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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-nd

This license is the most restrictive of our six main licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

MIOPEC – Wet Desert

MIOPEC – Wet Desert
[pn160]

MIOPEC

“Wet Desert”

This album is a real treasure: produced from 2005 to 2010 and distributed via CD in underground networks, it has been finally unearthed ten years later via a Pueblo Nuevo remastered version.

Recorded, mixed and mastered by Chilean musician and producer Marcelo Peña C. (Miopec, Tobías Alcayota, MKRNI, VAN, among others), “Wet Desert” presents an harmonic experimental blending of digital programming, midi sequences and analog samples. Sounds reminiscing ethnographic recordings mixed with experimentation in rhythms, turning into uncanny soundscapes, are turning points on the album. Complex programming and melodies suggesting psychedelic analog keyboards, are also present a-plenty, as a recurring feature in Miopec‘s extensive musical output.

“Wet Desert” is an intimate, auteur album I’ve been listening to for years. It is also twofold: on the one hand, it sounds very well outdoors, played loud, mostly in isolated landscapes, coming together with the environment. On the other hand, considering Miopec’s experience in production and mixing, it is also a pleasant listening experience with headphones, constantly discovering new sounds and arrangements. A reminder that electronica’s usually dry colors can also present reflective, enlightened, and, mostly, liquid moments.

Jorge Cabieses-Valdes
(Santiago, Chile. Julio / July 2020)
English version by Gerardo Figueroa.

Button: by-nc-nd
posted 14 July 2020

Harueda Mizu – Desert Song

Harueda Mizu – Desert Song
[mi269]

Harueda Mizu

“Desert Song”

Based in Japan, Harueda Mizu describes himself as cinematic dark ambient.

Desert Song is a very well produced EP and the level of skill this talented artist is noted. This is a release that fits the definition of ‘soundscape’ perfectly.

A must listen and we bet that after listen this EP you will listen again and again. And you will be desperaly waiting to hear more from this amazing japanese musician.

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posted 14 July 2020

Mescalibur – The Dark Side Of The Wonderland

Mescalibur – The Dark Side Of The Wonderland
[LCN109]

Mescalibur

“The Dark Side Of The Wonderland”

The necrophile hummingbird & Hamfuggi Records present a marvellous journey on the Dark Side Of Wonderland by Mescalibur.
Alice trip has been revisited many time, from the Jan Švankmajer’s Alice to the Jeff Noon’s Vurt… it’s always very psychedelic… but this time it’s the dark side… then perhaps the rabbit hole is actually more looking like Norman Spinrad LSD description in The Mind Game… you know like watching inside a bubble with the whole surface made in mirror. Some call also this kind of bubble a Eye Ball. I don’t know where you are know but take care, next to listen this, perhaps you will think that you are still in the same dimension… but I really don’t know… Sometime things are not what they seems. I wouldn’t spoil the end of your travel.

Mescalibur is here http://mescalibur.fr/ perhaps… the only one who knows that kind of answers.

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posted 13 July 2020

Sean Derrick Cooper Marquardt & Humanfobia – An Occult Forest of Dark Seeds

Sean Derrick Cooper Marquardt & Humanfobia – An Occult Forest of Dark Seeds
[CIOR-H92]

Sean Derrick Cooper Marquardt & Humanfobia

“An Occult Forest of Dark Seeds”

This single track is a remix of the tracks of the Sean Derrick Cooper Marquardt album: “A comfort zone is a beautiful place, but nothing ever grows there” released in 2015 by Kruk Records. link: https://archive.org/details/KRUK02_SeanDerrickCooperMarquardt_AComfortZoneIsABeautifulPlaceButNothingEverGrowsThere

Instrumentation by Sean Derrick Cooper Marquardt
vocals by Mist Spectra.
mixed, remixed by Sábila Orbe.

