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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

rasalasad – Thisturb

rasalasad – Thisturb

rasalasad

“Thisturb”

rasalasad – Thisturb
Fernando Cerqueira aka Rasalasad started its activities in the late 80s with the Atonal fanzine and the SPH label, where he released Jim O’Rourke, Merzbow, Smersh, Maeror Tri, Brume, The Haters, Telectu , etc.
Founder of Thisco records, which has released cds from Rasalasad, Merzbow, Kk Null, Rapoon, Lasse Marhaugh, Jarboe, Von Magnet, shhh … among many others.
Alongside Thisco is editor of the occultural anthologies Antibothis which features texts and sound works from Hakim Bey, V. Vale, Carl Abrahamson, Andrew Mckenzie (Halfler Trio), Critical Art Ensemble, Pentti Linkola, Erik Davies, Robin Rimbaud, Francisco Lopez, etc.
He has several works released through on Symbiose, Thisco, SPH, Grado, Blocsonic, Illuminated Paths, La Nostalgie de la Boue, Grain of Sound, Digitalldizzy, Spettro Rec., Petroglyph.
His most recent releases includes collaborations with Matthew Waldron (irr.app (ext) / Nurse with Wound ), Merzbow, Emil Beaulieau, Jarboe (ex: Swans), Von Magnet, Hiroshi Hasegawa, Smell & Quim, Wildshores Antonym, Amantra among others. ”
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posted 23 May 2017

Artem Bemba – Cinealarm

Artem Bemba – Cinealarm
[SCL193]

Artem Bemba

“Cinealarm”

Artem Bemba – Cinealarm
Cinealarm – is like you’re sitting at work and suddenly the sirens begin to roar everywhere and on the radio, oldfashion soviet-radio style voice is heard: “Attention! Attention! Cinealarm!”. Then people start panic, although they do not know what to do and it’s unclear where the movie approaches to them. It is not an expensive Hollywood movie. It’s not even the cheap horror of the 80’s. It’s more like some unpopular surrealistic films of not very well-known directors or a collection of short films by these directors.
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posted 22 May 2017

La Bella Violencia & Mika Martini. – La Mirada del Sonido

La Bella Violencia & Mika Martini. – La Mirada del Sonido
[pn120]

La Bella Violencia & Mika Martini.

“La Mirada del Sonido”

La Bella Violencia & Mika Martini. – La Mirada del Sonido
From the Great Beyond. Brief summary from the exploration log of “La Mirada del Sonido” (The view of sound).

“We might expect that in the convergence of the works of Mika Martini and Iñaki Muñoz, one would encounter realizations that contain the most essential of the experimental music and visuality from this territory. From the auditory, Martini integrates sound clusters inspired by the electroacoustic ancestors of this generation, and from the visual, the glazes in motion of La Bella Violencia evoke the chromatic layers of Roberto Matta, adding without doubt, the chaotic force of chance and error.

Martini and Muñoz have experimented with the transit between materializations analogous and numerical, tangible and intangible. The work is configured as a portal. In ‘La Mirada del Sonido’ images and sounds are integrated, relieving a friendly narrative tension, it could be the soundtrack of an initiatory trip towards the center of our brain, where the neuronal transmissions seem to be granted an aesthetic through this work, chemically activating the DMT that exists in our systems.

These materializations, which function as neuronal chemical releasers, deliver a sensorial experience that determines a respectful concentration, where music and images are integrated into an organic volume that is perhaps unrepeatable, inconsistent, based on the unique experience of turning seeing and hearing into a total virtuality.”

Enrique Rivera
Researcher, Curator y Audiovisual Artist
(Santiago, Chile. May, 2017)

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posted 15 May 2017

WENIG DUO – Studies on event​-​density

WENIG DUO – Studies on event​-​density
[PT055]

WENIG DUO

“Studies on event​-​density”

WENIG DUO – Studies on event​-​density
WENIG DUO | Studies on event-density
LIVE AT PENINHA

“Wenig Duo focuses on the activity of silence where the space works as an amplifier and assumes an important role in the performance.
With a crystallized language, the music of the duo is attentive to detail, it’s written and invites the listener for a greater awareness of the sound where this duo, formed by the musicians Guilherme Rodrigues and André Hencleeday operate.
The instrumentation is variable.”

