www.elektrische-lasagne.de/links4externalsites/16_die_nmi_-_crumbling_robots.mp3
Mono o Estéreo? presents “Clicses”, an album of 14 remixes of 6 songs belonging to his debut album “Clics”, released in 2017 independently and reissued in 2021 by Pueblo Nuevo.
“Clicses” puts on stage a fraction of electronic artists summoned based on a curatorship that works by extrapolating readings to Mono o Estéreo?‘s music, offering a local sound map where experimentation and creative freedom prevail.
Formed in January 2016, the duo “Mono o Estéreo?”, made up of Loreto Ríos Montecinos and José Toro Concha, released their debut album “Clics” in December 2017. The band, which had only published a few demos on their Soundcloud account, with the release of the single “Iguales Distintos”, increased their presence in specialized media, which gave them the confidence to unveil the rest of their musical proposal.
The album, with 6 songs and 38 minutes long, exposes the personal songbook that José Toro Concha created between 2007 and 2015, to later give it its final form with the production of “Mono o Estéreo?”, also with the participation of Diego Gilabert Valiente, Pablo Muñoz from Janeiros Estudios, Diego Ridolfi, photographer José Moraga, Carolina Cue Silva and Francisco Holzmann from Clio Mastering.
“Clics” went on sale on digital media such as Bandcamp, iTunes, and for listening on streaming platforms, such as Spotify, Apple Music or Deezer. Now, with this reissue in Pueblo Nuevo, it is available for the enjoyment of all those interested in this attractive combination of electronics and avant-rock.
Thermoplastic Fibers
by Charles Rice Goff III and Michael LaGrega
1) Vinyon
2) Dacron
3) Teflon
4) Orlon
5) Nylon
6) Zylon
7) Rayon
1) Vinyon (Polyvinyl Chloride, invented 1939)
Resists chemicals, bacteria, insects. Crease resistant and elastic.
Used in blankets, draperies, children’s clothes, carpeting.
2) Dacron (Polyethylene Terephthalate/PET Plastic, patented 1941)
Barrier to gases, liquids, alcohol, solvents. Lightweight and semi-rigid. Recycles well.
Used in food containers, clothing.
3) Teflon (Polytetrafluoroethylene, discovered 1938)
Resists wetness. Low friction. Degradation is toxic to humans and birds.
Used as non-stick coating for cookware, lubricant for medical and military equipment.
4) Orlon (Acrylic, invented 1941)
Resists heat and acids, color-fast, machine washable. Soft, warm, mimics wool and cotton.
Used for clothing, insulated clothing, furnishings, carpeting.
5) Nylon (Synthetic Polymer, invented 1927)
Resists moisture, chemicals, molds, insects. Melts but does not burn.
Used in stockings, carpeting, various military equipment.
6) Zylon (Thermoset Liquid-Crystalline Polyoxazole, invented 1980s)
Stiffer than steel, thermally stable. Degradation begins within a few years.
Used in sporting, military, and medical equipment.
7) Rayon (Regenerated Cellulose, patented 1892)
Lightweight, mimics silk, velvet. More biodegradable than cotton.
Used in clothing, cellophane, sausage casings.
“Thermoplastic Fibers” was inspired by a 51-page research report that Goff put together for Mrs. Adams’ 5th Grade Science class in Fremont, California, 1969. This collection of recordings in no way recommends the production nor the usage of thermoplastic fibers for any purpose.
The Manufacturing Tools:
Goff:
Korg R3 Vocoder/Synthesizer, Korg Z1 Synthesizer, Micro Moog Analog Synthesizer, Ibanez DM 1000 Digital Delay, Hello Kitty Stratocaster Electronic Guitar, Aklot Electro-Acoustic Soprano Ukulele, Various Plectra, Slides, Beaver Jaw, Pete Davidson Vibrator, Yamaha FX 500 Effects Unit, Various Analog Foot Pedal Sound Effects, Billiard The Theremin, Five Below Modified Sound Generator, Boss RC 20X Loop Station Loop Duplicator, Voice, Cool Edit Pro II, Audacity, Several Plug-In Audio Sound Effects
LaGrega:
Korg 01R/W, Oberheim Xpander, Moog Matriarch, Alesis Andromeda, Kawai K5000W, Roland JD-800, Yamaha SY77, Omnisphere VST, Korg Trident VST (the ‘Tricent’), E-MU PX-7 Command Station, Boss DR-880 Drum Machine, Epiphone Les Paul copy (of a copy)
Produced March-June, 2021
BWR welcomes back guest artist VisionarySoundSystem (VSS) for his second outing following his first release ‘Eponymous’. VSS takes us outback into wide open spaces to broaden our aural receptors whilst taking the flight controls.
