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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-nd

This license is the most restrictive of our six main licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

SMOK – Brain Damage

SMOK – Brain Damage
[M039]

SMOK

“Brain Damage”

Tracklist:

01. Old Signal Radio
02. Paranoia
03. Virus on my computer
04. Wrong Answer

Review:

SMOK – Brain Damage

Who is behind this curious musical project called SMOK? It is a question I made to myself a couple of years ago after listening to a collab between Andrés and Nicolás (a.k.a Slang). Time has passed and I have discovered that this curiousity comes from Andrés, who is music studious and part of the new generation of producers from Quinta Región. Brain Damage is the result of his curiosity. Accelerated beats, bass drums, violent boxes and acid basses; a sharp chaos which is tidied up within mysterious and obscure melodies. An album that brings me back to the 90’s and spotting strong influences of the electro, such as Underground Resistance, Drexciya, Aux88, or Radioactive Man, among others. Nineties reminiscence that mixes technological advance and that succeeds in locating us nowadays, thus giving life to an album which treasures the origins of the electro-techno, but at the same time adapts perfectly to the present.

Kamila Govorcin, Cáhuil, 2020

SMOK – Brain Damage

Quién está detrás de este curioso proyecto musical llamado SMOK? Es una pregunta que me hice hace un par de años después de escuchar una colaboración que hizo Andrés junto con Nicolás (a.k.a Slang). Pasado el tiempo, he descubierto que esa curiosidad es parte de Andrés; estudioso de la música y parte de la nueva generación de productores de la Quinta Región. Brain Damage es un resultado de su curiosidad. Ritmos acelerados, bombos y cajas violentas, bajos ácidos, un caos agudo que se ordena dentro de melodías misteriosas y oscuras. Un disco que me traslada a los noventas, reconociendo fuertes influencias del electro como Underground Resistance, Drexciya, Aux88 o Radioactive Man, entre otros. Reminiscencia noventera que combina un avance tecnológico logrando ubicarnos en la actualidad, dando así vida a un disco que valora los orígenes del electro-techno y que a la vez se adapta al presente.

Kamila Govorcin, Cáhuil, 2020

Button: by-nc-nd
http://modismo.cl/braindamage.html
http://modismo.cl/
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posted 08 July 2020

pablosánchez – Hipnosia

pablosánchez – Hipnosia

pablosánchez

“Hipnosia”

released June 5, 2020

Toda la música compuesta, tocada, cantada, grabada y mezclada por Pablo Sánchez, excepto:
Violines en “Psicolbap”, tocados por Manu Clavijo y grabados por César Gruart en los estudios Grooveart (Madrid).
Saxo tenor en “La luna y el dinosaurio”, tocado y grabado por Andrés Theaux en su casa de Córdoba (Argentina).
Saxo tenor en “La luna y el dinosaurio”, tocado por Leo Lanz y grabado por Pablo Sánchez
Charles electrónico en “Arder”, tocado y grabado por Juan Sánchez (aka Alter Ego) en Segovia.
Ningún animal fue herido en la realización de este disco.

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https://pablosanchezmusica.bandcamp.com/album/hipnosia
https://pablosanchezmusica.bandcamp.com/
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posted 03 July 2020

Valance Drakes – Not Taking This Gratitude For Granted

Valance Drakes – Not Taking This Gratitude For Granted

Valance Drakes

“Not Taking This Gratitude For Granted”

This EP was entirely written and recorded in the cable kingdom of bleeps and bloops in the city of Sofia, Bulgaria during their tradition of Martenitsa. While Ivan Shopov was working on his project Kanatitsa with Avigeya, Valance Drakes was into a rookie year for Amek, working on the collab LP with Ivan and working on his debut album for the label (An Angel In Alliance With Falsehood).

“Much love goes out to my brother Ivan Shopov for the art piece, mastering and doing a remix for the project” – Valance Drakes
credits
released June 30, 2020

Original tracks by Valance Drakes
Artwork by Ivan Shopov
Mastering by Ivan Shopov

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https://www.abstraktreflections.net/releases/valance-drakes-not-taking-this-gratitude-for-granted/
https://www.abstraktreflections.net/
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posted 01 July 2020

Imperatrix & Humanfobia – Seventh Kind

Imperatrix & Humanfobia – Seventh Kind
[CIOR-H91]

Imperatrix & Humanfobia

“Seventh Kind”

All music by Imperatrix.
Vocals, model in the cover: Mist Spectra.
additional mix, voice effects, cover artwork design: Sábila Orbe.

