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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

Autito, el niño autista – Parkour Emocional

Autito, el niño autista – Parkour Emocional

Autito, el niño autista

“Parkour Emocional”

ARCHIVO:

Viajamos hasta un lugar sin carteles, ningún cartel en el camino ni en los costados, sólo árboles y de vez en cuando un auto estrellado. Seguimos la señal hasta una montaña de ventiladores y ventanas. Trepamos como pudimos, algunos se quedaron abajo esperando. En la subida vimos un brazo de muñeca y algunos alacranes espiando. Vimos un cuchillo en un cuaderno y también vimos una sombra cantando. Ya caía el sol cuando llegamos a la cima y lo encontramos: tenía una luz verde titilando. Conectamos nuestros cuerpos al aparato y algunas voces se presentaron, una a una dijeron sus nombres y comenzaron a sonar. Pasamos la noche escuchando y a la mañana bajamos. Era un día festivo y decidimos festejarlo. Nos conectamos al resto y les contamos lo que habíamos escuchado. No eran los mismos sonidos, era nuestro tributo a esa cima oxidada y a ese camino y a ese día festivo. Volvimos caminando de noche y no paramos hasta ver un cartel. Pero seguíamos conectados en el camino y en la cima y en la música y sonando.

*Extraído del INFORME SOBRE EL INCIDENTE EN LA MONTAÑA DE… more
credits
released April 5, 2021

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posted 09 April 2021

Orphan Sound System – Layered Seed Water

Orphan Sound System – Layered Seed Water
[mhrk270]

Orphan Sound System

“Layered Seed Water”

Released on Mahorka on April 8, 2021.

Orphan Sound System are John El Manahi, Jeff Gburek and John Palumbo.

The release of “Layered Seed Water” happens in concerted effort with net-labels Mahorka (Bulgaria), MuteAnt (USA), Ramble Records (Australia).

A video introduction to the faces and places behind the Orphan Sound System and the announcement of “Layered Seed Water” in 2021:
http://www.youtube.com/watch?v=EDXF3TOOYMU

Thanks to all. Watch the trailer video, please like and subscribe to the OSS channel.

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posted 09 April 2021

Paco Maddalena – Panorami Verticali

Paco Maddalena – Panorami Verticali
[Lav87]

Paco Maddalena

“Panorami Verticali”

Five tracks that involve a different vision, a new way of relating to the world around us, based on the essence of everyday environments soundscaping.
Hence the title of the ep, Panorami Verticali, intended as a new interaction with the context, no longer ordinary but translated into a different dimension, perpendicular in this case, like the imaginary line that from the ground, passing through legs, reaches the head : the noises are rhythmically and harmonically autonomous, self-celebrating, free and dancing in the sound space and from the earth they rise to be recoded by the mind of the listener.
Disconnected from the normal cultural classification, sounds acquire an independent meaning, result of a different elaboration in each one, making the passive routine become presence and the ego, the individual, the listener, more than ever collective archetype, one with the sound context.
The sea (“Osservazione partecipata”), cars on the street, a train station, but also the sound of a gate and the empty garden of a school (“Troppe trame”), the interiors of a steel factory (“Basta che poi ci ricordiamo dove”), are the result of elaborate, dilated and intertwined field recording sessions, played with an ‘organic’ synth (Lyra 8, Soma), drones, tape loops and modified keyboards sequences.
Mix and Mastering at Zeit.
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posted 07 April 2021

Bon-Psy – Elation

Bon-Psy – Elation
[07]

Bon-Psy

“Elation”

Continuing a successful string of releases, Bon-Psy once again offers a new piece synonymous with his innovative style.

Enlisting elements of traditional Electronic music but combining them with an experimental aesthetic, ‘Elation’ presents a dynamic release bursting with infectious yet eloquent vocals which highlight the producer’s exceptional ability to create forward thinking music.

This new release captures a sense of euphoria and passion that is often lost in today’s Electronic music landscape, reminding producers and listeners alike what is capable with only a laptop and an intense fascination of sound.

Closing off the production, Bon-Psy experiments with his interpretation of a Jazz/Electronic hybrid invoking images of an artist joyous and at play with his craft.

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posted 06 April 2021

The Hathaway Family Plot – Nine Places in South Buffalo

The Hathaway Family Plot – Nine Places in South Buffalo

The Hathaway Family Plot

“Nine Places in South Buffalo”

released April 5, 2021

All pianos, drums, electronics, as well as the occasional melodica, recorder, or broken mandolin, performed by Kevin

All songs written by The Hathaway Family Plot

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posted 05 April 2021

Fabio Keiner – Threnody

Fabio Keiner – Threnody
[VSS118]

Fabio Keiner

“Threnody”

“Threnody” stands up as a perfect soundtrack to these troubling current times, maintaining an ethereal atmosphere throughout its almost 40 minutes of duration, with some sinister and surreal sound flashes, it culminates in a melancholic, hopeful way. A nostalgic listen for a world that no longer exists.

