artwork by Anton Gudkov
Constant9 is an experimental duo using modular synthesizers, live sampling and electronic percussions. Based in Moscow, Russia and Stockholm, Sweden.
Junction / Koppling was recorded live in Moscow at Nazlo Records studio in collaboration with Dolphin Hospital.
The Necrophile Hummingbird presents the aftermath of a funny spiritual experience. “Acousmatic Music for the Concrète People”
This EP will be part of the album “La Fête du Sillon Sacré”.
No Undergods Were Harmed in the Making of this EP.
Full EP in free download in Flac or Wav on this bandcamp profile yoshiwaku.bandcamp.com/album/new-ordeal-world
The first two tracks designed for this french selfportrait podcast
aligrefm.org/agenda/le-colibri-necrophile-ed-end-480
Which may be related to Ordalie Found Footage https://www.youtube.com/watch?v=baYeo97yqQA
Last year full (except rADio eNd) retrospective is interesting for a global hearing.
https://panoramamix.tumblr.com/post/623102835945537536/ed-ends-retrospective-a-free-to-share
Cinemix :
Bugey pour mémoire
More free music by CorteX
archive.org/details/le-colibri-necrophile?and%5B%5D=creator%3A%22cortex%22
an ambient random sequence d.i.y. installation, inspired by Eno, Satie and the passage of time
Uhr / To Fade To is an experimentally experiential sound piece which questions the individual listener’s agency within the listening experience and preconceived expectations around the acts of active and passive listening. Comprised of 240 thirty-second triad sinetone drones, this album is to be downloaded and randomly shuffled in a player of one’s choice. The result is a seemingly endless array of tonal possibilities, a larger-than-human-life melody full of aleatoric twists and turns.
The impetus of this piece is to dig deeper into an inquiry that Erik Satie opened with the advent of his so called “Furniture Music” and which was later expanded upon by Brian Eno’s popularisation of “Ambient Music”. This is piece is to be played into an open space and to be forgotten about and returned to. As each track is precisely 30 seconds long, it acts as an abstracted clock. Listeners may drift from and to the space in which they choose to listen in. As the content of this album is made up completely of sinetones, the piece is inherently relativistic and allows listeners to move through the peaks and troughs of the waves.
There are
4,067,885,363,647,058,120,493,575,921,486,885,310,172,051,259,182,827,146,069,75 5,969,081,486,918,925,585,104,009,100,729,728,348,522,923,820,890,245,870,098,65 9,147,156,051,905,732,563,147,381,599,098,459,244,752,463,027,688,115,705,371,70 4,628,286,326,621,238,456,543,307,267,608,612,545,168,337,779,669,138,759,451,76 0,395,968,217,423,617,954,330,737,034,164,596,496,963,986,817,722,252,221,059,76 8,080,852,489,940,995,605,579,171,999,666,916,004,042,965,293,896,799,800,598,07 9,985,264,195,119,506,681,577,622,056,215,044,851,618,236,292,136,960,000,000,00 0,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000
possible variations of the melody that this piece and randomised album present, if shuffled and played from beginning to end.
www.zenapolae.com/releases/zen231/zen231__Ben_Glas__Uhr_ToFadeTo__146.mp3
released June 1, 2021
Produced, Mixed, and Mastered by Sufyvn
Album cover artwork by Sufyvn
Stef Brans: guitar
Niels Achtereekte: bass guitar, keys
Rutger van Driel: trombone, noise
”A singer can shatter glass with the proper high note,” he said, “but the simplest way to break glass is simply to drop it on the floor.” – from the vampire chronicles #2, by Anne Rice
The 100th release on TCFSR Bandcamp is the 28th release by tourmaline hum, although it is five years since their last album ‘system Imperfect’ tcfsr.bandcamp.com/album/system-imperfect
During this time the duo of Lone Cosmonaut and Dental Drill have each created a number of solo releases and contributed to a variety of other projects (and Dental Drill has taken on the day to day running of the TCFSR label) so the tracks for ‘Invasive Species’ were created intermittently between 2017 and 2021. Nonetheless the album demonstrates a thematic consistency. The album has a darker edge than most of tourmaline hum’s previous work.
credits
released June 1, 2021
Everything that you can hear: tourmaline hum
Design: DRILLArt
Photos: Kate Tree, Trixie Delight
Anything else: The Committee For Sonic Research
releases July 1, 2021
Music by Lewcid: soundcloud.com/lewcidsounds
Art by instagram.com/therealmueseum
Mastering by fixedmastering.com
released June 1, 2021
This album about obscuration through aesthetics is based on a sentence that claims that people cannot use beauty to get to “the bottom part of the Earth”.
