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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

Luis Marte – Space Mobile

Luis Marte – Space Mobile
[pn197]

Luis Marte

“Space Mobile”

To be in a state of resolve toward art means that the ways of approaching form or sound are always changing, beyond what could be called a style or a habitual manner of creation. It is this doubt that drives curiosity and determination to venture into unknown fields.

The music of Luis Marte in recent times has been prolific and now, with the release of “Space Mobile”, we find ourselves face to face with one of his many outlooks, in which he moves away from the nature of machines and dives headfirst into digital processes.

We begin to hear a theme in which time is a diffuse entity that is paused before taking course. Sound speaks more of volumes and places than of events, where what we hear can be recognized with physical and tactile references.

The city resounds like a specter. All this to place us in a sort of canon, in which its two stories modulate a haze with blows, interruptions, and knots.

The third piece features the collaboration of Pablo Reche. Together they create a series of rolls in which the grains of noise contract and disappear. Changes are outlined before the shapes and timbres of things.

Time keeps ticking, the reverberation becomes the pulse and a piece of techno places in order that from which almost everything has been subtracted.

This work forms a reconstruction of the environment, as if the processes were a lens for looking at things again from another place. Thus, all the information and data to which we are exposed day after day is transformed into material, in which the sonic conception of Luis Marte digs to reveal the light of isolation and singularity.

Óscar Santis
(Concón, Chile. October 2021)

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posted 28 October 2021

EERIE – EERIE-SAM RUSHTON AYANKOKO FA CESARIO LAUREN RODZ

EERIE – EERIE-SAM RUSHTON AYANKOKO FA CESARIO LAUREN RODZ
[AR118]

EERIE

“EERIE-SAM RUSHTON AYANKOKO FA CESARIO LAUREN RODZ”

sam rushton: analog modular
ayankoko: ppooll, guembri
fa cesario: analog modular
lauren rodz: diy electronics, voice

recorded live in Marseille, june 2021

Release date: 27 October 2021

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posted 27 October 2021

Napalm Jazz Scream – Improvisações

Napalm Jazz Scream – Improvisações
[148]

Napalm Jazz Scream

“Improvisações”

released October 23, 2021

Fábio A.: voice, scrap percussion, effects, field recordings

Samples of:
Intonarumori Orchestra – Future Circuit – Tetuzi Akiyama
Polish Experimental – Assemblage
Polish Experimental – Experiença

Recorded and mixed at Headache Home Studio, October 2021

Authorized duplication only for educational using.

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posted 24 October 2021

Per Scelstak – Tentativas Frustradas

Per Scelstak – Tentativas Frustradas
[mhrk289]

Per Scelstak

“Tentativas Frustradas”

TENTATIVAS FRUSTRADAS (Failed Attempts), Sept. 18th, 2021

“Sometimes you get bored with yourself and, simply, want to get rid of your old life. In pandemic times, such thing is easily possible when you feel in such a bore in lockdown, in isolation. Per Scelstak came into existence when George Christian felt disgust with himself and, also, with the way virtuality has become something exploitative in his life.

In fact, Per was born only as a pseudonym when he sent a concert piece for a competition (for which he didn’t win or earn anything). The secret behind his name can be found in contemporary classical music composers: Per Nörgard, Giacinto Scelsi and Walter Smetak. Influential to the mind behind Per, a certain guy whose last name is Pereira? Quite possibly. Per has only gained an image, though, when his creator felt in a real distress, in his personal life. Per killed the past social profile of George Christian, which was too revealing of his thoughts, too personal, too disastrous to be reached, too naïve. Per is the result of George’s anger against the way personal life is treated in the virtuality, by the social networks. Nowadays, Per is in conciliation with his creator. But not for so long.

Per is different. Per never talks in 1st person. Per is never personal. Per can be read here, or not. You might not understand why such distance, but probably you are closer to him. More than you imagine. Per is another face of reality that wants to be in the realm of different senses. And the reflection of such persona is in his music.

It took a long time to George Christian figure out the existence of Per. But Per has been following his steps since the days he decided to experiment only with electronics in his 3rd album, Three Dimensions of Unrecognizement and Other Unknown Reaches. Maybe he can be found in Exílios 3. Per can also be found in Secretos Universos. His real debut, though, is with two other crazy fellows from India: Hatiyar and Hazardnaut. Per is George into electronic extremities.

