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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: abstract

REfugEEs From Beyond – reFUGeeS Welcome

REfugEEs From Beyond – reFUGeeS Welcome

[Malaysia]

[LCNLP157]

REfugEEs From Beyond

“reFUGeeS Welcome”

The Necrophile Hummingbird netlabel presents reFUGeeS Welcome by REfugEEs From Beyond. It’s the first release of the dark abstract hip-hop duo made by the malaysian MC PeliK & the turntablist Yoshiwaku.

“Refugees Music for Stateless People”

Everybody knows about the climate disaster consequences, pushing so many people to the exile, instead to try to fix the pollution problem the guilty countries are strengthening their borders. The world of tomorrow seems not different of yesterday world except this awful smile about the climate genocide.

Recorded live the 10th november 2022.
MC PeliK : Voice & Guitar
Yoshiwaku : Turntable & Kaossilator & Rhythms

Dedicated to all the migrants who died because of borders.

Special thanks to Alizé for the design of the project name.

Button: by-nc-sa
posted 01 December 2022

Cui – 随集 Major Glitch

Cui – 随集 Major Glitch
[AR 104]

Cui

“随集 Major Glitch”

“随集 Major Glitch” is a random selection of Cui‘s productions from 2018 to 2020. All the songs are different combinations of sounds that share similar elements such as glitch, IDM, and ambient. Cui is telling stories or describing moods through them.
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posted 22 November 2022

Jazzaria – Elongated Epic

Jazzaria – Elongated Epic

Jazzaria

“Elongated Epic”

Some things begin, and then – stretch on. You expect a resolution, yet instead receive reverberant reflections. Wandering, meandering, bordering on redundancy – an elongated epic.

Featuring violin, bassoon, clarinet, low woodwinds, orchestral strings and brass, taiko drum, drum kit, shaker, electric bass, piano, synthesizers, and effects.

Button: by-nc-nd
posted 15 November 2022

LjdB TION

LjdB  TION

LjdB

“- TION”

The new album entitled -TION was originally just based on making a few tracks with titles ending in tion, but soon became something different. It was made initially utilizing drummachines and keyboards edited in softwate for a few tracks, but then turning to simple laptop webcam mic recordings of television, videogames and movies aswell. Even unreleased music from the past gathered from LjdB’s oldest still-working laptop. Tracks was sequenced to tell a story that makes sense to LjdB, even if it might make no sense to the casual listener. Echoing the collaboration betweem CRGIII and Ljdb (Mucilage,wich can be heard here : archive.org/details/Mucilage ),the editing and manipulation of sound played a big role in the creation of -TION, so the very same newsclippings used for the collage cover of Mucilage was reasembled to make the cover of this album. (Thank you CrgIII for sending those across the pond)
Button: by-nc-nd
posted 01 November 2022

rADio eNd – ARZAK

rADio eNd – ARZAK
[LCNLP152]

rADio eNd

“ARZAK”

The Necrophile Hummingbird netlabel presents ARZAK by rADio eNd in free download here archive.org/details/rADio_eNd_ARZAK_Free_Download

“Abnormal Music for Abnormal People”