Originally a quartet, now a trio, Pátí na světě delve into the lands of sirup-covered strings sections.
They prune their way through these sticky thickets to more and more choruses that get so easily lost by the campfire.
Long before the pandemic, the lyrics to “Gulliver” included the term “deniers”, half-forgotten at the time, hackneyed and overused today.
The album’s message is the following: The world as we know it is breathtaking, even without beauty!
credits
released May 31, 2021
Pátí na světě / Fifth in the world
album: Jupiter Carousel
year: 2021
label: Polí5
order CD at: www.polipet.cz/vydavatelstvi-poli5/
Pátí na světě: Tomáš Doležal, Petr Fučík, Ivan Palacký:
Guests: Lucie Páchová, George Cremaschi, Tomáš Vtípil
Recording: Petr Fučík
Mix&Master: Tomáš Vtípil
Cover art: Roman Ženatý & Tomáš Doležal
The Tunnel / Music video: vimeo.com/552927031
Laurent Fairon – Elecktronische tsimtsum
Electroacoustic and musique concrète recorded from February to May 2021 in Paris, France.
01 Écoute construite (4:22)
02 Elecktronische TsimTsum (18:53)
03 Rire hérité (6:39)
04 Holodomor (9:49)
05 Cadastre (11:39)
Total time: 51mn 25
“Poemas de Porcelana” (“Porcelain Poems”) is the title of the album that brings together a selection of two performances realized within the context of the exhibition “De las Prácticas Cotidianas de Oposición” (“From Daily Practices of Opposition”) by Jorge Cabieses-Valdés in the D21 Art Projects (2020). In an individual exhibition the artist presented the works “Porcelanatron IV & V”, musical instruments constructed from pieces of glazed stoneware ceramics. Inspired by the acoustic potential that every piece of ceramic possesses, the instruments emit a sharp and crystalline sound that comes from the hollowness and hardness of their ceramic material.
For “Porcelanatron IV & V” the artist’s work is based on 14 vases from the Lota Ceramic Factory belonging to the Pedro Montes collection, typical of the domestic and ornamental environment. The ceramic pieces made by the artist try to imitate the appearance of these vases, failing irretrievably and presenting themselves in total deformation, thus forcing their rigid surfaces to vibrate and sing grotesquely.
This is not the first time that the artist has worked with the traditional ceramics of Lota. In 2018 he manipulated figures belonging to the collection of the Museum of Decorative Arts (Orfeón, Lota) where each figure had a large-scale acoustic replica that emulated the sound percussed on the figures.
The album features the participation of the musician and producer Marcelo Peña Cortés aka MIOPEC (Tobías Alcayota, MKRNI), who plays viola and synthesizer arrangements and is also in charge of mixing and mastering the album.
archive.org/download/pn188/pn188_01_Jorge-Cabieses-Valdes_1.mp3
![Humanfobia – Into the Crypt Hop Dungeon 🕯☽☾🔮[10 Years of Humanfobia]](https://www.clongclongmoo.org/wp/wp-content/uploads/https://i0.wp.com/f4.bcbits.com/img/a1918925696_16.jpg)
☽☾
[10 Years of Humanfobia]”
Compilation of Humanfobia tracks in crypt hop, witch house, dungeon wave genre. Released commemorating the 10 years anniversary of the music project.
Humanfobia is a dark experimental, ghostly computer music project from Rancagua, Chile. links: humanfobia.jimdo.com/discography-ii/
hearthis.at/humanfobia/
humanfobia-official.bandcamp.com/
humanfobia updates: ello.co/mistspectra
Sound programming, mixer, male vocals: Sábila Orbe
female vocals: Mist Spectra.