Released April 2, 2021

Music and artwork by Fabio Keiner.

fabiokeiner.bandcamp.com
vimeo.com/fabiokeiner

[VSS_118] Virtual Soundsystem Records 2021

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posted 02 April 2021

PIRATE Tapes – Strawberry Field Recording Forever

PIRATE Tapes – Strawberry Field Recording Forever
[LCNLP124]

PIRATE Tapes

“Strawberry Field Recording Forever”

“Juicy music for sugar addicts”
Improvisation Recorded 30th March 2021 at the Cave Haven in Foucherans. (france)
Members on this live session :
Studio 112
www.studio112.bandcamp.com
Ed End
www.ello.co/ed_end

Also involve in these projects
rADio eNd
www.horsnorme.org/rADio_eNd/rADio_eNd_english.html
Multiple Personality 3
www.horsnorme.org/Multiple_Personality_3/
TKno BeurK
www.archive.org/search.php?query=creator%3A%22TKno+BeurK%22

No birds were injured during the recording. This is not pure field recording, just a hijacking.

“Despite life is a joke, we can still laugh…”

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posted 02 April 2021

Iliaque – Mahorka Remixes Vol​.​5

Iliaque – Mahorka Remixes Vol​.​5
[mhrk269]

Iliaque

“Mahorka Remixes Vol​.​5”

Iliaque is a project of one of the co-founders of Ziklibrenbib (a French project to promote Creative Commons (CC) music in library) from Normandy (France). After having played in different noisy pop, industrial, electro and math rock groups, fascinated by netlabels and musicians working under CC, he decided to try his hand at an electronic music project based on CC material. The Iliaque project, that has matured for several years now, seeks to exploit the potentialities of CC music and explores this world through choice of sources and samples.

Iliaque’s debut on Mahorka brings back with a bang the “Mahorka Remixes” series, taking on tracks from the inspiring and wide catalog of the label in the six tracks of the release. It is as much a tribute to the creative commons netlabel as to the remixed artists.

released March 22, 2021

Artwork visual: “Construction” from Béa

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posted 23 March 2021

heche – guerras avançadas

heche – guerras avançadas

heche

“guerras avançadas”

Então, é com muito amor que eu venho comunicar forma-socialmente que esse é o último lançamento do meu pseudônimo heche – nome que eu adotei em 2014 e venho desde 2015 produzindo sons e etc. Mês passado fez 5 anos do meu primeiro lançamento formal no bandcamp: Máscara de Insetos e hoje to lançando o EP Guerras Avançadas pra fechar esse ciclo, pra quem não ta ligado eu tenho lançado coisas como Rafael de Toledo ou Rafael de Toledo Pedroso e trabalhado com os duos Pedroso & Pedrosa e AC Repair School… meu trampo solo não difere tanto do que eu fazia como heche e tenho um álbum planejado sobre o heche pra realmente pontuar o que foi essa experiência… mas é isso, no heche.bandcamp.com você encontra todos os 14 lançamentos que eu fiz nesses anos, singles, EPS, mixtapes, etc. no youtube da nounouhau tem os vídeos e enfim foi um prazer fazer tudo isso e eu quero agradecer todo mundo que sabe que teve uma influência nisso tudo, não vou citar ninguém pq quem sabe sabe e é isso ai, fica o sentimento, ouça Guerras Avançadas e quem tiver vontade dá uma olhada nos meus trampos solo tipo Informação e Carne, Lakkos Chromatinos e Fly Like Chez Ami (esses trampos são a evolução do heche estão todos em streaming)
bjs obrigado
– Rafael de Toledo Pedroso aka heche – primeiro semestre de 2021
credits
released March 20, 2021
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posted 21 March 2021

Petit Bourdon X PYR X Willy Marleen – K7 Split Petit Bourdon X PYR X Willy Marleen

Petit Bourdon X PYR X Willy Marleen – K7 Split Petit Bourdon X PYR X Willy Marleen
[LCNLP122]

Petit Bourdon X PYR X Willy Marleen

“K7 Split Petit Bourdon X PYR X Willy Marleen”