Since the very beginning when I coined the “hors-norme” (Outside of the Norm or Apart from Standard) as a style to define the music shared on this netlabel the main purpose was to make room for any musics rejected by the mainstream music. And this was not only a struggle against artistic conformism, but more about the society rejecting any differences by the reign of the Norm. If the society is rule by white old heterosexual you will get racialized people, women, lesbian gay trans queer, people with disabilities and young people, whatever, pushed into the margin.
This is a marginalization process. Same way that when scientists study nature they will not care of the singularity, example if the bonobos are not using patriarchal model they will avoid studying them and focus on other primates to get better proof to sustain their dominant ideology.
The first time we tried to bring the lights on this was in 2004 with the Tribute to Necktar archive.org/details/Tribute_to_Necktar We called this marginalization process “Deviance’s Genocide”. It could seem strong, but this is what it is, people sometime suicide not by choice but because of exclusion making it impossible for them to live. The society, or specifically, those who conform to the norm bullying them to the death, we wanted to say it’s a real genocide.
The normal people or indeed thinking to be normal, pushing the abnormal people to disappear, consciously or not. Same way, the mainstream pushing the underground out of sight.
So now we are in 2022 and there are reactions like Black Lives Matter, Metoo… but often doing like if it was only for certain categories of people, when it’s the rulers of the world against all the others.
When it’s the norm against any differences.
And that’s why I added Epaminondas speech to Spinalonga track, ( archive.org/details/l-ordre-1973-jean-daniel-pollet ) because the inhabitants of this leper colony after knowing what it is to be rejected by the whole society didn’t want to be back to the norm.
That’s what they learned, and I hope it could be an example for any rejected people instead to try to be included choice the sedition, the separatism, and build their own micro society, surely it won’t be perfect, but at human scale there are more chances to avoid exclusion and get more alternatives.
Thus, there are also tracks related to Moebius & Alejandro Jodorowsky Incal for the same reasons. For me in this comic “La Paterne” is more the pattern, alias the norm, and the same way that the energy of the dissident in the snowpiercer is used by the power to regenerate itself, the mainstream music grub everything coming from the underground, removing everything which is subversive inside, keeping only the shapes. Like the industry did for the organic food in the hexagone, when it was first at least half or more about build a local system free of intermediaries than to care about the food being not toxic.
And there is also a track about war, because to be aware that our differences are our salvation, goes to with the idea that no matter who is the other, only few are enough crazy to worship the nations and their rulers. Most are just only not strong enough to create choices when it seems impossible to get some.
Last but not least, the change of internet from a freedom tool to a self slavery tool. People mostly stuck in the social network bubbles except if it’s for buying something. It seems a lot of the remains of free culture may disappear at the same time the new norms are applied to control everything online with help of A.I. when needed. It reminds me imperialism colonization, after taking control of a land they eradicate the previous culture, under the fake excuse of few trolls, they hunt all the witches. For example, few weeks ago the Radio Free Albemut h o r s n o r m radioblog with only legal free download music on Tumblr (nearly 1000 releases) has been suspended without explanations and my main Tumblr Panoramagix too. Few months ago it was the Wild Worm Web YouTube channel erased with no warning despite without new publications for months. Only my personal examples.

Finally it’s only music, but these are the kind of dreams hidden behind that very instrumental album. Stay tuned, and please share your dreams and the other ones.

Dedicated to everyone who will be never define in a single word.

Ed End on all tracks
www.ello.co/ed_end

Speech on track 5 by Epaminondas Raimondakis

More information about rADio eNd
www.horsnorme.org/rADio_eNd/rADio_eNd_english.html

Video Art Clips :
ARTSAKH Ersatz.
ww.youtube.com/watch?v=nT8l4DJfUCI
www.bitchute.com/video/TFJgd6n07roj/
And La nOrme a remix of L’Ordre
http://www.youtube.com/watch?v=8OrFCxthjb4

For Flac and Wav formats or in case of trouble with downloading it’s also in free download on bandcamp here yoshiwaku.bandcamp.com/album/arzak

Button: by-nc-sa
posted 11 October 2022

CRGIII & LJDB – Mucilage

CRGIII & LJDB – Mucilage

CRGIII & LJDB

“Mucilage”

Four Little Pasted-Up Things
brought to life by CRGIII & LJDB

Once upon a time a Danish person offered a Kansan two recorded synthesizer improvisations named “Televizor” and “Home Town.” The Dane proposed that the Kansan use these recordings as building blocks to sculpt collaborative bits of audio art. Accepting this offer, the Kansan cut the recordings into bits, edited them with digital sound effects, arranged them into various patterns, added bits from his own original sonic concoctions, and glued everything together to produce four unique compositions. A variety of late 20th and early 21st Century technologies helped make the whole plan come to life. The process of gluing together these sound collages gave birth to the titles of the finished recordings and of the collection as a whole. The results are presented here, along with the authors’ hopes that listeners may crack a smile or two while taking in this exhibit.