Imperatrix is a composer from Vienna, Austria.
more music in: https://www.youtube.com/user/LabyrinthEditor/videos
updates: https://www.facebook.com/Imperatrix-245501002148590

Humanfobia is a dark experimental music duo from Chile.
https://humanfobia-official.bandcamp.com/
https://hearthis.at/humanfobia/

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https://archive.org/details/seventh-kind-ep
https://archive.org/details/fav-mist_spectra
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posted 28 June 2020

Pandacetamol – A Different Place

Pandacetamol – A Different Place

Pandacetamol

“A Different Place”

Pandacetamol is turning into a regular feature on Kahvi in recent times, this time he’s back with a twelve track album of minimal beats, dark factory atmospheres and a tasting of Autechre influences.

Off key leads, glitchy, shifting direction constantly. Something to chillout to in the summer sun with an ice cold beer or two.

Watch out for Pandacetamol’s retro sound of choice – classic acid.
credits
released June 23, 2020

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https://kahvicollective.bandcamp.com/album/a-different-place
https://kahvicollective.bandcamp.com
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posted 27 June 2020

Hynamo – Baba Juno EP

Hynamo – Baba Juno EP
[DigitalDiamonds075]

Hynamo

“Baba Juno EP”

Hynamo is back with an upgraded arsenal that’s set to destroy. This underground Australian has blown us away with Baba Juno, a hard-hitting, all-original 4 track EP. From start to finish it’s an epic journey, taking you on a machine-infested ride to the heart of Zion. It’s cleverly synth-driven, with psychedelic influence, is bound by pounding drums and is eloquently produced with dark techno and progressive house tone colours. Baba Juno EP is a psychedelic techno beast.

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https://www.digital-diamonds.com/index.php?id=digitaldiamonds075
https://www.digital-diamonds.com
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posted 26 June 2020

Wankers United – Solo Romance

Wankers United – Solo Romance
[dhr-46]

Wankers United

“Solo Romance”

Pour sa 46ème sortie, Da ! Heard It Records fait dans la haute fidélité.

Les années passent mais la passion reste : voilà ce que semble raconter Wankers United à travers Solo Romance, un nouvel album où l’Audonien continue de créer de belles histoires avec ses machines.

Deux ans après Polygon Soup (2018, Da ! Heard It), Thomas Lanza affirme encore un peu plus son amour pour les sonorités franches héritées de l’électro de Détroit. Ce laps de temps a permis à son funk robotique de prendre un peu de vitesse, de s’étoffer de multiples mélodies chaleureuses et de s’offrir un son plus épais, notamment grâce au travail de mastering réalisé par le Finlandais Mesak, compagnon de longue route du musicien.

Il faut dire que contrairement à ce que le titre de cette cassette laisse entendre, Thomas montre au fil des morceaux qu’il reste toujours bien entouré. Au-delà du portrait ornant la pochette dessinée par son ami marseillais Poborsk, ce faux solitaire prend ainsi plaisir à émailler le nom de chaque instrumental d’allusions à son entourage ou à d’autres bons souvenirs bien enfouis dans la bobine. L’ensemble, s’il laisse percevoir une petite pointe de nostalgie, n’est pas passéiste pour autant : il rappelle surtout à ceux qui l’écouteront tout le chemin parcouru par ce fin connaisseur de sonorités électroniques.

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https://www.daheardit-records.net/en/discography/dhr-46#release
https://www.daheardit-records.net
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posted 25 June 2020

Viktar Siamaška Dy Kumpanija – JUR

Viktar Siamaška Dy Kumpanija – JUR
[SFA085]

Viktar Siamaška Dy Kumpanija

“JUR”

Iryna Maziuk – vocal,
Pavał Silivončyk – vocal,
Dzianis Kudraŭcaŭ – guitar,
Eryk Arłoŭ-Šymkus – double bass,
Frydrych Samotny – tenor saxophone,
Uładzisłava Chaŭratovič – hapi drum,
Vasil Pankrataŭ – percussion, Korg monotron,
Viktar Siamaška – text, declamation, winds, percussion.

The Memorial Museum-Studio of Zair Azgur, Miensk, Biełaruś, 24-04-2015.

