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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

osorganistasdamorte&dofuturo – de·sí·di·a

osorganistasdamorte&dofuturo – de·sí·di·a
[mi282]

osorganistasdamorte&dofuturo

“de·sí·di·a”

The evermoving premise of osorganistasdamorte&dofuturo puts the obvious frailties of the human psyche bare. In one of his most iconic dialogues, Rustin Cohle shoots: “I think human consciousness is a tragic misstep in human evolution”.

This is the strongest thesis of dialogue, but it is not the only one. The second affirms the unfortunate result of this same consciousness: the notion of an “I”. Finally, the solution: the denial of programming towards extinction. It is within this notion of “nightmare of consciousness” the three tracks of de·sí·di·a live in.

However, the solution pointed out rather goes through a state of emotional anesthesia, that is, to be located over or on the margins of the process which transforms sensation in emotion. The continuous drone contributes to the effect as does the ongoing confusion of delays, obscured voices and various environmental electronics notes. Rhythmic elements are identifiable but are always subdued to a wall of sound reminiscent of the best noise “tradition”.

This constant imbalance between an oppressive background and fleeting emersions of rhythm or melody are dialogues somewhere between death and future, breaking the barriers that define one or the other. It is in the domain of the strange and the shapeless that de·sí·di·a is installed as the last stronghold in the face of the inadequacy of consciousness to which Cohle alludes: sufficiently developed to install a reasonable certainty of doubt, but forcefully and permanently insufficient.
Filipe Adão

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posted 06 February 2021

Aysen – Dijimos Apruebo, pero el Rechazo esta en todo

Aysen – Dijimos Apruebo, pero el Rechazo esta en todo
[pn180]

Aysen

“Dijimos Apruebo, pero el Rechazo esta en todo”

“Dijimos Apruebo, pero el Rechazo está en todo” (We said I approve, but the rejection is in everything), whose title is a re-reading of a theme by Nicolás Jaar, appeals to different historical moments in Chile, where the feeling remains, things seem to change, but in their essence they keep the same. Many times we can think that we are in limbo, in a context of hopelessness shaped like a rainbow similar to the 1989 elections between YES and NO. However, the social outbreak of 2019 exploded a strong idea: that a change can be generated from individuals, an ideal time to modify the foundations of any society.

I do not believe that we can be oblivious to social changes, be blind to the evils that we as societies possess and that we have strongly sought to change. Music is a social reflection and represents important milestones that happen around us and influence us in the form of sound waves, such as the drought in Chile and in various parts of the world, social conflicts on all continents, looted and exploited natural resources , along with inefficient transportation systems, all of them are social ideas that are present and influence me when composing my music.

This album has taken about 3 years to be created, where the main instruments used were the Elektron Octatrack Sampler, the Analog4 synthesizers, Roland MC-202 and Yamaha Portasound, plus some sounds sampled with Ableton Live. I hope that listening this album is a real journey, as for me it was to compose it every afternoon and night from my studio in Santiago de Chile.

Pablo Flores
(Santiago, Chile. Febrero / February 2021)

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posted 05 February 2021

Various Artist – pantanoGORGE – volcano version –

Various Artist – pantanoGORGE – volcano version –

Various Artist

“pantanoGORGE – volcano version – “

GORGE.INとpantanosumpf(アルゼンチン)のコラボ企画!
アルゼンチン産GORGEコンピレーション『pantanoGORGE – volcano version -』(通称:山盤)がGORGE.INよりリリース。
10組のアルゼンチン・ブーティストが作り出した珠玉の10曲を収録。

日本最強ブーティストが沼(pantanosumpf)をテーマに作り上げたGORGEコンピ『pantanoGORGE – swamp version -』(通称:沼盤)もpantanosumpfから同日リリース!(2020年12月18日)
pantanosumpf >>> pantanosumpf.bandcamp.com
credits
released December 18, 2020

Button: no
https://out.gorge.in/album/pantanogorge-volcano-version
posted 03 February 2021

Mathieu St-Pierre – Online Messages in Cardboard Boxes

Mathieu St-Pierre – Online Messages in Cardboard Boxes
[mhrk263]

Mathieu St-Pierre

“Online Messages in Cardboard Boxes”

Following the steps of his debut album “These Elephants”, Mathieu St-Pierre re-engages with the concept of cyberspace as a means to explore his ambient and drone compositional approaches via the pool of data that is the internet.