VisionarySoundSystem, AKA Drew Relf, is an independent music lover from the Garden of England. A music enthusiast and presenter on totally independent internet radio stations, his shows focus on his love of diverse artists & styles – this can be heard in his own music. Check out the bonus item for a full introduction of Wide Open Spaces by VSS.
A Big Wave Records “Guest” Release.
Release Date: 22 June 2021.
Release Number: BWR/26.
All audio created, produced, mixed and mastered by VisionarySoundSystem and remains his intellectual property. Released by Big Wave Records. For your listening enjoyment. © Attribution Non-commercial No Derivatives.
All tracks written and produced by the respective artists. For more of their work please visit their Soundcloud / Bandcamp pages and support.
If you love this music please share with like minds. Thank you to everyone who participated.
All material on this compilation album is licensed by a Creative Commons BY-NC-ND 3.0 Unported License. For information about usage rights of this material please refer to: www.creativecommons.org/licenses/by-nc-nd/3.0/
Tracklist curated by S27
Artwork by Mitoma Industries
“27” graphic by Daniel Glaser
Cat No. [S27-181]
We miss you Nat & Ziv.
The Necrophile Hummingbird Netlabel & HAMFUGGI Records & Camembert Electrique presents Hum Antenna by rADio eNd.
“Psychedelic Music for Industrial People”.
About the depths of this album :
Do you remember ?
The first time you took an unknown substance and you were awaiting the mindblowing effect. The slowburn unsetting of all your controls when it was growing inside finding it’s way to the core, till the epic psychedelic climax when it explodes all your landmarks.
Do you wanna take a timeless brainticket in your ears ?
If you are too much short in time to enjoy the full journey there is a shortcut here to go straight to the top https://www.youtube.com/watch?v=yDO1zsSM9M4
About the surface of the album :
At the beginning of rADio eNd we were blindfolded, now it’s the fourth release and perhaps it’s possible to guess the vision behind, on one side the non exclusive model as an experiment to mess up the unhuman system which enslave us mostly with the property blackmail. On the other side to get ride of any bonds to seek what kind of music can be release when the process of its birth is really free.
I think that digg the influences is as unrelevant that take care of this music being recognize for what it is. It’s up to everyone to make their own dream…
More important is that each of fourth members involve in brought their own univers, melt them to get this psychoactive cocktail.
Featuring :
Peter Hope & Studio 112 & Ed End on all tracks (except 4 for Peter Hope)
and Konejo on track 4 (Konejo built this track from sampling the improvised jam sessions, in the same spirit of improvisation)
peter-hopes-explodingmind.bandcamp.com/
studio112.bandcamp.com/
ello.co/ed_end
konejo.bandcamp.com/
Free Download in Wav & Flac of the instrumental improvisation demo tracks also here with an extra track.
yoshiwaku.bandcamp.com/album/hum-antenna
This album is allready release in wav on Hamfuggi Records hamfuggirecords.bandcamp.com/album/hum-antenna and will be on Camembert Electrique netlabel camembertelectrique.bandcamp.com/ and on Wrong Revolution with also CDR physical edition peter-hopes-explodingmind.bandcamp.com/.
rADio eNd is a process more than a simple musical project…
More informations about rADio eNd on the official page
horsnorme.org/rADio_eNd/rADio_eNd_english.html
Special thanks to Luna Menta for the help on Gravity’s Rainbow.
Dedicated to all the psychedelic pioneers expanding as mind than music.
Thus it’s an old dream to be able to translate the psychedelic experience explosion into music if you feel it thru listening it would be such a joy.
