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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: electronic

V.A. – One Hundred

V.A. – One Hundred
[ZIMMER100]

V.A.

“One Hundred”

Celebrating 8 Years of Free Music with our 100th Release.
Thanks to more than 150 Artists for contributing their wonderful Music.
Thanks to all Fans and Listeners for the huge Interest over all those years.
Thanks for more than 700.000 Downloads from all over the Globe.
Thanks to all the DJs and Supporters who dropped this shit on the Dancefloors, the Radio and even on TV.
Thanks to Everyone who likes, links, helps and recommends us. Much more to come in the next 8 years …

Zimmer loves You ♥

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posted 30 July 2013

Tomika – Good People and God Night EP

Tomika – Good People and God Night EP
[NS069]

Tomika

“Good People and God Night EP”

Tomika – Good People and God Night EP
Tomika is the music Tom Streller from Leipzig. He combines, electronics, indie pop vocals, chamber pop structure, and a flare of the imagination. His debut EP under Tomika is an extremely mature release. You can tell that Tom has complete control over his production techniques and instruments. Pathos Interlude is a short song based around string instruments. Fall In Springtime shares some similarities with Tunng. The Triumph Of Our Tired Eyes starts with a field recording of a thunderstorm before building into a somber folktronic piece driven by piano. The EP ends with Roots & Wings, a downtempo, heartfelt ballad for a rainy night.

01) Pathos Interlude
02) Fall In Springtime
03) The Triumph Of Our Tired Eyes
04) Roots & Wings

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posted 30 July 2013

Ohmniscience – Brainwaves EP

Ohmniscience – Brainwaves EP
[335]

Ohmniscience

“Brainwaves EP”

Ohmniscience – Brainwaves EP
A new guest artist for #335 hailing from Vancouver. Ohmniscience likes to describe her music as an art form, appealing to the inner senses within your mind.

A short but sweet EP, Brainwaves, is 5 tracks of blissful textures and glitchy beats, epic pads and subtle sounds. Nicely produced from the ground up, Brainwaves gives you a ride into the more Autechre side of the IDM spectrum – perhaps with a little Arovane mixed in for good measure?

Check out ‘Beta’ for an epic experience – cold, dark and suspenseful.

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posted 29 July 2013

Esse – Breez Ep

Esse – Breez Ep
[qbs-020]

Esse

“Breez Ep”

Esse – Breez Ep
We finally have a new release for you. Now from Lithuania our friend and great musician, Esse, gives us an album with four songs full of sounds, textures and rhythms. The beats invite us to shake our body and to travel with our minds freely as the air … and the question is: who does not want to feel so free? The only thing I can tell you is download Breez EP and feel the vibes..
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posted 29 July 2013

EFFICIENT REFINERIES – Spéléonaxis

EFFICIENT REFINERIES – Spéléonaxis
[NN_LP042_07_13]

EFFICIENT REFINERIES

“Spéléonaxis”

EFFICIENT REFINERIES – Spéléonaxis
Spéléonaxis is the newest acoustic document by Miguel A. Ruiz and Siegmar Fricke who collaborate since the mid 90s on their project EFFICIENT REFINERIES. Produced again like the former three albums at Pharmakustik’s studio in Germany, the album contains six improvisational studiosession-recordings involving lots of new hardware and plugin-synthesizers. On Spéléonaxis EFFICIENT REFINERIES combines retrocosmic structures similar to the late 60s with innovative glitch-electronics and the newest technical possibilities in sound-processing. In addition very contrary elements are involved, ranging from melodic minimalism to pulsating psychotronics. Spéléonaxis can therefore be characterized as the most accessible and at the same time most experimental E.R. album so far.
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posted 29 July 2013

trans alp – Nachtschatten

trans alp –  Nachtschatten
[phoke92]

trans alp

” Nachtschatten”

trans alp –  Nachtschatten
The shadows show the way of light. The frequencies light zhe path of data to our souls. Also the darkness can provide shadows.

With this EP we document one of Trans Alps concerts of the last years, which is also a take of one of his musical processes, which can be described as developing the tracks from one concert to another.

The EP brings five tracks of a concert, taken place in the now vanished off/space »Krautwaldfabrik«. This former cultural space is documented in the CYNAL 01 magazine (in German language only).

Trans Alp mixes small acoustic sound objects with analogue synths as well as digital work during his concerts. Also you can perceive his graphical art through his music.

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posted 23 July 2013

Asedub/Cliff Tower – Atmosphere Delayed

Asedub/Cliff Tower – Atmosphere Delayed
[Kpl010]

Asedub/Cliff Tower

“Atmosphere Delayed”

Asedub/Cliff Tower – Atmosphere Delayed
1. Asedub – Recel

2. Cliff Tower – Lost Echoes

3. Asedub – Regel

4. Cliff Tower – Paradox

5. Asedub – Rexel

6. Cliff Tower – Slow Pathway

Our reference number 10 bring us Asedub and Cliff Tower showing 6 cuts where we have as protagonists great atmospheres and very deep environments.

music to dream and enjoy..

