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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: ambient

Humanfobia – Realidades Paralelas

Humanfobia – Realidades Paralelas
[Eg0_247]

Humanfobia

“Realidades Paralelas”

Humanfobia are :
Sábila Orbe (sound programming, mixer, male vocals)
& Mist Spectra (lead female vocalist & visual support)

Humanfobia links:
– https://humanfobia.jimdofree.com/discography-ii/
– https://hearthis.at/humanfobia/
– https://humanfobia-official.bandcamp.com/

Credits :
All tracks programming, mixed, cover artwork design, vocals track 4: Sábila Orbe.
Vocals tracks 2, 4 & 7, model in the artwork: Mist Spectra.

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posted 14 December 2020

Cade White – Infinite (Single)

Cade White – Infinite (Single)

Cade White

“Infinite (Single)”

The astronaut gazed upwards from the lunar surface, eyes fixed on the pale blue disc he called home. Only now could he could see just how small and fragile it was, seemingly on the verge of being swallowed by the inky darkness that enveloped its faint, yet ever lustrous glow. From here, he thought, the space around it could only be described as… infinite.

This was a further experimentation in ambient sound, this time framed against our very universe. I’m pleased (if not completely so) with the outcome, and hope to be able to put out releases more regularly from here on in. (And no, I still don’t know any musical theory)

As a side note – feel free to use any of the audio in this release for personal and commercial projects, just be sure to mention me and drop a link to this page, subject to the Creative Commons Attribution 3.0 Unported License.
credits
released November 16, 2020

All music created by Cade White for this release.

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posted 13 December 2020

Milbentia – 1T

Milbentia – 1T
[VSS113]

Milbentia

“1T”

Milbentia is back to VSR with another short but great release! 4 vaportrap infused lofi beats for you to enjoy. ♡

released December 12, 2020

Music and production by Milbentia.

milbentiaofficial.bandcamp.com
soundcloud.com/gene-benavidez
youtube.com/channel/UCeYj7I2BPCjs0rEn5rty9VQ

[VSS_113]

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posted 13 December 2020

Various Artists – Take a funky ride

Various Artists – Take a funky ride

Various Artists

“Take a funky ride”

Take a funky ride is the result of one of our in house ‘challenges’.

The challenge:

Pick up to five 70’s funk tracks at random
Cut the tracks into pieces
Creating new instruments out of those pieces
Create a brand new track from those instruments.
To see which tracks were used for each track, click ‘info’

Easy? We’ll leave you to listen to the results.

New artist Talotres makes a first appearance in this release with his track ‘Pick it up’ with the rest being Kahvi regulars you’re probably familiar with.
credits
released December 8, 2020

Cover artwork by KodeTwo

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posted 11 December 2020

Studio 112 – Regarde… comme ils tombent

Studio 112 – Regarde… comme ils tombent
[LCNLP119]

Studio 112

“Regarde… comme ils tombent”

The necrophile hummingbird presents the third issue of Studio112 staggering “Radioactive Trilogy”.
Welcome to the depths of sound science experiments. Sometimes we would like to be able to glide into a parallel universe, music could be this place, to escape this universe where all the living are stabbed to death by industries, all victims of the capitalism’s insanity. And especially the humans killed by industrial junk food, air pollution, the consequences of the climate crisis and others horror. It is the slow genocide of our loves, of our friends, of our children. Will we let this system destroy life on earth any longer? Adjust sunglasses and cry, or struggle to end this race for false promises, there is no happiness in consumerism!

Studio112 is the main project of Alain Grille also electric guitarist and musicmaker in rADio eNd / Multiple Personality 3 / PIRATE Tapes / EVA Vertigo / TKno BeurK / MK-Ultra

The two previous issues Radioactive Woman and Radio Play will be publish next on the netlabel… time is a reverted process.

The previous “Alien Trilogy” is still here
https://archive.org/details/studio_112_Adorateurs_Du_Culte_Extraterrestre
https://archive.org/details/Music_for_Alien_Parties_Studio112
https://archive.org/details/A_Piece_Of_Sunlight_And_Other_Stories_Studio112

Illustration by Alain Grille

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posted 11 December 2020

Phaeleh – From the Vaults: Vol 2

Phaeleh – From the Vaults: Vol 2

Phaeleh

“From the Vaults: Vol 2”

A selection of unreleased tracks from 2008 to 2017

Sunshine (2012)
Talk to You (2011)
Don’t Wake Me Up (ft. Jess Mills) (2012)
Give (2012)
Fly (2017)
Cold Path (2012)
Sad to Think (2015)
Disappear (2015)
Azure (2016)
All Night (2015)
There Will Come Morning (ft. I-mitri) (2009)
Rise (ft. Indi Kaur) (2008)
credits
released December 4, 2020

All tracks written and produced by Phaeleh. Except Track 3 written by Phaeleh & Jess Mills, Track 11 written by Phaeleh & Indi Kaur and Track 12 written by Phaeleh & I-mitri.

