Langax – Dust EP
[SLC58]
Langax
“Dust EP”
released June 3, 2020
posted 14 September 2020
music tagged with: electronic
Dos Kanye – Contraa
[TTR069]
Dos Kanye
“Contraa”
“Contraa” is The first EP of the rhythm fanatics “Dos Kanye”.
The EP is a welcome call to their edgy colorful dimension of heavy percussion beats, unleashed analog sound and repetitive playful samples. In the ep they are hosting talented musicians from their community such as: “Shaman Shaman” with his gibberish vocals on the track “Contraa”, Aviv Bachar playing the ancient Beduin instrument called Sumsumia in the track “Cubia” and Oren Ben David going wild on Analog Synths in the track “Kibutz Jungle”.
Beside the original mixes, we are proud to present to you 4 remixes that bring a whole new perspective of the tracks and making the experience even more delicious. Allow yourself to dive into the chaotic universe of “Dos Kanye” and we can promise you a wild galactic dance by the fire.
Dos Kanye believe in liberation of rhythms and wild flow of sounds,
Same as the jungle,
Same as the desert-
The brand new duo of Nadav Dagon and Ben Landesman creates massive-organic patterns that contain sounds from the tribes of the past and from the ones that weren’t yet born.
They believe in long bass,
They believe in vibration,
They believe in revolution.
posted 14 September 2020
Cement Tea & EriS – Cute Possession EP
[LF122MP3]
Cement Tea & EriS
“Cute Possession EP”
2 death sizes collaboration EP by Cement Tea(Brazil) and EriS(Russia).
Track Listing:
01. Skullfuck
02. Orc Feast
03. Rooftop
Produced and Composed by Cement Tea and EriS
Mastered by Cement Tea
Artwork by SeNMU
posted 12 September 2020
Mrs. Watanabe – MIXTAPE A
[mhrk254]
Mrs. Watanabe
“MIXTAPE A”
Released Sept 12, 2020 as free download and limited edition cassette.
posted 12 September 2020
The Dee Dee Poo – Gerät EP
The Dee Dee Poo
“Gerät EP”
Finally. The Dee Dee Poo have crept out of their hole and banged out a new EP, as if that’s what the world needed right now. However, some would say it turned out nicely, with three tracks of sweet bedroom electronica that keep the beat steady and the toes shaking.
posted 10 September 2020
Shitworld & Fuck – Monkey Brain
[s65062]
Shitworld & Fuck
“Monkey Brain”
What is inside the monkey brain? What secret waveforms are within this insane mind? Where is the worm in the monkey brain? Found out the mysteries of the monkey brain with this “high quality” 32 kbps MP3 recording of these dastardly waveforms.
posted 10 September 2020
Poetas Marcianos – AFRODYZIACO EP
[pn165]
Poetas Marcianos
“AFRODYZIACO EP”
Pandemic and all, Poetas Marcianos have been working quietly, persistently, and with great conviction from a few years ago, present an advance of their second album, “Afrodyziaco”. Containing six out of thirteen tracks, they provide a glimpse of an elaborated, disciplined endeavor. Their framework, already presented in their first album, released in 2015, consists mostly in three-to-four -minutes-long tracks arranged like little intelligent-techno-pop goldsmiths. Music for trance, dancing in the midst of an electronic drunkenness, or for attentive listening, since this framework is filled with sonic and compositional details.
Words are by Poeta Morgue and Poeta Oz, except “Respiro Azul”, by Sandriuska Theremin; music is generally by Morgue; arrangements are by the group, carrying a predominant quasi psychedelic sonic quality around them, fitting very well in the communicative atmosphere these artists aim at. Creative and intelligent sound inserts closing some tracks are real highlights, such as “El Diario de Tesla” (Tesla Journal), a beautiful retrospective of an individual’s cosmic vicissitude turning into an anti military claim; or “Respiro Azul” hypnotic trance, where Sandriuska’s vocals number, both in Mapudungun and Spanish, sensitive political mapuche claims, closing with a tribal voices and fifes invocation ritual. A highlight we are grateful for is that beats and rhythmic patterns are not programmed in a constant tempo: there are variations, moving from 4/4s to 7/8s, some of them easily danceable to or inviting a careful listening, for the theremin and other electronic devices outer space touch connects us to German 1970s prog, specifically Cluster and Harmonia. Thus, these tracks run away from the rhythmic and melodic monotony found in many Chilean electro pop artists productions.