“O duo WENIG foca-se na actividade do silêncio numa performance e no resultado deste enquanto amplificador do espaço.
A música do duo, já com uma linguagem cristalizada, é uma música atenta ao detalhe, de suporte escrito e que convida o ouvinte para um retiro de maior consciencialização do som do espaço, da música e dos seus envolventes.
É formado pelos músicos Guilherme Rodrigues e André Hencleeday e é de instrumentação variável.”

Guilherme Rodrigues – Cello and Objects
André Hencleeday – Electronics

Recorded by Carlos Santos

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posted 13 May 2017

ps – Self-Doubt Mountain

ps – Self-Doubt Mountain
[enrmp401]

ps

“Self-Doubt Mountain”

ps – Self-Doubt Mountain
Introspective drone / ambient / noise / shoegaze album. This album is about yearning for the deeper meaning of things, asking yourself if you really want to climb those steep slopes that drive you further and deeper into the mountain range. Why do we crave what is out of reach? Why do we want the unsustainable? What drives some to blindly follow their dream while others settle for the safe obscurity? Photo by Sandra Vallaure.
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posted 05 May 2017

Sadhana – Sadhana

Sadhana – Sadhana
[PT054]

Sadhana

“Sadhana”

Sadhana – Sadhana
Massimo Imperatore – guitar, fx
Umberto Lepore – double bass, objects, bells
Marco Castaldo – drums, objects

recorded at E.A.R. Studios by Dario Della Monica (live in a room, no editing, no overdubbing) mixed and mastered by Fabrizio Piccolo (Trail Music Lab).

This album is inspired by and dedicated to Paul Motian, his music, his spirit and his poetics of the not-said in a metaphysics of absence.

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posted 27 April 2017

Нervé Perez – She Flows Like Water

Нervé Perez – She Flows Like Water
[Picpack248]

Нervé Perez

“She Flows Like Water”

Нervé Perez – She Flows Like Water
01.Нervé Perez – Children of the Old Mill
02.Нervé Perez – Street Call
03.Нervé Perez – Lunar Jump
04.Нervé Perez – Uncut Clicks
05.Нervé Perez – Empty Piano
06.Нervé Perez – Beneath the Fields of Hop
07.Нervé Perez – Night Shift
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posted 27 April 2017

Szymkowiak Joseph with Eric Duriez – Portails

Szymkowiak Joseph with Eric Duriez – Portails
[ET111]

Szymkowiak Joseph with Eric Duriez

“Portails”

Szymkowiak Joseph with Eric Duriez – Portails
Szymkowiak Joseph and Eric Duriez are two sonic explorers who work alone or in collaboration to cumulate the energy from both of them – each one has his own personal way and point of view, but has a symbiotic conception of sound. They use electronics, pedal effects, guitar, bass, metal plate, spring instrument.
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posted 26 April 2017

Gomon – Kenoma

Gomon – Kenoma
[ET112]

Gomon

“Kenoma”

Gomon – Kenoma
Gomon is the product of cold city sounds, which is mixed with guitar riffs and chthonic myths. The music of this project is a search for the atmosphere in the world of dreams for a breath of fresh air. The first album Kenoma comes from the faceless emptiness of human nature. We praise the biological body, its voice, its movements, which is decorated by plastic and metal. We bathe in post-rock among the stars, listen to the folk-echoes of our ancestors and descend into the depths of the subconscious with the help of ambient and drone elements.
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posted 26 April 2017

Number Eleven – Autism

Number Eleven – Autism
[EEM020]

Number Eleven

“Autism”

Number Eleven – Autism
Autism enters a cold, self-satisfactory state of no response to any attempt to contact, trying to believe there is no possibility for communication. The idea is progressing with a wrong assumption that mute doesn’t mean nonexistent, relying on Autistic thinking, assuming as if it is immune to an emotion. Realizing that it’s wrong leads to a colossal reaction, causing a worsening of the state of existing disorders to a complete malfunction of the whole thinking structure.

