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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: experimental

Ilsól – Sarmata

Ilsól – Sarmata
[EEM062]

Ilsól

“Sarmata”

Sarmata is an analysis of emotional concepts that do not give in to any intuitive format of explanation.

A few years ago close members of my family had tragically passed, several dear relationships had been severed and multiple toxic ones established eventually leading me to a complete breakdown.

With nothing else but wonky synthesizers and impractical sound design choices to keep my company an idea to rip out the heavy emotional background noise that I experienced daily was born.

Through audial exploration I managed to return to my child-like self, along with values I thought I had scattered along the way.

I leave this with you as a monument to the time I believed to be the dawn of my being.

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posted 19 October 2021

ardleg – extraploration

ardleg – extraploration
[LCNLP135]

ardleg

“extraploration”

The Necrophile Hummingbird presents extraploration by ardleg “Experimental researches for people without answers”.

A collection of math noise miniatures chiseled for a single benge-listening shot or to savor fully the structures, textures, phases… like would do real noise connoisseurs. And perhaps then get an aftertaste of today’s reality…
Now it’s time to drink with your ears.

Contact : semen-s-club”at”laposte.net

Previous albums released by ardleg on the Internet Archive
cob box
archive.org/details/cobbox_ardleg
noirbre
archive.org/details/MI261-ardleg-noirbre
CLINS D’OEIL
archive.org/details/ARDLEG_CLINS_D_OEIL

Also collaborations on many other projects KWAY, St Noiz, La 6ème République, Zone fusION, rADio eNd…
archive.org/search.php?query=subject%3A”ardleg”

More free music by ardleg here
ardleg.bandcamp.com/
http://soundcloud.com/ardleg
Artwork by ardleg

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posted 15 October 2021

Neurologick Thunder Rkdz x Filmy Ghost – MΛGYCΛL SWΛMP

Neurologick Thunder Rkdz x Filmy Ghost – MΛGYCΛL SWΛMP

Neurologick Thunder Rkdz x Filmy Ghost

“MΛGYCΛL SWΛMP”

Stems, instrumentals by Neurologick Thunder Rkdz collective.
artwork by Astarte 23.
sounds remixed by Sábila Orbe.

Neurologick Thunder Rkdz // is a collective/label of multiple different projects by Sanja. (aka Agitation Phi) and also of her collaborations with other artists. Also with the collaboration in visual artworks by Astarte23.
neurologickthunder.bandcamp.com/
https://soundcloud.com/user-685450274/tracks
www.deviantart.com/astarte23/gallery

Filmy Ghost. is an experimental, ghostly electronic project from Rancagua, Chile. Created by Sábila Orbe.
humanfobia.jimdofree.com/filmy-ghost/
archive.org/details/fav-sabila_orbe02
hearthis.at/filmy-ghost/

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posted 13 October 2021

Dominik Vogel – Emails from my Future Self

Dominik Vogel – Emails from my Future Self
[Wuerfel33]

Dominik Vogel

“Emails from my Future Self”

A new album, then. Seemingly casually screwed together from the wrist. Dominik doesn’t make many words about it:

“The tracks are (as usual) one-take recordings of the modular system, partly also with generative elements.
Often carried by 2 modular CS-80 voices and almost beatless, the tracks on this album are rather minimalistic, emotional and intimate.”

This description is technically accurate, but of course does not do justice at all to the monumental sound and sense spaces of his music. It’s about as if a Cologne resident would say, “Yes, and at Roncalliplatz there’s a big church, quite a lot of stones were laid for it.”

And indeed, Dominik Vogel’s tracks are surrounded by a certain sacral air. On the one hand, because they come along carried and in places dissolving in long reverb tails. On the other hand, because all the titles can be understood as small, spiritual impulses. If you want to.

Of course, you can also simply enjoy the whole thing as ingenious sound play and not be misled by the titles. And yet we have the well-founded suspicion that there must be more than we initially want to perceive.

Great art always holds a secret.

