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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Miro, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: electronic

sternenspringer – antipode

sternenspringer – antipode
[tonAtom.142]

sternenspringer

“antipode”

sternenspringer are back in space. contact restrictions, lockdowns and other adversities could not prevent them from working collaboratively in the past months. gerd and juergen themselves are the two eponymous antipodes, leaving their mutual influences in every single piece. only together and in open artistic discourse the building blocks of this concept album can emerge.
an updated course has been set for “antipode”: equipped with “andere energie” (“different energy”), sternenspringer start off with force into this full album. they leave the “exoplanet” behind, but not too far, it is still in sight. lots of new tones and fascinating, previously unheard developments characterize this fresh, new journey through the sternenspringer universe, which finds a brilliant conclusion with the finale “nirgendwo ist hier” (“nowhere is here”).

mirror.dotplex.de/tonatom/media/142/mp3/tonAtom.142_Sternenspringer_Antipode_09_Spurlos%20Leicht.mp3

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posted 09 March 2022

Mariano S. Alvarez – Terra Hodie

Mariano S. Alvarez – Terra Hodie

Mariano S. Alvarez

“Terra Hodie”

Una serie de snippets a lo chopped and screwed, sobre beats, techno y samplers organizados en un caos unitario. La sustancia elemental se basa en el sin rumbo presente, que funciona como acompañante. La distorsión rebajada serrana danza en una digitación ininterrumpida. El baile habla con la escucha, mientras el ritmo asegura la discontinuidad. La naturaleza ecléctica se hace presente en un ruido de fondo que no sabe comunicar, sobre la elegía continua de la post actualidad. Este presente lo dedico a quienes supieron y saben, resistir y disfrutar.

Arte de tapa y difusión: Pau Lee (www.instagram.com/sheispaulee/)
credits
released March 2, 2022

linktr.ee/Marian.s_alvarez

Agradecimientos:
Quiero agradecer a Ismael Verde por toda la gestión, el laburo y por acompañar el proceso de este álbum.
Y a Pau Lee por tirar un killer art que me dejó de cara y que me pareció super descubrir más en el sonido de lo que imaginé.

Button: by-nc
posted 07 March 2022

Cedrik Fermont – Reality is merrily an illusion

Cedrik Fermont – Reality is merrily an illusion
[Syrphe Gift 008]

Cedrik Fermont

“Reality is merrily an illusion”

Sounds from different sources, different locations, different times, unrelated picture, all of them creating a new reality.
Your reality will never be mine, I am the only person who knows where all those sounds come from and when they were recorded and how they were assembled.
credits
released February 4, 2022

Composed, recorded, mixed, mastered by Cedrik Fermont at Syrphe, 2022.

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posted 07 March 2022

RUBBER MUFFIN – Resting On Laurels

RUBBER MUFFIN – Resting On Laurels
[DTRASH225]

RUBBER MUFFIN

“Resting On Laurels”

RUBBER MUFFIN has been releasing D-TRASH albums over the last decade, whether it was his exciting collab album with MEAT PARADE, his Breakcore lampoons on “Duck Core”, or 2019’s chiptune laden “Itzy Bitz”. This errant release of new tunes offers a combination of his different kinds of styles. The album is an experimental adventure through his disastrously charming brain.
credits
released March 4, 2022

Mastered_by : Living~Stone
Cover_by : Jubal Brown

Thanks to: Geoff, Sean, Jay, Slawek, Adam, Amrita, Paula, Alex, Delfi, Jubal, Slava, Metroid, Ripley, Babes, Friends, Strangers, Fans, MN, Coffee, Cigarettes, Batteries

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posted 07 March 2022

Various Artist – give peace a chance

Various Artist – give peace a chance
[nws.bpm0116]

Various Artist

“give peace a chance”

01 Antonella Eye Porcelluzzi & Batard Tronique – Rompre le maléfice
02 Explicite – L’ouverture
03 Tenderness of Wolves – Sic Trasit Gloria Mundi
04 DJ R3V3R3ND MURD3R – I’ll Never Give Up On You
05 Blind Pulse – Convulsing Void
06 Cyborg Kommando – Kill Str8 Again
07 Insatiable Void – One
08 Δdren6kr6m6 – Ӄұѧȵd͡ȣ ɣѯѧs ѯł Ͼɪѯłȣ ѧr̥d͡ѯr̥
09 Electric Loopstation – Mongo
10 Aura en el Espejo – Hadas Negras
11 Total Normal – Hugo Nine’s Nap
12 MIDEDIT – Freddy (DarkSynth Mix)
13 Hardkomet – Transmitted Days
14 Mega Brut 2667 – Radio Head
15 Schizoconfigurator – Dream Glove
16 MVar – A Little bit Further
17 Filth & Pleasure – Concentrate
18 Emmerichk – 606 & Tape
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posted 05 March 2022

jjsauma – The Comfort of the Darkness LP

jjsauma – The Comfort of the Darkness LP
[ST043]

jjsauma

“The Comfort of the Darkness LP”

