazy Shitz – Space Signals

Krazy Shitz – Space Signals
[BSOG0103]

Krazy Shitz

“Space Signals”

About 23 years ago, the self-titled debut album by the Krazy Shitz dropped. Since that time, members started families, and even moved to the other side of the world! After such a stretch of time, they finally found the time to make it all happen for a follow-up and today we’ve got the result of that! The Krazy Shitz’ “Space Signals” is packed with energy, humor, dope beats, rhymes and cuts. For Hip-Hop heads, what more could you want? Yuk MC, Cheese & Pot-C along with a bunch of friendz all deliver something dope. We’re excited for you to listen. Download and enjoy.

Just as we did for Hydra Gwaii last month, not only do we have the new album, we also have the Krazy Shitz episode of Tha Bloc Report! Go ahead… bump the album today, but tonight be sure to listen to the blocCast… to learn more about them.

Yo… Krazy Shitz and all funkee collaboratorz… this albulation delivers those DOPE cuts, beats n rhymes! Thank you all for helping to make blocSonic home to quality independent hip-hop. EVERY time I get to release an album of this calibre it blows my mind!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

s3.wasabisys.com/blocsonic/releases/originals/bsog0103/02-WeThree_192kb.mp3

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posted 07 May 2021

Secret Archives of the Vatican – Carve The Runes

Secret Archives of the Vatican – Carve The Runes

Secret Archives of the Vatican

“Carve The Runes”

In these tracks, we explore iron age and pre medieval history and mythologies, using mostly real or sampled medieval and Viking era acoustic instruments.

We have used drones and repetition often in our music but here we’ve dug deeper, working to attain a ritualistic feel to some of the tracks. We’ve been listening to artists such as Heilung, Wardruna and Danheim, and we’ve tried to capture some of that epic primal feel, particularly with our percussion.

PLEASE NOTE: Each track has its own artwork and each has a video. We have many more videos on YouTube: www.youtube.com/c/brokendrumrecords

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posted 06 May 2021

aboombong – asynartetic

aboombong – asynartetic

aboombong

“asynartetic”

Layered vibrational improvisations on membranes, keys & strings, and metallophones.

Asynartetic – containing disparate or unconnected rhythmic units.
credits
released August 7, 2020

aboombong: piano, trap set, double sanza, wooden-headed dumbek, taganing, elephant bell, temple bell; forest photography. Thanks to Random for design consultation.

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posted 03 May 2021

Mrs Dink – Bird Sternum

Mrs Dink – Bird Sternum
[Eg0_250]

Mrs Dink

“Bird Sternum”

Meagan Johnson aka Mrs Dink makes electronic music, often techno rooted. She’s a member of the Rootwork Collective and runs the electronic music label Degenerate Trifecta. Her EP Bird Sternum comprises 4 hypnotic tracks of experimental techno loaded with gritty sounds arranged in a subtle and personal way.

Credits

Music and visual by Meagan Johnson

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posted 01 May 2021

Studio 112 – Christmas on Titan

Studio 112 – Christmas on Titan
[LCNLP125]

Studio 112

“Christmas on Titan”

The Necrophile Hummingbird present Christmas on Titan by Studio 112.
Second album of the movies scores serie.
The title track is include in the pilot episode of the webserialbum tranSFixion
archive.org/details/tranSFixion

Studio112 is the main project of Alain Grille also electric guitarist and musicmaker in
rADio eNd / Multiple Personality 3 / PIRATE Tapes / EVA Vertigo / TKno BeurK / MK-Ultra

Illustration by Alain Grille

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posted 25 April 2021