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posted 12 October 2021

Kosmische Clutharachán – Come Undone (Duran Duran Cover)

Kosmische Clutharachán – Come Undone (Duran Duran Cover)

Kosmische Clutharachán

“Come Undone (Duran Duran Cover)”

instrumental Duran Duran cover. Available for a limited time.

Nicholus Parrott : All Instruments
Recorded at CGR. 2021.

Also available:

“Abstrakt Pholcidæ” (covers collection)
Featuring songs by Cocteau Twins, The Stranglers, Duran Duran, Stereolab, Bill Wyman, Godflesh, Meshuggah, Thomas Ravenscroft, Alice In Chains, Slowdive, Slug, Mari Iijima, Mojave 3 and Silver Jews.

archive.org/details/abstraktpholcidae
credits
released October 9, 2021

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posted 10 October 2021

Coletivo NSLO and friends – NEWS

Coletivo NSLO and friends – NEWS

Coletivo NSLO and friends

“NEWS”

To complement the release of The Foundation Trilogy of albums by Brazilian contemporary classical ensemble Coletivo NSLO

CHARLATÓRIO tcfsr.bandcamp.com/album/charlat-rio
Sururus Perdidos tcfsr.bandcamp.com/album/sururus-perdidos
Rosa dos Ventos tcfsr.bandcamp.com/album/rosa-dos-ventos

we present this collection of remixes by TCFSR associates, using source material from these albums.

Some contributions are remixes of individual tracks, some have combined samples from a variety of tracks and some have taken sound events from the albums and sculpted them far from the original.

Releases by Andreas Brüning, Gimu, Trixie Delight, Lone Cosmonaut and Dental Drill Slips can be found elsewhere on the TCFSR bandcamp.

Trixie Delight has an album released on dhatūrā records dhaturarecords.bandcamp.com/album/peeling-strawberries
She also runs the label ‘Trixie Delight For Charity’ raising money for the charity Phone Credit For Refugees And Displaced People trixiedelightforcharity.bandcamp.com

Andreas Brüning in addition to his solo work, is part of various groups:
Audiomat tcfsr.bandcamp.com/album/audiomat
BASS tcfsr.bandcamp.com/album/extended-technique

Gimu has released albums on a variety of labels, his releases are now collected at gimu.bandcamp.com

Coletivo NSLO present instrumental compositions by Heitor Oliveira, performed by Dario Rodrigues Silva (piano), Gina Arantxa Arbeláez (flute), Renan Simões and Sabrina Souza (guitars).
credits
released October 1, 2021

The Foundation Trilogy was mixed by Fred Garibalde

All remixes were produced by the artist,
except tracks 1,4,5,6, and 7, which were mastered by Dental Drill at The Patisserie.

Album master by Dental Drill for TCFSR.

Cover design by DRILLArt, a composite of original cover art by Flaviana OX

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posted 06 October 2021

An octopus in the bathtub – Lucky 13

An octopus in the bathtub – Lucky 13
[mi293]

An octopus in the bathtub

“Lucky 13”

an octopus in the bathtub is the solo project of Ricardo Ramos (member of Dirty Coltrane / The Dirty Coal Train, Tiger Picnic, Puny, Cloudland, and much more…).

After the debut in 2000 with volumes 1 and 2 of 4 track demos where the first improvisations were compiled he released multiple EPs and Albums inside the spectrum of experimental improvised music, noise and contemporary composition.

“Lucky 13” compiles 3 tracks starting with the title track: 13 minutes of double guitar and drums with interpolated tribal rhythms and dissonant chords. The 2nd track “fisga” has a bass drum pattern leading the way while a bowed inverted guitar creates ambients that are punctuated with short drones. The last composition “dead punks” has a trumpet and ambiental guitar singing 2 different songs over a hyper-reverbed percussion.

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posted 03 October 2021

A Symbiotic Experience – Open Source

A Symbiotic Experience – Open Source
[LCNLP134]

A Symbiotic Experience

“Open Source”

The Necrophile Hummingbird Netlabel & HAMFUGGI Records present Open Source by A Symbiotic Experience.
The first part of a trilogie with Oneiric Sound and Original Subversion.
“Free Music for Open People”.