Video Art Clip here www.bitchute.com/video/kBNjREaEhGqv/
and here https://www.youtube.com/watch?v=yDO1zsSM9M4
avantgarde in electrics
STRöHM combine experimental music (avant-garde ambient drone) with free improvisation and create imaginative sound structures from it. Novel sounds, rhythmically underlaid, expressive, dynamic, then again impulsive with romantic elements, are the musical result of the mutual interplay.
www.zenapolae.com/releases/zen232/zen232__Stroehm__Chromosome__01_Mentions_in_our_Name.mp3
3 free WAV tracks of deep minimal techno for monoKraK netlabel (www.monokrak.net)
mastering by Pheek (audioservices.studio)
Made in Lavanderia art factory in Berlin. (on insta & youtube)
to accompany the trip in the absence of visual stimuli there is a video on YouTube Lavanderia channel.
credits
released June 18, 2021
Music and cover artwork is by Enrico Bozzato
Visuals, images and AI is by Marco Chinello
Track6 is a collaboration with Bash (@Bashmusic1118) / Twitter twitter.com/bashmusic1118
Various Reiwa (@_petchi) / Twitter twitter.com/_petchi
Artwork by Yaco (@085_yc) / Twitter twitter.com/085_yc
released June 18, 2021
OMOIDE 230 Materials
Produced by Various Reiwa
Artwork by Yaco
Released by OMOIDE LABEL
Catalogue Number : OMOIDE 230
out now the new Release on Insectorama
The Release is free as always, but you can also pay what you want or get one of the cd`s limited to 20 pieces to support the Label!!!!
Altone – Modern Natura EP (insectorama104)
The master of dubtechno from japan is back on insectorama. After his track on the one hundred compilation, he’s now coming to insectorama with his new ep. 5 dubtechno tracks that are so incredibly deep and absolutely timeless.
Tracklist:
1.Debris
2.Soar
3.Modern Natura
4.Misplase
5.Wave Wall
Insectorama 104
all tracks by Altone
Mastering and Design by Markus Masuhr
– Revolution Peak is an electronic witch house, wave, project from Canada.
For more music visit of this artist visit:
revolutionpeak.bandcamp.com/
https://soundcloud.com/nwoifi7wyoir3h/tracks
– Humanfobia is a dark experimental, witch house, horror noise duo from Rancagua, Chile.
Links:
humanfobia-official.bandcamp.com/
archive.org/details/fav-mist_spectra
hearthis.at/humanfobia/
Credits: Stems provided by Revolution Peak.
mixed, cover artwork design by Sábila Orbe.
model in the cover, vocals in tracks 1,2,3 & 4: Mist Spectra.
vocals only in track 5: Sábila Orbe.
“Construcción Social” (“Social Construction”), the latest album by Pablo Gómez Bate, offers us a varied listening, walking through different landscapes, (de) (re) building provocative atmospheres through the use of natural, acoustic, friendly and recognizable sounds, plus vocalizations that remind us in some passages of the “Windowlicker” of the British twin referent, accompanied by glitches, noises and synthetic or digital discharges.
All of the above, which could be understood as overly cerebral music, occurs without renouncing sensory and rhythmic enjoyment, in songs like “Jajause” or “FM10”, where, as in social constructs, we can agree to follow certain conventional rules, but without a doubt the artistic risk that Pablo takes on this album is precisely to question, expand and / or demolish them, breaking the usual stylistic structures with samples and unexpected breaks.
Almost 48 minutes of clear, high-resolution sound, to enjoy while we contemplate the inevitable rewriting of the parameters and norms that govern or de-govern us.
Mika Martini
(Santiago, Chile. Junio / June 2021)
artwork by Anton Gudkov
Constant9 is an experimental duo using modular synthesizers, live sampling and electronic percussions. Based in Moscow, Russia and Stockholm, Sweden.
Junction / Koppling was recorded live in Moscow at Nazlo Records studio in collaboration with Dolphin Hospital.
This phonograms is a protected intellectual work in favor of its producer. Rights protected. ℗ & © 2021 Secuencias Temporales. The rights of this phonogram are recognized by the Federal Copyright Law. Its production, reproduction, import, storage, transport, distribution, commercialization, sale or lease is prohibited, as well as its adaptation, transformation and direct communication to the public without the prior written authorization of the owner. The violation of this prohibition constitutes a crime and an infraction that are sanctioned according to articles 424 bis, 424 ter, of the Federal Penal Code; 232 section III and 232 section I of the Federal Copyright Law and other applicable regulations in force.