Thus, the overtly political aims of these songs deconstruct cheap national cliché, such as the ironic Chilean cuisine praise (“Cazuela”), Chilean singer Rosita Serrano’ Nazi flirtings (“Transgénica”), or local pop culture tributes, like 1980s comic strip characters (Lautaro Parra’s “Blondi” or Marcela Trujillo’s graphic novels) becoming claims on sexual and gender discrimination or helpless, proletarian descamisadas masses. Words are skeptical, parodic, filled with an overt, bitter irony, revealing these poet/musicians literary background and their mastery of present-day oral and vocal poetry resources.
Suffice to say that that “Blondi” has also been taken to video clip format -available via YouTube-, in a 1920s German expressionist silent cinema aesthetic.
Poetas Marcianos music isn’t escapist at all, carrying a dramatic intensity, as a result of both vitality and social critique, not falling prey to many politicians’ grave mood, likely to present existential martyrdom as the only politically correct way. This band’s work presents true criticism, providing also room for humor in their ultramodern electronica and poetry mixture enchantment.
Since we’re really close friends with the band, I see no conflicts in reviewing their work. I try to keep a distance, but the eulogy fits here, for this album contains very good music and poetry. As simple as that.
Fabio Salas Zúñiga
Escritor / Writer
(Santiago, Chile. Septiembre / September 2020)
posted 10 September 2020
M-PeX – ROOTS
[enrmp467]
M-PeX
“ROOTS”
All tracks on this record have been composed as a part of the ROOTS 2017 artistic residence, a LAC – Laboratório de Actividades Criativas project approaching the slavery issue through a contemporary lens, generating new routes and transcultural flows. All recording was made live at a public performance with the dancer El Conguito, at Galeria LAR, on the 18th of November, 2017.
posted 07 September 2020
Moki Mcfly – Tasaday
[mhrk253]
Moki Mcfly
“Tasaday”
“The “Tasaday” were a Stone Age cave dwelling people in the Philippines who were not aware of other people on the planet. They had no word for war or violence, were free of any aggressive behaviour. The Tasaday had no myths, no rituals, no priests, no folklore.”
posted 07 September 2020
Andrea Marinelli & Demetrio Cecchitelli – Inside T Sound
[zen215]
Andrea Marinelli & Demetrio Cecchitelli
“Inside T Sound”
an improvised totality of electronic gestures and textures
posted 06 September 2020
CIALYN – Under The Two Lights Of Time
CIALYN
“Under The Two Lights Of Time”
released September 4, 2020
All music and artwork by Cialyn (cc) A.Pachins 2020. Recorded during Spring 2020.
posted 05 September 2020
Nvbe Trip Pop – Trip Pop Tunes
[VSS107]
Nvbe Trip Pop
“Trip Pop Tunes”
Welcoming Nvbe Trip Pop from Querétaro, México to Virtual Soundsystem Records. 
34 tracks + additional visual art | Electronic trip pop music. ♪
34 tracks + additional visual art | Electronic trip pop music. ♪
posted 05 September 2020
Tokee – Stages
[mhrk252]
Tokee
“Stages”
Tokee is an alter-ego of the Russian/Israeli composer and sound engineer Anatoly Grinberg who has released numerous solo and collaborative albums and is mostly known as prominent Dark Ambient / Cinematic Drone / Industrial music composer. Tokee’s new album “Stages”, though, can be described as having roots in the early 80′ synth wave and synth pop. This specific sound, amazingly aesthetically preserved also by the remixers with their unique twists on side B of the tape, and the very coming out as special cassette artefact take us back to Anatoly’s childhood and youth before the Soviet Union was split, where those early electronica sounds fascinated and inspired him, and in many cases they were found on or recorded to tapes.
