1_Monopsia – Via San Felice
2_Monopsia – Nudy (Dubfuser remix)
3_Bleupulp – 333 Kind of Moods (Dubfuser remix)
4_Bleupulp – 333 Kind of Moods
5_Bleupulp – 333 Kind of Moods (Ehm remix)
6_Bleupulp – Lost Memories
7_Monopsia – gmbh1
8_Monopsia – Oumuamua – (Matija Milanovic Rework)
released November 18, 2022
Cover by Yanni Ehm.
Improvised and recorded on January 9, 2021 by Keith Helt. Guitar, pedals, amplifier.
All songs are for Alejandro Morales Aponte. Alex.
Cover art painted by LB Briggs.
Full album available for free download here:
www.panyrosasdiscos.org/pyr319-keith-helt-something-of-a-hoosier/
Any proceeds from this album will be donated to Chicago Abortion Fund. chicagoabortionfund.salsalabs.org/makeadonation/index.html
credits
released May 15, 2022
Some things begin, and then – stretch on. You expect a resolution, yet instead receive reverberant reflections. Wandering, meandering, bordering on redundancy – an elongated epic.
Featuring violin, bassoon, clarinet, low woodwinds, orchestral strings and brass, taiko drum, drum kit, shaker, electric bass, piano, synthesizers, and effects.
A emissão 101 d’O Colecionador de Sons parte de Coja, em plena Beira Serra, onde escutamos a sua paisagem sonora num domingo de manhã, entre a água límpida e sonora de um ribeiro, as aves que o habitam, o animal de grande porte que muge ali ao lado ou a filarmónica que, em passo lento, percorre a rua principal da vila; já em Viseu percorremos a Rua Direita, que já foi Directa, “comprida e torta”, escutando os seus marcos sonoros, entre depoimentos de comerciantes, a voz desta rua de paixões, e lembramo-nos da instalação sonora que ela habitou na última edição dos Jardins Efémeros; de Viseu regressamos à Beira Serra, novamente, e rumamos a essa aldeia postal de montanha que dá pelo nome de Alvoco das Várzeas, terra natal deste colecionador sonoro.
Bem-vindos!
enregistré sur ordinateur avec les logiciels open source LMMS et AUDACITY, masterisé avec un preset par Denis Robert, les photo pour la pochette ont été prises par Julien Courbe, les dessins et le montage sont de David Snug
released November 10, 2022
Trotski Nautique c’est Alda lamieva aux claviers, à la programmation et au chant et David Snug aux claviers, à la programmation et au chant
un disque kif kif bourecords
plus d’infos sur google, merci à l’organisation
released November 10, 2022
Gabriela Faix – zpěv
Jan Faix – syntezátory
Jan Ureš – kytara
Kristýna Tomšů – flétna
Robin Tichopád – baskytara
Ondřej Chalupa – bicí
Nahrál: Jan Faix v Signals from Arkaim Studios
Mix: Tomáš Procházka
Mastering: Ondřej Ježek ve studiu Jámor
Design: Gabriela Faix a Jan Polanský
In February 2021, we released Christophe Bailleau’s EP “Persistance”, a collection of collaborations, including one with his own duet PRISM on the saturated “Paaattchheeffff”. About 15 references later, it is this project that gets the spotlight today, and associated with Billy Hasni on electric guitars, percussions and guttural vocals, the Belgian musician trades his shapeshifing and stellar electronica for some more abrasive and noisy inspiration, either psychedelic and tribal (“Trip Ritual”), ambient and insidious (“Top Budget”) or pulsating and radical (“Eat Heat Hit”), at the crossroads of industrial music, harsh noise and experimental metal. If you love this kind of exploration as extreme as it is immersive and capable of putting sound aggression at the service of atmosphere, you will certainly find in this album what you might admire in Throbbing Gristle, Wolf Eyes and more recently Duma or the fascinating futuristic noise of the Pharmafabrik label (Ontervjabbit, Cadlag …) : an organic and mutant universe of impressive density (“Usine”), and a taste for magnetic crescendos merging toxic shrillness, hypnotic larsens, obsessive synthetic pulsations and threatening guitar riffs to build the kind of narrative progressions that draw the listeners in their anxiety-provoking logic and take them to unknown territories, without mercy for the darkest folds of their imagination, like “Dinosaure” and its crushing 11 minutes of noise epic.
released November 14, 2022
Recorded at Budget Lab (Huy) during the Covid-19 period.
Christophe Bailleau : programmations, synthesizers, percussions, flute, voice, noises.
Billy Hasni : electric guitars, screaming, percussions, synth on “Top Budget”.