TENTATIVAS FRUSTRADAS is the first album under Per’s name and a sum of principles that have been guiding his electronic experimentation. In fact, this principle is just a single surrealist one: automatic writing. Per is completely ignorant concerning on how a machine language operates. Per IS a machine. Per IS a computer. Per IS nothing.

These pieces can be understood as inner failures. No songs, no hooks, no melody that can be easily sung. It requires a real deranged mind to deconstruct and build another world. Per is no strange to post-minimalism, post-spectralism, post-jazz, post-rock, post-psychedelia. His electroacoustics comes from the inwards of MIDI and tone colors’ researches to the spontaneous structural architectures.

Per is NEVER quiet. His brain listens to several voices and do not find peace in a single one. Per embraces all the voices. Heaven, hell, purgatory. Per has been in all of these places. He invites you to dance with your wrist and dry yourself into the waters. His manners may be of electronic, artificial gestures. But what he delivers is plain and pure reality. Cruel REALITY. Your nightmares should be dancing.”

released October 24, 2021

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posted 24 October 2021

Failure Circle – Frozen Clinamen 8

Failure Circle – Frozen Clinamen 8
[Eg0_253]

Failure Circle

“Frozen Clinamen 8”

Frozen Clinamen is serie of works by Failure Circle (a solo project of Kecap Tuyul) started on autumn 2017. It follows a simple method inspired by the the possibilities of his no-input mixer set-up (and sometimes other modular set-ups) and the will to use a limited sound material in a posteriori compositions : all the sounds included in these works are recordings of moments that feature no human intervention. Frozen Clinamen #8 was recorded and mixed between february 2019 and september 2021 using the Neutron analog synthesizer as only sound source.
Methodology
step (1) Tweaking the set-up until it produces some seemingly autonomously self-sustained sound sequences.
step (2) Stopping tweaking, then recording for at least 20 minutes without any intervention on the set-up.
step (3) Repeating steps (1) & (2) several times.
step (4) Using the generated sounds as only source in a posteriori compositions. The only variations used while mixing are equalization, panoramics and volume levels.
step (5) play it at low/high volume with open/closed window while complety asleep / fully conscious.
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posted 21 October 2021

Brainquake x Humanfobia – Witch Haus in the Forest

Brainquake x Humanfobia – Witch Haus in the Forest

Brainquake x Humanfobia

“Witch Haus in the Forest”

Stems, sound design: Brainquake.
mixed, additional sound effects, artwork collage: Sábila Orbe.
vocals, model in the cover: Mist Spectra.

Humanfobia is a dark experimental, witch house, crypt hop, horror noise duo from Rancagua, Chile.
humanfobia-official.bandcamp.com/
https://open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
hearthis.at/humanfobia/

Brainquake is an experimental, noise, industrial project from Belgium.
brainquake.bandcamp.com/
https://soundcloud.com/brainquake-tdop

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posted 20 October 2021

Studio 112 – Visions Mystiques D’Hildegarde De Bingen

Studio 112 – Visions Mystiques D'Hildegarde De Bingen
[LCNLP136]

Studio 112

“Visions Mystiques D’Hildegarde De Bingen”

The Necrophile Hummingbird netlabel presents Christmas on Titan by Studio 112.
“Mystical Music for Mysterious People”.
A kind of out of time symphony, as the title told it’s a very synaesthetic music blooming Hildegard Von Bingen visions front of your eyes.
More about her on wikipedia en.wikipedia.org/wiki/Hildegard_of_Bingen

Studio112 is the main project of Alain Grille also electric guitarist and musicmaker in rADio eNd / Multiple Personality 3 / PIRATE Tapes / EVA Vertigo / TKno BeurK / MK-Ultra

Previous albums by Studio 112 in the Internet Archive
archive.org/search.php?query=creator%3A%22Studio112%22

Illustration by Alain Grille

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posted 20 October 2021

Ilsól – Sarmata

Ilsól – Sarmata
[EEM062]

Ilsól

“Sarmata”

Sarmata is an analysis of emotional concepts that do not give in to any intuitive format of explanation.

A few years ago close members of my family had tragically passed, several dear relationships had been severed and multiple toxic ones established eventually leading me to a complete breakdown.

With nothing else but wonky synthesizers and impractical sound design choices to keep my company an idea to rip out the heavy emotional background noise that I experienced daily was born.