About the depths of this album :
Do you remember ?
The first time you did a step outside the mainstream, the revelation when you discovered that without any wave your own breath propels you wherever you want it.
There are many kind of demonstrative musics, showing technical skills, epic apex, feelings tearing up you eyes, whatever…
Open Source music, a kind of Inconclusive music, open up space for differents forms of life.
Our music is for me a sincere example of what Hamfuggi Records curation made possible to come alive online to keep awake your ears.
Only essential music trying to do not stay stuck in any common paths, not even our own way. Not for seeking this for itself but by love of freedom.
It is the pathfinders harvest that we deliver.
Do you wanna keep your ears free from the strayjacket’s habits ?

About the surface of the album :
A Symbiotic Experience more than a concept is obviously an experience. I mean it’s no just a name, it’s how we really operate.
More than any sound brilliance, it is the mind singularity that should take you by the hand for this journey.
Perhaps our first albums were more dream projection or capture,
but the further we go the closer it seems to
merely be… the dream.

The fourth album is here Gesamtkunstwerk
archive.org/details/Gesamkunstwerk_A_Symbiotic_Experience

The Third Near Death Experience is here
archive.org/details/Near_Death_Experience_A_Symbiotic_Experience

The second Rebirth is here archive.org/details/Rebirth_A_Symbiotic_Experience

The first Renaskigo is here hamfuggirecords.bandcamp.com/album/renaskigo

Also there is a prequel to A Symbiotic Experience : Dawn of the Damned.

A Symbiotic Experience is a project created for HAMFUGGI Records, but we really love Non Exclusive Concept so we chose to do a double release. More informations here hamfugi.wixsite.com/hamfuggirecords/a-symbiotic-experience

Recorded between Buenos Aires (Argentina) and Foucherans (France)
Dedicated to everyone who keep the fire of hope within and share it freely with the world

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posted 01 October 2021

rADio eNd – Paroxysmic Rhapsody [Part 2]

rADio eNd – Paroxysmic Rhapsody [Part 2]
[LCNLP133]

rADio eNd

“Paroxysmic Rhapsody [Part 2]”

The Necrophile Hummingbird presents Paroxysmic Rhapsody by rADio eNd. “Dialectic Music for Holistic people”

The origin spark happens while I was reading the notice of that George Gershwin record “Rhapsody in Blue”.
So this album maybe also a kind of experiment in modern music. It seems that in this album there are two points of view on the reality around, first from… an isolated cell, next from.. the subconscious constellation. The album is split in two parts because of this, and also to fit with that time of small attention span.
Where is the synthesis ? Anyway music is worth more than any talk and deeper than any thoughs.

This said it could seems to be a conceptual avantgarde album. Maybe it’s more a primitive recreation of classical music.
My only certainty is that to be free generate more freedom. What you are listening is building up your reality.Our balance balance the world.
May I dream ?

Thanks so much to all the friends who are members of rADio eNd in this album. For the first part long time friend Ben Presto & Planetaldol. For the second part Innocent but Guilty, Tarka & Myrh, Studio 112, Walt Thisney.
And to you dear listener for welcoming our dreams in your reality.

Free Download in Wav & Flac on the bandcamp.
yoshiwaku.bandcamp.com/album/paroxysmic-rhapsody

Members credits :
Track 1/2/4 Ben Presto https://soundcloud.com/oinko
Track 11 Bissecta SâVge https://soundcloud.com/bissecta & Myrh https://soundcloud.com/myrhyum
Track 7 & 8 Innocent But Guilty apocalypsesounds.bandcamp.com/
Track 3 Planetaldol planetaldol.free.fr
Track 8/9/13 Studio 112 studio112.bandcamp.com
Track 6 Walt Thisney walthisney.bandcamp.com
Ed End ello.co/ed_end

More info about rADio eNd process.
www.horsnorme.org/rADio_eNd/rADio_eNd_english.html

Here are the lyrics of Will-O’-the-Wisp over the world.