Written and Produced by Javier Martin & Guillermo Arroyo in Madrid, Spain.
Mastering by Secuencias Temporales Studio in México City.
Secuencias Temporales ℗ & © 2021 – All Rights Reserved
credits
released June 7, 2021
out now the new Release on Insectorama.
The Release is free as always, but you can also pay what you want or get one of the cd`s limited to 20 pieces to support the Label!!!!
Pyrmont – Hidden Purpose EP (insectorama103)
Pyrmont is back on insectorama. After his opening track of the 100 compilation episode 1 he shows with his new ep what epic length, depth and dense atmosphere mean. 4 tracks that go together for over 70 minutes and are absolutely unique. Dive deep into its sound and forget about reality for 70 minutes and enjoy this dubtechno masterpiece.
Tracklist:
1.Float Through 11:35
2.In search Of Evidence 16:56
3.Eternal Truth 24:19
4.Never Ending Waves 17:29
Insectorama 103
all tracks by Pyrmont
Mastering and Design by Markus Masuhr
Colorful, warm and sometimes emotional EP which invites you to explore the stratosphere and watch the clouds from above. If you’ve ever wanted to become the wind for a while and float over it all, or dreamt of being a cloud watching the landscape slowly pass deep below you, explore the Rules of the Stratosphere with your imagination. Perfect on headphones while you commute home in your flying saucers or chilling out in a sunny afternoon.
The mantra is “Thank you” to Existence.
Peace.
Czech festival video with the track no. 4: http://www.youtube.com/watch?v=IBxPdinXFSA
credits
released January 22, 2021
Special thanks (as always) to Daniel Spacek (Mythematica) for album art illustration.
Check Daniel’s websites:
www.danielspacek.com
www.mythematica.com
The 100th release on TCFSR Bandcamp is the 28th release by tourmaline hum, although it is five years since their last album ‘system Imperfect’ tcfsr.bandcamp.com/album/system-imperfect
During this time the duo of Lone Cosmonaut and Dental Drill have each created a number of solo releases and contributed to a variety of other projects (and Dental Drill has taken on the day to day running of the TCFSR label) so the tracks for ‘Invasive Species’ were created intermittently between 2017 and 2021. Nonetheless the album demonstrates a thematic consistency. The album has a darker edge than most of tourmaline hum’s previous work.
credits
released June 1, 2021
Everything that you can hear: tourmaline hum
Design: DRILLArt
Photos: Kate Tree, Trixie Delight
Anything else: The Committee For Sonic Research
Kanz (real name Kaloyan Gavrilov) is a techno and experimental electronic music act hailing straight from Lyulin, Sofia, Bulgaria. He has notable releases and appearances on labels such as KOMPONENTI, Audio Avantgarde, WTF is SWAG and Vivus Records. He is also known for his collaboration work with Cyberian (on Amek and WTF is SWAG) as well as being a part of the now cult duo 80s Clash (with Dickie Slavkov) and the very promising project Lesnik (with SuB).
“Remind Me Tomorrow” is not one’s usual album and the tracks on it are not one’s usual album tracks. The release formed and (Kaloyan insists) should be viewed as a collection of always in progress works, created to be used as tools for Kanz live performances. Yet, some of these “tools” are already hit tracks, starting with the Kanz debut on Mahorka on the compilation album “Eastern Depths Vol.3” – the breath-taking track “Mindless” in 2016. “Restless” followed on “Music for elevators vol.5” in 2017 and in 2020 “Conditions” came out on the epic “Eastern Depths IV”. Yet, “Remind Me Tomorrow” works fantasticly good as an album.
Released May 30, 2021
All music by: Kaloyan Gavrilov, except: Track 12 – remix by Dimitar Vassilev
Track 1 – appearing on VA – “Music for elevators vol.5”, Mahorka, 2017 Track 7 – appearing on VA – “Eastern Depths Vol.3”, Mahorka, 2017 Track 11 – appearing on VA – “Eastern Depths IV”, Mahorka, 2020
Cover artwork: Kaloyan Gavrilov
