V/A surreal mix about money….
-La roue de la fortune (generique)
-Chic (freak)
-Laid back (White horse)
-Victims family (New world hors d’oeuvre)
-GRRZZZ (Martial trader)
-Pansonic
-Alan Vega (Sellin’ my monkeys)
-MC warrior
-Les VRP (Tout pour le fric)
-Stupéflip (Argent)
-Moebius (Money)
-Suzy Delair (Moi j’coute cher)
-Raggasonic (no money, no friend)
-Le juste prix
The last we heard from Pete Lund was in February 2016 when we released his terrific uniBloc single “Subway Cameo”. Well, as you may already know, Pete takes his time to craft incredible music. When he finally does release something, you know it’s going to be worth the wait. Well, today, your wait is over!
Today, we not only have new music by Pete, we have a new EP! His first EP since the 20th Century! Let me tell you… these five songs were definitely worth the wait. Enjoy.
Hey Pete… thanks again for working with us to get your terrific music out to listeners! I’m psyched to finally be able to release an EP!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
Lately Kind of Yeah – Sturm und Drang (VULP-0146)
Part of the Lately Kind of Yeah archive series.
Sturm und Drang is a greatly improved and expanded Storm and Urge, originally released on Vulpiano back in 2011. Awash with noise but still so sweet, and perhaps one of the warmest, coziest releases LKOY’s discography.
Words from the artist:
“Marking a start to the singer-songwriter transition, I went away from sequencing synths and into learning how to sing. It was ultimately influenced by relationships and usually from the perspective of ‘me to you’, but its turn-around was that I always sang them to myself. Despite drowning most lyrics in delay and noise, it only mattered if I knew what they were. This was my practice of reminders and rewiring.
There’s always been recordings from each cycle that sang and latched onto other people, giving reason into sharing the music at all, but that did eventually mutate why I liked to record. Once anyone else heard my voice, it wasn’t really mine anymore.”
One of the songs that I don’t quite have the voice for and would want another vocalist to step in and give it the kind of vocals the track seems to need. Nevertheless, it was fun to compose and I delivered the best vocals I could
lyrics:
and try again and again
the lesson plan has always
been locked inside
you knew you’ve been ready
for anytime anywhere
and I surely want to see you there
out of our mind into their heads
we’ll be there with our hidden agendas
stand firm
and brave the smirks that they shoot
their aim is off
they were grumpy since morning
you’re strong and know the secret I know
you won’t have to stay they can be the
ones to go
so much for home advantage
we’ll be there already pouring in love
the love they wanted but never knew
it was always growing among them
all this time
Song #6 in my series of singles released on the Genetic Trance netlabel. When the singles series is finished, I’m thinking of compiling them all into an album
lyrics:
Do you see pictures of people crying?
Do you feel like a feeling all gone flat?
Are you trying? I know how to try
Do you look for pictures of people crying?
Alright let’s go
I’ve got a way for you waiting for you
waiting for you at dawn
and I’ve felt it all before
and I look to see pictures of people crying
Zhang Yi
bass, sequencer, synth, backing vocals, engineering
Equipment Used: Roland MC 50, Roland R8, Roland VS8, Clavia Nordlead 2, bass, guitar, mic.
These songs were recorded in a 2-day session in the end of May 2014. The bonus track was recorded in fall 2014.
Mastering by Chris McCormack for Blacklisted Mastering, UK.
All songs by DFHK.
A melodic, chaotic, deep and melancholic maxi-single, slow at its beginning but becomes faster and cheerful. Lyrics are just basically phrases they came out with while they played the songs. Distraught shrieking is just a background texture.
This album is a result of bad days as human beings, and some kind of catharsis for all. ‘Santa Rosa de Lima’ is a reminder that life goes on while we are sitting here, waiting for something to happen.
·····
Credits
released September 29, 2012
Recorded at: SoundRoom Mitras
Composed by: Ángel Amaya, Daniel Castillo, Javier Ibarra and Víctor Arguello
Voice samples on track 2 were taken from “Garden State” (movie).
tevin + ghost = thost
took a few poems and spit to produce this thing. this audiobook will help you perfect your inner child “there’s a ghost in my room hiding my shoes.”
Written by Yacht Communism, except Like Weeds written by His Hero is Gone
Recorded and mixed by Andreas Sommer
Mastered by Role at Die Tonmeisterei
Artwork and layout by Kristof Künssler
Nearly three years after the release of netBloc Vol. 51, the much-beloved series returns and it’s a scorcher! 11 tracks deep and over an hour long… it’s a nice representation of what’s been happening in the Creative Commons music world over the past 3 years. Included on this one are old friends and new… including legendary Anticon co-founder and underground avant-garde rap pioneer, sole! So don’t sleep… download this and add it to the collection.
A huge thank you to all participating artists and labels! Much respect.
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
=- I sing a lot in this one.. moreso than in any of my previous releases. Most likely personal reflection reasons. I’m about to turn 39 soon and begin my 40th year of life. Red Zamboni was the second track of this family of songs recorded and I like it so much that I made a music video for it and sent it in to VideoRecords.ch. It’s different than the other four songs in that it didn’t receive any vocals, nevertheless, it’s in the same family as it was created the same way (arranging the chord progressions in chordbot on android then dropping them into renoise on pc where I do the recording, tracking, and rendering) as the other four. So instead of making Red Zamboni its own single and the four remaining songs an ep, I just decided to make it one ep altogether.
~
Every ice hockey arena needs a zamboni they can count on. And not just count on. One they can spell on too. Life isn’t always about numbers.
~
Red Zamboni by Origami Repetika is now avl on sub65 archive.org/details/s65010
#sub65media #easylistening #postpunk #melodramatic #lobit
TERR110: Boreal soundscape collage accompanied by the lull of balmy guitar. Seamless loop recorded over a week-long residency in Inari, Finland.
“I took part in a media workshop group’s travel to Inari, bringing together different artistic visions in order to gather a multimedia report of the Northern seasonal foliage, and ultimately organize a collective art exhibition. The residency was in a cabin beside Nukkumajoki river and my project in the group was to record the journey photographically and acoustically.
I was mesmerized by Inari’s fjelds, lakes and aurora-filled nights, the pristine flora surrounding Nellim near the Russian border and one particularly important place of interest was Siida Museum; a rich crash course on the indigenous Sámi culture, history and the seriously endangered Inari-Sámi language. To this day, Sámi people keep facing systematic discrimination in many aspects.
The loan word “Kaamos” doesn’t have a literal translation in English despite its unmissable significance in our culture. It could be split into two contexts: firstly the near literal translation “polar night” implying the geographical lack of sunrise, and secondly an associated mental state as a consequence: winter depression. The bane of northeners.
Post-trip, I recorded guitar to fit the field recording collage for a seamless audio installation loop as part of our touring mixed media art exhibition of the same name. The opening in December was at our workshop Vimma, with Turku Main Library to follow later in spring.”