01. Doc Wör Mirran – I Got The Pfizer In Me 07:14
02. Stefan Schmidt – Basalt 08:02
03. Sprengmeister – 1 new mix 04:52
04. The Oval Language – room 1 04:49
05. Carsten Vollmer – Sticky Jazz Muzak (Suck RMX) 01:38
06. EMERGE – minuscule 4 06:29
photo by Dan Penschuck (feindesign.de)
design by EMERGE
re:flexions logo by Heinz Stempfle
ALL TRACKS EXCLUSIVE FOR THIS COMPILATION
Filmy Ghost is a dark experimental, horror noise project from Rancagua, Chile. websites:
– humanfobia.jimdo.com/filmy-ghost/
– hearthis.at/filmy-ghost/
– archive.org/details/fav-sabila_orbe02
– freemusicarchive.org/music/Filmy_Ghost
Mixed, cover design: Filmy Ghost [Sábila Orbe]
[Version Française en dessous]
The Necrophile Hummingbird netlabel presents an automatic poetry & music album.
“Ghost poetry & music for ghost listeners”
Under the same title that Arthur Adamov’s ephemeral revue “Discontinuité”are reunited two poems by Monny de Boully. The first one “l’Aorte des fantômes” published only in this revue . The second one Er l’Arménien also published in “Le Grand Jeu” revue. morne.free.fr/celluledessites/Game/index.htm
Free Download in Flac and Wav format on our bandcamp profile
zonefusion.bandcamp.com/album/discontinuit
Improvised Music recorded the 28th January 2020 at Studio 112 in Dole.
Line-up :
Studio 112 studio112.bandcamp.com/
Ed End ello.co/ed_end
We choise to keep volontary buzz, crackles, any kind of sound slags in this recording. This is not sanitized music.
Sleeve Artwork “PAS ENCORE” by Dida de Mayo.
Another track extract from the same session is available on yoshiwaku.bandcamp.com/track/welc0me-0n-n0netw0rkz0ne
[English version at the top]
Le netlabel le Colibri Nécrophile présente un album de poésie automatique accompagné de musique improvisée.
“Poésie et musique fantomatiques pour public fantome”
Sous le titre de l’éphémère revue d’Arthur Adamov “Discontinuité”. Voici réunis deux poèmes de Monny de Boully. Le premier l’Aorte des fantômes n’a été publié que dans cette revue. Le second Er l’Arménien a été aussi publié dans le Grand Jeu. morne.free.fr/celluledessites/Game/index.htm
Téléchargement gratuit au format Flac ou Wav sur notre profil bandcamp
zonefusion.bandcamp.com/album/discontinuit
Musique improvisée enregistrée le 28 Janvier 2020 au Studio 112 à Dole.
Membres présents :
Studio 112 studio112.bandcamp.com/
Ed End ello.co/ed_end
Le souffle, les craquements, toutes les scories de cet enregistrement, ont été volontairement conservés. Ceci n’est pas de la musique aseptisée.
Illustration de pochette “PAS ENCORE” par Dida de Mayo.
Un autre morceau issu de la même session est disponible sur Mushotoku Ear Bleeding yoshiwaku.bandcamp.com/track/welc0me-0n-n0netw0rkz0ne
Album “VII” is conceptual in nature. The single line that connects the tracks to each other is a journey in a lucid dream.
The album contains 7 tracks. Each composition is one cycle of lucid dream.
1 circle. Выход из тела (Вступление) “Out of the body (Introduction)” – immersion in the state of the astral plane and the exit of human consciousness from the body.
2 circle. В ожидании чуда “Waiting for a miracle” – everyone in dreams and reality dreams of seeing a miracle and believe in it. And everyone will not believe in it when they personally encounter it. The track uses Stalker’s monologue from Andrei Tarkovsky’s film “Stalker”.
3 circle. Поджигатель “The Pyro“ – a journey along the course of the sacred river Ganges. The connection of the consciousness with space.
4 circle. Свет далеких планет “Light of distant planets” – observation of the body from the height of the stars, travel to different planets that are inaccessible to humans in reality.
5 circle. Песок “Sand” – a record of the time until the body wakes up. Attempts of consciousness to escape from reality.