Les étincelles originelles. The original sparks.

Dans la nuit dansent des lueurs.
In the night glowing lights are dancing.

Nous ne sommes pas des balises de détresses.
We aren’t emergency locator transmitters.

Nous connaissons les émotions qui palpitent en toi.
We know the bursting feelings in you.

Animal en cage dans une société d’esclavage.
Caged animal in a slavery society.

Nous te comprenons. We understand you. Nous sommes avec toi. We are here with You.

Nous sommes un appel à la vie.
We are life. Life is calling you.Listen the call of life.

Pulsations qui franchissent l’espace et le temps,
Pulsations from beyond time and space,

pour atteindre celles et ceux qui dorment derrière leur écrans.
For reach those asleep behind their screen.

Nos clameurs percent les ténèbres.
Our clamors break through the darkness.

Nous ne sommes pas des étoiles lointaines.
We aren’t distant stars.

Nous sommes les étincelles originelles,
We are the origin sparks,

qui cherchent à entrer en contact trying to get in touch avec toi. with You.

Nous sommes ta part d’humanité qui cherche à te réveiller.
We are your humanity core trying to awake.

L’humanité aveuglée s’est condamnée à la peine capitaliste.
The blind humanity condemned itself to capitalist punishment.

Blessure mortelle qui ravage cette terre.
Deadly wound which ravages this earth.

A travers leurs barreaux virtuels les prisonniers entendent nos musiques étranges.
Through their virtual bars the prisonners listen our stange music.

Ils pensent à une hallucination, alors que c’est ce qui leur semble réel l’hallucination.
They think of a hallucination, when it is what they think is real the hallucination.

Leurs cerveaux l’ont construite pour supporter la dure réalité de la prison de fer.
Their brains built it to face the harsh reality of the iron prison.

Déconnectés de la vie, Disconnected from life, ils sont bombardés d’informations, they are bombarded with information, comme on gave les passagers des avions transcontinentaux, like cramming passengers on transcontinental planes, pour oublier la mort qui guette. to forget the lurking death. Programmés à se soumettre au dictât du profit et de la dette.
Programmed to submit to the dictates of profit and debt.

Nous étions les rêveurs de ce monde, ce que nous rêvions prenait forme.
We were the dreamers of this world, what we dreamed of came to life.

Le poison injecté dans nos cœurs nous a fait croire que nous étions incapables.
The poison injected into our hearts made us believe that we were unable to do so.

Le pouvoir occulte nous a volé le pouvoir de la création.
The occult power has robbed us the power of creation.

Sur ce qui était un jardin, il a étendu l’uniformité du béton,
On what was a garden he extended the uniformity of concrete,
une science sans conscience, des lois et des dogmes pour donner l’illusion que tout est sous contrôle. A science without conscience, laws and dogmas to give the illusion that everything is under control. Jusqu’à ce que tout soit sous contrôle. Until everything is under control.

Projection d’un film catastrophe pour annihiler toute résistance.
Projection of a disaster movie to annihilate all resistance.

L’humanité a été condamnée le jour où elle a accepté cette sentence comme une fatalité.
Humankind was doomed the day it accepted this sentence as fatality.

Nous sommes nos propres bourreaux chaque fois que nous portons un jugement.
We are our own tormentors whenever we judge someone.

Nous exécutons la sentence chaque fois que nous oublions l’amour.
We carry out the sentence whenever we forget about love.

Chaque fois que nous renonçons à la liberté.
Whenever we give up to freedom.
Il n’y a pas de savoir à transmettre, pas de solution, autre que l’amour est la vie.
There is no knowledge to impart, no solution, other than love is life.

Mais l’amour n’est pas ailleurs qu’en toi.
But love is not elsewhere than in you.

Si tu vis, tu aimes et tu crées l’envie autour de toi, l’envie de la vie, de connaître l’amour en soi.
If you live, you love and you create the desire around you, the desire for life, to know love in yourself.

Celui qui libère, qui invite au partage, à dépasser nos peurs, à faire nos propres choix.