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https://signalsfromarkaim.blogspot.com/2020/06/sfa085-viktar-siamaska-dy-kumpanija-jur.html
https://signalsfromarkaim.blogspot.com/
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posted 25 June 2020

Yamashita Takuya – Renkinjutsu​-​shi no taitō

Yamashita Takuya – Renkinjutsu​-​shi no taitō
[[mi267]]

Yamashita Takuya

“Renkinjutsu​-​shi no taitō”

Contagious beats and danceable rhythms, so we are welcomed by Yamashita Takuya, the alter ego of the Portuguese Fábio Pinto. The dance floor transposed to our home, to our living room, to our body. An incessant energy, reminiscent of colorful oriental realities!

Electronics and Japan, in one reality! Anime driven Beats!
Over 5 themes, 5 short discharges of sweet and melodic rhythms, of hard beats, 5 aural, punitive amalgams that will drag you across the dance floor, that will embrace you until you fall asleep.

https://mimirecords.bandcamp.com/track/night-classes

Button: by-nc-nd
https://mimirecords.bandcamp.com/album/renkinjutsu-shi-no-tait
http://mimirecords.clubotaku.org
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posted 23 June 2020

Yasuyuki Uesugi – I’m Not Normal Unless I Can Control Extreme Emotional Changes

Yasuyuki Uesugi – I'm Not Normal Unless I Can Control Extreme Emotional Changes
[mi268]

Yasuyuki Uesugi

“I’m Not Normal Unless I Can Control Extreme Emotional Changes”

From Sapporo, the japanese noise artist Yasuyuki Uesugi brings us eight tracks of old school noise.

The sounds on this album are repetitive with deep textures and exotic timbres. The drones unfold and unfurl into a huge soundscape giving us the impression to the listeners that we’re on a factory

This album is the view of an artist who dialogues with previous observation and impressive demonstration, dark and abyssal, however the sounds are not abrasive. sometimes mesmerising, sometimes close to harsh noise wall. A must listen!
credits
released June 23, 2020

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https://mimirecords.bandcamp.com/album/im-not-normal-unless-i-can-control-extreme-emotional-changes
https://mimirecords.bandcamp.com
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posted 23 June 2020

Shari DeLorian / Alice Bachmann – INESSERE (Live at Avantgardening 2020)

Shari DeLorian / Alice Bachmann – INESSERE (Live at Avantgardening 2020)
[SR222]

Shari DeLorian / Alice Bachmann

“INESSERE (Live at Avantgardening 2020)”

April 2020.

The multidisciplinary platform Avantgardening commissioned to sound artist Shari DeLorian a music project to be performed at the first online edition of the festival. This become soon an a/v project in collaboration with French video artist Alice Bachmann.

This is the recording of the performance, called INESSERE, which has been performed on 19th April 2020.

Inessere is an audio/visual portrait of a place created by human beings, a place where you can’t and can be at the same time: a paradox of absence and presence. A world on a human scale, but deprived of its humanity; the spacial acoustics as the proof of its absence.

Credits:

Shari DeLorian: music

https://soundcloud.com/sharidelorian

Alice Bachmann: video

https://vimeo.com/entropiquestropiques

INESSERE

Racconto sonoro di un luogo creato dall’essere umano, in cui non può esserci ma allo stesso tempo c’è, in un paradosso di presenza/assenza. Un mondo a scala umana ma privato della sua umanità, l’acustica spaziale come fredda testimonianza della sua assenza.

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http://www.spettrorec.com/index.php?/albums/glad-to-be-still-alive/#sr222
http://www.spettrorec.com
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posted 23 June 2020

Roberto Vodanović Čopor – Nobody

Roberto Vodanović Čopor – Nobody
[GFR, 131]

Roberto Vodanović Čopor

“Nobody”

Roberto Vodanović Čopor is a multimedia artist from Zadar, Croatia. Born in Split in 1970. He released the music for various independent publishers from the region but also from Europe and America. In his music he often combines the sounds of nature or the sounds of cities, and as a background he uses the sounds created from everyday objects. He has published three collections of poetry “Insomnia”, “Almost a Little Book”, “Walls are barking”. His poetry has been included in several collections of the group of authors. He publishes poetry on various regional portals for culture and art. He is also an author or co-author of several performances that he often performs as part of his concerts. So far, he has had several exhibitions of his art works. He has exhibited at several group exhibitions.
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http://greenfieldrecordings.yolasite.com/2020.php
http://greenfieldrecordings.yolasite.com
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posted 23 June 2020

Various Artists – Music Inspired on Video Games

Various Artists – Music Inspired on Video Games
[CIOR-400]

Various Artists

“Music Inspired on Video Games”

Compiled, cover artwork design by Sábila Orbe.
pics taken from public domain use.