Through audial exploration I managed to return to my child-like self, along with values I thought I had scattered along the way.

I leave this with you as a monument to the time I believed to be the dawn of my being.

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posted 19 October 2021

ardleg – extraploration

ardleg – extraploration
[LCNLP135]

ardleg

“extraploration”

The Necrophile Hummingbird presents extraploration by ardleg “Experimental researches for people without answers”.

A collection of math noise miniatures chiseled for a single benge-listening shot or to savor fully the structures, textures, phases… like would do real noise connoisseurs. And perhaps then get an aftertaste of today’s reality…
Now it’s time to drink with your ears.

Contact : semen-s-club”at”laposte.net

Previous albums released by ardleg on the Internet Archive
cob box
archive.org/details/cobbox_ardleg
noirbre
archive.org/details/MI261-ardleg-noirbre
CLINS D’OEIL
archive.org/details/ARDLEG_CLINS_D_OEIL

Also collaborations on many other projects KWAY, St Noiz, La 6ème République, Zone fusION, rADio eNd…
archive.org/search.php?query=subject%3A”ardleg”

More free music by ardleg here
ardleg.bandcamp.com/
http://soundcloud.com/ardleg
Artwork by ardleg

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posted 15 October 2021

Neurologick Thunder Rkdz x Filmy Ghost – MΛGYCΛL SWΛMP

Neurologick Thunder Rkdz x Filmy Ghost – MΛGYCΛL SWΛMP

Neurologick Thunder Rkdz x Filmy Ghost

“MΛGYCΛL SWΛMP”

Stems, instrumentals by Neurologick Thunder Rkdz collective.
artwork by Astarte 23.
sounds remixed by Sábila Orbe.

Neurologick Thunder Rkdz // is a collective/label of multiple different projects by Sanja. (aka Agitation Phi) and also of her collaborations with other artists. Also with the collaboration in visual artworks by Astarte23.
neurologickthunder.bandcamp.com/
https://soundcloud.com/user-685450274/tracks
www.deviantart.com/astarte23/gallery

Filmy Ghost. is an experimental, ghostly electronic project from Rancagua, Chile. Created by Sábila Orbe.
humanfobia.jimdofree.com/filmy-ghost/
archive.org/details/fav-sabila_orbe02
hearthis.at/filmy-ghost/

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posted 13 October 2021

Dominik Vogel – Emails from my Future Self

Dominik Vogel – Emails from my Future Self
[Wuerfel33]

Dominik Vogel

“Emails from my Future Self”

A new album, then. Seemingly casually screwed together from the wrist. Dominik doesn’t make many words about it:

“The tracks are (as usual) one-take recordings of the modular system, partly also with generative elements.
Often carried by 2 modular CS-80 voices and almost beatless, the tracks on this album are rather minimalistic, emotional and intimate.”

This description is technically accurate, but of course does not do justice at all to the monumental sound and sense spaces of his music. It’s about as if a Cologne resident would say, “Yes, and at Roncalliplatz there’s a big church, quite a lot of stones were laid for it.”

And indeed, Dominik Vogel’s tracks are surrounded by a certain sacral air. On the one hand, because they come along carried and in places dissolving in long reverb tails. On the other hand, because all the titles can be understood as small, spiritual impulses. If you want to.

Of course, you can also simply enjoy the whole thing as ingenious sound play and not be misled by the titles. And yet we have the well-founded suspicion that there must be more than we initially want to perceive.

Great art always holds a secret.

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posted 12 October 2021

Kosmische Clutharachán – Come Undone (Duran Duran Cover)

Kosmische Clutharachán – Come Undone (Duran Duran Cover)

Kosmische Clutharachán

“Come Undone (Duran Duran Cover)”

instrumental Duran Duran cover. Available for a limited time.

Nicholus Parrott : All Instruments
Recorded at CGR. 2021.

Also available:

“Abstrakt Pholcidæ” (covers collection)
Featuring songs by Cocteau Twins, The Stranglers, Duran Duran, Stereolab, Bill Wyman, Godflesh, Meshuggah, Thomas Ravenscroft, Alice In Chains, Slowdive, Slug, Mari Iijima, Mojave 3 and Silver Jews.

archive.org/details/abstraktpholcidae
credits
released October 9, 2021

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posted 10 October 2021

Coletivo NSLO and friends – NEWS

Coletivo NSLO and friends – NEWS

Coletivo NSLO and friends

“NEWS”

To complement the release of The Foundation Trilogy of albums by Brazilian contemporary classical ensemble Coletivo NSLO

CHARLATÓRIO tcfsr.bandcamp.com/album/charlat-rio
Sururus Perdidos tcfsr.bandcamp.com/album/sururus-perdidos
Rosa dos Ventos tcfsr.bandcamp.com/album/rosa-dos-ventos

we present this collection of remixes by TCFSR associates, using source material from these albums.