Quels qu’ils soient.

The one who liberates, who invites us to share, to overcome our fears, to make our own choices. Whatever they are.
Notre message répété sans fin, sous toutes formes, spolié et dévoyé par les religions,
Our message repeated endlessly, in all forms, despoiled and misled by religions,
qui s’inscrit en chacune et chacun, le jour où il née de l’expérience de la vie.
Which is inscribed in every one, the day it is born from the experience of life.

Dans l’amour, il y a toutes les autres émotions, comme en toi, pas d’adversaire,
In love there are all the other emotions, like in you, no adversary,
si tu te diriges tu n’as plus besoin d’exclure, si tu n’as pas peur, chaque chose t’apporte du bonheur, dans la souffrance comme dans la joie.
if you direct yourself you no longer need to exclude, if you are not afraid, everything brings you happiness, in suffering as in joy.

La réalité est une lecture consciente d’une trame non déterminée, nous façonnons nos vies.

Les histoires figées, les livres, les films ou les jeux ne sont que des reproductions extrêmement limités de la vie. Les sacraliser c’est nous condamner à ne pas pouvoir apprécier ce qui nous rend réellement heureux.

Reality is a conscious reading of an undetermined frame, we shape our lives.

Frozen stories, books, movies or games are only extremely limited reproductions of life. To idolize them is to condemn us to not being able to appreciate what makes us really happy.

Morne, Foucherans the 23th October 2020 for rADio eNd.

Also a Video Art Clip will be soon here www.bitchute.com/channel/mixuptv/

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posted 28 September 2021

PIRATE Tapes – In Extremis Ex Nihilo Sound Artefact Capture Performance

PIRATE Tapes – In Extremis Ex Nihilo Sound Artefact Capture Performance
[LCNLP131]

PIRATE Tapes

“In Extremis Ex Nihilo Sound Artefact Capture Performance”

The Necrophile Hummingbird presents “Performance d’extraction d’un artefact sonore ex nihilo in extremis” by PIRATE Tapes. First of 2 concerts recorded before and after the first lockdown. A way to show how the spontaneous music that we call “improvisation” is slightly closer of Karlheinz Stockhausen’s intuitive music than of the jazz improvisation. Indeed it’s mostly a live session as we use to do when we records one of our album before split it in several parts and title them as tracks… but with public.
Merely nothing prepared, we plug and play that’s all : total improvisation.

Improvised music recorded live the 23th February 2023 at the 36 Art Gallery of Dole (france) “In Extremis Ex Nihilo Sound Artefact Capture Performance” aka “Performance d’extraction d’un Artefact Sonore Ex Nihilo In Extremis”. Musique quasi totalement improvisée à la Galerie du 36 de Dole (france) le 23 février 2023. Si le titre n’est pas assez explicite, la performance improvisée consistait a dévoiler les mystères de la capture d’un Objet Sonore Non Identifié…

Free Download in Wav & Flac on the bandcamp zonefusion.bandcamp.com/album/performance-dextraction-dun-artefact-sonore-ex-nihilo-in-extremis

Original Photography by Aurélien Benoist
www.abenoist.com

Members :
Alain Grille (Electric Guitar & FX)
www.studio112.bandcamp.com
Ed End (Kaossilator, electric frequency generator, turntable & FX)
www.ello.co/ed_end

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posted 25 September 2021

Javier Moraga – Sofismo

Javier Moraga – Sofismo
[pn034]

Javier Moraga

“Sofismo”

(UPDATED SEPTEMBER 2021 in FLAC)

Restless Javier Moraga has conceived this set of atmospheric tracks that are no easy stuff to our ears at all.

‘Sofismo‘ appeals to the mother’s womb, taking us there, eliciting our arcane memories: our mother’s blood feeding and warming, hearts beating at the same time, becoming rhythms we will remember for life… a missing quality this release brings back in full glory.

This set of tracks grew along his daughter – the most wonderful thing in Moraga’s life. This may explain their sonic quality, as if they were heard thru the womb, coming from a cold, unknown outside, but turning into something cosy and warm while inside.

