about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music in category: ♥ by ko

Since 2010 here Konrad from clongclonmoo.org occasionally recommends his favorite free net releases.

88756 – Do You Believe In Me?

88756 – Do You Believe In Me?
[CVU021]

88756

“Do You Believe In Me?”

The CVU series is designed to welcome repeat offenders, and boy howdy is 88756 emerging as a prominent, permanent contributor to the label. After first touching base with the label last year, releases on CVU008 and CVU020 (as well as some stunning visual work on the DVD), and collaborative gigs in Meanjin (Brisbane), Boorloo (Perth), and Naarm (Melbourne), it’s safe to say that the program’s place in the label mainframe is set.

Producing with rapidfire efficiency, CVU021 is another brilliant expression of the core 88756 sound, focusing on a blend of fat classic electro, and lopsided, rhythmic techno. We’re also thrilled to welcome Backpocket Slammers’ co-founder XYSid to the label, with a storming remix of the title track “Do You Believe In Me?”; tying off a rock-solid package.

With more musical and event collaborative goodness on the horizon, as well as the recent launch of 88756’s accessible rehearsal space in Naarm – Mechanical Soul, we’re excited to keep our sights thoroughly fixed on this artist in the future.

releases October 12, 2022

Production: 88756, Oscar Neenan
Mastering: ADMINISTRATOR
Graphic: Brooke Reilly
Text: ADMINISTRATOR

Button: by-nc-nd
https://88756techno.bandcamp.com/album/do-you-believe-in-me-cvu021
https://88756techno.bandcamp.com
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posted 11 October 2022

Talons’ – At Light​/​Dark

Talons’ – At Light​/​Dark

Talons’

“At Light​/​Dark”

One of the joys of parenting is watching your child learn how to speak. In the process of figuring out which words to use while building a vocabulary, kids come up with creative and poetic ways to verbalize their emotions and describe the world around them. My son started using the word “lightdark” to describe both dusk and dawn and we have adopted it into the family vocabulary over the past few years.

Talons’ at Light/Dark pays tribute to this in-between time. A time between awake and asleep but also a time of uncertainty, transition and change. The music, built out of ebow-ed guitar and synthesizer, is meant to reflect this tension between rest and anxiety, calm and worry, day and night.

Seagulls:

At Light/Dark, I don’t know where I am
Almost 40 and even more lost than I was at 20
And have I ever really said how I feel without overwhelming guilt?
Guilt rules everything

And everyone’s a mess
Broken, broke and hoping for a little bit of luck.
Seagulls circling the dump
But despite what we believe, there is nothing down there for us.

released October 7, 2022

MT- guitar/eurorack/singing. Recorded at home in Ohio in 2021 for Dead Currencies. Recorded/Mixed for lathe-cut LP.

Button: by-nc-sa
https://talons.bandcamp.com/album/at-light-dark
https://talons.bandcamp.com
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posted 11 October 2022

Heẍa o

Heẍa o
[od026]

Heẍa

“C-o [dub]”

the 31st of july we released visuddhi (ogredung #16), composed by our virtuesman purusha, before leaving for the summer vacation. it was a weird ambient d’n’b track, with some trigging inflections brought by a style he would define as ‘ceramics’.
well our new musician hexa, from japan, is a master of idm/ambient/breakbeats, and seems to compose his music by reminding the track named above, with great deepness and emphasis, that is.
xpecially this c o [dub], astonishes us, as if a deep, melancholic melody slowly grows up from the very depths of our hearts, and once in our head, we can’t do anything but let it take us to the heavens.

Release Date: 2001/10/11

Button: by-nc-nd
https://netlabelarchive.org/2001/10/11/od026/
https://netlabelarchive.org/netlabels/ogredung/
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posted 11 October 2022

Diego Lorenzini – Palabritas y Palabrotas

Diego Lorenzini – Palabritas y Palabrotas

Diego Lorenzini

“Palabritas y Palabrotas”

released October 7, 2022

Produced by Diego Lorenzini along with Claudius Rieth.
Mastered by Claudius Rieth & Arturo Zegers Giammarino.