released August 23, 2020
Composed and produced by Anatoly Grinberg in Moscow, Russia in 2019-2020
Tracks 1 to 7 (Side A of the cassette) are all original tracks
Tracks 8 to 15 (Side B of the cassette) are all remixes, with additional production and remix by: MindDivided (8), Thermidor (9), aAirial (10), 4T Thieves (11), Frontier Guards (12), Autoclav1.1 (13), The Pixel Door (14) and UDPWNF (15)
Artwork design by Stefan Alt
In loving memory of Anatoly’s beloved mother Natalia (1946-2017)
posted 04 September 2020
Various Artist – Gothic Spectra XI
[CIOR-GOTH13]
Various Artist
“Gothic Spectra XI”
Gothic music compilations powered by Humanfobia project and Cian Orbe Netlabel. links:
https://archive.org/details/fav-pastel_musik_compilations
https://gothicspectracompilation.bandcamp.com/
Compiled, cover artwork design by Sábila Orbe.
model in the cover, photography: Mist Spectra.
posted 03 September 2020
ERO GURO & THE FIRST SEED – Must See TV
[DTRASH220]
ERO GURO & THE FIRST SEED
“Must See TV”
10 tracks of absolute gut wrenching sonic demonic expulsions featuring ERO GURO’s brain cracking emotive vocalizations and soul fracturing lyrics set to the convulsive chaotic rhythms of THE FIRST SEED. An unconventional and dynamic follow up to their 2017 debut as a collaborative unit “Not Quite Gods”. Anxious, distorted, non-linear digital hardcore music to have personal freakouts to.
credits
released August 14, 2020
Ero Guro – Voice/Lyrics
The First Seed – Sounds
Mastering – Greg Dawson
Cover Art – Davy Baker
posted 31 August 2020
Substak – N’importe quoi
Substak
“N’importe quoi”
posted 29 August 2020
Various Artist – Digital Medication Vol 1
[RDS032]
Various Artist
“Digital Medication Vol 1”
Digital Medication Vol 1 is a retrospective of the Redose Series, which began as a netlabel offshoot of Rednetic in 2004. Gathered here is a track from every release from the beginning to now.
Track 1 taken from “Souls Escaping” [RDS001]
Track 2 taken from “Summer Rain” [RDS002]
Track 3 taken from “Lee-Ann (Zainetica Remix)” [RDS003]
Track 4 taken from “Seiko World One” [RDS004]
Track 5 taken from “Vacume (Original Version)” [RDS005]
Track 6 taken from “Cheju [Glow Worms (Filament Mix)” [RDS006]
Track 7 taken from “Droid” [RDS007]
Track 8 taken from “Tommi Labs Vol 2 (Battle Royale)” [RDS008]
Track 9 taken from “Spring Variations” [RDS010]
Track 10 taken from “Book of the week” [RDS0011]
Track 11 taken from “There’s no answers” [RDS0012]
Track 12 taken from “Isolation Trax Vol 1” [RDS013]
Track 13 taken from “Isolation Trax Vol 2” [RDS014]
Track 14 taken from “Social Process” [RDS015]
Track 15 taken from “Alpha 7” [RDS016]
Track 16 taken from “Recorded Live in Nakano” [RDS017]
Track 17 taken from “Samudra Remixes” [RDS018]
Track 18 taken from “Nakano Sessions” [RDS019]
Track 19 taken from “Samudra Remixes 2” [RDS020]
Track 20 taken from “The Story so Far” [RDS021]
Track 21 taken from “Ammo Case Sessions” [RDS022]
Track 22 taken from “Panta Rhei” [RDS023]
Track 23 taken from “Electronic Soul Muse” [RDS024]
Track 24 taken from “Travelling” [RDS025]
Track 25 taken from “Investor Matrix” [RDS026]
Track 26 taken from “Humanoid” [RDS027]
Track 27 taken from “Zandvoort Remixes” [RDS028]
Track 28 taken from “Red Sun” [RDS029]
Track 29 taken from “Ceplok” [RDS030]
Track 30 taken from “Dual One” [RDS031]
posted 28 August 2020
Joseph Auer & Isolonika – Dual One
[RDS031]
Joseph Auer & Isolonika
“Dual One”
Our New free digital series. First up are Rednetic regular Joseph Auer and Isolonika, who contributed Subcarrier to Touched 3 by Touched Music. The mood here is broken, dirty techno and abstract ambient.
posted 28 August 2020
Alisú – Memorial Rocas de Santo Domingo
[pn164]
Alisú
“Memorial Rocas de Santo Domingo”
This creation of this album obeys the heartbreaking need to musically narrate the story of a beautiful place, which was destroyed in the worst way, and whose ruins are currently in dispute. From those who suffer from knowing the violent history that surrounds these ruins, a transformative musical experience emerges, created by Alisú, in a healing exercise that responds to the pain that endures through time.