Filled with unrecognizable – though identifiable -, organic, thick sounds, stimulating imagination, this album deals with its title not in the sense of thought’s depth or truth seeking thru knowledge, but rather in the sense of sonic exploration: Javier intends to rule over machines, synthesis, tools… the final word is up to you.

Iván Tapia
(Barcelona, España, September 2008)

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posted 22 September 2021

Wolne Pokoje – Kostropate

Wolne Pokoje – Kostropate
[mhrk285]

Wolne Pokoje

“Kostropate”

1: Common quantum physicists’ interpretation and statement is that there is no such thing as matter and what we all call matter, in reality is energy. The whole universe is energy, frequencies, vibrations. What we observe is energy vibrations that are slowed down to a level that is perceivable by our senses and sensors. It all exists thanks to forces which make particles quiver and yet keep the whole system together. Many spiritual or metaphysical things in essence have always been just physics which we have not properly seen and understand yet.

2: “Spaces lost, abandoned, cheated by history and nature have an odd, somewhat surreal charm … When things and places lose the context that gave them function or meaning, you can rediscover them. Useless, even freed in a sense, they gain a specific aura. Not only do we see them as new, but they also turn their surprised sights towards us and try to ask us a question … Sometimes an accidental glance is enough to give in to the force of that place for years. Sometimes a place lives in a person since childhood.” — Katharina Raabe, Monika Sznajderman, taken from the intro to„Znikająca Europa”, Wydawnictwo Czarne, Wołowiec, 2006.

These two contexts were the inspiration for the energy, frequency and vibration of Wolne Pokoje’s “Kostropate”.

[mhrk285]

Recorded in Gdanska Studio, Kolobrzeg, Poland, 2018/2019

Music and production: Robert Demidziuk

Recorded using: neutron, monotron, wavedrum, guitar & effects, xylopohone, bamboo sax, slovakian bass aliquot flute, kaoss pad, vintage rhytm machine erm-32, dub sirene, field recordings

Cover artwork design, photography: Ivo Petrov

Released September 12, 2021 as free (cc) digital download and a special limited edition cassette tape.

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posted 16 September 2021

Demain Sans Faute – Panier de fruits

Demain Sans Faute – Panier de fruits

Demain Sans Faute

“Panier de fruits”

De la folk song bizarroïde, des expérimentations bruitistes de larsen de table, en passant par de la guitare préparée et des percussions technoïdes.

Enregistré et mixé par l’Austral.
credits
releases September 21, 2021

Demain Sans Faute is a french band from Brest, Brittany.

Co-Produced by Les Labels:
Epicericords – Cooloax – Les Clampins d’abord and Do It Youssef !

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posted 10 September 2021

Laurent Fairon – Redivivus

Laurent Fairon – Redivivus

Laurent Fairon

“Redivivus”

Musique concrète suite for bullroarer, church organ, cimbalom, vocoder, boat horns, Romanian Catholic choir, Indian ashram temple bell, Radio Afghanistan station ID, and other aural ablutions. Researching melodic patterns in musique concrète.

Recorded in July–August, 2021 in Paris and Poitiers, France.
L.F.: found sounds, samples, loops, sound collage, virtual synth, artwork.

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posted 08 September 2021

For The Glory Of Nothing – Garmonbozia

For The Glory Of Nothing – Garmonbozia
[UKRec004]

For The Glory Of Nothing

“Garmonbozia”

“Garmonbozia” – an uncanny hidden plot distinguishes the For the Glory of nothing’s EP debut – out on 22nd September for UKhan Records.

It seems that a thin red red red line binds events and pheanomenons apparently not bound to each other; subterranean connections typifying paranoid constructs of alienated conspiracionists and some historical facts that are marked as truth only after centuries, with no more risk of being considered fool just for the fact of whispering about it.