6 circle. Частица Бога “Particle of God” – a state of night alarm. Fear of the greatest invention of humanity, which is capable of destroying the planet.
7 circle. Пробуждение (Финал) “Awakening (Final)” – the return of consciousness to the human body.
Music: Luboš Fidler, Zdeněk Konopásek, Štěpán Pečírka
Lyrics: Štěpán Pečírka (1, 6, 7); Carmen Bernos de Gasztold (2, 3, 5); Štěpán Pečírka/Karel Kahovec (5); Štěpán Pečírka/Enya (7)
Cover: Luboš Fidler, photo: archiv Pecirka
Lineup and recording:
Luboš Fidler – bass (1–5, 7); cyclophone (2, 3); Romo T57 (5); electric guitar (6); steel spring (6); playPET* (6); PSS-270* (7)
Zdeněk Konopásek – drums and cymbals (1–7); trumpet* (2, 6); EtherPad* (3); tiny banjo* (4)
Štěpán Pečírka (permanent guest) – voice (1, 5–7); electric guitar (1, 4); bass (5, 6); bassoon* (6); field recordings* (6)
Radka Fiedlerová – voice* (2, 3, 5)
The original tracks (guitars, drums, voice of Štěpán Pečírka, cyclophone, Romo T57 and steel spring) were recorded live during rehearsals (1-5) and concert (6, 7) of Noční pták in Albeř, August 2019. Instruments marked * and Radka Fiedlerová’s voice were added in 2021.
nocniptak.cz (in Czech and English)
Noční pták (Nightbird) was formed ten years ago as a project of Luboš Fidler and Zdeněk Konopásek. Luboš Fidler is one of the most important and uncompromising performers of the Czech alternative scene. As a bass/acoustic guitar player, he was founding member of alternative rock groups of 1970s and 80s, such as Stehlík or Švehlík, he played with MCH Band, Kilhets etc. In early 1980s he was involved in the minimalist-experimental trio Janota-Fidler-Richter (together with Oldřich Janota and Pavel Richter). Zdeněk Konopásek was drummer of the early and late 1980s band Dvouletá fáma. He also played, e.g., in the Dr. Konopný Quartet (together with Joe Karafiát, Jan Štolba and Radomil Uhlíř) and also collaborated with Oldřich Janota. Currently he is involved in theatrical-musical performances of Divadlo Vizita and, as a second drummer, in the band Fish, Flesh, Field & Henry $. Occasionally, he plays solo on his drum set. The two are joined, in recent years, by a “permanent guest” Štěpán Pečírka (Vyšší popular, Kolotoč theater, Richter band).
The album “I am healthy and things are going well” is based on live recordings from rehearsals and home concert that took place in summer 2019. These recordings were revisited and reworked into original compositions by Luboš Fidler in early 2021.
Fidler explains the title of the album as follows: The phrase “I am healthy and things are going well” (or: I am healthy and fine) was pre-printed in all languages of Austrian-Hungarian monarchy on postcards sent by soldiers from the trenches of the First World War. This album can be understood as a flare fired from the trenches in which we have been for more than a year in 2020-21.
Born out of reflection and a keen observation of life, Blüm is the latest collaboration between artist/producer, Bon-Psy & Singer/Songwriter, Shauni.
Having already released a series of introspective and thought-provoking tracks, Bon-Psy continues chipping away at his unique style to unearth new ways of presenting his sources of inspiration. Shauni returns here fresh off the back of ‘Disappear’, once again embellishing her R&B infused vocals in a stand out performance.
Inspired by the life of a flower, Bon-Psy navigates varying emotional states that capture the essence of the journey through existence. Joy, grief, despair, love & hope. Blüm depicts what it is to be alive in movie esque fashion, with singer Shauni providing a poignant narrative that unifies the lifecycle of a flower with our own lives as human beings.
Blüm is once again a stellar release for these two artists who work in synergy to translate the journey of life into music.
‘Despite the garden you’ve been dealt, it’s still a garden. Your garden. When it feels you have nothing left to give, water it with a new perspective and watch what blooms there. Here you can allow your flowers to grow toward the sun into brighter days.’
