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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc

This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don’t have to license their derivative works on the same terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Virtually J – Autocracy Mage

Virtually J – Autocracy Mage
[mhrk267]

Virtually J

“Autocracy Mage”

Long time ago, in the relatively small Black Sea coastal city of Varna, Julian Kalchev a.k.a. Virtually J became a kind of local pioneer and an inspiration for a whole generation, being the first to explore ways to compose and produce electronic music programmed, edited, played on a PC. He’s been important part of the scene since then, contributing, for example, to the essential VA series “Kokaku” on Jisatsuken. With his last LP released 20 years ago (yes, in 2001) and after having him contribute an outstanding remix for Autonomaton’s latest EP and a killer track on the “Eastern Depths IV” compilation last year, we are really excited to announce the release of his new album “Autocracy Mage” on Mahorka.

released February 28, 2021

Button: by-nc
posted 02 March 2021

Runi Graph – For I know that the view of a tree is not subjective

Runi Graph – For I know that the view of a tree is not subjective
[mhrk266]

Runi Graph

“For I know that the view of a tree is not subjective”

“I address this to you, to the one who thinks on fake grounds.
I become calmer…
for I know that the view of a tree is not subjective,
Because a tree is a tree.
It cleanses my lungs from the corporate air that you emit.
I sit here, watching the stream of your hunger.
No basis, no center.
You said ‘subjective’,
I said ‘you turn a blind eye’,
You thought ‘he doesn’t get it’
I thought ‘What a painful life when you live it as an alibi’
No progress,
No basis, No Center
No progress,
Just peevishness and hunger.
The level of your assumptions is out of control
You still carry on thinking that I cannot see behind your wall.
You still carry on thinking, You still carry on thinking
The level of your assumptions is out of control.
It’s sky high, It’s sky high,
You’re brilliant.”

Released February 21, 2021

Runi Graph [a.k.a. Mike Blackbeat] is a percussionist and drummer from Greece, working with tribal beats and experimental sounds.

He has collaborated on sessions with the projects Psyche Glyphs, Kostadis, Sodadosa and Bridal Veil.

He is also 1/2 and founding member of HAU, a duo band established by two friends with common concerns in 2012, producing an amalgam of industrial, noise improvisation, techno, analog sound and various other genres that has released the “Brilliant Gospel Alibi” album on DVNTT.

This debut EP was recorded in July 2020
All songs written and performed by Runi Graph
Recorded by Wee, Mixed by Wee and Runi Graph
Tracks 1, 2 mastered by Wee, tracks 3, 4 mastered by John Pratikakis @ Groove Studio

Button: by-nc
posted 22 February 2021

SENYAWA – Alkisah Dikisahkan

SENYAWA – Alkisah Dikisahkan
[YESNO 099]

SENYAWA

“Alkisah Dikisahkan”

2020 is not only marked by the coronavirus pandemic. It was stormed by thousands of natural disasters and human rights violations that had started decades earlier. 2020 is the peak of human greed and vanity which is the result of the capitalistic culture. The only way to deal with this is to open ourselves up to cooperate with one another. It looks simple if you are a utopian. The tradition to organise a small scale group with intensive multiple proxies is very necessary for the welfare of the people. Collective method like this must be carried out with a slow, long process, and requires a lot of courage because it will be faced with the big systems that does not want to share their benefits.

In 2019, Senyawa began to initiate a business unit to independently face the challenges of its economic sustainability called Senyawa Mandiri. This unit is also designed to reduce dependence on giant corporate products. As time went on, Senyawa Mandiri developed into a political stance for Senyawa themselve. It is no longer Rully Shabara and Wukir Suryadi. It was transformed into an open and egalitarian multi-entity.

During the coronavirus pandemic, Senyawa became increasingly convinced that the centralization of the art ecosystem and its industry was no longer relevant to the community. Senyawa new album, titled Alkisah, is a social tool that wants to break down the centers of the current arogant ecosystems. Alkisah consists of 8 songs and a collective system across cultures and continents. It was mixed and bred with 44 music labels and hundreds of musicians around the world.

As a supporter of Senyawa since 2010 and as a label that encourages an open-culture movement, Yes No Wave Music takes part in Alkisah module by releasing the album’s stem tracks provided for everyone to participate in reproducing the album. This stem album is accompanied by a remix sets titled Alkisah Dikisah. We invited 8 musicians: Wahono (Jakarta), Nursalim Yadi Anugerah (Pontianak), Prontaxan (Yogyakarta), Gabber Modus Operandi (Denpasar), Y-DRA (Yogyakarta), Pisitakun (Bangkok) and Slikback (Nairobi). Every remix is ​​a free interpretation and artistic speculation of impossibilities to giving birth the art decentralization mutations.