As a result, his second album and Mahorka debut “Online Messages in Cardboard Boxes” was constructed solely by scavenging the net for sound textures and later altering and arranging them to create unique soundscapes. So as much as there was lots of time spent designing the compositions, an at least equal amount of time was involved in the research phase. “Online Messages in Cardboard Boxes” is a voyage beyond the keyboard, the monitor and the WWW, it takes us on a trip from the busy streets of a virtual metropolis to the melted ruins of a broken e-map. Each track was conceived as a gateway to the cloud of our mind.

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posted 30 January 2021

Mädchen June – DEAD BODIES IN THE HOUSES

Mädchen June – DEAD BODIES IN THE HOUSES

Mädchen June

“DEAD BODIES IN THE HOUSES”

DEAD BODIES IN THE HOUSES ist das Nachfolgealbum von The Neverland Stars – Hidden Bells-. Eine Hommage an Sara Weizmann und John Wilbur. Mädchen June verneigt sich vor den beiden Ausnahmekünstlern.
credits
released December 15, 2020
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posted 30 January 2021

Exode vs Coakira – Defragmentation in Progress

Exode vs Coakira – Defragmentation in Progress
[LF132MP3]

Exode vs Coakira

“Defragmentation in Progress”

The strongest split of Frenchcore mainstay “Exode” and Japanese leading Digital Hardcore master “Coakira”. They tried experimental making sound in this EP.

Track Listing:
01. Exode – Om In The Home
02. Exode – Twist Again
03. Exode – Defragmentation Of The Day
04. Exode – Standardkakophonie
05. Coakira – Hyperacidity
06. Coakira – Okuzachism
07. Coakira – Amazing Amazombie
08. Coakira – Laughin’ Doll

Music by Exode / Coakira
Artwork by Dormicum
Design by Occupied Territories

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posted 30 January 2021

Gabriele Barbarino – Fissazione

Gabriele Barbarino – Fissazione
[BWR/25]

Gabriele Barbarino

“Fissazione”

“A special thanks to all my brothers and sisters and people that I love and love me, for all that support me.”

Artwork: Noemi Sgarlata, “Whimsicalities (Arzigogolío)”, Linoleografia, Stato I di II, Versione 3/4, 2021.

Bootleg graphics: Noemi Sgarlata.

Writings: Gabriele Barbarino
sgarlatanoemi97.myportfolio.com

A Big Wave Records “Guest” Release.
Release Date: 25 January 2021
Release Number: BWR/25.

bigwaverecs.wixsite.com/bigwaverecsnetlabel/guests-1

All audio created, produced, mixed and mastered by the artist and remains his intellectual property. Released by Big Wave Records.

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posted 28 January 2021

Aysen – 3 estados

Aysen – 3 estados
[pn059]

Aysen

“3 estados”

(3 estados, originally released in November 2010)

Solid, liquid, gas. Pablo Flores new step, now under the name of Aysén, forces the memory of those three components. “3 estados” is a creative model bedazzled with concrete, fugacious, unmeasurability fantasies. A system signed by these three ways, an album working in a conception of song format understood as a dislocated vehicle, creating, manipulating, capturing new frames in countless sound levels.

From the attractive pop starting in ‘Estancia revisitada’, to the unmeasured epic ‘XXX’, this firts Aysén‘s work twistes moods and poetic approaches. ‘Sandungueo’ and ‘Estremecido’ correspond to moments of melody and quietness; ‘Talento inocuo’ and ‘Cuesco’ deal with a continuous interspersing of samples and programmed rhythms. Here, sounds capturing and minimal backgrounds elaborate a lexicon allured by an electronica mask, but proposing infinite possibilities -via manipulation- of material traceable in commonplaces (voices, settings, objects, noises). ‘

“3 estados” proposes unsteadiness as a creative site: neither known path nor final picture here, the album opens itself in delta, receiving sounds moving forward, back, in zigzag, marching towards an infinite point. A twisting-line exercise, restated in labyrinth-like songs, beautifully crafted, displaying, in their hesitations, the subtle insolence of their maker.

Felipe Mardones
(Santiago, Noviembre / November 2010)

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posted 24 January 2021

Kingdom Scum / Buffalomckee – AD D dth EA brth D DE

Kingdom Scum / Buffalomckee – AD D dth EA brth D DE
[LF131MP3]

Kingdom Scum / Buffalomckee

“AD D dth EA brth D DE”

Kingdom Scum returns and teams up with Buffalomckee from Japan!

