Essentia Sound comes here with his new 6 track album and presents timeless beautiful dubtechno. Essentia Sound is from Vancouver and I am very happy to present his new album here. relax, lean back and enjoy this dubtechno journey from the other end of the world.
all tracks by Essentia Sound
Mastering + Design by Markus Masuhr
Insectorama094
The Process:
1) Isolated in their individual recording studios, each artist separately recorded several hours of improvised material.
2) From late January through early February, 2021, Goff performed a number of machinations to these recordings: splitting them apart, mixing pieces together, altering pitches, rhythms, timbres, tambors, etc. In some cases, MIDI and other computer programs were used to change the original recorded bits so dramatically that their antecedents became completely unrecognizable.
The Tools:
Goff:
Korg R3 Vocoder/Synthesizer, Korg Z1 Synthesizer, Billiard Man The Theremin, Five Below Modified Sound Generator, Boss RC 20X Loop Station Loop Duplicator, Cool Edit Pro II, Audacity, Midisoft MIDI Scorewriter, Windows Media Player, Roxio 2011 Sound Recorder, Several Plug-In Audio Sound Effects, Amazing MIDI Wave-To-MIDI, Polysoft MIDI to Mp3 Converter
LaGrega:
Korg 01R/W, Oberheim Xpander, Moog Matriarch, Alesis Andromeda, Kawai K5000W, Roland JD-800, Yamaha SY77, Arturia Emulator II VST, Omnisphere VST, E-MU PX-7 Command Station, Boss DR-880 Drum Machine, Martin OMC-18 Acoustic Guitar, Fourness Electric Violin
The necrophile hummingbird netlabel and HAMFUGGI Records present We Are The Intermorphs by rADio eNd, a tribute to John C. Lilly.
“Synchronicity Music for Related People”.
About the surface of the album :
Despite being release after Genesis Launch & Sound therapy this is the first album of rADio eNd, so you may think the goal was to design the sound of the project but it’s the opposite it’s because this sound was not fitting with any previous project that rADio eNd is born. That’s why there is no real influences despite perhaps it’s rooted to many previous netlabel’s projects with recent albums such as Junk DNA III or Shagreen Tape… or older ones like Hibakusha Jinx or Zvezda MIX.
Perhaps you can skin it out and find industrial Method, Trip Hop Rhythms, Avant Garde Turntablism… But you shall better turn off your reason, to walk with coincidences and take it as weird psychedelic trip.
About the depths of this album :
A dive into consciousness, including pressure stops with high risks of depths intoxication.
Light is such a mesmerising essence when it is watch from the abyss.
Featuring :
Amandine Prost on track 2
www.facebook.com/amandine131313
ardleg on track 10
ardleg.bandcamp.com/
Studio 112 on tracks 1 & 8
studio112.bandcamp.com
Ed End
ello.co/ed_end
Free Download in Wav & Flac also here with an alternate version of 9 Conditions.
yoshiwaku.bandcamp.com/album/we-are-the-intermorphs
rADio eNd is a process more than a simple musical project…
More informations about rADio eNd on the official page
horsnorme.org/rADio_eNd/rADio_eNd_english.html
The idea to do a tribute to John C. Lilly came from Studio 112.
Thanks a lot to the providers of the genium’s sources.
In loving memory of Peter & Lizzie and all the dolphins sacrifice in John C. Lilly experiments.
We hope this album will help to focus on the animal rights problems.
We are responsable of our choices.
We think one fine way to change the world is to be aware of the power of our acts.
There is no life without Consciousness.
Lilly also wrote that there are nine conditions that should be followed by people who seek to experience coincidence in their own lives:
You must know/assume/simulate our existence in E.C.C.O.
You must be willing to accept our responsibility for control of your coincidences.
You must exert your best capabilities for your survival programs and your own development as an advancing/advanced member of E.C.C.O.’s earthside corps of controlled coincidence workers. You are expected to use your best intelligence in this service.
You are expected to expect the unexpected every minute, every hour of every day and of every night.