Alkisah Dikisahkan

Curated by Wok The Rock
Produced by Yes No Wave Music
Mixed by the artists
Track 1, 2, 3, 4, 6, 7, and 8 mastered by Yossi Herman
Track 5 mastered by Wahono
Ilustration by Ardi Gunawan
Layout by Wok The Rock

Button: by-nc
posted 21 February 2021

Ensemble Phuturista – 12 De Janeiro, 2020 – Antesdurantedepois

Ensemble Phuturista – 12 De Janeiro, 2020 – Antesdurantedepois
[mhrk265]

Ensemble Phuturista

“12 De Janeiro, 2020 – Antesdurantedepois”

A collective live improvisation planned and recorded in the first edition of the event Onda Phuturista, at the Galeria Paciência (Patience Gallery) on January 12th, 2020. One year, one month and one day after that, on 13/02/2021, the album “12 de Janeiro, 2020 – Antesdurantedepois” came out on Mahorka.

Musicians in Ensemble Phuturista are:
George Christian – acoustic-electric guitar, electric guitar
Heitor Dantas – live electronics, samplers
Maria Phuturista – vocals (track 3 and 4)
Talionpills – voice and electronics (tracks 3 and 4)
Fernando Fernandes – percussion and drums
Vítor Rios – banjo
André Miranda Filho – cello, electric bass
Paulo Roberto Pitta – tenor saxophone

Recording: Heitor Dantas
Production: Heitor Dantas and George Christian
Mastering: Yago Franco
Pictures: Bárbara Pessoa

Button: by-nc
posted 15 February 2021

Laurent Fairon – Suite Rustique

Laurent Fairon – Suite Rustique

Laurent Fairon

“Suite Rustique”

Suite Rustique is a collection of musique concrète tracks recorded during winter 1990–91 in Angoulême, France. The album features experimental and collage music inspired by nature sounds – animals, gardening, hunting, bird watching. Sounds were created using traditional music instruments, self-build instruments, manipulated cassette tapes, mini Casio sampler, sound effects, voice, poetry. The album also features 2 poems by the composer. All originally recorded and mixed on a Tascam Porta 05 analog 4-track cassette recorder.

First published as a special, handmade packaging cassette limited to 5 copies given to friends. Reissued by French cassette label Nos Yeux Aveugles as side B of “2 Pistes (A & B)”, 1991 – see Discogs.

Recorded in 1990–91.
Digitized and remastered in February 2021.
Total time: 41mn.
Artwork+design: L.F. 2021.

Button: by-nc
posted 10 February 2021

I.W. – 4

I.W. – 4
[LF133MP3]

I.W.

“4”

The time has come! 4th masterpiece completed by I.W. It’s like a trip down memory lane…

Track Listing:
01. only a small number of reasons keep me on this planet and I lose a couple more everyday
02. old youtube videos
03. Huh
04. F
05. trying to forget past online conversations that can’t be deleted
06. mugicha
07. pokemon sapphire in the backseat
08. don’t let anything in this world take your happiness (unreleased)

Music by I.W.
Cover Art by Makayashi
Special thanks to mercury.lamp

Button: by-nc
posted 07 February 2021

Mathieu St-Pierre – Online Messages in Cardboard Boxes

Mathieu St-Pierre – Online Messages in Cardboard Boxes
[mhrk263]

Mathieu St-Pierre

“Online Messages in Cardboard Boxes”

Following the steps of his debut album “These Elephants”, Mathieu St-Pierre re-engages with the concept of cyberspace as a means to explore his ambient and drone compositional approaches via the pool of data that is the internet.

As a result, his second album and Mahorka debut “Online Messages in Cardboard Boxes” was constructed solely by scavenging the net for sound textures and later altering and arranging them to create unique soundscapes. So as much as there was lots of time spent designing the compositions, an at least equal amount of time was involved in the research phase. “Online Messages in Cardboard Boxes” is a voyage beyond the keyboard, the monitor and the WWW, it takes us on a trip from the busy streets of a virtual metropolis to the melted ruins of a broken e-map. Each track was conceived as a gateway to the cloud of our mind.

Button: by-nc
posted 30 January 2021

Exode vs Coakira – Defragmentation in Progress

Exode vs Coakira – Defragmentation in Progress
[LF132MP3]

Exode vs Coakira

“Defragmentation in Progress”

The strongest split of Frenchcore mainstay “Exode” and Japanese leading Digital Hardcore master “Coakira”. They tried experimental making sound in this EP.

Track Listing:
01. Exode – Om In The Home
02. Exode – Twist Again
03. Exode – Defragmentation Of The Day
04. Exode – Standardkakophonie
05. Coakira – Hyperacidity
06. Coakira – Okuzachism
07. Coakira – Amazing Amazombie
08. Coakira – Laughin’ Doll

Music by Exode / Coakira
Artwork by Dormicum
Design by Occupied Territories

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posted 30 January 2021

Kingdom Scum / Buffalomckee – AD D dth EA brth D DE

Kingdom Scum / Buffalomckee – AD D dth EA brth D DE
[LF131MP3]

Kingdom Scum / Buffalomckee

“AD D dth EA brth D DE”

Kingdom Scum returns and teams up with Buffalomckee from Japan!