Track Listing:
01. Kingdom Scum – A Journey to Humility Begins with Death
02. Kingdom Scum – An Autopsy of the Body Politic Evolving into Metaphysical Necrophilia
03. Kingdom Scum – Convening an Assembly of the Spirits of Scavengers, Fog, Triumph, and Decay
04. Kingdom Scum – Transcendent Cycles/Candescent Trials
05. Kingdom Scum – Retroactive Resurrection
06. Buffalomckee – Audio Graffiti
07. Buffalomckee – Grinding Teeth
08. Buffalomckee – Dango Touch
09. Buffalomckee – Black Stone
10. Buffalomckee – Spiderweb Quartet

Cover design by Phoenix X Eeyore.

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posted 24 January 2021

js – t00n’z.l00p’d

js – t00n'z.l00p'd

t00n’z​.​l00p’d

“\js”

[eo sube]

what is a l00p
————–
* may be played on repeat
* short (~ 64 seconds)
* musically incomplete (additions possible)
* sounds from machines (samples ok)

the l00p’z in the collection do not always follow these guidelines
(may (also) be t00n’z).

tracks
——
* l00p.z3r0 (pin planes)
* l00p.0n3 ((not) only talk)
* l00p.tw0 (sundy sun ra)
* l00p.thr33 (selfness (recursed))

notes
—–
* #looptober
* sounds from orba (voices from youtube)
* (contemplation… more
credits
released October 31, 2020

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posted 22 January 2021

Various Artist – Anime Compilation

Various Artist – Anime Compilation
[CIOR-458]

Various Artist

“Anime Compilation”

Compiled by Sábila Orbe.
all cian orbe releases:
humanfobia.jimdofree.com/cian-orbe-netlabel/
updates: ello.co/creativecommonsmusic

Each track composed by each artist. links:
– Light Mister: https://soundcloud.com/light-mister/tracks
– Snow Drops: https://soundcloud.com/snowdrops
– PPFPESSco: –
– Humanfobia: humanfobia-official.bandcamp.com/
– CirquexXduXxPsycho: https://soundcloud.com/cirquexxduxxpsycho/tracks
– Deluxo: https://soundcloud.com/deluxo
– Black Birch: https://soundcloud.com/user-954343882
– not half: nothalf.bandcamp.com/
– pszren: toshirokoreshina.bandcamp.com/releases
– EISENLAGER: eisenlager.bandcamp.com
– MUWN: muwn.bandcamp.com/
– Thomas Park: archive.org/details/ThomasParkBenchmarkHub/01_Benchmark-Hub
– Tone Tone: https://archive.org/search.php?query=creator%3A%22Tone+Tone%22∧[]=collection%3A%22cianorbe%22
– Project Hypoxia: archive.org/details/foot239
– Mean Flow: meanflow.bandcamp.com/
– Bool: archive.org/details/BS080/
– Uruly: losvelters.bandcamp.com/
– Lärmschutz: larmschutz.bandcamp.com/
– Lord Cernunnos: lordcernunnos.bandcamp.com/
– Filmy Ghost: humanfobia.jimdofree.com/filmy-ghost/
– rADio eNd: www.horsnorme.org/rADio_eNd/
– Starting The Ends: https://soundcloud.com/starting-the-ends
– Blink Twice: https://soundcloud.com/blink-twice-archival
– Yaka-anima: humanfobia.jimdofree.com/yaka-anima/

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posted 22 January 2021

Humanfobia – Epitafio Fantasmal

Humanfobia – Epitafio Fantasmal
[CIOR-H95]

Humanfobia

“Epitafio Fantasmal”

Humanfobia is a dark experimental, grave wave, horror noise music duo from Rancagua, Chile. members: Sábila Orbe: sound programming, mixer, male vocals.
& Mist Spectra: female vocals, visual support.

All tracks mixed, programmed by Sábila Orbe.
vocals in tracks: 2, 3,6, 9, 13 & 14: Sábila Orbe.