Artwork :
Photo : Chris Farrell
Design : Konejo
PRISM logo : James Duncan
released November 4, 2022
W&P by soundcloud.com/cliff-tower
released November 4, 2022
hudba: Martin Kyšperský & Aleš Pilgr
texty: Martin Kyšperský
Natočeno v letech 2021/22
Album “DUO” složili a nahráli Martin s Alešem k dvacátému vyročí
společného hraní v kapele Květy a v mnoha dalších projektech.
Vydalo Polí5,, 2022
released November 4, 2022
KVETY:
Martin E. Kyšperský
Aleš Pilgr
Ondrej Kyas
Jakub Kocicka
Albert Novák
Ondrej Cech
Hudba a slova: Martin E. Kyšperský
Aranžmá: Kvety
Natoceno a smícháno ve studiích:
Jámor — vetšina písní (Ondrej Ježek),
Indies — Horníci, More a Lamacka (Bronek Šmíd a Dušan Soucek),
Fascinum — K2, Ceský kocour, Lemurí snár a Ve staré ríši (Michal Tucek)
Amakvaré — CKNO 2, Stárnoucí chlapci, Na benzínový pumpe, Ryby (MEK).
Cekám celej den natoceno v Lubné u Báry Ungerové.
Mastering Ondrej Ježek.
Obal:
Obrazy — Vendulka Chalánková
Grafika — Jakub Horský
State Azure has appeared on Kahvi (a single featured on one of the VA compilations at Christmas) but now he’s back with an entire album of 9 tracks for your listening pleasure.
Elements of Future sound of London, Tangerine Dream and Solar Fields rebound from one side of the audio spectrum to the other, high quality sounds throughout and great ambient passages to remind you of times past.
released November 2, 2022
Cover artwork by State Azure
Continuing the tradition of good but unclassifiable music on Mono211, and relishing the chance to break things up somewhat from the idm+bleep action that’s our normal path, the US artist known as Luminfire, who’s mixed up oldskool Mono .MOD action for us in the past, gives us an EP which meshes nicely with recent Mono211 releases like Braces Tower, but very much toes its own sunny, jazzy line too.
When we hear “Kudremukh Environmental EP”, we think.. recent Ninja Tune artists like Cinematic Orchestra or even Amon Tobin, but with a distinct twist. “The Day They Take Our Smiles Away” bounces spectacularly, scratching up a sunny, rainbow-filled storm outside _your_ window, and “Camellos Cubanos” flips up some half speed samba for your casa, and the final track, “Calador Isle”, hits the breaks, but only serves further propulsion in hazily sharp South American style. It may be that Mono211 is.. starting to regain its groove? Wow.
Release Date: 2002/11/01
berhinger mixer
snake bite reverb
Boss DD-3
Akai Head Rush Sampler
berhinger MS-1
Yamaha reface cs
released October 22, 2022
This EP was due to be released as a small edition of lathe cuts & CD-r’s + extra stuff , but due to various delays and complications with the cutting machine we decided to release it as a free EP for your own enjoyment.
We love to share music and we hope you will have fun listening to this release.
We are 3 dudes from Quebec city and we met thru music and became friends. Even thought we live in the same province / area it does not mean we see each other all the time or hang out. We mostly speak on internet… therefore one the reasons that made me decide of the title (which translate from French to English to something like) ”he/we are there but not there” …
extra links:
Shango :
soundcloud.com/shango-qc
Kado :
soundcloud.com/vincent-cadorette
Bleupulp:
bleupulp.bandcamp.com
released October 28, 2022
Audio by Kado, Shango, Bleupulp.
Mastering by Maxime Tanguay
Additional mastering by Pheek (tracks 2 & 3)
Art work and Cover by Maxime tanguay
Jointly released by La Voix Dans Le Désert and IRM Netlabel.
Words from La Voix Dans Le Désert :
“La Voix Dans Le Désert is back with another record we are especially proud of. Jointly with our friends at IRM, we are releasing today Konejo’s new album “Drumloops, Gimmicks & Inner Creeps”. Those twenty tracks, like a series of sketches punctuated by film samples, will take listeners on a journey from 1950s’ Japan to Corman’s America, through Chabrol’s France or 1970s’ Italy and its edgy cop B-movies. Konejo unfolds his movie-buff obsessions and his taste for old school hip-hop rhythms, delivering here a particularly personal and intimate album where each quotation resonates more by its own evocative power than by its literal reference. Album obviously available as a pay-what-you-want release.”