Structurally difficult and non-paced attacking rhythms, getting more complex and running from rules dictated by background structures, while those rules fading away, anxious melodies which are trying to compensate the constant urge to lose the control of composition.

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posted 25 April 2017

eww – Maddest Sanity

eww – Maddest Sanity
[EEM019]

eww

“Maddest Sanity”

eww – Maddest Sanity
What happens when a human being spends his whole life in a cave without contact to the outer world and after going out the first thing he does is music? Something like this album happens. It’s mad because beats and melodies are mad – one moment they are drifting far away like a foggy dream, the next moment they are coming back and walk towards you on their massive wolfram pillars. But they’re sane because everything is well structured. Even the seemingly insane rhythmic structures of Innner Peece are quite simple at heart.

Isn’t it too simple? Made with a 10 year old software from basic 10 year old samples? Consider it like a fossil from times when the Matrix was still something new and sensational, and everyone was still listening to trance, not psytrance – the original trance. Like a can with a sample of air conserved with those moments.

Every track is a separate composition, every track has its own unique sound and mood, consider this album a compilation of 10 different stories. And even more – each of them has its own hand-drawn artwork which also is an anachronism in this computer graphic ruled world. Artworks are like impressions that pop into an abstract mind after listening to the sounds.

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posted 25 April 2017

Red Kite – #1

Red Kite – #1
[pn119]

Red Kite

“#1”

Red Kite – #1

“Red Kite” (‘Cometa Roja’ in Spanish) is a project by Sergio Sánchez, sound artist and anointed experimental musician in Murcia (Spain), that is born from the need to bring together several of his scattered works that did not follow the aesthetic criteria of his better known alias, ‘Jazznoize‘.

These compositions are differentiated by the use of distinct sound sources. While with ‘Jazznoize‘, the principle element for sonic experimentation is the field recording, with ‘Red Kite‘ it is precisely the opposite, electronic music as a compositional basis for generating sound structures that participate in what Kim Cascone called ‘Aesthetic of error’, centered on the less complacent drone and ambient genres. The post-digital sounds, with the use of software and instruments such as samplers and some low fi synthesizers, are the principle reference coupled with a Marxist ideological posture in the conception of his works.

An example of this is his new work under this pseudonym. It is titled ‘#1‘, and brings together topics inspired by some moments of the twentieth century, such as the revolution in Germany organized by the Spartakus League, or the Argentine dictatorship with his criticism of the 1978 World Cup that celebrated goals while a genuine genocide and the suppression of liberties was occuring, and also the revindication of revolutionary and anti-imperialist Marxism by a well known figure, Ernesto Che Guevara. The other two recordings move away from the political commitment to concetrate on highlighting figures like the composer Eliane Radigue. And in the case of ‘Olimpo’ (Olympus) it is a stylistic exercise, a simple re-reading of the previous themes using samplers from some micro-sounds. The most significant influences for generating the textures of ‘Red Kite‘ are Oval (his first works), Tim Hecker, Fennesz, Adam Pacione, Alva Noto, but with an isolationist edge in his sound and with a sense of repetition as a nodular element that redirects the noises and the melodies of his compositions.”

Sergio Sánchez
(Murcia, España / Spain. Abril / April, 2017)

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posted 23 April 2017

Convivial Cannibal – Death Dubitabilis

Convivial Cannibal – Death Dubitabilis
[DYSGEAUSIAN11]

Convivial Cannibal

“Death Dubitabilis”

Convivial Cannibal – Death Dubitabilis
“Death Dubitabilis is sunny walk down gentle warm dreams over soft breeze. And then it all turns to shit. Dropped the really big one. Slowly led by the hand to give crushing sounds of reality pulled down up apart on insistence from gravity’s violence. And we still can’t find where we parked. The lousy future gets worst every time it’s here. Stuck in the Death Dubitabilis. Got no more cigarettes. Light years in puffy awed hell.”