Guest co-producers:
Daniél Cortés: “Como un guiri in Barcelona” and “Pelado el chancho” (Bogotá)
Erlend Øye and Marcin OZ: “Poesía Conspirativa” (Syracuse)
Milo Gomberoff: “Estúpido y sensual” and “Cliché cliché cliché” (Barcelona)
Arturo Zegers Giammarino: “El Demonio del mediodía” (Santiago)

All the lyrics written by Diego Lorenzini, but “Romance del Enamorado y la Muerte” written by an anonymous author.

All the songs composed by Diego Lorenzini but “Romance del Enamorado y la Muerte” written by an anonymous author, and also “Para la patada y el combo” and “Estúpido y Sensual”, composed by Diego Lorenzini along with Tomás Gubbins.

Diego Lorenzini: Vocals, Acoustic Guitar, Ukulele, U-Bass, Electric Bass, Cello, keyboards, drums, programming and percussion.

Guest musicians:

Javiera Paredes: Congas in “Chiquero”, “Photoshop Moral” and “Fake News”; Timbales in “Como un guiri en Barcelona”
Claudius Rieth: Backing vocals on “Para la patada y el combo” and “Chiquero”; Piano on “Photoshop Moral” and “Fake News”; Cello on “Le estan Diciendo”
Maite Pizarro Granada: Vocals in “TKM CTM”, backing vocals on “Como un guiri en Barcelona” and backing vocals on “Pelado el Chancho”
Alba Morena: Vocals and locution in “Fachada Continua”
Tiare Galaz (Storm Girl): Vocals in “El Demonio del mediodía”
Erlend Øye: Vocals and acoustic guitar in “Poesía Conspirativa”
Marco Castello: Vocals, guitar and trumpet in “Poesía Conspirativa”
Marcin Oz: Bass guitar and Backing vocals on “Poesía Conspirativa”
Stefano Ortisi: Backing vocals and baritone sax on “Poesía Conspirativa” and alto sax on “All-Time Favorite”
Luigi Orofino: Backing vocals, Cavaquinho and shaker in “Poesía Conspirativa”
Tomás Gubbins: Vocals and acoustic guitar in “Estúpido y Sensual” and Backing vocal in “Como un guiri en Barcelona”
Nicolás Lorenzini: Vocals and programming in “Estúpido y Sensual”, and hacking vocals in “Como un guiri en Barcelona”
Santiago Navas: Backing vocals in “Como un guiri en Barcelona”
Daniel Cortés: Backing vocals and percussions in “Como un guiri en Barcelona” and percussions in “Pelado el chancho”
Thaissa: Backing vocals in “Como un guiri en Barcelona”
Laura Otero: Backing vocals in “Como un guiri en Barcelona”
Federico Rincón: Backing vocals in “Como un guiri en Barcelona”
Catalina Torres: Backing vocals in “Como un guiri en Barcelona”
Antonio Iannola: Electric guitar on “Cliché cliché cliché”
Cover artwork: Diego Lorenzini

Button: by-nc-sa
https://uvarobot.bandcamp.com/album/palabritas-y-palabrotas
https://uvarobot.bandcamp.com
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posted 10 October 2022

MTUA – Mira

MTUA – Mira

MTUA

“Mira”

Meeting between a composer and an illustrator, on the madness of this world.

Released by Mauvaise Foi Editions, October 2021.

Composition, recordind and mix : Matthieu Reynaud

Mastering : Lorenzo Targhetta & Matthieu Reynaud

Scenario, graphics, design and drawings : Hugo Charpentier

Button: no
https://archive.org/details/mtua-mira
https://archive.org/details/echotope?tab=about
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posted 07 October 2022

arcologies – tracker : midiout

arcologies – tracker : midiout

arcologies

“tracker : midiout”

There are a lot of bonus tracks!

this album contains songs created with polyend tracker as the main sequencer, or the “brain”. tracker friends: emu e5000 ultra, ableton live, akai s3000xl, access virus ti2, u-he zebra2, pioneer sp16.

this album is constantly evolving and gaining complexity… i’ll be adding new tracks as they are finished :)

There are a lot of bonus tracks!

released March 22, 2021

Some rights reserved. Please refer to individual track pages for license info.
https://arcologies.bandcamp.com/album/tracker-midiout
https://arcologies.bandcamp.com
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posted 25 September 2022

Sabi – Four Thousand Years EP

Sabi – Four Thousand Years EP
[mtk088]

Sabi

“Four Thousand Years EP”

With summer slowly sliding into autumn, we figured a little contemplative ambience was in order, and Japanese artist Sabi, who released on Mono a _long_ time back with .MODs under the name of Taro, and has since done excellent work for net.labels like Inpuj.