Based on this necessary premise,the purpose of For The Glory of Nothing’s EP Garmonbozia is to tell us that a strong relationship stand between the first nuclear tests in the American desert, the dark ritual of Sexual Magic pursued by Alaister Crowley, Roy Hubbard and Jack Parsons from Ordo Templis Orientis, the opening of dimensional gates, several ritual murders who feed the modern press (some of them happened in the moonless evenings of the Tuscanian countrysides) and UFO phenomena as subtle events of demonic nature, as per the “interdimensional hypothesis” of Vallée, Hynek and Keel.

For the Glory Of Nothing are not alone in believing in this apparent madness, as David Lynch’s Twin Peaks universe seems to refer to the same strong bindings. The purpose of all this is given by the artist itself: “It happens that men divided from their souls secrete the favorite nourishment to the lords of the infrahuman abysses. They know all the secrects of the matter; in an era where every contact with the First Light is cut, the unbearable vertigo eases men to trade with filthy beings.

The four tracks of Garmonbozia offer an oneiric, sophisticated and allucinatory ambient, with tribal and psychotic IDM elements, substained by unsetting industrial grounds. Eerie atmospheres find a vessel into UKhan Records catalog.

“Garmonbozia” will be released on 22nd September 2021 by UKhan Records and will be preceded by the single “Anti-world, overnight” which will be made available from 8th September 2021 on label’s channel
Youtube: https://youtu.be/PNe_cwLFMa4
Bandcamp: ukhanrecords.bandcamp.com/album/garmonbozia
Soundcloud: https://soundcloud.com/ukhan-records/for-the-glory-of-nothing-feat-fabio-di-gregorio-anti-world-overnight

BIOGRAPHY

Due to the fact they are a hidden couple, For the glory of Nothing are forced to stay unkown and unable to perform live. First encounter took place in an extremely confidential context as anonymous subjects; months after, a random detail in the everyday life gave them the chance to recognize each other. Beyond any self preservation logic, they decide to compose something to witness the fellowship of these two souls. They can’t predict anything any further; those who will benefit their works, they will take them as they will be, if they will be and the way they will be.

“Non nobis Domine, non nobis, sed nomini tuo da gloriam”.

EPK Link: mailchi.mp/97e07230c692/garmonbozia-an-uncanny-hidden-plot-distinguishes-the-for-the-glory-of-nothings-ep-debut-out-on-22nd-september-for-ukhan-records

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posted 08 September 2021

Luke Lund – Vaporous Passage

Luke Lund – Vaporous Passage
[TERR115]

Luke Lund

“Vaporous Passage”

TERR115: “Vaporous Passage” is a ruminative distillation of Luke Lund’s hypnagogic drone guitar and obsession with fx, dedicated to exploring textural properties and limitations of the EBow.

Inspired by revisiting recordings from 2011, this hourlong improvised guitar journey harkens back to his EBow worshipping “Infinite Sustain” albums from former ambient project Light Overhead, but importantly bears no efforts to purely retrace those recordings a decade later.

Split into two contrary forces, the album opens with bittersweet, swirling vignettes saturated with ferric fuzz — the dreamlike, chiming breeze of “Deliverance From Doubt” arcs to elegant organ-like tones before dissipating away into the glistening, soporific kaleidoscope of “Far Peripheral” — A reprise bridges the warm soundscapes into a despaired flipside of unholy drone — The depleted discord of “First Encounter” paints a monochrome, void-staring picture — The churning phantom rhythm of quasi-industrial “The Ache Beneath” crushes across spiraling walls of doom — The searching album finale floods over with a heart-stricken motif as a closing gesture…

“Vaporous Passage” is a vehement step forwards, revitalising his relationship with weightless guitar by a more mature approach.
credits
released September 3, 2021

— EBow, 7-string electric guitar, effects by Luke Lund
— Echo flavor for track 5 from Seeli Kuuppo
— Recorded at Solace on September 2nd 2021

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posted 06 September 2021

Rooms Without Doors – I shouldn’t be watching this

Rooms Without Doors – I shouldn't be watching this
[JSTD-021]

Rooms Without Doors

“I shouldn’t be watching this”

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:)

I’m excited to announce the first partner release with Rooms Without Doors & Jested Inc! RWD (aka HTCAT) is one of the coolest visual and sonic artists I know, and I’m proud to be releasing his vaporwave album, “I shouldn’t be watching this”. Check it ouuuuuuuuuut!
credits
released September 4, 2021

Originally published here: htcat.bandcamp.com/album/i-shouldnt-be-watching-this

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posted 06 September 2021

rADio eNd – Salvator Salvandus

rADio eNd – Salvator Salvandus

rADio eNd

“Salvator Salvandus”

Ed End:
Album concept, song titles, and original source music.