-Belt, faux pox alergant

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posted 23 April 2017

Izvnе & [mikra] – Deformation

Izvnе & [mikra] – Deformation
[PZO010]

Izvnе & [mikra]

“Deformation”

Izvnе & [mikra] – Deformation
Project [mikra] is a permanent resident of PZ104ORBIT. And the Izvнe project is presented for the first time. This is an electric musical duo of Sasha Polanski and Arina Kalinina from Velsk (Arkhangelsk region, Russia).

Split album “Deformation” consists of two “bonus” tracks, which were conceptually dropped from the current project material [mikra] and Izvнe. It turned out that the split all began to sound harmoniously and acquired its completeness.

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posted 21 April 2017

Noisesurfer – Corrupted Data Vol.1

Noisesurfer – Corrupted Data Vol.1
[Data1]

Noisesurfer

“Corrupted Data Vol.1”

Noisesurfer – Corrupted Data Vol.1
Spain Experimentalist Noisesurfer created a show mix , or something more than a mixtape , is a collage album with sounds taken for mixtures and paste all together to find a new sound.

Electronic Abstract Ambient Musician Noisesurfer invites you to
a chill out journey into rivers & forest trying add few sounds
from around the world.

Mixed & Fixed & Collated By Noisesurfer

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posted 21 April 2017

Eddie 135 & The Shitblaster – The Dragon’s Teeth

Eddie 135 & The Shitblaster – The Dragon’s Teeth
[D!HR-33]

Eddie 135 & The Shitblaster

“The Dragon’s Teeth”

Eddie 135 & The Shitblaster – The Dragon’s Teeth
For its 33rd release, Da ! Heard It Records dives into the origins of Creation.

Recorded in five days in London, at James Ogilvie’s studio in 2010, Dragon’s Teeth is the confrontation of eddie 135’s experimental tweaks and Shitblaster’s science of mix. Saturated like the oil from the fish and chips that three musicians greedily gulp up between two work sessions, the series of improvisations produced by Adrien, Matthieu, and James one evening, serves as the sizzling play-do used to conceive this future disc. From this initial magma that blends rhythm boxes, Juno synthesizer, and a deluge of pyrotechnical effects, accidental beaches form and reveal little by little large blankets that wrap the listener into an actual flow of lava. Petrified, the listener thus takes all the time needed to let oneself become invaded by the ensemble’s numerous textures…

Taking everything with them on their way, the four gobbling geezers deployed here evolve in jolts to bring back from the depths this mysterious dragon’s tooth. Instinctive, brutal, yet mastered, this album’s boiling energy proves once more that the first idea is often the right one.
Dragon’s Teeth, the 33rd release of Da! Heard It Records, is distributed under a Creative Commons License BY-NC-ND. The album is available for free listening and downloading at the following link:
http://www.daheardit-records.net/en/discography/dhr-33

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posted 18 April 2017

Mindreflex – Skin of Octopus

Mindreflex – Skin of Octopus
[TRANZ064]

Mindreflex

“Skin of Octopus”

Mindreflex – Skin of Octopus
RELEASE INFO:
ARTIST: Mindreflex
RELEASE TITLE: Skin Of Octopus
CAT Nº: TRANZ064
RELEASE DATE: April 11, 2017
FORMAT: Mp3 / 320kbps / 44.100 MHZ
GENRE: Electronic
SUB-GENRE: Experimental, Breakbeat, IDM, Minimal
TOTAL TIME: 37:33
SIZE: 90,6 MB

TRACKLIST:

01. Reflection in Ocean (4:03)
02. Colored Surface (4:15)
03. Ballet of Life and Death (4:44)
04. Visual Clutter (4:03)
05. The most Perfect Harmony (3:44)
06.Tangle of Feelings (4:18)
07. Seems to follow some Rules (4:52)
08. Skin of Octopus (3:37)
09. Becomes (3:57)

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posted 15 April 2017

Deltahedron – Machine Learning

Deltahedron – Machine Learning
[EEM018]

Deltahedron

“Machine Learning”

Deltahedron – Machine Learning
We all hear that machines and AI are going to surpass us soon, but for the time being they have a lot to learn from the meatbags still in control.

This bass heavy, experimental EP of techno-ish trap-like beats presents the process of machine learning in one particular specimen.

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posted 10 April 2017