All Cian Orbe Netlabel releases: https://humanfobia.jimdofree.com/cian-orbe-netlabel/
updates: https://www.facebook.com/cianorbenetlabel/
https://ello.co/creativecommonsmusic

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https://archive.org/details/v-a-music-inspired-on-videogames
https://humanfobia.jimdofree.com/cian-orbe-netlabel/
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posted 21 June 2020

Rosa Angelini – Hay una conspiracion en la tierra

Rosa Angelini – Hay una conspiracion en la tierra
[pn157]

Rosa Angelini

“Hay una conspiracion en la tierra”

“Hay una conspiración en la tierra” (“There is a conspiracy in the land”) statement by activist Angela Davis, enlightens this reflective musical act, standing up for Mother Earth and Human Rights, through latinamerican indigenous women, people, and world activists voices, sounds and resistance. It is a journey and, at the same time, a discourse, moving across acoustic and electronic textures, samples, soundscapes, world music and soundtracks, accompanied by protest performance actions, ritual, chants and dances by Mapuche performer artist and activist Lorenza Aillapán, and Rosa Angelini.

This sound-research-creative work generated an intermedia piece, a multimedia collective mise-en-scene (Ritual), fusing sound-and-music, performance art in socially and politically symbolic public spaces, by a female cast and live music, mingling powerful speeches and songs by global feminist and environmental movements, calling up to defend Mother Earth, Human Rights and aborigin tribes.

This mise-en-scene was premiered in May 2019 at “2do encuentro internacional de trabajadoras de las culturas y las artes” (II International Meeting of Women Culture and Art Workers) opening, at Teatro Solís open area in Montevideo, Uruguay, using Live Cinema techniques and an international cast of 50 performer artists. It has also been staged in Chile, at Museo Nacional de Bellas Artes (National Museum of Fine Arts) frontis, Ventana-Quintero sacrificial area, and Plaza de la Dignidad, as an opening rite for International Women’s Day, March 8, 2020.

“Hay una conspiración en la tierra” is 30 minutes long. This version is a sample of the final scene (Mother Earth ritual).

Rosa Angelini.
(Santiago, junio / June, 2020)
English version by Gerardo Figueroa.

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https://pueblonuevo.cl/catalogo/hay-una-conspiracion-en-la-tierra/
https://pueblonuevo.cl
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posted 19 June 2020

The Droid – Invasion / Attack

The Droid – Invasion / Attack

The Droid

“Invasion / Attack”

“The Invasion/Attack EP by The Droid featues two high energy electro tracks designed for the electronic beings within us all.”

Invasion sets the scene of an dystopian society where we are communicating with the unknown, The Droids are invading.

Attack features an almalgamation of a warping bass and high energy, euphoric pads. Encompassed by alien communication.
credits
released June 16, 2020

W+P: Ben Evans
Mastering: Mudrost
Artwork: John Bushby

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https://digitaldistortions.co.uk/album/invasion-attack
https://digitaldistortions.co.uk
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posted 19 June 2020

King Elizabeth – This is Not My Church

King Elizabeth – This is Not My Church
[VULP-0169]

King Elizabeth

“This is Not My Church”

Following from a surprise return to Vulpiano Records after a 7 year departure with The Awakening earlier in 2020, King Elizabeth is back again in short order with This is Not My Church, traversing a variety of moods and styles through incredible song craft and energy. As always, highlighting a favorite is a challenge, but my vote goes to the sultry grit of “A Mighty Man”.
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https://archive.org/details/king-elizabeth-this-is-not-my-church-2020
https://vulpianorecords.com
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posted 12 June 2020

Nesting Error – Il diluvio del 1931 e altri disagi

Nesting Error – Il diluvio del 1931 e altri disagi
[NN_EP035_06_20]

Nesting Error

“Il diluvio del 1931 e altri disagi”