The music transports us to these unfinished stories, it situates us in a lost memory, a ghostly creation of a spectral place, located in front of the sea. It is not a happy album, but that is precisely what makes it risky, turning it into a sonic adventure within a sad story without end.
Alisú realizes a composition that generates sensations upon listening, creating a style of musical documentary, in which she integrates testimonies of survivors with electronic creations, which interpret and evoke the hidden memory of a place that was created as a popular summer resort during the socialist government of Salvador Allende’s in the 70s in Chile, and which, after Gen. Pinochet’s coup, was converted into the School of Torture and Center Extermination for the dictatorship’s secret police, a place in which hundreds were tortured and made to disappear as opponents of the regime.
With these antecedents, Alisú creates an eclectic album, with sounds full of feeling and emotion, where the most cheerful electronic harmonies coalesce to evoke the memories of vacationers, the distant laughter of girls and boys at play in the sea, the breeze of the wind; and with darker sounds that set the pain of the survivors and the disconcerting calm in the voice of a torturer.
Recently this memorial site located in Rocas de Santo Domingo (In the Valparaíso Region), was declared a National Monument, but it is still owned by the Chilean Army, which ordered its destruction in 2014, and which keep its ruins sequestered until today and makes its visitation and investigation impossible. It is for this reason that this new album by Alisú is destined not only to be listened to in an intimate way, but also to become a piece that creates and complements the first musical, sound and testimonial archive of electronic production, about a place full of memories in dispute, such as the Rocas de Santo Domingo Memorial.
The origin of this album is in the soundtrack of a documentary investigation and an immersive work in Augmented Reality, complementing an interdisciplinary creation that aims to be a contribution to the memory of Chile and to respect the Human Rights of all, all and all.
Pepe Rovano
Documentalista e Investigador DEI UV / Documentarian and Researcher DEI UV
Director Memorial Rocas AR
(Santiago, Chile. Agosto / August 2020)
DEDICATORIA / DEDICATED TO:
Dedicado a las víctimas y sobrevivientes del triunvirato del horror, constituido por las ex cabañas de Rocas de Santo Domingo, el Regimiento de Tejas Verdes y el Casino de Ingenieros Militares del ejército, lugar de horror desde donde desaparecieron cientos de mujeres y hombres.
Dedicated to the victims and survivors of the triumvirate of horror, made up of the former cabins of Rocas de Santo Domingo, the Tejas Verdes Regiment and the Army Military Engineers Casino, a place of horror from where hundreds of women and men disappeared.
posted 26 August 2020
VCR – Movements
[zen214]
VCR
“Movements”
vintage dreams & beats
posted 26 August 2020
Cosmic Kingsnake – Ad Astra EP
[DigitalDiamonds077]
Cosmic Kingsnake
“Ad Astra EP”
We’re lucky enough to present Swiss producer, Cosmic Kingsnake’s, debut release: Ad Astra EP. He takes us on a winding expedition through his extensive consciousness. It’s an opulent EP with calculated contrast and the unanticipated, whether it be dark techno/metal hybrids, abstract psychedelic techno or chunky, melodic progressive. Along with his narrative mastermind, you’ll be provoked with organic harmonies, spooky cinematics, slamming techno kicks & bold synths. The final product is a heaving yet poised sonic affront. Strap yourself in and enjoy the ride.
posted 25 August 2020
G-cero – No Tienen Necesidad de Hacerlo
[pn163]
G-cero
“No Tienen Necesidad de Hacerlo”
Greyhead, a.k.a. “G-cero”, shares his new EP “No tienen necesidad de hacerlo” (No Need For It), originally premiered a few blocks from Plaza Dignidad(*) in October 2019, in the midst of Chilean upheaval, also offering help, support and relief to those in need.