On this EP, beautiful, puretoned sinewaves mix with sampled ambience from real-life, as “Yello Sand Back” gives us the subtlest drifts of sound ever, “Johdo” iterates in the smallest of ethereal beats, and “Uki 3 2” has what sounds like Japanese street scenes twinned with gorgeous limbo-floating wonder.

A prime candidate for Winamp perma-repeat and curiously womb-like, we suggest you make a Freudian statement to be reckoned with, and download four thousand years of eternity, yours for the toying with, courtesy Sabi.

Release Date: 2002/09/14

Button: by-nc-nd
https://netlabelarchive.org/2002/09/14/mtk088/
https://netlabelarchive.org/netlabels/monotonik/monotonik/
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posted 16 September 2022

Various Artist – Algorhythmic Bias 2​.​0

Various Artist – Algorhythmic Bias 2​.​0

Various Artist

“Algorhythmic Bias 2​.​0”

With all the amazing music that gets released on other labels that I include in my mixes, I always feel like I’m neglecting the amazing music that is released on Digital Distortions.

So, this is the second of a new mix series that, in conjunction with the BRAWLcast podcast, will feature exclusively tracks released on Digital Distortions. The mixes will feature on the BRAWLcast but will also appear here on Bandcamp with the unmixed tracks and the mix available in lossless formats.

released September 10, 2022

01. W+P: Doug Adamson
02. W+P: Chris Roman
03. W+P: Carlo Pearson
04. W+P: Charlton Ravenberg / Remix: Dennis Bunton
05. W+P: Neil Mallory / Remix: Dennis Bunton
06. W+P: Rob Murphy
07. W+P: Pat Hime
08. W+P: Joby Osman / Remix: Rory St John
09. W+P: Joby Osman, Guy Fforde & Dan Yeomans
10. W+P: Joby Osman / Remix: Blackmass Plastics
11. W+P: Carlo Frio
12. W+P: Nick Byrne
13. W+P: Pat Hime
14. W+P: Jack Carel
15. W+P: Rory Lemon
16. W+P: Fina Rodriguez
17. W+P: Joby Osman & Guy Fforde
18. Compiled and mixed by John Bushby

Button: by-nc-nd
https://digitaldistortions.bandcamp.com/album/algorhythmic-bias-20
https://digitaldistortions.bandcamp.com
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posted 13 September 2022

Eli Wallis – Some Moons Glitter

Eli Wallis – Some Moons Glitter

Eli Wallis

“Some Moons Glitter”

distant tides of highway noise
split by the train’s bright aubade
closer to your ears than mine

the way the wind picks up your
voices reedlike lilting cross
flying floating fabrics the

collected crumbs bits of fluff
dust found floating in the air
denoting the sticky side

of fabrics so silken soft
as in a morning sunrise
lilting floating voicelike cross

tides of lawns more moss than grass
singing through the storm distant
train ringing through memory

released August 11, 2022

Eli Wallis – no-input mixing board

Button: by
https://ardentepatience.bandcamp.com/album/some-moons-glitter
https://ardentepatience.bandcamp.com
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posted 15 August 2022

CPTN – Prepare To Board EP

CPTN – Prepare To Board EP

CPTN

“Prepare To Board EP”

Twisted electro-bass buccaneer CPTN has been making waves with his unique productions, and these 4 explosive tracks showcase his sound to the full. Expect choppy rhythms and torturous distortion.

released May 6, 2013

Artwork by Aidan Barnard
Mastered by Souq Studios

Button: by-nc-sa
https://mutantbassrecords.bandcamp.com/album/prepare-to-board-ep
https://mutantbassrecords.bandcamp.com
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posted 09 August 2022

Essentia Sound & Ekodust – Atmospheric Rivers

Essentia Sound & Ekodust – Atmospheric Rivers
[Insectorama136]

Essentia Sound & Ekodust

“Atmospheric Rivers”

Essentia Sound & Ekodust – Atmospheric Rivers (Insectorama136)

Atmospheric Rivers is based on a series of record breaking rainfalls that swept through British Columbia in the fall of 2021 washing away homes, bridges and highways, causing landslides and loss of human and animal life. The weather system identified as an atmospheric river is a large, narrow stream of water vapour that travels through the sky. Usually originating in tropical ocean regions near the equator, these rivers bring masses of warm air and water from the ocean to land, sometimes dumping a month’s worth of rain or snow in a matter of days.