Some contributions are remixes of individual tracks, some have combined samples from a variety of tracks and some have taken sound events from the albums and sculpted them far from the original.

Releases by Andreas Brüning, Gimu, Trixie Delight, Lone Cosmonaut and Dental Drill Slips can be found elsewhere on the TCFSR bandcamp.

Trixie Delight has an album released on dhatūrā records dhaturarecords.bandcamp.com/album/peeling-strawberries
She also runs the label ‘Trixie Delight For Charity’ raising money for the charity Phone Credit For Refugees And Displaced People trixiedelightforcharity.bandcamp.com

Andreas Brüning in addition to his solo work, is part of various groups:
Audiomat tcfsr.bandcamp.com/album/audiomat
BASS tcfsr.bandcamp.com/album/extended-technique

Gimu has released albums on a variety of labels, his releases are now collected at gimu.bandcamp.com

Coletivo NSLO present instrumental compositions by Heitor Oliveira, performed by Dario Rodrigues Silva (piano), Gina Arantxa Arbeláez (flute), Renan Simões and Sabrina Souza (guitars).
credits
released October 1, 2021

The Foundation Trilogy was mixed by Fred Garibalde

All remixes were produced by the artist,
except tracks 1,4,5,6, and 7, which were mastered by Dental Drill at The Patisserie.

Album master by Dental Drill for TCFSR.

Cover design by DRILLArt, a composite of original cover art by Flaviana OX

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posted 06 October 2021

An octopus in the bathtub – Lucky 13

An octopus in the bathtub – Lucky 13
[mi293]

An octopus in the bathtub

“Lucky 13”

an octopus in the bathtub is the solo project of Ricardo Ramos (member of Dirty Coltrane / The Dirty Coal Train, Tiger Picnic, Puny, Cloudland, and much more…).

After the debut in 2000 with volumes 1 and 2 of 4 track demos where the first improvisations were compiled he released multiple EPs and Albums inside the spectrum of experimental improvised music, noise and contemporary composition.

“Lucky 13” compiles 3 tracks starting with the title track: 13 minutes of double guitar and drums with interpolated tribal rhythms and dissonant chords. The 2nd track “fisga” has a bass drum pattern leading the way while a bowed inverted guitar creates ambients that are punctuated with short drones. The last composition “dead punks” has a trumpet and ambiental guitar singing 2 different songs over a hyper-reverbed percussion.

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posted 03 October 2021

A Symbiotic Experience – Open Source

A Symbiotic Experience – Open Source
[LCNLP134]

A Symbiotic Experience

“Open Source”

The Necrophile Hummingbird Netlabel & HAMFUGGI Records present Open Source by A Symbiotic Experience.
The first part of a trilogie with Oneiric Sound and Original Subversion.
“Free Music for Open People”.

About the depths of this album :
Do you remember ?
The first time you did a step outside the mainstream, the revelation when you discovered that without any wave your own breath propels you wherever you want it.
There are many kind of demonstrative musics, showing technical skills, epic apex, feelings tearing up you eyes, whatever…
Open Source music, a kind of Inconclusive music, open up space for differents forms of life.
Our music is for me a sincere example of what Hamfuggi Records curation made possible to come alive online to keep awake your ears.
Only essential music trying to do not stay stuck in any common paths, not even our own way. Not for seeking this for itself but by love of freedom.
It is the pathfinders harvest that we deliver.
Do you wanna keep your ears free from the strayjacket’s habits ?

About the surface of the album :
A Symbiotic Experience more than a concept is obviously an experience. I mean it’s no just a name, it’s how we really operate.
More than any sound brilliance, it is the mind singularity that should take you by the hand for this journey.
Perhaps our first albums were more dream projection or capture,
but the further we go the closer it seems to
merely be… the dream.