This album is Inspired by the Nooscope Manifest by Pasquinelli and Joler, and its view of AI as an instrument of knowledge extractivism while using an analogy with optical media. In Comfort of the Darkness, jjsauma presents a collection of tracks where he lets AI create its own interpretation of music by building dub versions of the tracks created for this project. In this case, a test of the Nooscope Manifest was applied as a filter for a multitrack recording. These tracks were conceived as glitch/techno/ambient and were given a dub treatment by an amorphous entity with human-like characteristics programmed by jjsauma using Max/MSP. Human behaviour, bias, inconsistency and failure are part of the new aesthetic created by using AI in arts and industry, showcasing uncertainty as a precondition of dialectics, as opposed to the certitude of traditional computational processes.

While AI raises a lot of questions, it produces its own vision of the world, and this album is a representation of AI’s… more
credits
released February 28, 2022

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posted 01 March 2022

various artist – ✂ Fashion Show ✂

various artist – ✂ Fashion Show ✂

various artist

“✂ Fashion Show ✂”

Compiled, cover collage by Sábila Orbe.

✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂✂

released by Internet Daemon & Skull Triangle Skull netlabels.

Each track composed by the respective artist. Links:

– zxz: zxz242.bandcamp.com/ * original track “True Blue” released by Aural Sects: auralsects.bandcamp.com/album/paris
– Humanfobia: humanfobia-official.bandcamp.com/
– Snacks Latrine: https://soundcloud.com/snacks_latrine
– 后气: kumocommunication.bandcamp.com/album/post-inferno
– killerapps: https://soundcloud.com/killerapps
– Kurt Nimmo: archive.org/details/KurtNimmoExpressions
– Toby Key: https://soundcloud.com/tobykey/tracks
– yunghannibal: yunghannibal.bandcamp.com/
– EFECTO MEZCALINA: https://soundcloud.com/efectomezcalina
– Filmy Ghost: filmyghost-humanfobia-doppelganger.bandcamp.com/
– Vona Wolf: https://soundcloud.com/vonna-wolf
– the Beige Channel: archive.org/search.php?query=creator%3A%22the+Beige+Channel%22
– witch in the west: https://soundcloud.com/witchinthewest
– Galaxima: https://soundcloud.com/galaxima/tracks
– this number: https://soundcloud.com/th_sn_mb_r
– Vain Girls: https://soundcloud.com/vaingirls
– iamglossedup: –

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posted 28 February 2022

KRIS T REEDER – NOISE JAZZ D 7823

KRIS T REEDER – NOISE JAZZ D 7823
[earS107]

KRIS T REEDER

“NOISE JAZZ D 7823”

New release from KRIS T REEDER
Welcome to K T Reeder on earsheltering with “NOISE JAZZ D 7823” amazing release.
Enjoy !

K T Reeder has been recognised as ‘one of 25 of the artists who have engineered the cultural transformation of British jazz over the past four decades’ in a seminal book on British Jazz by David Burke (Giant Steps: Diverse Journeys in British Jazz – 2021)

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posted 26 February 2022

Lovers’ Loving Love – Getting Myself Ready For Another Day In Heaven

Lovers' Loving Love – Getting Myself Ready For Another Day In Heaven
[BFTG_141]

Lovers’ Loving Love

“Getting Myself Ready For Another Day In Heaven”

Forgetting one’s fear
Ascending in truth
To be pure like a child
with Love as its root

Awakening from shadow
of a long night’s dream
and gaining great courage
To know the Drill
~ LLL

Button: by-sa
posted 24 February 2022

Sevensy – Reinvention Of The Sacred

Sevensy – Reinvention Of The Sacred
[mhrk300]

Sevensy

“Reinvention Of The Sacred”

“Reinvention of the Sacred” is a musical consideration of the after-effects of the ‘god is dead’ idea on Western society. Nothing has replaced the ideals represented in the best of spiritual thought, and our behaviours have changed as a result. For some, there is no longer any reason to behave in an ethical manner, nothing to live up to. The vacuum left by the decline in the perceived importance of the spiritual search calls for a reevaluation of what has meaning, what is important.

The music that comprises “Reinvention of the Sacred” is very minimalistic, almost ‘not here’ at times. This approach was taken in an attempt to aurally depict a non-dual continuum, wherein there is no separation between matter and Spirit, profane and divine.

released February 22, 2022

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posted 24 February 2022

Yung Ethereal – with black darkness as your veil is drawn. And in this special chamber of this underground, the light of his light shines with equal and greater force than is possible for humans to see.

Yung Ethereal – with black darkness as your veil is drawn. And in this special chamber of this underground, the light of his light shines with equal and greater force than is possible for humans to see.
[gen009]

Yung Ethereal

“with black darkness as your veil is drawn. And in this special chamber of this underground, the light of his light shines with equal and greater force than is possible for humans to see.”