Tracklist:
1.Essentia Sound & Ekodust – River One
2.Ekodust – Gentle Dawn
3.Essentia Sound & Ekodust – River Two
4.Essentia Sound & Ekodust – River Three
5.Essentia Sound & Ekodust – River Four
6.Ekodust – Gentle Dawn (Essentia Sound mix)
7.Ekodust – Alive
8.Essentia Sound & Ekodust – Still Alive

Insectorama136
all tracks by Essentia Sound & Ekodust (Brian Pasmore)
Mastering by Wayne @ Obsessed Audio

Button: by-nc-nd
https://insectorama.bandcamp.com/album/atmospheric-rivers
https://insectorama.bandcamp.com
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posted 05 August 2022

Abdicant Group

Abdicant Group
[mhrk317]

Abdicant

“In-Group”

Jeremy Rice is Boston-area lover of synthesizers and synth music, striving to make his own electronic music with a curious sense of introspection and mystery.

As Abdicant and Curious Inversions he has notable releases on Kahvi Collective, including our 2022 favorite “Turing Complete”, and some more quality releases on his personal bandcamp. Two other outstanding 2022 releases are the “Strange Sedatives” album by Cognition Delay, the duo of Jeremy and Paul Alexander (Pandacetamol, Fluffy Inside) on Rednetic and the “A Curious Shade of Blue” album by The Hive Project, the duo of Jeremy Rice and Anthony Paul Kerby (The Circular Ruins), that has released 3 albums on Anthony’s DataObscura label since 2006.

Abdicant’s magical debut album on Mahorka, “In-Group”, specially recorded with the label and his closest friends-collaborators in mind, came out at the end of July 2022 and notably includes reworks of the original tracks from some of these guys – Kahvi’s boss 4T Thieves, Paul’s Pandacetamol project, Anthony’s The Circular Ruins project, Weldroid and Tomoroh Hidari.

Released August 1, 2022

Button: by-nc
https://mahorka.org/release/317
https://mahorka.org
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posted 01 August 2022

Diego Lorenzini – Fachada Continua (feat. Alba Morena)

Diego Lorenzini – Fachada Continua (feat. Alba Morena)

Diego Lorenzini

“Fachada Continua (feat. Alba Morena)”

released July 22, 2022
……………………………………………..
Letra, música y arreglos: Diego Lorenzini

Diego Lorenzini: Voz, ukelele, bajo, teclados y percusiones.
Alba Morena: Voz

Co-producido por Diego Lorenzini y Claudius Rieth en Barcelona

Materizado por Arturo Zegers en Estudio 050

Arte de portada: Diego Lorenzini junto a Pilar Quinteros y Patricio Blanche
……………………………………………..
Music, Lyrics and musical arrangements: Diego Lorenzini
Diego Lorenzini: Vocals, bass guitar, ukulele, keyboards and percussions.
Alba Morena: Vocals

Co-produced by Diego Lorenzini and Claudius Rieth in Barcelona.

Mastered on analog tape by Arturo Zegers in Estudio 050.