The fourth album is here Gesamtkunstwerk
archive.org/details/Gesamkunstwerk_A_Symbiotic_Experience

The Third Near Death Experience is here
archive.org/details/Near_Death_Experience_A_Symbiotic_Experience

The second Rebirth is here archive.org/details/Rebirth_A_Symbiotic_Experience

The first Renaskigo is here hamfuggirecords.bandcamp.com/album/renaskigo

Also there is a prequel to A Symbiotic Experience : Dawn of the Damned.

A Symbiotic Experience is a project created for HAMFUGGI Records, but we really love Non Exclusive Concept so we chose to do a double release. More informations here hamfugi.wixsite.com/hamfuggirecords/a-symbiotic-experience

Recorded between Buenos Aires (Argentina) and Foucherans (France)
Dedicated to everyone who keep the fire of hope within and share it freely with the world

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posted 01 October 2021

rADio eNd – Paroxysmic Rhapsody [Part 2]

rADio eNd – Paroxysmic Rhapsody [Part 2]
[LCNLP133]

rADio eNd

“Paroxysmic Rhapsody [Part 2]”

The Necrophile Hummingbird presents Paroxysmic Rhapsody by rADio eNd. “Dialectic Music for Holistic people”

The origin spark happens while I was reading the notice of that George Gershwin record “Rhapsody in Blue”.
So this album maybe also a kind of experiment in modern music. It seems that in this album there are two points of view on the reality around, first from… an isolated cell, next from.. the subconscious constellation. The album is split in two parts because of this, and also to fit with that time of small attention span.
Where is the synthesis ? Anyway music is worth more than any talk and deeper than any thoughs.

This said it could seems to be a conceptual avantgarde album. Maybe it’s more a primitive recreation of classical music.
My only certainty is that to be free generate more freedom. What you are listening is building up your reality.Our balance balance the world.
May I dream ?

Thanks so much to all the friends who are members of rADio eNd in this album. For the first part long time friend Ben Presto & Planetaldol. For the second part Innocent but Guilty, Tarka & Myrh, Studio 112, Walt Thisney.
And to you dear listener for welcoming our dreams in your reality.

Free Download in Wav & Flac on the bandcamp.
yoshiwaku.bandcamp.com/album/paroxysmic-rhapsody

Members credits :
Track 1/2/4 Ben Presto https://soundcloud.com/oinko
Track 11 Bissecta SâVge https://soundcloud.com/bissecta & Myrh https://soundcloud.com/myrhyum
Track 7 & 8 Innocent But Guilty apocalypsesounds.bandcamp.com/
Track 3 Planetaldol planetaldol.free.fr
Track 8/9/13 Studio 112 studio112.bandcamp.com
Track 6 Walt Thisney walthisney.bandcamp.com
Ed End ello.co/ed_end

More info about rADio eNd process.
www.horsnorme.org/rADio_eNd/rADio_eNd_english.html

Here are the lyrics of Will-O’-the-Wisp over the world.

Les étincelles originelles. The original sparks.

Dans la nuit dansent des lueurs.
In the night glowing lights are dancing.

Nous ne sommes pas des balises de détresses.
We aren’t emergency locator transmitters.

Nous connaissons les émotions qui palpitent en toi.
We know the bursting feelings in you.

Animal en cage dans une société d’esclavage.
Caged animal in a slavery society.

Nous te comprenons. We understand you. Nous sommes avec toi. We are here with You.

Nous sommes un appel à la vie.
We are life. Life is calling you.Listen the call of life.

Pulsations qui franchissent l’espace et le temps,
Pulsations from beyond time and space,

pour atteindre celles et ceux qui dorment derrière leur écrans.
For reach those asleep behind their screen.

Nos clameurs percent les ténèbres.
Our clamors break through the darkness.

Nous ne sommes pas des étoiles lointaines.
We aren’t distant stars.

Nous sommes les étincelles originelles,
We are the origin sparks,

qui cherchent à entrer en contact trying to get in touch avec toi. with You.

Nous sommes ta part d’humanité qui cherche à te réveiller.
We are your humanity core trying to awake.

L’humanité aveuglée s’est condamnée à la peine capitaliste.
The blind humanity condemned itself to capitalist punishment.

Blessure mortelle qui ravage cette terre.
Deadly wound which ravages this earth.

A travers leurs barreaux virtuels les prisonniers entendent nos musiques étranges.
Through their virtual bars the prisonners listen our stange music.