You must be able to maintain conscious/thinking/reasoning no matter what events we arrange to happen to you. Some of these events will seem cataclysmic/catastrophic/overwhelming: remember stay aware, no matter what happens/apparently happens to you.
You are in our training program for life: there is no escape from it. We (not you) control the long-term coincidences; you (not we) control the shorter-term coincidences by your own efforts.
Your major mission on earth is to discover/create that which we do to control the long-term coincidence patterns: you are being trained on Earth to do this job.
When your mission on planet Earth is completed, you will no longer be required to remain/return there.
Remember the motto passed to us (from G.C.C. via S.S.C.U.): “Cosmic Love is absolutely Ruthless and Highly Indifferent: it teaches its lessons whether you like/dislike them or not.
Also Go With It or Never Walk was create first for Field Mice ESVB Vol. 3 Tape was not planned to be in the album, but after many listen seems it’s better to include it. radiomulot.bandcamp.com/
Why dNe oiDAr ?
First we planned to create this tribute with PIRATE Tapes…
But after listening the album it was obviously more sounding like the mutant child of TKno BeurK and A Symbiotic Experience.
What about rADio eNd ?
While I wrote this I’ve got an advertissement for nasty amazon music service on my phonecell. It was tricky to share our free music after the record compagnies did their best to erase the peer2peer softwares. It was more tricky after deezer and spotify make hardly possible to the free music to be available to their listeners. Could sound weird but they keep them jail in a bubble ^^. The example of Netflix for films and series in my opinion was not that much a problem because cinema need bigger funds than music and hollywood is not doing cinema but entertrainement, so I enjoy the idea that indie directors can create films with more freedom. But for the music I can’t imagine a world where nearly all the audience is lockdown on amazon music. First because each one do not need all the music of the world, indeed a simple real radio could be more enjoyable than tones of garbage muzak. And more accurate to the actual use of music. Halas they probably have got already an algorhythm to get your own radio based on your own tastes, including the possibility to enlarge that tastes… So the eNd for the muzik as we know it ? Perhaps it’s like organic versus industrial, few listeners understand that the vibe, energie, spirit of the music include by some way our being, if someone create some music to share it free whatever how it sounds it will never feed your soul the same way than the music create to make profit. So happy to bring you this very open project.
You may notice that the name of this project is in straight line of post situationist industrial culture detournement. Obviously a name squatting of Radiohead. Copythief Attitude. This music is free, usually in the capitalist system this would be consider for most of the listeners as something without value. Junk. Indeed it’s the opposite, actually in this upside down world nothing is more valuable than anything really free. Take Care to Keep the Free Culture Alive. Let’s share.
Video Art Clips here www.bitchute.com/channel/mixuptv/
Latest news on ello.co/ed_end
Daryl Robinson aimed for that 90’s to early 2000’s IDM sound. Solemn Grandeur marks his first solo release as material of commendable style and character. Expect a journey through sweeping pads, glitched beat patterns and melodies saturated in fragile beauty.
released February 23, 2021
All tracks produced by Daryl Robinson
Mastering by Matt Colton
Artwork by moiCflo
If unconventional 2020 had a soundtrack, this album would be a perfect match. Passeio no Parque sounds like a lighthearted invitation made out of levity, but the 15 songs that the album entails, share the same exasperated sound that leaves little or no room for casual.
With an extremely visual hearing, it strikes all five senses. As the first note hits, we are engulfed by the feeling that we are standing on the precipice of something extraordinary. As if a cinematic filter was applied to our daily lives, adding a profound meaning to the most common situation.
Cheat Code: we recommend listening to it with your eyes closed and following – without hesitation – the tour to another dimension that insists on giving us.