Since 1973’s coup d’état, carried out by the US government in conjunction with Chilean Armed Forces against Presidente Allende’s Unidad Popular, there was no more freedom for people again: they set up a new Constitution, invented Pension Fund Managers and Private Health Funds, our jobs became precarious, imposing a neoliberal economic system that has privatized almost everything, in a state terrorism context, using torture, disappearance, and exile.
Since returning to this “compromised democracy” in 1990, franja del NO campaign promises of change became dust in the wind. As singer-songwriter Jorge González, quoted in one of the tracks of this record, said in 2011: “They have the law supporting them: the whole press, the media, the police, and the army, if everything else fails; and that last resource won’t ever fail». This was a self-fulfilled prophecy during Chile’s awakening on October 18. The government invoked anti terrorist law, the press blatantly lied in radio, TV, and newspapers; the police shot straight to the eyes of the protestors, the army went out to kill, just like President Sebastián Piñera proclaimed: “We’re at war”. Thus the Chilean ruling elite, headed by one of the 5 richest Chileans in the world, according to Forbes magazine, faced this upheaval. But this time they were not able to use their power single-handedly: the whole world was watching, via social networks and the millions of cameras every single person carries in their pockets, what was really happening in Chile – an impossible thing to do in the 80s. If the “aliens” and “the front line”, haven’t met every Friday at Plaza Dignidad and other key spots along the country, our politicians wouldn’t have ever thought about trading the coming elections for changing the Constitution for a new one, allowing us to live in a real democracy.
This record is an open mic sonic experiment, recorded at Plaza Dignidad during October demonstrations, later processed in an experimental EP, where G-cero mingles this whole revolt in refined waves, glitch sounds, envelopes, powerful bass drums, arpeggios, ambient hi-hats, assorted samples and noise loops. All of this following the rallies beat.
Felipe Baradit Stevenson
(Concón, Chile. Agosto / August 2020)
English version by Gerardo Figueroa.
posted 24 August 2020
s-u-nDOWN – No name Vol.0
[EEM057]
s-u-nDOWN
“No name Vol.0”
The album “No name Vol.0” reflects the experience of the break and the time lost. The first title of the album was Muse.
The album “No name Vol.0” was written almost 5 years ago, under the pseudonym Nick tre [Kory] di, and since then it has been gathering dust on the “shelves of the hard disk”. The record did not reach a wide audience and the only possible listener was the person who was the closest, at that time, to the author. Over the years, the album “breathed” fresh air and became the starting point of the project – “s-u-nDоWN”. the album got the name “No name Vol .0”, so it is the ending point of the first project and the starting point of a new project.
The album “No name Vol.0” was written almost 5 years ago, under the pseudonym Nick tre [Kory] di, and since then it has been gathering dust on the “shelves of the hard disk”. The record did not reach a wide audience and the only possible listener was the person who was the closest, at that time, to the author. Over the years, the album “breathed” fresh air and became the starting point of the project – “s-u-nDоWN”. the album got the name “No name Vol .0”, so it is the ending point of the first project and the starting point of a new project.
posted 22 August 2020
Floating Mind – Chez Uzerf
[monoKraK237]
Floating Mind
“Chez Uzerf”
3 free WAV & MP3 tracks of ambient and deep mnml techno for monoKraK netlabel (http://www.monokrak.net)
mastering by Dadive
mastering by Dadive
posted 20 August 2020
dkzyin / Yaka-anima – Além (Chiptune Chaos)
[CIOR-419]
dkzyin / Yaka-anima
“Além (Chiptune Chaos)”
– dkzyin is a chiptune, electronic project, created by Juan Velter.
for more music visit:
https://losvelters.bandcamp.com/
https://losvelters.blogspot.com/
https://www.instagram.com/juan.velter/
https://www.youtube.com/losvelters
– Yaka-anima is an experimental, weird electronic project from Rancagua, Chile. Created by Sábila Orbe.
for more music visit:
https://humanfobia.jimdofree.com/yaka-anima/
https://hearthis.at/yaka-anima/
https://archive.org/details/@yaka-anima_noise
posted 19 August 2020