FRENCH VERSION :
“La Voix Dans Le Désert revient avec une publication dont nous sommes particulièrement fiers. En co-production avec nos amis d’IRM, nous sortons aujourd’hui l’album “Drumloops, Gimmicks & Inner Creeps” de Konejo. Ces vingt titres, comme une succession de saynètes rythmées par des extraits de films, emmèneront auditrices et auditeurs du Japon des années 50 à l’Amérique de Corman en passant par la France de Chabrol ou l’Italie des seventies perfusée aux polars musclés. Konejo y développe ses obsessions cinéphiles et son goût pour les rythmiques hip-hop old school, livrant ici un album particulièrement personnel et intimiste où chaque citation résonne davantage par sa puissance évocatrice que par sa littéralité. Album bien évidemment disponible à prix libre.”
Also available here : lavoixdansledesert.bandcamp.com/album/drumloops-gimmicks-inner-creeps
released October 19, 2022
“Desacrated” was previously released as “Desacrated (you will not take people from this city)” and part of the “Support Modern Stalking Audio Family” compilation, whose benefits were used to help our friends from the Ukrainian label Modern Stalking Audio to get to safety at the beginning of the war : support-msa-family.bandcamp.com/album/support-modern-stalking-audio-family
Artwork by B-Maltais.
Filmy Ghost is a dark experimental, vaporwitch, ghost drone project from Rancagua, Chile. Created by Sábila Orbe.-
For more music visit:
hearthis.at/filmy-ghost/
open.spotify.com/artist/0POUvA4r7hzETPMnrn59My
archive.org/details/fav-sabila_orbe02
freemusicarchive.org/music/Filmy_Ghost
All sounds mixed, cover collage by Sábila Orbe.
track 7: vocals, music background by {AN} EeL.-
track 8: instrumentation by IDTAL
track 9: original music by Cosmic Shock Absorber from his album: Burning Judas.
track 10: vocals, instrumentation by IDTAL
track 11: in collaboration with Thomas Park.
released October 14, 2022
Hudba: Alen
Texty: Alen (1,2,3,4,5,6,8,9,10,11,12), Martin E. Kyšperský (5,6,10), Jan Němec (7)
Alen: zpěv, klávesy, klavír (1,10), synth bass (4), akustická kytara (2,3,12), elektrická kytara (6,8),
didley bow (8), zvonkohra (8,12), tongue drum (12), harmonium (7)
Martin E. Kyšperský: zpěv (5), klávesy (2, 3), kontrabas (3, 6, 7, 8, 9, 12), baskytara (5, 11), synth bass
(2), akustická kytara (3, 4, 7), elektrická kytara (2, 4, 8), e-bow (1, 7), ukulele (9), zvonkohra (3), citera
(3), tongue drum (6, 12), monotron (7), beat (5), youtube (1)
Alois Zatloukal – housle a viola (1, 2, 8, 9)
Aleš Pilgr – beat (2, 11), tamburína (3)
Jakub Kočička – cajón (2), bicí a perkuse (4, 8)
Kateřina Koutná – violoncello (3, 9)
Veronika Anna Jedličková – vokály (5, 12)
David Liber – kontrabas (1)
Christoffer Strandh – trubka (10)
Ondřej Ježek – steel guitar (10)
Producent, aranže: Martin E. Kyšperský
Mix, mastering: Ondřej Ježek
Cover photo: Zara Wildmoons
Grafická úprava: Jakub Horský
Nahráno v letech 2020 – 2021 u Martina Kyšperského v domácím studiu Amakvaré, v Divadle na Orlí
s Dušanem Součkem (klavír) a u Ondřeje Ježka ve studiu Jámor (zpěv, piano).
V roce 2022 vydalo Polí5.
The CVU series is designed to welcome repeat offenders, and boy howdy is 88756 emerging as a prominent, permanent contributor to the label. After first touching base with the label last year, releases on CVU008 and CVU020 (as well as some stunning visual work on the DVD), and collaborative gigs in Meanjin (Brisbane), Boorloo (Perth), and Naarm (Melbourne), it’s safe to say that the program’s place in the label mainframe is set.
Producing with rapidfire efficiency, CVU021 is another brilliant expression of the core 88756 sound, focusing on a blend of fat classic electro, and lopsided, rhythmic techno. We’re also thrilled to welcome Backpocket Slammers’ co-founder XYSid to the label, with a storming remix of the title track “Do You Believe In Me?”; tying off a rock-solid package.
With more musical and event collaborative goodness on the horizon, as well as the recent launch of 88756’s accessible rehearsal space in Naarm – Mechanical Soul, we’re excited to keep our sights thoroughly fixed on this artist in the future.
releases October 12, 2022
Production: 88756, Oscar Neenan
Mastering: ADMINISTRATOR
Graphic: Brooke Reilly
Text: ADMINISTRATOR