2020 is not only marked by the coronavirus pandemic. It was stormed by thousands of natural disasters and human rights violations that had started decades earlier. 2020 is the peak of human greed and vanity which is the result of the capitalistic culture. The only way to deal with this is to open ourselves up to cooperate with one another. It looks simple if you are a utopian. The tradition to organise a small scale group with intensive multiple proxies is very necessary for the welfare of the people. Collective method like this must be carried out with a slow, long process, and requires a lot of courage because it will be faced with the big systems that does not want to share their benefits.
In 2019, Senyawa began to initiate a business unit to independently face the challenges of its economic sustainability called Senyawa Mandiri. This unit is also designed to reduce dependence on giant corporate products. As time went on, Senyawa Mandiri developed into a political stance for Senyawa themselve. It is no longer Rully Shabara and Wukir Suryadi. It was transformed into an open and egalitarian multi-entity.
During the coronavirus pandemic, Senyawa became increasingly convinced that the centralization of the art ecosystem and its industry was no longer relevant to the community. Senyawa new album, titled Alkisah, is a social tool that wants to break down the centers of the current arogant ecosystems. Alkisah consists of 8 songs and a collective system across cultures and continents. It was mixed and bred with 44 music labels and hundreds of musicians around the world.
As a supporter of Senyawa since 2010 and as a label that encourages an open-culture movement, Yes No Wave Music takes part in Alkisah module by releasing the album’s stem tracks provided for everyone to participate in reproducing the album. This stem album is accompanied by a remix sets titled Alkisah Dikisah. We invited 8 musicians: Wahono (Jakarta), Nursalim Yadi Anugerah (Pontianak), Prontaxan (Yogyakarta), Gabber Modus Operandi (Denpasar), Y-DRA (Yogyakarta), Pisitakun (Bangkok) and Slikback (Nairobi). Every remix is a free interpretation and artistic speculation of impossibilities to giving birth the art decentralization mutations.
Alkisah Dikisahkan
Curated by Wok The Rock
Produced by Yes No Wave Music
Mixed by the artists
Track 1, 2, 3, 4, 6, 7, and 8 mastered by Yossi Herman
Track 5 mastered by Wahono
Ilustration by Ardi Gunawan
Layout by Wok The Rock
The music recordings in question here were made as part of the Ae2 Multimedia project. The Ae2 project is primarily a fine art,photography,folk crafts, natural herbalism and spiritual research and engagement project. Audio creation was added to its output at a later date. ‘Manhattan 90’, ‘Stories of 89’ and ‘Winged Twilight’ were the result of live recordings made a long time ago [1990’s] but remixed by myself during the lockdown of 2020.
01. (00:04:42) Andrew Haines – Manhattan 90
02. (00:02:30) Andrew Haines – Masaparelda Dub
03. (00:06:25) Andrew Haines – Stories From 89
04. (00:06:29) Andrew Haines – Winged Twilight
05. (00:04:34) Haines & Schindling – Forest of Clocaenog
06. (00:00:42) Andrew Haines – Attic Jamz Outro
Tracks 1,2,4,6 were written as part of the Ae2 project by its joint members and produced by Andrew Haines.
* Track 5 was written by Christoph Schindling and produced by Andrew Haines and Christoph Schindling as part of the Ae2 project.
Playing Time………: 00:25:23
Bon-Psy & Visco City, two of the most exciting new artists within the Experimental Electronica scene, work together in harmonious fashion on their latest release ‘Serene’.
Both artists, having seen great success in 2020, effortlessly blend their two unique styles together to create something magical. ‘Serene’ is a rollercoaster, an amalgamation of different styles that they are able to effortlessly weave in and out of. Here they find balance between their approaches, and the result is five minutes of Electronic bliss.
Whilst ‘Serene’ is a standout release on its own, the accompanying Music Video presents further material to be dissected. Each section of the video corresponds to the four total lunar eclipses preceding the extremely rare “Blood Moon”. The alignment of the moon with the sun is a rare occurrence, and much like ‘Serene’ is an experience to be in awe of. Fleeting doves in each section suggest harmony, the rarity of a “Blood Moon” personifies the unlikeliness of two producers flourishing together so well.