Ils pensent à une hallucination, alors que c’est ce qui leur semble réel l’hallucination.
They think of a hallucination, when it is what they think is real the hallucination.

Leurs cerveaux l’ont construite pour supporter la dure réalité de la prison de fer.
Their brains built it to face the harsh reality of the iron prison.

Déconnectés de la vie, Disconnected from life, ils sont bombardés d’informations, they are bombarded with information, comme on gave les passagers des avions transcontinentaux, like cramming passengers on transcontinental planes, pour oublier la mort qui guette. to forget the lurking death. Programmés à se soumettre au dictât du profit et de la dette.
Programmed to submit to the dictates of profit and debt.

Nous étions les rêveurs de ce monde, ce que nous rêvions prenait forme.
We were the dreamers of this world, what we dreamed of came to life.

Le poison injecté dans nos cœurs nous a fait croire que nous étions incapables.
The poison injected into our hearts made us believe that we were unable to do so.

Le pouvoir occulte nous a volé le pouvoir de la création.
The occult power has robbed us the power of creation.

Sur ce qui était un jardin, il a étendu l’uniformité du béton,
On what was a garden he extended the uniformity of concrete,
une science sans conscience, des lois et des dogmes pour donner l’illusion que tout est sous contrôle. A science without conscience, laws and dogmas to give the illusion that everything is under control. Jusqu’à ce que tout soit sous contrôle. Until everything is under control.

Projection d’un film catastrophe pour annihiler toute résistance.
Projection of a disaster movie to annihilate all resistance.

L’humanité a été condamnée le jour où elle a accepté cette sentence comme une fatalité.
Humankind was doomed the day it accepted this sentence as fatality.

Nous sommes nos propres bourreaux chaque fois que nous portons un jugement.
We are our own tormentors whenever we judge someone.

Nous exécutons la sentence chaque fois que nous oublions l’amour.
We carry out the sentence whenever we forget about love.

Chaque fois que nous renonçons à la liberté.
Whenever we give up to freedom.
Il n’y a pas de savoir à transmettre, pas de solution, autre que l’amour est la vie.
There is no knowledge to impart, no solution, other than love is life.

Mais l’amour n’est pas ailleurs qu’en toi.
But love is not elsewhere than in you.

Si tu vis, tu aimes et tu crées l’envie autour de toi, l’envie de la vie, de connaître l’amour en soi.
If you live, you love and you create the desire around you, the desire for life, to know love in yourself.

Celui qui libère, qui invite au partage, à dépasser nos peurs, à faire nos propres choix.

Quels qu’ils soient.

The one who liberates, who invites us to share, to overcome our fears, to make our own choices. Whatever they are.
Notre message répété sans fin, sous toutes formes, spolié et dévoyé par les religions,
Our message repeated endlessly, in all forms, despoiled and misled by religions,
qui s’inscrit en chacune et chacun, le jour où il née de l’expérience de la vie.
Which is inscribed in every one, the day it is born from the experience of life.

Dans l’amour, il y a toutes les autres émotions, comme en toi, pas d’adversaire,
In love there are all the other emotions, like in you, no adversary,
si tu te diriges tu n’as plus besoin d’exclure, si tu n’as pas peur, chaque chose t’apporte du bonheur, dans la souffrance comme dans la joie.
if you direct yourself you no longer need to exclude, if you are not afraid, everything brings you happiness, in suffering as in joy.

La réalité est une lecture consciente d’une trame non déterminée, nous façonnons nos vies.

Les histoires figées, les livres, les films ou les jeux ne sont que des reproductions extrêmement limités de la vie. Les sacraliser c’est nous condamner à ne pas pouvoir apprécier ce qui nous rend réellement heureux.

Reality is a conscious reading of an undetermined frame, we shape our lives.

Frozen stories, books, movies or games are only extremely limited reproductions of life. To idolize them is to condemn us to not being able to appreciate what makes us really happy.

Morne, Foucherans the 23th October 2020 for rADio eNd.