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posted 09 December 2020

Andreas Davids – Isolation

Andreas Davids – Isolation
[mhrk260]

Andreas Davids

“Isolation”

“40 minutes of isolation. 40 minutes of bad news, good news, self-doubts and tears. 40 minutes of motivation, being tired and being sad and happy at the same time. all the silence at night, at day, deep inside has grown to noise, to walls of noise waiting to be born out of the darkness. 40 minutes… every second is a witness of the fall and the rise of a lost soul.”

Released December 6, 2020 as free (cc) download and limited edition cassette.

Created, recorded in 2020 by Andreas Davids @ Separate Room, MTH

Mastered by Anatoly Tokee Grinberg

Thanks to Ivo Petrov

www.andreasdavids.de

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posted 06 December 2020

rADio eNd – Sound Therapy

rADio eNd – Sound Therapy
[LCNLP117]

rADio eNd

“Sound Therapy”

The necrophile hummingbird netlabel and HAMFUGGI Records present Sound Therapy by rADio eNd, an experiment around the musicology concept.

“Healing Music for Normal People”.
Perhaps normal people would not listen it, but if they do it, this surely would have a psychoactive effect to help them to become open minded.
Indeed it seems that is the storytelling of my own mutation.

You may notice that the lyrics are very importants in the other rADio eNd albums. For this one we chose to use mostly the voice without any words.
Because the emotions don’t need words to be express. Further more conceptual in “Introspection Prologue” it is the absence of voice which is meaningful.
Despite this voluntary constraint the last track host a little automatic poem channeled at the end of the process. The whole thing being a kind of sound therapy study.

Album credits : Farabi Toshiyuki Suzuki & Ed End

More information about Farabi Toshiyuki Suzuki
https://hamfugi.wixsite.com/hamfuggirecords/farabi-toshiyuki-suzuki
More information about Ed End
https://panoramamix.tumblr.com/post/623102835945537536/ed-ends-retrospective-a-free-to-share
More information about rADio eNd
http://www.horsnorme.org/rADio_eNd/

One extra track extract of “Electricity” is on Shorty Music “My City” compilation https://vpoiskahdodofriends.bandcamp.com/track/radio-end-peru-the-electricity-fairy

Here is Introspection poem (notice that the meaning is little bit change in the english translation)

No matter how much I drank from all sources,
I was always thirsty.

Until something breaks.

Until a fissure forms,
that a crack snakes,
let a drop fall,
then another,
that they become a ditch,
then that the stream,
forms a puddle.

Become torrent,
gushing out of me,
then it becomes a lake.

I am sitting in the middle.

And I feel as soon as someone walks on the shore,
and I see the sky reflected there,
and the sky is the reflection of the earth.

And I feel, I sense, I anticipate.
And I feel, I sense, I know.
And I feel, I sense, I keep the track.

J’ai eu beau boire à toutes les sources,
j’avais toujours soif,
jusqu’à ce que quelque chose se brise.

Jusqu’à ce qu’il se forme une fissure,
que serpente une lézarde,
qu’une goutte tombe,
puis une autre,
qu’elles deviennent rigole
puis que le mince filet,
forme une flaque.

Devenues torrent,
jaillissant hors de moi,
qu’elle devienne un lac.

Je suis assis au milieu.

Et je sens dès que que quelqu’un marche sur le rivage,
et je vois le ciel s’y refléter,
et le ciel est le reflet de la terre.

Et je sens, je ressens, je pressens.
Et je sens, je ressens, je pressens.
Et je sens, je ressens, je pressens.

More lyrics from rADio eNd here
https://www.wattpad.com/story/187938713-translation-of-french-lyrics-from-anachronic

Last but not least the material of this album was first recorded to create an album of A Symbiotic Experience. So there is also a bonus video with an extra track done by Gabriel Pereira Spurr. The track will be available on Fieldmice recordings ESVB Vol 3
https://radiomulot.bandcamp.com/

Bonus Video Art clips
Abstract Introspection
https://youtu.be/JzQqlqUkwRY

The electricity fairy
https://www.bitchute.com/video/EVyPbYO2ll8d/

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posted 04 December 2020

Luca Formentini – Art Spaces

Luca Formentini – Art Spaces
[Lav86]

Luca Formentini

“Art Spaces”

An investigation – abstract

I’ve always been fascinated by watching and listening to the way we as human beings react to finding ourselves placed into different environments.