Bon-Psy & Visco City kick off 2021 with grace and style, ‘Serene’ is an exciting proposal of what is yet to come.
From Straits of Magellan, Rafael Cheuquelaf, a member of the duo Lluvia Ácida, presents us with his solo project, an interesting musical contribution in which he decided to dust off some treasured machines like the Moog Realistic M-1 synthesizer, in order to give the album a sufficiently characteristic sound and close a complex 2020 battered by the pandemic.
Almost like a meditation from a distant place, Rafael has captured the immensity of the Patagonian landscape, crossed by some antennas along with the hole in the ozone layer and its UV radiation. Musically, his album “Austronáutica” transports us to styles like Synthpop, Ambient, Dub and Synthwave, with solid basses, enigmatic melodies and multiple arpeggios, which evoke the influence of artists like Vangelis, Popol Vuh, Jean Michel Jarre and Pansonic, to name a few. We could imagine when we close our eyes that we are “Under the Milky Way (Bajo la Vía Láctea)” or that we hear the “Microplastics” coming through the speakers.
Without a doubt, this album will take us to other sonic latitudes that will please the ears.
Felipe Baradit Stevenson
(Concón, Chile. Febrero / February 2021)
Antony Coffinot & Alexandre Navarro. French duo from Paris, founded in 2020, Aurora project drifts in between deep electronic sound experimentations, acoustic and fields recordings, spacey & abstract melodic pieces in kind of spiritual & poetic maelstrom.
credits
released February 13, 2021
All instruments, synths, recordings :
Antony Coffinot & Alexandre Navarro
cover art by Jean-Baptiste Sachsé
Tracklist:
1. Calma
2. Devastación
3. Agonía y Renacer
Stems, music by ангел – Catalyst
some stems, additional electronic effects & mixed, vocals only in track 8,
cover artwork design: Sábila Orbe.
Vocals in tracks 1, 3 & 6, model in the cover: Mist Spectra.
vocals in tracks 2 & 7: ангел
Humanfobia is a dark experimental, ghostly computer music project from Rancagua, Chile. links: humanfobia.jimdo.com/discography-ii/
hearthis.at/humanfobia/
humanfobia-official.bandcamp.com/
ангел – Catalyst is an Ambient, Electronic Project from Spain.
for listen all his music visit:
https://soundcloud.com/angel-angel-sin-s-ortiz
youtube:
www.youtube.com/channel/UCIIvptNE_BGCQf_Yo__xRoQ
For its 48th release, Da ! Heard It Records takes a leak into the unknown.
On the sleeve picture, conceptualized by Pia-Mélissa Laroche, Johann Mazé chooses the bag race to cross what seems to be a rural garden. In simple terms, he thus shows the listener the step to follow: one must jump with feet together in this eccentric universe with blurry borders, as if out of some dream, at the very place where a sleepy memory weaves strange links among things.
Here, enigmatic voices escape a house without walls into which one enters through the roof; improbable ritualistic rhythms form alternately the outlet of an imaginary tribe or a parade of a cannibalistic Yellow Jackets’ batucada; elsewhere, a wobbly walz lulls the ear with soft dissonances; farther still, a piano turns off in the night, a harmonica rises, a metronome sets the tone of a charade of diverse and catchy percussions…
Like an exquisite cadaver on a piece of paper that we unfold little by little, each new piece of the puzzle opens the door onto an unexpected territory. Passing from one thumbnail to the next though, the atmospheres answer each other with a clever sonorous montage, a patchwork of field recordings, of sonorous poetry… more
credits
released February 1, 2021
Johann Mazé & Jihem Rita
paroles, boîtes à rythme, électronique, claviers, piano, cris, rires, chœurs, harmonica, mini-xylophone, mini-métallophone, batterie, grelots, maracas, pads, syntoba, métronome, field recordings, brosse à dent électrique, magimix, rhino horn…
Mastering par Fabien Meunier
Conception graphique par P.M Laroche
Communiqué de presse par Germain
Traduction par Danielle Josset