Also a Video Art Clip will be soon here www.bitchute.com/channel/mixuptv/

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posted 28 September 2021

PIRATE Tapes – In Extremis Ex Nihilo Sound Artefact Capture Performance

PIRATE Tapes – In Extremis Ex Nihilo Sound Artefact Capture Performance
[LCNLP131]

PIRATE Tapes

“In Extremis Ex Nihilo Sound Artefact Capture Performance”

The Necrophile Hummingbird presents “Performance d’extraction d’un artefact sonore ex nihilo in extremis” by PIRATE Tapes. First of 2 concerts recorded before and after the first lockdown. A way to show how the spontaneous music that we call “improvisation” is slightly closer of Karlheinz Stockhausen’s intuitive music than of the jazz improvisation. Indeed it’s mostly a live session as we use to do when we records one of our album before split it in several parts and title them as tracks… but with public.
Merely nothing prepared, we plug and play that’s all : total improvisation.

Improvised music recorded live the 23th February 2023 at the 36 Art Gallery of Dole (france) “In Extremis Ex Nihilo Sound Artefact Capture Performance” aka “Performance d’extraction d’un Artefact Sonore Ex Nihilo In Extremis”. Musique quasi totalement improvisée à la Galerie du 36 de Dole (france) le 23 février 2023. Si le titre n’est pas assez explicite, la performance improvisée consistait a dévoiler les mystères de la capture d’un Objet Sonore Non Identifié…

Free Download in Wav & Flac on the bandcamp zonefusion.bandcamp.com/album/performance-dextraction-dun-artefact-sonore-ex-nihilo-in-extremis

Original Photography by Aurélien Benoist
www.abenoist.com

Members :
Alain Grille (Electric Guitar & FX)
www.studio112.bandcamp.com
Ed End (Kaossilator, electric frequency generator, turntable & FX)
www.ello.co/ed_end

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posted 25 September 2021

Javier Moraga – Sofismo

Javier Moraga – Sofismo
[pn034]

Javier Moraga

“Sofismo”

(UPDATED SEPTEMBER 2021 in FLAC)

Restless Javier Moraga has conceived this set of atmospheric tracks that are no easy stuff to our ears at all.

‘Sofismo‘ appeals to the mother’s womb, taking us there, eliciting our arcane memories: our mother’s blood feeding and warming, hearts beating at the same time, becoming rhythms we will remember for life… a missing quality this release brings back in full glory.

This set of tracks grew along his daughter – the most wonderful thing in Moraga’s life. This may explain their sonic quality, as if they were heard thru the womb, coming from a cold, unknown outside, but turning into something cosy and warm while inside.

Filled with unrecognizable – though identifiable -, organic, thick sounds, stimulating imagination, this album deals with its title not in the sense of thought’s depth or truth seeking thru knowledge, but rather in the sense of sonic exploration: Javier intends to rule over machines, synthesis, tools… the final word is up to you.

Iván Tapia
(Barcelona, España, September 2008)

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posted 22 September 2021

Wolne Pokoje – Kostropate

Wolne Pokoje – Kostropate
[mhrk285]

Wolne Pokoje

“Kostropate”

1: Common quantum physicists’ interpretation and statement is that there is no such thing as matter and what we all call matter, in reality is energy. The whole universe is energy, frequencies, vibrations. What we observe is energy vibrations that are slowed down to a level that is perceivable by our senses and sensors. It all exists thanks to forces which make particles quiver and yet keep the whole system together. Many spiritual or metaphysical things in essence have always been just physics which we have not properly seen and understand yet.

2: “Spaces lost, abandoned, cheated by history and nature have an odd, somewhat surreal charm … When things and places lose the context that gave them function or meaning, you can rediscover them. Useless, even freed in a sense, they gain a specific aura. Not only do we see them as new, but they also turn their surprised sights towards us and try to ask us a question … Sometimes an accidental glance is enough to give in to the force of that place for years. Sometimes a place lives in a person since childhood.” — Katharina Raabe, Monika Sznajderman, taken from the intro to„Znikająca Europa”, Wydawnictwo Czarne, Wołowiec, 2006.

These two contexts were the inspiration for the energy, frequency and vibration of Wolne Pokoje’s “Kostropate”.

[mhrk285]

Recorded in Gdanska Studio, Kolobrzeg, Poland, 2018/2019

Music and production: Robert Demidziuk

Recorded using: neutron, monotron, wavedrum, guitar & effects, xylopohone, bamboo sax, slovakian bass aliquot flute, kaoss pad, vintage rhytm machine erm-32, dub sirene, field recordings

Cover artwork design, photography: Ivo Petrov

Released September 12, 2021 as free (cc) digital download and a special limited edition cassette tape.

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posted 16 September 2021