(Version française en bas)
The netlabel the necrophile hummingbird presents a Split between Petit Bourdon X PYR X Willy Marleen.
“Wild music for non-domesticated animals”.
Outside the ordinary circuits, hand to hand, underground music cassettes
are exchanged, and testifies to the resilience of Do-It-Yourself in the digital age.
“Nothing should be sacred, no one should be scared” is as much the anthem of plunderphonic music than of punk, when it waltzes the crowns of queens and kings of this world, in what brings them closest to a certain idea of ​​the anarchy. Even nature laughs softly at the posture of some of its worshipers, who without knowing it would like to perpetuate what assassinates it. Because nature is overflowing, subversion and wild joy, uncontrollable, the balance is unstable, always upset by extreme experiences, accidents. It is an invitation to release the mad torrent because without it there is no clear source, just an arid desert as far as the eye can see.
At a time when robots are traveling on Mars, it is a great joy to find the intact energy that animated this netlabel at its origin, to be able to offer one more testimony to the existence of horsnorme (non-standard) currents.

Find back Willy Marleen in virtual and on cassettes in his duo Zinzinuler
zinzinuler.bandcamp.com/

May the celebration of the Commune not be a sad tribute, but an endless celebration in the present, that of the ongoing humanity liberation.

(English Translation at the top)

Le netlabel le Colibri Nécrophile présente un Split entre Petit Bourdon X PYR X Willy Marleen.
De la “musique sauvage pour animaux non domestiqués”.
En dehors des circuits ordinaires, de la main à la main, des cassettes de musique souterraine
s’échangent, et témoigne de la résilience du Do-It-Yourself à l’ère numérique.
“Rien ne devrait être sacré, personne ne devrait flipper” est autant l’hymne de la musique plunderphonic que du punk, quand il fait valser les couronnes des reines comme des rois de ce monde, dans ce qui les rapprochent le plus d’une certaine idée de l’anarchie. Même la nature rie doucement de la posture de certains de ses adorateurs qui sans le savoir voudraient perpétuer ce qui l’assassine. Car la nature est débordement, subversion et joie sauvage, incontrôlable, l’équilibre est instable, toujours bouleversé par des expériences extrêmes, des accidents. Elle est une invitation à libérer le torrent fou car sans lui, il n’y a pas de source claire, juste un désert aride à perte de vue.
A l’heure où des robots voyagent sur Mars c’est une grande joie de retrouver l’énergie intacte qui anima ce netlabel à son origine, de pouvoir offrir un autre témoignage de l’existence des courants hors-normes.

Retrouve Willy Marleen en virtuel et en cassettes dans son duo Zinzinuler
zinzinuler.bandcamp.com/

Puisse la célébration de la commune ne pas être un triste hommage, mais une fête sans fin dans le présent, celle de la libération prochaine du peuple.

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posted 18 March 2021

SEPL – QUASAR_VARIATION

SEPL – QUASAR_VARIATION
[mhrk268]

SEPL

“QUASAR_VARIATION”

Thierry Arnal, musician/composer/remixer based in Lyon, France, is an artist of several aliases and began his journey into music in 2006 and has released quite a few albums and EPs since, as well as a movie soundtrack, under the project names fragment., AMANTRA, SEPL, THA, 2W on various labels around the world, such as Justin Broadrick’s label Avalanche Recordings, Ohm Resistance, KVITNU, M-TRONIC, Thisco Records, Pharmafabrick and others. The SEPL (short for SCORCHED EARTH POLICY LAB) adventure started in 2018 in the need to experiment in new territories.

In March 2021 SEPL debuts on Mahorka with the specially prepared for the label “QUASAR_VARIATION”, a recording directly connected to and based on the compounds of his previously self-released “QUASAR” 4 track collection of virtual electronic instruments improvisation recordings..

released March 13, 2021

“It’s all about physical perception.”

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posted 14 March 2021

Mauro Sambo & Marcello Magliocchi – .​.​.​camminava solo sotto le stelle​.​.​.

Mauro Sambo & Marcello Magliocchi – .​.​.​camminava solo sotto le stelle​.​.​.
[PT116]

Mauro Sambo & Marcello Magliocchi

“.​.​.​camminava solo sotto le stelle​.​.​.”

Mauro Sambo: bass clarinet, soprano sax, double bass, electronics, percussion, electric bass.
Marcello Magliocchi: sounding sculptures ( made by Andrea Dami ), percussion, 1 string, el. & ac. guitar, traps.
track 1 rec. on December 2014
track 2 rec. on December 2015
Music composed by Sambo / Magliocchi
Photo – Mauro Sambo
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posted 13 March 2021

Svayam – Tela

Svayam – Tela
[mi284]

Svayam

“Tela”

Why is perfection always in Major? Sharp echoes run into the tepid fragility of the bones. A staggering roam resumes its straight path and freezes it. Now it’s the heat’s curve that protects me and leaves me in the confort of what I know. The echoes become clear, the texture grows. It’s time to leave. In a sudden, everything returns.

