ML-003: Holy Hermit Humming – Chants
Beautiful Orthodox chants in Serbian and Syriac has been sampled, looped and conjoined with mind-bending ambient noise walling. Blissful, spiritual, relaxing side of wall noise…
GoH-712: Sigil of Time & Mirocaw – Piilosanoja
Finnish folk music conjoined with industrial and power electronics. Expressive, sometimes hysterical vocals, mouth harp, bass guitar, acoustic guitar and noise synthesizer – all those used to create a truly evocative effect with an avant-garde interpretation of traditional Finnish folk songs from “Kanteletar”. Just check for yourself. Highest recommendation!
Breath, air, wind, life – the soul. Of the things worth honoring, this is high on the list. Celebrate spirit – and remember it is shared.
Featuring improvised clarinet accompanied by Kimiko Ishizaka’s public domain piano performance of Bach’s Prelude No. 1 of the Well-Tempered Clavier (BWV 846).
released January 25, 2024
Ian Mikyska: viola da gamba
Jan Faix: live processing, sampling
Recorded live in Ostrava Days, Minimarathon of Electronic Music, Plato Bauhaus by Jan Faix, 26 August 2023.
Mastered by Mikuláš Mrva
Cover by Jan Polanský
EPP 256
If you can talk, you can sing. If you can walk, you can dance. If you can jump, you can fly? Flight has inarguable allure – but is quite a challenge.
Featuring orchestra, piano, and drum kit. A rescoring of “Wing It!”, the Blender Open Movie.
Vocal artist and poet AEP meets composer Ash for the third time. This collaboration started with Antonella’s voice recordings, which were the inspiration for creating music to wrap them… A Christmas gift…
The complete “Non Uccidere Il Pesce d’Oro” album (mhrk381a) was released in the end of Jan, 2024 on Mahorka.
This is the follow-up companion EP “Il Pesce d’Oro” of reimagined versions and additions.
released January 21, 2024
Antonella Eye Porcelluzzi: lyrics, vocals
Julien Ash: music, synths, acoustic guitar, electric bass, melodica, harmonica, piano, mix, digital mastering
With: Aloïs L (violin, alto saxophone), Wolf City (electric guitar & bass on track 4), PY Lebeau (electric guitar) & François Porte (transverse flute)
All around the orchestra pit
The maestro chased the people;
The maestro thought it was all in fun…
Pop! Goes the weasel.
In the style of Philip Glass, honor of P. D. Q. Bach, and memory of Peter Schickele.
Featuring piano, orchestral strings, brass, low woodwinds, and bagpipes.
Slip and slide
from note to note –
I see icy land
and Boats
Sailing through
Uncertainly
Ice, for now –
Not endlessly.
This jazz blues waltz features clarinet, piano, upright bass, and drum kit.
For the once and future Mouse
The Lawyers lawyered hard –
They lobbied both Senate and House,
Ensured his use was barred.
But now the time has come at last
The Mouse is finally free!
All may use him, none must ask –
And pay no lawyer fee!
This mouse-whistling-inspired jazz waltz features tenor sax, upright bass, electric piano, and brush drum kit.
⬟ ⭔ ⭓ ⭔ ⬟
Featuring piano, soprano saxophone, drum kit, upright bass, solo cello, and string ensemble.
A bird flies
Beyond human eyes –
We can surmise: much is unseen in trees.
Kaleidoscopes,
(Used as a trope)
Multiply the perception of beauties.
This contrafact of “Blue in Green” features a big band of clarinet, flute, piano, electric guitar, vibes, acoustic bass, brushed drums, saxes, trombones, and muted trumpets.
Actuellement il expérimente à partir d’instruments fabriqués dans une forme de lutherie rudimentaire à base de planches, cordes et ferrailles, percutées et frottées.
Enregistrement : deütre les 17 et 18 septembre 2023 à la Cîmenterie, Forcalquier, avec la complicité de Yann Magnan.
Mixage : deütre.
Jaquette : deütre
Tout : deütre
Julian’s slow and cinematic debut EP eases the senses while taking you back to a time when things were easier and the world was a cozy and loving place.
The EP contains a lot of laid back tunes with minimal drumming, accompanied by a wide range of enviromental foley sounds, which even further give the impression of travelling through the memories of things that once were.
Alltogether a great EP for either listening or for use under video productions.
Pass through to an unknown domain, and witness an intangible procession of intelligence – and the lack thereof. A known unknown, contrasted with its contrapositive, yields a self-similar absence of informative variation. Yet such leaps are still insightful, logically winnowing and ultimately implying an uncertain something about the state of things.
Featuring unaccompanied improvised clarinet with reverb.
The end. Tension rises, building to a finale. Journeys continue, exploring and developing a varied space. A relaxing soiree, begun with modest chimes.
Featuring full symphonic orchestra of strings, brass, woodwinds, percussion (including snare drum, timpani, and triangle), and solo flute.
“Bottleneck visionary Geiger von Müller takes us on a Cosmic Cruise!