– Sean Derrick Cooper Marquardt (Chicago, Berlin)
Also releasing music under the moniker – MoreBlackThenGod , and Drone Messiah , the developer of the Accidental Guitar Method
links: https://sdcmarquardt.bandcamp.com/
https://www.youtube.com/c/SeanDerrickCooperMarquardt
https://stadtsprachen.de/en/author/sean-derrick-cooper-marquardt/
https://www.discogs.com/es/artist/1535075-Sean-Derrick-Cooper-Marquardt

– Humanfobia is a dark experimental, ghostly music duo from Rancagua, Chile. //// Sábila Orbe (sound programming, mixer) & Mist Spectra (lead vocals, visual support) Links:
https://humanfobia-official.bandcamp.com/
https://archive.org/details/fav-mist_spectra
https://hearthis.at/humanfobia/

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posted 09 July 2020

ULTIMATE FRISBEE – Race Me

ULTIMATE FRISBEE – Race Me
[𝗦𝗠.𝟬𝟯𝟯]

ULTIMATE FRISBEE

“Race Me”

released June 12, 2020

Self-recorded at Ultramarinos Costa Brava and Cal Pau Recordings between 2017/2019.
Mixed by Santi Garcia & Víctor Garcia. Mastered by Víctor Garcia.
Cassette released in June 2020 by Saltamarges Records.
Artwork by Gerard Serrano and Carlos Moya at IKOU Studio.

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posted 09 July 2020

SMOK – Brain Damage

SMOK – Brain Damage
[M039]

SMOK

“Brain Damage”

Tracklist:

01. Old Signal Radio
02. Paranoia
03. Virus on my computer
04. Wrong Answer

Review:

SMOK – Brain Damage

Who is behind this curious musical project called SMOK? It is a question I made to myself a couple of years ago after listening to a collab between Andrés and Nicolás (a.k.a Slang). Time has passed and I have discovered that this curiousity comes from Andrés, who is music studious and part of the new generation of producers from Quinta Región. Brain Damage is the result of his curiosity. Accelerated beats, bass drums, violent boxes and acid basses; a sharp chaos which is tidied up within mysterious and obscure melodies. An album that brings me back to the 90’s and spotting strong influences of the electro, such as Underground Resistance, Drexciya, Aux88, or Radioactive Man, among others. Nineties reminiscence that mixes technological advance and that succeeds in locating us nowadays, thus giving life to an album which treasures the origins of the electro-techno, but at the same time adapts perfectly to the present.

Kamila Govorcin, Cáhuil, 2020

SMOK – Brain Damage

Quién está detrás de este curioso proyecto musical llamado SMOK? Es una pregunta que me hice hace un par de años después de escuchar una colaboración que hizo Andrés junto con Nicolás (a.k.a Slang). Pasado el tiempo, he descubierto que esa curiosidad es parte de Andrés; estudioso de la música y parte de la nueva generación de productores de la Quinta Región. Brain Damage es un resultado de su curiosidad. Ritmos acelerados, bombos y cajas violentas, bajos ácidos, un caos agudo que se ordena dentro de melodías misteriosas y oscuras. Un disco que me traslada a los noventas, reconociendo fuertes influencias del electro como Underground Resistance, Drexciya, Aux88 o Radioactive Man, entre otros. Reminiscencia noventera que combina un avance tecnológico logrando ubicarnos en la actualidad, dando así vida a un disco que valora los orígenes del electro-techno y que a la vez se adapta al presente.

Kamila Govorcin, Cáhuil, 2020

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posted 08 July 2020

pablosánchez – Hipnosia

pablosánchez – Hipnosia

pablosánchez

“Hipnosia”

released June 5, 2020

Toda la música compuesta, tocada, cantada, grabada y mezclada por Pablo Sánchez, excepto:
Violines en “Psicolbap”, tocados por Manu Clavijo y grabados por César Gruart en los estudios Grooveart (Madrid).
Saxo tenor en “La luna y el dinosaurio”, tocado y grabado por Andrés Theaux en su casa de Córdoba (Argentina).
Saxo tenor en “La luna y el dinosaurio”, tocado por Leo Lanz y grabado por Pablo Sánchez
Charles electrónico en “Arder”, tocado y grabado por Juan Sánchez (aka Alter Ego) en Segovia.
Ningún animal fue herido en la realización de este disco.