Vocals tracks: 3.4,7,8,9, 10, 11, 12, model in the cover: Mist Spectra.

links: humanfobia-official.bandcamp.com/
https://open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
archive.org/details/fav-mist_spectra
updates: ello.co/mistspectra

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posted 22 January 2021

A Symbiotic Experience – Gesamtkunstwerk

A Symbiotic Experience – Gesamtkunstwerk
[LCNLP118]

A Symbiotic Experience

“Gesamtkunstwerk”

The Necrophile Hummingbird netlabel and HAMFUGGI Records present Gesamtkuntswerk the fourth album of A Symbiotic Experience.

Gesamtkunswerk means “A total work of art”… Indeed our own idea of the fourth way, the synthesis of death, life and dream, using the “narration” tool to create… our lives. Welcome in this new step of the mutation process which brung next rADio eNd.

“Total Art Program for Human Processors”.

The Third Near Death Experience is here
archive.org/details/Near_Death_Experience_A_Symbiotic_Experience

The second Rebirth is here archive.org/details/Rebirth_A_Symbiotic_Experience

The first Renaskigo is here hamfuggirecords.bandcamp.com/album/renaskigo

Also there is a prequel to A Symbiotic Experience : Dawn of the Damned.

A Symbiotic Experience is a project created for HAMFUGGI Records, but we really love Non Exclusive Concept so we chose to do a double release. More informations here hamfugi.wixsite.com/hamfuggirecords/a-symbiotic-experience

It’s another perfect horsnorme music example, so it’s not relevant to link it to any musical styles.

About the influences you may find it linked to nothing else than the music of the two protagonists which is allready a lot because they are quite eclectics :
Gabriel Pereira Spurr & Yoshiwaku Mushotoku

Another thing, the visual side is an important part of this project.
So here is a Video Art Clip :
Abstract Television
https://www.youtube.com/watch?v=j3Ol6HHXi8o

Recorded between Buenos Aires (Argentina) and Foucherans (France)

Dedicated to everyone Awake : dreamers creating beyond any forms their own reality.

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posted 22 January 2021

José Gallardo A – Diario de una depresión

José Gallardo A – Diario de una depresión
[pn178]

José Gallardo A

“Diario de una depresión”

Listening to the recent work by José Gallardo is an experience that voids any interruptions and defines its own place.

Everything starts with pulses that resonate at low loudness and frequencies, which peek out from the environment. As time passes, they flatten out until they form a sound background that appears for moments like a figure broken up into accents. Slowly we enter into the trance of a phrase to mutate the idea and the state, all in a slow and fractional way. This step becomes evident when appearing in the center of a new tale.

When sound is clearer and calmerthrough inflections towards distortion, static and noise produced by saturation are integrated as rougher textures that outline part of the limits of each volume.

In “Diario de una depression” (“Diary of a depression”) the musical matter is located between the electric guitar melody and the effects mass, which runs on an independent timeline. These are the two most identifiable layers that structure the total of this work;however, its greatest virtue is not in what is perceived in an apparent way, but in the resonances with which a dialogue is established when listening to it again.

Oscar Santis
(Concón, Chile. Enero / January 2021)

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posted 18 January 2021

The Eternal Returns – Autumn Introspection

The Eternal Returns – Autumn Introspection
[zen223]

The Eternal Returns

“Autumn Introspection”

an autumnal journey to the void and back to the surface, and three lessons learned along the way

parental advisory: explicit sounds & rhythms

www.zenapolae.com/releases/zen223/zen223__The_Eternal_Returns__Autumn_Introspection__02_First_Lesson.mp3

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posted 17 January 2021

Luís Antero – Som​.​Terra​.​Água​/​Sound​.​Earth​.​Water

Luís Antero – Som​.​Terra​.​Água​/​Sound​.​Earth​.​Water
[mi281]

Luís Antero

“Som​.​Terra​.​Água​/​Sound​.​Earth​.​Water”

After a few years of absence, Luís Antero returns to MiMi Records with another field recording record. “Sound. Earth. Water.” is the main theme that served as the soundtrack for the film made in 2020.

Quoting Carlos Alberto Augusto: “Life, the sounds of life, mark the soundscape. As long as there is life, there is sound.”

A 15 minutes track where we connect to Earth through field recordings by Luís Antero and the mastery with which he manipulates the sounds of Nature.

This is the sound of the Earth that we step on, that we feel, that we live, that we long for … This is the primordial element of the landscape, the sound. And the sound is life.

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posted 17 January 2021