Button: by-sa
posted 21 February 2022

Brainquake + Sven Phalanx – From The Oblivion Lounge

Brainquake + Sven Phalanx – From The Oblivion Lounge
[mhrk299]

Brainquake + Sven Phalanx

“From The Oblivion Lounge”

Mahorka is more than a label, it is also a place where artists meet and collaborate. Sven Lemke (Sven Phalanx, Andreas Davids + Sven Phalanx, Schattenspiel, Schwarzwald) and Marc Ceulemans (Brainquake, Zonevreemd, Toxic Derwish, Psych Krist Kastrator) have both had already outstanding contributions to the catalog when Marc was invited to remix Sven’s “Klangtherapie” for the special remix album (mahorka.org/release/288) and they got to know and meet each other. Since they had many similarities in background and musical preference, they decided to compose and produce something together. This collaboration worked just perfectly and soon they suprised the label with the ten tracks of “From The Oblivion Lounge” album as presented here. From desolate ambient and rough rhythmic experimental to technoid industrial, they made this all sound very different but coherent. We can hear a lot of both of them here, but also something completely different, befitting the harshness of today’s society.

released February 20, 2022

cover artwork: Marc Ceulemans

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posted 20 February 2022

Charles Rice Goff III & Michael LaGrega – Indefinite Endeavor

Charles Rice Goff III & Michael LaGrega – Indefinite Endeavor

Charles Rice Goff III & Michael LaGrega

“Indefinite Endeavor”

The works of this presentation were edited from over two hours of live and unrehearsed recordings made on November 26, 2021, at LaGrega Studios in Leawood, Kansas. Editing and production by C. Goff III, January-February, 2022.

The Tools Of The Trek :

Goff:
Yamaha VSS-30 Sampler/Synthesizer
Korg R3 Vocoder/Synthesizer
Voice
Billiard The Theremin
Boss RC 20X Loop Station Loop Duplicator
Monkey Drums
Diane The Mannequin Hand

LaGrega:
Alesis Andromeda Synthesizer
Korg Prologue Synthesizer
Korg NTS-1 Synthesizer
Moog Matriarch Synthesizer
Korg 01/W Synthesizer
E-MU PX7 Command Station Synthesizer
Voice

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posted 15 February 2022

Cheap Polaroid – No More Love

Cheap Polaroid – No More Love
[gen003]

Cheap Polaroid

“No More Love”

Returning this time with a world of heartbroken songs chopped and screwed to warp reality, is No More Love. Descriptions of songs below:

“Breaks My Heart”
Breaks My Heart, was just me screwing around in Ableton Live and taking one of my favorite songs of right now, I really love the intro part with the strings, I knew this was gonna be the intro because I wanted the listener to be in this mood of desire and heartbreak.

“Nowhere To Run”
So I had this Dua Lipa instrumental that I had never used for anything so I decided why not, I used a couple instruments to just layer and add this sort of weird clashing moody ambience that really just gave this sense of catchiness but also uneasiness.

“In The Darker of Your Mind”
So this track is one of the more simpler ones, but I liked messing around with it and just kinda listening to this screwy rhythm and the song just has the melancholy dance vibe to it that always felt like saying the phrase “It’s tough but we’ll get through it.”

“Just To Love You”
Just To Love You, is also simple but I wanted people to really focus in on the lyrics because you have this person singing about wanting to love someone, just until they love themselves, and I think that’s a pretty strong feeling.

“World of Heartbreak”
So I took this CONSUMER PRODUCT song that I really liked called Wireless and just slowed the hell out of the first minute with the vocal chant and the chiptune beat which is my favorite part and then I slowly layered on these instruments to give this really ambient, reflective moody track.

“Sepia Tint”
This was a scrapped intro track for another project I was doing, and I just took these orchestra loops and chopped up some Lana vocals and pitched them weirdly and I loved it. But it acts in this album, as a interlude and intro to the next track.

“Summertime, My Time”
I love Summertime Sadness, everytime I listen to it and Born to Die, suddenly I’m not Collin Reyes but I’m this epic persona, this majestic movie character, I’m the one at the credits scene standing over the lifeless body of a fallen hero, I’m free and so I took that song and I wanted to just chop it up in such a way that I loved it. I used the remix to fit the dance vibe and because I think the remix just adds this understated intensity.

“Like a Diamond”
Cola is such a weird song because it’s so, like America-core but it feels like a parody and a mockery of patriotism and modern day sexiness in America and to me, it’s this trash magic display of the higher class and the affluent but ultimately the hugest ego in the world. Like lying to yourself to be alright.

“This Dream of Mine”
This was a scrapped Pt, II. to a song of mine from 2020 called Aura but I never released it but it was so majestic and so peaceful so I put it as an ending track to be like, I just wanna live in this dream of mine, forever.

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posted 12 February 2022