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posted 04 September 2022

Indifferent Spaces & Jan LF Strach – Butterflies Anonymous

Indifferent Spaces & Jan LF Strach – Butterflies Anonymous

Indifferent Spaces & Jan LF Strach

“Butterflies Anonymous”

A single from upcoming joint album “New Age Confusion in True Mid-fi” by Indifferent Spaces and Jan LF Strach.

Check Indifferent Spaces at:
indifferentspaces.bandcamp.com

released August 30, 2022
Indifferent Spaces & Jan F Strach

Button: by-nc-nd
posted 01 September 2022

halfcastle – echo sonus (questions and answers)

halfcastle – echo sonus (questions and answers)
[ACP 1346]

halfcastle

“echo sonus (questions and answers)”

Recorded live except track 01, in Rimini btw November and December 2021
Mastered by Demetrio Cecchitelli
Cover art: Fabrizio Nisi

“What’s behind this encrypted alias is the contingence of living a moment at the same time before and after it starts and then finishes. Lost in echoes’ sound, within time and space, it sinks into feelings. Looped questions and answers, trying to identify and reach the epithet of truth.”

This was the first presentation of Demetrio Cecchitelli’s side moniker, five years ago.
Now the manifesto of this inward-self-gaze research has been released, mirrored and reflected by German label attenuation circuit.

That’s all.

Button: by
posted 22 March 2022

Hypnos – Vindictiveness

Hypnos – Vindictiveness
[mhrk298]

Hypnos

“Vindictiveness”

With his third album Hypnos drives us on a journey of sonic invasion, a journey into the personal ways of the artist in dealing with narcissistic and vindictive behavior in our society, where we are constantly exaggerating our life stories and achievements in an aura of overinflated importance, to the point that we become defensive when questioned or when someone challenges our conscious or subconscious idea of superiority.

“Vindictiveness” is Hypnos’ most structured, most complex release to date, revealing yet another side of the project, inspired by club techno aesthetics, with constructions derived from and building on early rave music rhythms and sequences and everything merged into swathes of ambient fields of long, calm and heavy drones.

released February 13, 2022

Thanks to:
– Ivo Petrov (for the trust, support and help releasing the album)
– Ivelin Iliev (for his fantastic work on the video promos)
– Kliment Dichev (for helping with the final polishing of the sound in his amazing studio)
– Martin Dimchev (for giving so many priceless tips on mixing and editing most of the tracks)
– Angel Draganov (for his talent and artwork)

Button: by-nc
posted 15 February 2022

Espinoza Espinoza – NOI RAW

Espinoza Espinoza – NOI RAW
[phokes145]

Espinoza Espinoza

“NOI RAW”

Wired enchantings.
Virtual particles transmitting.
The vacuum full of art.

Avantgarde artist espinoza espinoza from Barcelona shares his latest modular electronic tracks with phonocake and the world. We are very thankful for it and offer the listeners the possibility space for frequency induced goosebumps and perhaps some easy chair dancing while listening to it.

Word is, that we might can expect the tracks to be pressed on vinyl, with another friendly label on this world! So stay tuned for more. Also the other releases at Bandcamp are recommended. You find the links to the pages, like always, at the phonocake artist page.

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posted 07 February 2022

rr.gross – mü​-​tänze

rr.gross – mü​-​tänze

rr.gross

“mü​-​tänze”

All music made primarily with the app Mutant by Ectoplastic UG.
(mazetools.com)

Produced at Futuristic Post-Suburban Dining Room Stud
released January 24, 2022

Cover photo by Ajay Kumar Chaurasiya, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0>, via Wikimedia Commons
upload.wikimedia.org/wikipedia/commons/0/0e/Bacteria_and_pus_cells_in_a_Gram_stained_smear_of_sputum.jpg

Photo remixed by rr.gross under same license.

Button: by-nc-sa
posted 29 January 2022