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posted 18 July 2013

Miquel Parera – Quadraphonic Automatische Drohne

Miquel Parera – Quadraphonic Automatische Drohne
[nx012]

Miquel Parera

“Quadraphonic Automatische Drohne”

Miquel Parera – Quadraphonic Automatische Drohne
Cover: nxComposition042 (Miquel Parera)

Tech:

What you can hear are different iterations of the same function. The function selects, at random, one of the 24 sound generators classes. Finally, mix four variations on a composition.

Software Used:

SuperCollider: http://supercollider.sourceforge.net/
Audacity: http://audacity.sourceforge.net/

You can download the code on: http://archive.org/details/nxCode
You can download the samples on: http://archive.org/details/nxAudio

More releases on: http://musicnumbers.wordpress.com/nxreleases/

Trivia: The cover and title are a tribute to Schulze Irrlicht. When I was seventeen, one of those special people that come and go in your life gave me the vinyl Schulze. In turn, this year appeared the cd of La Légende d’Eer of Xenakis. Along with reading Silence, Cage, this would form in my young mind a kind of altered sense of perception of the music that survives until now.

License:

This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License.

You can listen and download other iteration in the compilation:

I Prefer the Term Artificial Person Myself.

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posted 17 July 2013

Jorge Marredo – Uéyiga

Jorge Marredo – Uéyiga
[at065]

Jorge Marredo

“Uéyiga”

Jorge Marredo – Uéyiga
“Uéyiga”, in the local language of Extremadura (bast territory at the Spanish western border with Portugal) means trace, footprint or marks on the ground, left there from past activities. This is what is all about on the fourth album by Jorge Marredo – this time signing in as himself – and leaving apart the “Satisfaccion Lab” nickname, with he has been releasing for the past years.The four left traces found on this album are a rabbit hole in which Marredo enters, starting up with a clear image, a simple idea, a barely audible soundscape that early is being transformed until no recognition through signal processing with various synthesisers. By the half of the first track we are already in a multilayered scenario of analogue signals processed in various ways. So, the soundscape that started up the album as a clear statement, just fans out, and dissolves into a bast array of textures, rhythms and environments.

Traces are left of various abstract soundscapes present through the album, scenarios in which Marredo, through analogue signal processing devotes himself to the craft of synthesised sound, still even that we hear echoes of the psychodelic and kosmische music he loves to perform an explore (for instance with the duo project Marredo & Montag) this is pretty much a textural, and soundscapist-point-of-view album, even that those electric signals place us in the uncanny territory of machine sound we cannot forget about what started it all, the soundscape, or field recordings. It’s all there, as a trace, a footprint, something that doesn’t needs to be there because Marredo is very capable of listening through soundscapes and present them under his own umbrella, rearranged, transformed and created from nothing but electric signals.

Truly a pleasure to have him in our catalogue, specially when we are very focused on releasing works by our local artists, working neighbourly a few blocks away of the Audiotalaia Headquarters, just like Avelino Saavedra, Jean Montag and a few more.

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posted 16 July 2013

Buben vs.Nasta Labada – Live at Improvisation Music Festival AGA

Buben vs.Nasta Labada – Live at Improvisation Music Festival AGA
[NN_Perform015_07_13]

Buben vs.Nasta Labada

“Live at Improvisation Music Festival AGA”

Buben vs.Nasta Labada – Live at Improvisation Music Festival AGA
Live at Improvisation Music Festival AGA
Azgur Memorial Museum
April 27th 2013
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posted 15 July 2013

Frame – Nice to meet you EP

Frame – Nice to meet you EP
[334]

Frame

“Nice to meet you EP”

Frame – Nice to meet you EP
For 334 another guest artist is featured on the label, this time Frame from Portugal with a four track ep entitled ‘Nice to meet you ep’.

Firmly in the easy listening genre, Nice to meet you ep is full of subtle touches and nice grooves to get you involved in the tracks. Listening carefully, you’d be forgiven in thinking that Lalo Schifrin had dropped by and chosen a few well placed notes, especially the electric piano in Irony of fate. A nice mix of 70s cool with 21st century technology!

Of course, not every track is the same with Solar Station being in a similar ‘feel good groove’ like Kenny Beltrey from previous releases.

Tracks of choice for this listener: Summer Rain with that familiar vibe that seems to be so familiar but you can’t quite put your finger on it and Wave my soul for an epic chillout track perfect for a few beers on the balcony. Chill!

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posted 04 July 2013

V.A. – Exhala

V.A. – Exhala
[brh10]

V.A.

