Bryn Ballard – vox,guitar
Rima Jakubauskas – sax
Damian Lintell-Smith – bass
Francesco Cavallaro – drums
Recorded/mixed by Spud
Everybody knows about the disaster origin, everybody knows what economic system is the plague devastating the planet.
It’s an expansionist system, which annihilates all forms of alternatives, which contaminates everything it touches.
This system is the death pulsation that creeps into our lives.
Dedicated to every living surviving to the capitalism.
Recorded live the 5th December 2022 at the Cave Haven in Foucherans.
Master of Ceremony Psyché PeliK : Voice & guitar bass
Disc Jockey Yoshiwaku : Turntable & Kaossilator & Rhythms
https://www.ello.co/ed_end
Video Art Clip https://www.youtube.com/watch?v=zAI9-oIEbG0
Zimní pneu: Jan Vinkler, František Alferi
Hosté:
Pneumatic brass band [1, 2, 5, 9]: Anežka Matoušková, Matěj Heinzl, Martin Debřička, Petr Jeřábek, Honza Kaczor
Anežka Matoušková [7]: niněra, dudy, zpěv; [2]: piano
Míša Kačur [1]: zpěv.
Matěj van Schneider [6]: sólová kytara
MC Křapka [6]: rap.
FADAdeVADA [1]: bicí; [3]: zpěv
Mix: František Alferi
Master: David Zeman
Ilustrace: Tadeáš Polák
Sazba: Martina Paukertová
Nahráno v roce 2021-22
released April 26, 2023
Guitare affolée ou bluesy, field recordings,
batterie entrainante ou taiseuse, chant d’oiseaux,
saxophone en mode méditatif ou intempestif,
murmures, mélodies atones, lumière basse…
cet album vous emmène par des mouvements tempétueux
vers d’étranges contrées fulgurantes où tout s’emmêle, se démêle, se démène vers un ailleurs arboré, au grand air, parmi les vibrations du monde.
On n’avait plus de nouvelles de CollAGE D depuis 2019 et “CollAGE D(une)” qui faisait suite la même année à… “CollAGE D(eux)” chez nos illustres confrères du label bulgare Mahorka. Deux, puis un… un apparent désordre que Romain (aka Le Crapaud, de l’excellent groupe blues/prog/post-rock chanté en français, Le Crapaud et la Morue) et Philippe Neau (ex Nobodisoundz) aiment à cultiver avec ce projet largement improvisé par échange de guitares, batterie, sax et autres field recordings que les deux complices découpent, collent, superposent et trafiquent ensuite à distance pour donner ces étranges fantasmagories magnétiques et libertaires, quelque part entre noise atmosphérique, marécages clairs-obscurs, jams déstructurés et même une sorte d’ambient-jazz orageux (“Chante encore”). Maelstroms de larsens et de textures grouillantes et abrasives (“Fuir en silence”) y côtoient des méditations de guitare presque à nu (“Décembre dans la rue”) et de longs serpentins percussifs et psyché au chaos paradoxalement hypnotique (“Le soir, en t’attendant”). Tentez l’aventure !
released April 3, 2023
Philippe Neau : soundscapes, artwork.
Romain (Le Crapaud) : guitare, sax, batterie, mix.
Baptiste (La Morue) : basse sur “Le soir, en t’attendant”.
It had been a while since Superfreak had started pretending to understand what everyone was talking about. He looked at the memes and smiled just for fear of being left out. At that point he decided to update himself by opening the semiotics manuals.
This album is on his journey between the generation of meaning and the memetic irony. A failed journey translated in music in a cheerful but melancholic Casio tone-saxophone-drums weird pop.
Superfreak quote: “Special Thanks to Lexia. Rivista di Semiotica Viralità. A book that turned me on Memes, semiotics and all that boring stuff that I put in the lyrics. Music, English, Theories in this album are wrong or imperfect, as imperfect is my life”.
released December 4, 2020
Jacopo Fiore: drums
Andy Cap: sucks, clarinet
Headless girl: vocals
Random guys on Youtube: Horns & Synth
Roberto Stomeo: Drums recording
James Plotkin: Mastering
Rella: Musical consultancy
Lorenzo Incardona: Semiotic and moral consultancy
Superfreak: other
![Lately Kind of Yeah – Uncurse [2023]](https://www.clongclongmoo.org/wp/wp-content/uploads/https://ia601609.us.archive.org/21/items/lately-kind-of-yeah-uncurse-2023/cover.jpg)
Part of the Lately Kind of Yeah archive series.