Charles Rice Goff III:
Additional sounds, mixes, final edits, and cover art.

Technology:

Ed End:

Novation Bass Station analog synthesizer in rack with Yamaha DX21 keyboard.
Rhythms generated by a Digitech Trio Pedal in various FX circuits, coupled with a pink Mini Kaossilator Korg, an electric frequencies generator, and various FX pedals.
Samples are done with an old turntable with an elastic band and some other stuff under the records to make irregular playing surfaces.
Etheric Body incorporates a computer overlayer mix.

C. Goff III:

Voice, Korg R3 Vocoder/Synthesizer, Korg Z1 Synthesizer, Micro Moog Analog Synthesizer, Hello Kitty Stratocaster Electronic Guitar, Aklot Electro-Acoustic Soprano Ukulele, Various Plectra, Boss RC 20X Loop Station Loop Duplicator, Ibanez DM 1000 Digital Delay, Yamaha FX 500 Effects Unit, Various Analog Foot Pedal Sound Effects, Tascam 424MKIII 4-Track Cassette Recorder, K-Mart Portable Phonograph, Modified Vinyl and Flexidisk Records, Cool Edit Pro II, Audacity, Midisoft MIDI Scorewriter, Windows Media Player, Roxio 2011 Sound Recorder, Several Plug-In Audio Sound Effects, Amazing MIDI Wave-To-MIDI, Polysoft MIDI to Mp3 Converter, Natural Reader Voice Emulator

Editing Process:

To produce this collection, Goff blended many of his own original recordings with Ed’s source materials. Goff also modified Ed’s source materials in many ways. Simple digital effects altered source track sounds and/or speeds. Some source tracks were played on a keyboard directly through the inputs of a Korg Vocoder. On one piece, a single rhythmic source phrase was modified in a number of ways, then the various modified phrases were linked together into a chain. Some source tracks were converted to MIDI files, then the resulting tracks were altered to showcase a variety of MIDI sounds. Some edits were recorded onto a 4 track cassette tape and remixed manually into digital files.

Below the surface :
We talked a lot about the symbolic elements before Goff upgrade it.
About Salvador Salvandus concept you will discover yourself an answer if you translate the fifth track title.
It seems one big problem in this world is about on one side the self proclamated saviors, kind of people often thinking that there is only one solution : their solution… and on the other side the savior worshipers, kind of people often thinking it’s more safe to be save by someone else than to do it themselves…
For me both are wrong. Of course, people with a little psychological skills know that the “hand seeking help”, is more trying to drag down someone else to feel less low. Sameway that the “helping hand” is more trying to steal the benefit of the salvation. Obviously the savior can’t save and the savior seeker can’t be save.
Both being blinded because too much self centered. In this problem there is not only two subjects but three and this third one is the world itself, and the world, this wide network of living beings brings a real solution if you are able to listen it. You get the process and knows how to act toward to solve it till you are able to feel these connections and understand how to set your mind.
Hard to explain fully in few words roughly translate that’s why I prefer let the music talk.

Above the surface :
It took me several listening before to get it, Salvador Salvandus is the kind of album you can often go back to and slowly become a familliar presence as well as that shadow behind you can be. For me it’s an important step in rADio eNd study of how a kind of soul can be reveal thru the transformation of the sound material. That’s why I’m so happy Goff share his editing process. And I hope you will be as joyfull than me that he brings this music to life.

This album is also available here:
archive.org/details/rADio_eNd_Salvator_Salvandus

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posted 03 September 2021