The London-based slide player has released a new video and single, ‘Cosmic Cruiser’, from his album ‘Slide Sonatas II.’ The moody, melodic instrumental blends Blues-Roots-Western-Ghost traditions with von Muller’s trademark six-string experimental flavouring.
The new video is a sonic and visual voyage into the realms of the subconscious, where boundaries of musical imagination and childhood daydreams get blurred. The video director is Boldizsar CR.”
-Sound Cafe, Ontario
Music video premiere:
https://spillmagazine.com/77803
A hallowed place, a special space – where secret codes adjure, conjuring delectable sustenance. Beware tipping your hand prematurely, lest the beast strike!
Featuring choir, snare and tom drums, orchestral strings, french horn, flute, oboe, organ, affected piano, and low woodwinds.
Light Prospector is a Rehearsal album, that is by the Maravines. It is recorded during the day time , on Saturday, January 30th, 2017, at Prospector Studios, in Nutley, New Jersey. With Chris Lee on the acoustic guitar, and vocals, and Evan Pope on the light electric guitar, the short rehearsal has songs that are on their studio albums Pearl, Bruce, Belmar, and Bradley. It is exclusively uploaded to the Internet Archive’s public domain on Friday afternoon, September 1st, 2023.
The length of the album is 13 minutes, and 26 seconds. The size for it, in M. P. E. G. 1, Audio Layer III, at 320, 000 bytes per second is 32, 280, 576 bytes. The acoustic guitar that is being played is a Yamaha AC3R, and the electric guitar is a Fender Stratocaster, on an Orange crush amplifier. The Microphones for recording are a Blue Bluebird, and a Shure. The mixing, and the mastering for the album is by Chris Lee, with Acoustica Mixcraft Version 5.
Sometimes, something is sent – with intent to arrive at a particular place. Yet this intent, inattentively attended, is not attained. Instead, its receipt is actualized in an unexpected locale.
Featuring clarinet.
La cinta libre del tiempo fue grabada una tarde de mayo, con las conversaciones de los pájaros, y el rumor de un barrio en su cotidianidad; las tomas instrumentales fueron ejecutadas una sola vez, con la premisa de no re-grabar ni editar, sin fade-in|fade-out, “es lo que es”. La jornada de grabación se realizó en Brújula Invisible Galería, La Falda, CBA, Argentina. El disco fue ejecutado con una antigua guitarra de Mario Salinas, Mexico [1981] modificada a 8 cuerdas (dos volantes graves) por el luthier Guillermo Aguer y charango del luthier Jorge Espinosa
TRACKLIST
1 | Las luces tintinean bajo el olivo
2 | El tiempo y el arbol
3 | Rosa
4 | Ciruelo
5 | Quien escucha el murmullo del quindi
Claudio Hernán Guzmán (Buenos Aires, 1979) es un compositor de música minimalista, experimental y docente asentado en la ciudad de La Falda, Córdoba, Argentina. Tiene tres discos publicados: Pequeñas canciones a oscuras (2018), El Árbol de Amelia (2020) y La paz de las cosas (2021) editado por el sello Bolinga Everest Records. Fue premiado y seleccionado por Bienal de música de Córdoba, Usina del Arte (Buenos Aires), FNA (Fondo nacional de las artes), INTAD – CASO (Centro de arte sonoro) – Manzana de las Luces, Grupo San Cristobal, INAMU, Fundación PROA. Forma parte de MOMUSI con el grupo para las infancias Murumurus. Desde 2022 se presenta junto a la cantante María Correa, en conciertos de Improvisación Libre. Además, Claudio completó sus estudios de pedagogía, “educación inicial y primeras infancias” en FLACSO. Actualmente dirige la galería de arte sonoro/visual y música experimental “Brújula Invisible” y desarrolla una intensa actividad de clases, talleres y presentaciones como solista entre Córdoba y Buenos Aires.
~
Composición, producción, grabación y mezcla por Claudio Hernán Guzmán
Arte de portada por Jimena Crespo
Wriggle, squiggle – perhaps giggle. Wiggle, jiggle – down a big hill. Many a worm has many times squirmed, a term to confirms a firm worm that affirms.
Featuring bodhran, Irish flute and whistle, bouzouki, concertina, harp, fiddle, bagpipes, and acoustic guitar.
Per Wikipedia – “400 (four hundred) is the natural number following 399 and preceding 401. 400 is the square of 20. 400 is the sum of the powers of 7 from 0 to 3, thus making it a repdigit in base 7 (1111).”
400 is also the name and number of this track – the 400th release of Jazzaria.
Featuring clarinet.
Primer disco de Orquesta de Perros.
Soviético
Pablo MatÃas Vidal
Lautaro Barceló
Alejandra Berra
Juan Bautista Barcellandi
Pablo La Ferrara
Grabado en estudios Argot y Forte.
Mezclado y masterizado por Alfredo Forte.
UF CARUF! discos