Track Listing:
01. Kingdom Scum – A Journey to Humility Begins with Death
02. Kingdom Scum – An Autopsy of the Body Politic Evolving into Metaphysical Necrophilia
03. Kingdom Scum – Convening an Assembly of the Spirits of Scavengers, Fog, Triumph, and Decay
04. Kingdom Scum – Transcendent Cycles/Candescent Trials
05. Kingdom Scum – Retroactive Resurrection
06. Buffalomckee – Audio Graffiti
07. Buffalomckee – Grinding Teeth
08. Buffalomckee – Dango Touch
09. Buffalomckee – Black Stone
10. Buffalomckee – Spiderweb Quartet

Cover design by Phoenix X Eeyore.

Button: by-nc
posted 24 January 2021

Mathieu St-Pierre – Online Messages In Cardboard Boxes

Mathieu St-Pierre – Online Messages In Cardboard Boxes
[mhrk263]

Mathieu St-Pierre

“Online Messages In Cardboard Boxes”

Following the steps of his debut album “These Elephants”, Mathieu St-Pierre re-engages with the concept of cyberspace as a means to explore his ambient and drone compositional approaches via the pool of data that is the internet.

As a result, his second album and Mahorka debut “Online Messages in Cardboard Boxes” was constructed solely by scavenging the net for sound textures and later altering and arranging them to create unique soundscapes. So as much as there was lots of time spent designing the compositions, an at least equal amount of time was involved in the research phase. “Online Messages in Cardboard Boxes” is a voyage beyond the keyboard, the monitor and the WWW, it takes us on a trip from the busy streets of a virtual metropolis to the melted ruins of a broken e-map. Each track was conceived as a gateway to the cloud of our mind.

released January 23, 2021

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posted 24 January 2021

Laurent Fairon – Papouanimisme

Laurent Fairon – Papouanimisme

Laurent Fairon

“Papouanimisme”

LF: virtual synth

Samples:

Tr.#2:
Pierre Huguet – P. N. G. (Papouasie Nouvelle Guinée), France, 1982

Tr.#3:
Carnival of Souls, directed by Herk Harvey, USA, 1962, voice of Candace Hilligoss

Recorded January 2021 in Paris, France

Photo & artwork: LF
credits
released January 22, 2021

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posted 22 January 2021

DR – Matrjoschka

DR – Matrjoschka
[mhrk262]

DR

“Matrjoschka”

DR (Dominic Razlaff) is a sound artist from Germany. He uses synthesizers, acoustic instruments (Ukulele, Cavaquinho, Guitar), field recordings, tape loops and granular synthesis to create soaked in melancholy ambient / drone soundscapes.

A bit after debuting on Mahorka with his highly acclaimed collaboration album with Blanket Swimming (“The Lightning Gallery”) he found an old sketch, unfinished Ukulele piece, which was a little bit boring recording, but had something special to it. Out of it he made some tape loops (with a Fostex x-15) to see what can come out and really liked the results. From these tape loops the three “Matrjoschka” compositions were finished. The release title comes from the “matrjoschkas” that have been around him in his living room, the only decoration that links to his ancestry from his father’s side, born and growing up in east Europe and central Asia.

Released December 28, 2020

All music by Dominic Razlaff

Cover artwork photo by Dominic Razlaff

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posted 17 January 2021

Joseph – Grand Chien Sombre

Joseph – Grand Chien Sombre

Joseph

“Grand Chien Sombre”

En face A, Grand Chien Sombre est une chanson lancinante évoquant le fond de la nuit, portée par des sonorités synthétiques interprétés sur le langage de programmation musical Foxdot.
En face B, Aqua donne à des samples glanés dans la nature et dans les rues une unité concrète grâce à la manipulation numérique.
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posted 12 January 2021

entropija – genealogija B: 2016-2018

entropija – genealogija B: 2016-2018
[EEM060]

entropija

“genealogija B: 2016-2018”

Continuing on from “genealogija A”, this is the second instalment of a retrospective collection. Including sounds from even before the start of entropija project, the album timeline spans almost 2 years, between August 2016 and June 2018. In contrast to previous album‘s colorful dynamics, this is a document of a more abstract side of entropija‘s performative spectrum. Clusters and bits of sound engage in complex interactions, trying to morph into a cohesive body, but the form seems to escape each time just before solidifying. Hints of order or harmony are quickly overwhelmed, and by the end, completely buried under layers of intersecting accidents. If there was a genre label suitable for this record, “liquid noise” would probably be it.
Button: by-nc
posted 20 December 2020