Cover artwork: Diego Lorenzini along with Pilar Quinteros and Patricio Blanche

Button: by-nc-sa
https://uvarobot.cl/track/fachada-continua-feat-alba-morena
https://uvarobot.cl
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posted 27 July 2022

exm|Mitoma – e​|​m

exm|Mitoma – e​|​m
[S27-191]

exm|Mitoma

“e​|​m”

Previous iterations:
FF0000
touched.bandcamp.com/album/ff0000
I/0 DISC
kaer-uiks.bandcamp.com/album/i-0-disc
credits
released July 14, 2022

‘e|m’ font design by Daniel Glaser
danielglaser.de

Audio by exm & Mitoma
Mastered by exm

exmat.bandcamp.com
mitoma.bandcamp.com

Released by S27
Cat No. [S27-191]

Button: by-nc-nd
https://section27.bandcamp.com/album/e-m
https://section27.bandcamp.com
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posted 15 July 2022

Kamizdat – Access Frame: Colony

Kamizdat – Access Frame: Colony

Kamizdat

“Access Frame: Colony”

For Netlabel Day 2022 Kamizdat is presenting a new compilation of local adventurous electronic music. This years edition features 12 exceptional female artists of various electronic and experimental genres with mostly exclusive tracks.
credits
released July 14, 2022

Credits:
Maruša Hren · printing, zinemaking
Tina Ivezić · design
Andrej Pervanje · production & promotion
Luka Prinčič · mastering, executive production
Luka T. Zagoričnik · production
Sabrina Železnik · promotion assistance

About Access Frame:
The series of compilations titled Access Frame aim to present a wide spectrum of local alternative music (with emphasis on electronic and experimental music) that has found its safe haven on the internet. The never before encountered entwinement of technology, society, making music and ownership rights has been causing a serious conflict between free culture and the outdated and exploitative concepts of copyright. Adhering to the spirit of free access, online labels are the first in the struggle for equal access and a more fair copyright (facilitated by the introduction of the Creative Commons license).
Archive at: kamizdat.si/tag/access-frame/

About Netlabel Day:
In this spirit we are supporting the annual celebration of netlabel culture every July 14th. Every year labels participate and release free music releases specifically for the event to support the initiative by M.I.S.T. Records in Chile and curated now by The Seattle Star.
More at: netlabelday.com.

produced by Emanat
released by Kamizdat
with support by City of Ljubljana and Radio Študent Ljubljana
kamizdat.si

Button: by-sa
https://kamizdat.bandcamp.com/album/access-frame-colony
https://kamizdat.bandcamp.com
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posted 15 July 2022

Rupert Falsch – Im Zenit / In Gefahr

Rupert Falsch – Im Zenit / In Gefahr

Rupert Falsch

“Im Zenit / In Gefahr”

“An intense opening here to a degree that it reminded me of our old faves Add N To (X). That was before the vocals gave ‘Im Zenit / In Gefahr’ a certain robotic lounge and a charm that meant our heart returned to a normal beat range.

For all that Rupert Falsch really appears to be going for it here, a night-time provocateur with an eye on the dancefloor but something more than that too for there is a relentless spirit to the piece that sees it change its colours a couple of times over its running time.

It stands apart for its incessant frequency and there is currency in such things as it affords the listener a hypnotic hideaway as all other distractions are put in the shade.

The whole effect is quite inorganic as if it had been designed by the machines whose sole purpose is to take over but at the same time the rhythmic qualities meant we were quite consumed in a Malajube (or for that matter Air) kind of way.”

(Kevin of mp3hugger.com )
credits
released July 5, 2022

Button: by-nc-nd
https://rupertfalsch.bandcamp.com/track/im-zenit-in-gefahr
https://rupertfalsch.bandcamp.com
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posted 13 July 2022

netlabelday special online radio show

netlabelday special online radio show

netlabelday 2022

“netlabelday special online radio show”

Tune in! On July 14 from 8 to 10 p.m. (CEST/Berlin time) in the stream of https://radiobrennpunkt.org
Joining us are: Martin / Nodepond from 2063music.de, Matthias from tonatom.net, Stoffel from derkleinegruenewuerfel.de and Konrad from clongclongmoo.org.