Specifically, I am intrigued by the way we manage the challenge of being in a space which is not created to be the stage where we can perform our personality and actively interact with the objects and the people who surround us, as a museum is.

Being in a museum limits our personality exposure, at the same time it engages our senses and sensitivity.
Is such context creating a push towards the outside in a context which makes such expression difficult to be exposed?

A modern art museum visit is able to stress such experience way further, visitors can sometimes be pushed to face languages and contents which run on the very border of comprehension and social acceptability.
As human beings we interact with habitats through different ways of using our physicality; I think that more or less consciously and intentionally our presence affirms itself through the sounds we make.

My first audio recording of my visit through a modern art exposition happened when visiting the Serpentine Galleries in London, a funny feeling of displacement imbued me because of sounds coming from both sides of the exposition internal entrance.
After visiting the Serpentine Galleries I visited the Tate Modern.

I recorded my walk through the different rooms, trying to notice the relation between the space, the exhibited works of art and the way people were managing their presence: imposing it or trying to be as transparent as possible.
While walking through the expositions’ rooms I was caught by another delicate emotional resonance.
A new element was coming into play, directly connected to a more emotional layer.
Temporal suspension and physical floating were somehow represented by the experience of walking through the artworks.
The peak was reached when I entered the room where the video work by Gülsün Karamustafa “Memory of a Square” was playing.
Something had happened.
By entering that room I understood what I would have done with the recordings I was collecting.
Back to my studio I recorded a musical dialogue over the environmental noise of walking through art spaces, art places.
A sort of counterpoint in play between my physicality and the sonic trace of the space.

I’ve been visiting and recording the space of modern art museums and expositions, such as: Guggenheim and MoMA NYC, MoMA SF, MOCA LA, MCA in Chicago, Modern art museum in Philadelphia, Mudam in Luxembourg, Stedelijk in Amdsterdam, Lenbachhaus in Munich, Serpentine and Tate Modern in London and Hangar Bicocca in Milan.

Luca Formentini:

Original recordings of the museums (visited in 2016 and 2017), all instruments, recording, mixing and mastering.
Concept and production.

Mastering consultancy by Stefano Castagna

This audio work is released under Creative Commons (BY-NC-SA) and free digital distribution via Laverna music label www.laverna.net

Cover: original painting by Patrizio Vanessi, 2019

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posted 03 December 2020

Adhémar – All the Birds are Talking at the Same Time LP

Adhémar – All the Birds are Talking at the Same Time LP
[ST024]

Adhémar

“All the Birds are Talking at the Same Time LP”

Artists: Adhémar
[Brussels, Belgium]
Format: Digital
Release Date: November 30th 2020
Cat: ST024

Free Download

This phonograms is a protected intellectual work in favor of its producer. Rights protected. ℗ & © 2020 Secuencias Temporales. The rights of this phonogram are recognized by the Federal Copyright Law. Its production, reproduction, import, storage, transport, distribution, commercialization, sale or lease is prohibited, as well as its adaptation, transformation and direct communication to the public without the prior written authorization of the owner. The violation of this prohibition constitutes a crime and an infraction that are sanctioned according to articles 424 bis, 424 ter, of the Federal Penal Code; 232 section III and 232 section I of the Federal Copyright Law and other applicable regulations in force.

Written and Produced by Clément Davout in Brussels, Belgium .
Mastering by Jorge Eafhm at Secuencias Temporales Studio in México City.
Secuencias Temporales ℗ & © 2020 – All Rights Reserved
credits
released November 30, 2020

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posted 02 December 2020

Echoes Chapter One – Various Artists

Echoes Chapter One – Various Artists
[insectorama091]

Echoes Chapter One

“Various Artists”

This is chapter 1 of 2 of the echoes compilation.
Chapter 1 comes with 21 tracks by artists from all over the world who cover all facets of dubtechno. That is pure dubtechno there is nothing more to say.
Relax, lean back and enjoy the journey through space and time and lose yourself in the vastness of the echoes in this cold season.