The LKOY archive series returns on Vulpiano Records for the first time since 2019 with ‘Uncurse,’ an album of acoustic tracks. Lo-fi production and sparse instrumentation set the stage for an enveloping, warm coziness replete with psychedelic washes of soft noise. The pretty vocals, sometimes layered and chanting as in the casting of a spell — or the undoing of one — weave with grace and vulnerability through these gauzy landscapes.
Words from the artist:
“Uncurse is an acoustic song collection, recorded between 2011–2017 in Illinois, Kentucky, and Wyoming. For an empty room, the addicted, and hollowed wood.”
PLOT
The third and last album of ARABIA SAUDADE completes the sad story of their Arab Character. Arrived in Brazil with big luggage full of Saudade on the first album (Americ) our character started loving the carnival frenzy of its new home (Le Petit Senegallia) and now is ready to discover all the countries of South America. His trip driven by Wikipedia info leads him to unconditional love for the continent. But when the joy reaches the apex it is time to go back home. As Joao Gilberto taught us: joy has an end and sadness doesn’t.
ALBUM:
The 12 new tracks recorded by ARABIA SAUDADE are one for each South American country (except Brazil which was the main theme of the previous albums). Each lyrics is focused on something taken from the Wikipedia page and then explored live by the Italian band. It took four years to check all the news with real intercontinental trips. During these trips Arabia Saudade embedded Cazzurillo because their Portuguese was still translated with Google Translate, and she was the only one that could understand our sad guys.
REFERENCE:
The travelling helped Arabia Saudade to discover tons of new music and evolve their arabpunk sound. We can sum up in these references:
Downtown Boys, Gal Costa, Bad Bunny, Gong, La Tigresa Del Oriente, Wendy Sulca
released February 28, 2023
ARABIA SAUDADE
Cava (drums), Cazzurillo (vocals, noises and kazoo), Dave (guitar and vocals), Superfreak (bass mix and main vocals).
Special Guest: Matteo Pennesi of ArteTetra
Mastering: James Plotkin
Artwork: Elias Taño
This release, entitled Blue Green Earth, is a set of ambient love poems I have created for one of the most beautiful places I have ever seen, a unique combination of desert and mountains unlike anywhere else, with an aura of peacefulness and solace unmatched. I simply adore the place.
Intended listening is from the front porch, watching the sun turn the sea of rabbitbrush to gold. I hope you find this album rewarding!
Why’d you turn off the lights so soon? I wanted to see what was in that room!
Featuring electric bass, drum machine, baritone and alto sax, piano, strings, choir, and effects.
A rare live recording of “A Lakeside Morning” from rehearsal at the Goat Farm in 2012. Recently unearthed on a random thumb drive.
“A Lakeside Morning” originally appears on the Nerd Parade LP by R_Garcia: nophi.bandcamp.com/album/nerd-parade
<3 Enjoy!
released February 11, 2023
R_Garcia – Electronics / Guitar
Yasoon Lee – Drums
Tom Conroy – Bass
Recorded Live to multitrack during a random practice in 2012.
Mixed by R_Garcia at Ruby Sound, ATL
Mastered by R_Garcia at Hidden Fortress, ATL
The Necrophile Hummingbird netlabel presents goOdByE by REfugEEs From Beyond.
“Underground Music for Oppressed People”
Recorded live the 4th December 2022 at the Cave Haven in Foucherans.
Members :
Master of Ceremony : Psyché Pelik
Guitar Hero : Studio112
Disc Jockey : Yoshiwaku Mushotoku
All confusion is absolutely necessary to us.
Just a word about this album, usually there is a beginning and an end to everything. So with our first one and this one we did both, to be sure to stay outside later… I mean to explore the after death : Life.