A musical breath held and started after many years without a specific motivation. Infused life and breath with full lungs for the debut album dating back to 2007 ignored, kept in the drawer and never released for any label for reasons related to recordings and overall production with then somewhat limited means belonging to the low-fi concept subsequently re-evaluated. Nesting Error are a long-lived and complex duo. Their music close to genres related to digital and analog electronic music of Central European inspiration often takes the listener’s hand to lead him travels through time and history thanks also to the wise and never banal use of samples. In “Il diluvio del 1931 e altri disagi” a meteorological event of exceptional gravity that happened in their Palermo in 1931 is taken as a pretext when a flood of frightening propositions brought the entire city to its knees far from prepared or accustomed to events of the generally reaping several victims. The biblical term “deluge” expands, amplifies and extremes several more or less global spatio-temporal references which at the time of the release of the album evidently had to represent real psychological “hardships” fully narrated in each piece as world wars; the era of the planetary homeland; unfortunate American and Italian presidencies; the chilling deception of the concentration camp of Theresienstadt in a tragic game of jumps between past and present where human and cultural disintegration remains the only link. A circle that closes just where it started, the Second World War and its famous incomprehensible encrypted and encrypted messages that hid strategic information of a world completely out of control under a flood that leaves no way out in an unfortunate epochal context that is repeated without ever end.
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http://www.nostressnetlabel.net/NN_EP035_06_20.html
http://www.nostressnetlabel.net
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posted 12 June 2020

Various Artist – Salon Bruit Rerouted Series 2

Various Artist – Salon Bruit Rerouted Series 2

Various Artist

“Salon Bruit Rerouted Series 2”

The second season in our streaming concert series, Salon Bruit Rerouted on https://frbb.out.airtime.pro/frbb_a
and on https://www.colaboradio.org/
based in Berlin, but stretching far and wide. May 2020

Taking place every Thursday between 8 – 10pm (CET) with four 30 minute acts of live experimental music performance.

A virtual version of the concerts we are all missing out on during this time of self isolation.

Each week we will bring you a diverse selection of music performance and sound art.

with…
Son Samin (Berlin/South Korea) https://www.instagram.com/saminsonstudio/
Victoria Shen (Boston, USA) https://www.instagram.com/evicshen/
Knifemi Xingloop (Berlin/Ireland) https://lifeloop.org/
Krusha Antena (Prague, Czech Republic) https://krushaantena.bandcamp.com/
Dinelka Liyanage (Sri Lanka) https://soundcloud.com/aklenid
Dirar Kalash (Palestine) https://albayan.bandcamp.com
Martina Bertoni (Berlin/Italy) https://martinabertoni.bandcamp.com
Dr. Nexus (Berlin/Germany) https://soundcloud.com/dr-nexus-meditations
Danny McCarthy (Cork, Ireland) https://soundoutin.blogspot.com/
Akita Yra (Prague, Czech Republic) https://soundcloud.com/akitayra
Lichene (Berlin/Italy) https://www.mixcloud.com/licia-lithium/
Fabrizio Modonese Palumbo / ( r ) (Turin, Italy) https://fabriziomodonesepalumbo.bandcamp.com/
Erika Sofia Sollo (Turin, Italy) – https://soundcloud.com/sollosofia
Kris Limbach (Berlin, Germany) – http://krislimbach.com
Clodo Misère III (Tatie Petanol, Tenenbaum Ruben and An Dao) (Nancy, France) – https://soundcloud.com/tatie-petanol/sets/la-deconfiture-coronaire
SLOW SLOW LORIS (Berlin/USA/Germany) – http://www.slowslowloris.com

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https://archive.org/details/sbreroutedseriestwo
https://www.colaboradio.org/
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posted 12 June 2020

Bodro – Bad Symphony

Bodro – Bad Symphony

Bodro

“Bad Symphony”

Bodro’s Bad Symphony EP is designed to meet the needs of multiple dancefloor applications. Bringing state of the art bass and breaks with an innovative and unique audio subsystem, guaranteeing discerning listeners and dancefloor inhabitants alike will enjoy the dynamic and fluid sounds at a molecular level.
credits
released May 15, 2020

W+P: Bohdan Primak
Mastering: Mudrost
Artwork: John Bushby

Button: by-nc-nd
https://digitaldistortions.co.uk/album/bad-symphony
https://digitaldistortions.co.uk
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posted 10 June 2020