The journey begins from time’s concrete decision. It’s where rests the peace and the martyrdom of the fields coloured with crimson red. An approach, severe and taken by force. Dimension and relief fall like drops of posterity and what comes after. There’s no path, there’s no destiny. Erratic satyric nerve. We’ve found ourselves again and now we accelerate.

The concentration-density of the concept of border. Chromatic suspension of waves, that hiss like small dynamic atmospheres. Textural insertion of notes in reverse osmosis and constant formations in tension.

That feeling of falling from the wake up dream where the rythmic variations lie: in the tunnel, we translate the flavor of a memory. Let it fall. A confirmation from the common sense dissipates all doubts, either ours or from the others. As we’re getting back to perfection, all completes itself. Quietly, we meet up separated.
The reality in reverse.
Text by André Calvário

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posted 12 March 2021

Oriondrive – Healthy Growth

Oriondrive – Healthy Growth
[ACP 1304]

Oriondrive

“Healthy Growth”

Oriondrive combine generative music and voices, exploring what can be called organic and artificial. The only “human” involvement with creation here were mixing and effects, all other material(s), including cover artwork and texts, were generated using AI technologies.

Tones, Python Coding, Generative Atmospheres: Thomas Park
Generative Voices, Effects, Intentions, Mixing, Mastering: Linn Friberg
Samples in “Positive Self-Esteem” and “Healthy Growth”: Chris DeBry

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posted 09 March 2021

Diego Funes – Oficinas en el desierto

Diego Funes – Oficinas en el desierto

Diego Funes

“Oficinas en el desierto”

released March 3, 2021

Todos los temas tocados y compuestos por Diego Funes en el tiempo llamado cuarentena, en home estudio Ra, Salsipuedes, Cordoba 2020, Argentina.

Diseño de tapa: Pau Lee (www.instagram.com/sheispaulee/)

Julio Kaegi, trompeta en DooM y El cielo en la tierra. Silvia Marco, coros en DooM.
Federico Disandro mezcla, producción y masterización en los temas Miller, DooM y El cielo en la tierra. Estudios 3db; Noviembre del 2020, Barcelona España.
En Rew se uso extracto de la obra “Onírico” del colectivo sonoro PH, Cordoba Argentina.

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posted 06 March 2021

Charles Rice Goff III – One Twenty Twenty One

Charles Rice Goff III – One Twenty Twenty One

Charles Rice Goff III

“One Twenty Twenty One”

One Twenty Twenty One is a single, continuous, audio suite featuring the following sections:

1 Taking Out The Wash
2 With Charity For All
3 Saint Madison Pray For Us
4 How Sweet
5 Rock Stars And Stripes Forever
6 For You And Me
7 The Flickering Beacon
8 We Stand For US
9 Imperfect Union

The Process:

On January 20th, 2021, C. Goff III interacted with the inauguration ceremony for American President Joseph R. Biden through a live electronic audio improvisation. As the ceremony aired through a portable radio in the Kansas City, Kansas, Taped Rugs studio, Goff reacted by creating an interpretive soundscape. This hour-long performance was taped on, and later mixed down from, a Tascam 424MKIII 4-Track Cassette Recorder.

Goff later edited out several portions of the hour-long improvisation, creating Sections 1, 3, 5, 7, and 9 of “One Twenty Twenty One.” No effects nor overdubs were added to these edits.

Instrumentation:
Korg R3 Vocoder/Synthesizer, Korg Z1 Synthesizer, Micro Moog Analog Synthesizer, Billiard Man The Theremin, Voice, Ibanez DM 1000 Digital Delay, Boss RC 20X Loop Station Loop Duplicator

Several days after the inauguration ceremony, Goff reshaped brief edits from a recording of the ceremony’s radio broadcast to create Sections 2, 4, 6, and 8 of “One Twenty Twenty One.” Included in these sections are vocalizations from Lady Gaga, Jennifer Lopez, Garth Brooks, Amanda Gorman, and Leo J. O’Donovan III.

Computer Software:
Cool Edit Pro II, Audacity, Midisoft MIDI Scorewriter, Windows Media Player, Roxio 2011 Sound Recorder, Several Plug-In Audio Sound Effects

Goff mixed together the various edited sections to form the unified recording of “One Twenty Twenty One” on February 20th, 2021.

There is no officially authorized interpretation of this work.

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posted 05 March 2021