…and also in the same way to say that we must put an end to police violence. This may seem complicated, knowing that the police are mainly there to maintain social inequalities and enforce laws passed by the rich and to which they are not subject. However, it would be enough, for example, to tax the largest fortunes to set up a universal income, and to significantly reduce violence in the world… as well as the number of police forces. Anyway, who does not know what is the brake that prevents both social and ecological progress? Capitalism cannot be reformed, because it is in its deep nature to be against all the human qualities of solidarity, sharing, and equity.
The so-called benefits touted by its supporters eventually exist only for those who accept this fool’s game, and approach the top of the pyramid. For the others, they remain out of reach behind the window. Descending from colonialism, it concentrates all the resources stolen from the oppressed into the hands of its ardent defenders. Obedience is a crime. Shouldn’t we try with all our might to develop alternatives and defend them against the watchdogs of power?
Dedicated to all the victims of police checks.
PS. Also, if it’s not obvious “lAId Off Sex Workers” is talking about the artists difficulties face to the rise of artificial intelligence too… Tool are tools and myself I prefer to try to hijack them, instead to be afraid, I prefer to mix everything new with older roots… But actually, knowing the cost per day of the chatGPT3 AI (around 100 000 dollars), it seems crystal clear, that the firms will provide their tool free only the time to push to the dole many art workers. And when there will be less concurrence, to turn it only available with paying subscriptions.
Video Art Clip “Soy Boy Band Pride March” is here https://www.youtube.com/watch?v=MGwnALPT5bE
LOVEANDTEARS is a collection of 6 previously unreleased tracks in which the musician continues to explore the rhythms of reggaeton, hip hop and trap, while telling us short stories of love and tears. Enjoy! 
The Necrophile Hummingbird netlabel presents Division Joie by Britney25.
“Depressive Music for the Incurable People”
Whatever the bloody waves of dark thoughts, only the corpses return to the shore, but then they straighten up to scream in the wind: not even dead yet !
If a Goth spirit exists, it’s not a poser thing, not even the romantic taste for eros & thanatos, but a visceral thing, the malaise that transpires from the survivor who refuses to let himself be condemned, by the oppression of the system , to mark the end of his life. Exhibition of a skin-deep sensitivity, the echo of our shared nightmares, in a sound orgy. Journey through suffering. Cursed desperate, still laughing in the face of death ! Oscillation, like the flame that resists the night. Always on the verge of extinction, but still burning. Exorcism of emotion, ritual remains that are priceless. Fully aware of vanity, shouting not to be heard, but to hear that one is still alive. Aware that it is a downward spiral, the more darkness you feed on, the more darkness you invite into your life. Creative vicious circle that inevitably leads to the end. Isn’t life a form of agony ? Perhaps the exhibition of atrocities helps overcome damnation. Or maybe our pain can heal the wounds of the listener. Anyway, might as well have fun with the grace of those who know that life is a joke. When I talk of this album, because of the visual she chose to represent herself as Besançon’s “soeur sourire”, I call it the “black virgin”, I’m wrong, indeed the title is perfect, it is really the joy division, one side is in darkness, the other in the light. We are all walking on the borderline, and sometimes we slip… So don’t forget, don’t forget the fallen angels, because they are legion.
It seems that horsnorme music has always been too much gothic for experimental music audiences and too much experimental for gothic audiences. Britney25’s music is horsnorme, with no assigned place, always on the move, never where you expect it, cynical until the last moment… and beyond. It is a joy to welcome the latest offspring of this hyperactive outsider musician who refuses to return to her niche in the society of the spectacle.
By the way, a big fuck to the french governement which is trying to make the people work after their death… and the same way to be sure they have no time of life left to help the non-profit associations or any kind of non-governmental organizations. Their goal is clear, to erase any form of dissidence as well of margins, calling them separatism.
released January 8, 2023
Vocal: Tomáš Motal
Music: Edgar Schwarz
Master: Moimir Papalescu
Studio Recording: Dominik Pecka
Coprodotto da Jestrai, Vollmer Industries, Edisonbox
released December 2, 2022