“Exhala”

V.A. – Exhala
Second of our Fifth Anniversary compilations is here, no further words are needed to hear the music of this volume. All our love and passion for music is embodied here, join Sound Sculpture Project, Eckul, DDO, gip, Esoteric Sob, Vela, Triangular, Dimitris, djozr, Lingua Lustra, Substak and aAirial.
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posted 02 July 2013

element orchestra – Mush

element orchestra – Mush
[EPV_137]

element orchestra

“Mush”

element orchestra – Mush

■ EPV_137

:: warning ::
An excessive expression is included in the work.
Please enjoy yourself with suitable volume.

■ bonus item
PDF BOOK(13p)
photo by fkhr & ono

all tracks by element orchestra
photo by fkhr (fukuharam.tumblr.com)
design by ono(elementperspective)

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posted 01 July 2013

Brandumize – All Day Long

Brandumize – All Day Long
[STQK015]

Brandumize

“All Day Long”

Brandumize – All Day Long
“All day long” is a 3-seasons EP, which means that its tracks were built up with different influences and tastes when choosing sounds and the way of working on them, from soft and springy trips to hard and rude hammers so you can dance like there is no tomorrow. During the last year Brandumize eventually started to publish music, and then they had the pleasure of playing it in front of a public too; this is their way of celebrating the “received stimuli” meeting new people, trying new tools and instruments and so on…before they’ll lock up themselves in studio again for quite a while.
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posted 29 June 2013

Jenseits – Nomade Psichico Suite

Jenseits – Nomade Psichico Suite
[NN_LP041_06_13]

Jenseits

“Nomade Psichico Suite”

Jenseits – Nomade Psichico Suite
Jenseits

At the origin of this project there is Jenseits (Francesco Vecchi from Milano), who wishes to revisit, cite and recite poetry and texts of some songs from “Nomade Psichico”, music work released for “I dischi del mulo” / “C.P.I. (Consorzio Produttori Indipendenti)”, an historical group of the Italian 90s underground music, the AFA (Acid Folk Alleanza) and an oniric “reading” an excerpt from the book ” Provincia Exotica” by Fabrizio “Taver” Tavernelli (voice and leader of the AFA), all complemented and enhanced by two original Jenseits tracks. The project is developed in collaboration with the indie label “Lo Scafandro”, delivered by “Taver” himself. We like to define this second Jenseits work as “psycho-electro sci-fi cover music”.

Nomade Psichico Suite

Imagine yourself suspended in the empty icy, adrift in a diving suit, immersed in an infinite silence, away from anything that could be reassuring. You are finished in a space gravitational cemetary, a space debris landfill, spaceships and satellites damaged pieces. Now with these objects try to rebuild a module with ingenuity and desperation, a new building of rough technology survivalist, a rickety space station, a survival structure in a hostile and empty universe. The same space recovery operation performed by Jenseits, tracks, records abandoned in a vacuum. An suite of expansion where pulse signals and messages are collected, processed, analyzed and finally remixed with what remains of a technology of a race once projected into the future and now more closer to a final entropy. Clusters, reverbs, loops dirty and corroded, echo that rebeats between unknown dimensions. “Nomade Psichico Suite” is a meticulous archeology cosmic work, a decipher of distant and unknown languages. As the last light that travels through time to give us news of the death of a star. As in the last human civilization reigns a daily apocalypse. Jenseits is a collector, just as they were the first hominid groups on planet Earth, nomads in search and discovery. Abandoned riches founded on the route, sounds, words, feelings, everything useful for use for reassembly. Forced to the invention, to restore energy and life to what seemed lifeless, but still maintains, in a property, a memory. Fossil life forever seared, enclosed, preserved for that and for those who will come. Matter to be reassembled in an abstract and astral. Giving a new function to sound objects destined to eternal silence. My fossil is “Nomade Psichico,” an album that I jealously protect in a remote part of my soul, a work that marked me, a building and a project that I projected far away, where I thought impossibile to get. An astronomical platform from which I could see, to listen what I had never been able to receive. And just by observing and traveling into the endless space, only the moment of maximum expansion of consciousness, I discovered that I was traveling in myself, in my subconscious, in my deepest own. In the best science fiction interior. So admirable and captious like a black hole, the work that you add in this monolithic work, a labyrinthine inlay pictures, films, literary references, visions and illuminations. Jenseits understood what was behind it, what was there before, what was inside and what was beyond the album “Nomade Psichico.” It’s an amazing kaleidoscopic refraction, a sister galaxy, which is reflected in the multiverse. A ring structure, a circular breathing, a trance, a spiral nebula. Jenseits is the continuation of a trip to an indefinite time, which requires a change of generations for a dark path is revealed by light years of wandering. Reach a new planet, attain a truth, there be achieved, only one destination and now the command of the starship has a new crew brave and utopian, decided in the unexplored walk over the border. Until the next dimensional shift. Good Voyage Major Francis and remember the flight codes.

>From the Diary of Debordaggio, Taver

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posted 28 June 2013