Many thanks to all artists who made this compilation possible with their tracks.
credits
released December 2, 2020

insectorama091
mastering and cover design by Markus Masuhr

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posted 02 December 2020

Igor Karaca – Desolace

Igor Karaca – Desolace
[zen220]

Igor Karaca

“Desolace”

“Desolace” is a dark ambient sonic exploration featuring odd organic ripples, sometimes insectile and spluttering, leading into sheets of synthetic tones sweeping slowly across the soundscape, with deeper drones and subtle samples of processed human voice and bowed percussion looming below.
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posted 01 December 2020

Austin Rockman – Plum God

Austin Rockman – Plum God
[mhrk259]

Austin Rockman

“Plum God”

Experiential composer Austin Rockman paints upon the canvas of silence with seemingly supernatural projections of sound. These amalgamations point towards tones of an almost uncertain origin and are very much characterized by a certain place in time. His debut album ‘Plum God’ represents a transitory state. An uncertainty, which brings along states of confusion, exhaustion, intensity.. coexisting within these emotions resides hope and the inevitable beauty and gravity of consciousness. We are swayed like trees against an invisible wind, currents that press upon us, like shores, constantly reoccurring and reemerging from a seemingly infinite source. Beyond us. This elusive control navigates our existence, and in this sway we must have trust in ourselves, this is only the beginning..

As Austin Rockman’s debut on Mahorka “Plum God” has been revisited, on tape, and with the “bonus” track (tape322), this is only the beginning..

Press Coverage:

‘Plum God is a beautiful reminder of human fragility, and a welcomed breath of fresh air in an environment too often symbolized by a seductive superficiality.ʼ – Massimo Ricci/Touching Extremes

‘Beautifully mangled sound rests on the periphery of conscious awareness, pulling the mind back from untethered states with anxious and processed machinelike errors and blurred distortions of texture.ʼ – Tone Harvest

‘The symbiosis he develops between the beckoning of the music and the willing acquiescence of the ear and mind makes this album a bracing experience.ʼ -Andrew Forell/Dusted Magazine

Released November 29, 2020 as free download and limited edition cassette.

Composed and produced by: Austin Rockman

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posted 29 November 2020

Solal – Litanies

Solal – Litanies

Solal

“Litanies”

Glitch, digital accidents or acoustic samples, the musical atmospheres that Solal creates with Joseph underline by their theatricality the dark and inexorable destiny of the heroes. Adolescent incantations, ecological stories, the interpretations of the young artist pay homage to the great epics of literature such as Dune, the ancient tragedies, or to the tradition of oral tales.
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posted 24 November 2020

Richey Hackett – You Are Nothing But Light

Richey Hackett – You Are Nothing But Light

Richey Hackett

“You Are Nothing But Light”

Many rewarding textures, twists, and turns are to be found in Richey Hackett’s ‘You Are Nothing But Light’. Charting new, dark ambient territory, each of these eight tracks are compelling both on their own and taken together as a whole; stand-outs include “True Dreams of False Awakenings”, run-through with a mysterious, quirky energy, and the creeping, nervous buzz of “Rotating On The Toothed Wheel”.

Words from the artist:

“No vocals. No traditional song structures. Just music and noise for the listener to use as a soundtrack for their imagination. A collection of moods, tones and atmospheres to daydream to.”

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posted 21 November 2020

Barbiero/Bocci – Now/here

Barbiero/Bocci – Now/here
[AT057]

Barbiero/Bocci

“Now/here”

Now, Here: the most basic points of reference by which we locate ourselves in time and place at any given moment. And yet they are constantly moving, changing. Now is the vanishing point of the present continuously slipping into Then and reaching out to Not-yet; Here just as quickly becomes There. Now and Here turn out to inhabit the abyss of Nowhere in a paradox of reciprocity–much like Heraclitus’ road up being the same as the road down: One is nowhere and now here, at the same time.
The essential elusiveness of Now and Here inspired the music on Now/Here. The ephemerality of sound simply transposes the ephemerality of our being Here and Now into a more literal, more compressed (and more easily observed) key. Sound arises from silence and is now/here; it reverts back into silence and is nowhere. In an endless cycle.

All pieces jointly composed by Barbiero and Bocci. “Paths (A Winter Day in a Seaside Town)” is an open-form score by Bocci; “Ten Lines for Now/Where” is a graphic score by Barbiero.

Daniel Barbiero: double bass, Geomungo on track 2
Cristiano Bocci: electronics, electric bass

Recorded June-December 2019 in Silver Spring (USA) and Ancaiano (Italy)
Assembled and mixed by Cristiano Bocci
Mastering by Raffaele Pezzella (Sonologyst https://sonologyst.com/)
Art work by Marinella Caslini (www.disgrafica.com)

Cristiano Bocci plays a 6 string Biarnel Akmè bass (www.biarnel.com)

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posted 20 November 2020