Listen to the recording:

Playlist:

  1. Drehkommando – Live at Mülheimer Nacht 2022
    https://www.derkleinegruenewuerfel.de/drehkommando/drehkommando-live-at-muelheimer-nacht-2022/
    Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)
    https://creativecommons.org/licenses/by-sa/4.0/
  2. Xenoton – Friedrichshain (Weldroid Remix)
    http://tonatom.net/releases/137/
    Namensnennung – Nicht-kommerziell – Weitergabe unter gleichen Bedingungen 3.0 Deutschland (CC BY-NC-SA 3.0 DE)
    https://creativecommons.org/licenses/by-nc-sa/3.0/de/
  3. bad comfort & xenoton – humandroid
    https://xenoton.com/remixed.html
  4. elysis – get on a journey [63_021]
    https://archive.org/details/63_021
    http://www.2063music.de
    Attribution-NoDerivs-NonCommercial 1.0 Generic (CC BY-ND-NC 1.0)
    https://creativecommons.org/licenses/by-nd-nc/1.0/
  5. For Example John – Bambule
    Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)
    https://creativecommons.org/licenses/by-sa/4.0/
    https://www.derkleinegruenewuerfel.de/releases/for-example-john-welcome-to-the-johnnyverse/
  6. orpheus – maise {nubi.003}
    https://archive.org/details/nubi.003
  7. Rupert Falsch – Im Zenit / In Gefahr
    https://rupertfalsch.bandcamp.com/track/im-zenit-in-gefahr
    Attribution-NonCommercial-NoDerivs 3.0 Unported (CC BY-NC-ND 3.0)
    https://creativecommons.org/licenses/by-nc-nd/3.0/
  8. Die Leere im Kern deiner Hoffnung – Lynchmob
    https://www.derkleinegruenewuerfel.de/releases/dlikdh-es_ist_schwer/
    Attribution-ShareAlike 4.0 International (CC BY-SA 4.0)
    https://creativecommons.org/licenses/by-sa/4.0/
https://radiobrennpunkt.org
http://netlabelday.com
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posted 13 July 2022

Ciya – Fantasy

Ciya – Fantasy
[NNRM102]

Ciya

“Fantasy”

In an attempt to get answers to unknown questions of things that are difficult to put into words, sacrifices were made to abstract gods along the way.
Among the narratively drawn accidents, which are tactile sounds that combine into forms, a detailed answer to the question “how are you?” is read between the lines.
Even if they ask such a question to the listener.

Попытка получить ответы на неизвестные вопросы сложно поддающихся словам вещей, по пути принесены жертвы абстрактным богам.
Среди повествовательно нарисованных случайностей, представляющих из себя тактильные звуки, объединяющиеся в формы, между строк читается подробный ответ на вопрос “как дела?”.
Даже если задают такой вопрос слушателю.

released March 2, 2022

Button: by-nc
https://nenormalizm.bandcamp.com/album/fantasy
https://nenormalizm.wixsite.com/nenormalzim/releases-c36t
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posted 04 July 2022

O.P.A.L. – Sedative EP

O.P.A.L. – Sedative EP

O.P.A.L.

“Sedative EP”

A four track EP by O.P.A.L. Further explorations on dream pop, post-rock, and shoegaze. Released June 26, 2022

For Christin.

All songs were performed, programmed, recorded, and produced by Jose E. Roman Garcia at The Perch in Los Angeles County, California between June 12th and June 25th, 2022. Copyright 2022 Rojo y Negro Records. Published by Rojo y Negro Music (ASCAP).

Artwork: “HUGE-B 500-NCBI PGT” by Elena Regina is marked with Public Domain Mark 1.0. To view the terms, visit creativecommons.org/publicdomain/mark/1.0/?ref=openverse.

Button: by-sa
https://archive.org/details/opal-sedative-ep
https://www.rojoynegro.org/
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posted 26 June 2022

Diego Lorenzini – Como un guiri en Barcelona

Diego Lorenzini – Como un guiri en Barcelona

Diego Lorenzini

“Como un guiri en Barcelona”

Music, Lyrics and musical arrangements: Diego Lorenzini

Recording engineer (Barcelona): Claudius Rieth
Recording Engineer (Bogotá): Daniel Cortés
Mixing and master engineer: Daniel Cortés

Percussion: Javiera Paredes

Vocals:
Maite Pizarro
Santiago Navas
Thaisa Bula
Laura Otero
Catherine Torres
Federico Rincon
Daniel Cortes
Thomas Gubbins
Nicholas Lorenzini

Cover artwork: Maite Pizarro and Diego Lorenzini

Button: by-nc-sa
https://uvarobot.cl/track/como-un-guiri-en-barcelona
https://uvarobot.cl
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posted 24 June 2022