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posted 03 July 2020

Valance Drakes – Not Taking This Gratitude For Granted

Valance Drakes – Not Taking This Gratitude For Granted

Valance Drakes

“Not Taking This Gratitude For Granted”

This EP was entirely written and recorded in the cable kingdom of bleeps and bloops in the city of Sofia, Bulgaria during their tradition of Martenitsa. While Ivan Shopov was working on his project Kanatitsa with Avigeya, Valance Drakes was into a rookie year for Amek, working on the collab LP with Ivan and working on his debut album for the label (An Angel In Alliance With Falsehood).

“Much love goes out to my brother Ivan Shopov for the art piece, mastering and doing a remix for the project” – Valance Drakes
credits
released June 30, 2020

Original tracks by Valance Drakes
Artwork by Ivan Shopov
Mastering by Ivan Shopov

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posted 01 July 2020

Imperatrix & Humanfobia – Seventh Kind

Imperatrix & Humanfobia – Seventh Kind
[CIOR-H91]

Imperatrix & Humanfobia

“Seventh Kind”

All music by Imperatrix.
Vocals, model in the cover: Mist Spectra.
additional mix, voice effects, cover artwork design: Sábila Orbe.

Imperatrix is a composer from Vienna, Austria.
more music in: https://www.youtube.com/user/LabyrinthEditor/videos
updates: https://www.facebook.com/Imperatrix-245501002148590

Humanfobia is a dark experimental music duo from Chile.
https://humanfobia-official.bandcamp.com/
https://hearthis.at/humanfobia/

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posted 28 June 2020

Pandacetamol – A Different Place

Pandacetamol – A Different Place

Pandacetamol

“A Different Place”

Pandacetamol is turning into a regular feature on Kahvi in recent times, this time he’s back with a twelve track album of minimal beats, dark factory atmospheres and a tasting of Autechre influences.

Off key leads, glitchy, shifting direction constantly. Something to chillout to in the summer sun with an ice cold beer or two.

Watch out for Pandacetamol’s retro sound of choice – classic acid.
credits
released June 23, 2020

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posted 27 June 2020

Hynamo – Baba Juno EP

Hynamo – Baba Juno EP
[DigitalDiamonds075]

Hynamo

“Baba Juno EP”

Hynamo is back with an upgraded arsenal that’s set to destroy. This underground Australian has blown us away with Baba Juno, a hard-hitting, all-original 4 track EP. From start to finish it’s an epic journey, taking you on a machine-infested ride to the heart of Zion. It’s cleverly synth-driven, with psychedelic influence, is bound by pounding drums and is eloquently produced with dark techno and progressive house tone colours. Baba Juno EP is a psychedelic techno beast.
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posted 26 June 2020

Wankers United – Solo Romance

Wankers United – Solo Romance
[dhr-46]

Wankers United

“Solo Romance”

Pour sa 46ème sortie, Da ! Heard It Records fait dans la haute fidélité.

Les années passent mais la passion reste : voilà ce que semble raconter Wankers United à travers Solo Romance, un nouvel album où l’Audonien continue de créer de belles histoires avec ses machines.

Deux ans après Polygon Soup (2018, Da ! Heard It), Thomas Lanza affirme encore un peu plus son amour pour les sonorités franches héritées de l’électro de Détroit. Ce laps de temps a permis à son funk robotique de prendre un peu de vitesse, de s’étoffer de multiples mélodies chaleureuses et de s’offrir un son plus épais, notamment grâce au travail de mastering réalisé par le Finlandais Mesak, compagnon de longue route du musicien.

Il faut dire que contrairement à ce que le titre de cette cassette laisse entendre, Thomas montre au fil des morceaux qu’il reste toujours bien entouré. Au-delà du portrait ornant la pochette dessinée par son ami marseillais Poborsk, ce faux solitaire prend ainsi plaisir à émailler le nom de chaque instrumental d’allusions à son entourage ou à d’autres bons souvenirs bien enfouis dans la bobine. L’ensemble, s’il laisse percevoir une petite pointe de nostalgie, n’est pas passéiste pour autant : il rappelle surtout à ceux qui l’écouteront tout le chemin parcouru par ce fin connaisseur de sonorités électroniques.

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posted 25 June 2020

Viktar Siamaška Dy Kumpanija – JUR

Viktar Siamaška Dy Kumpanija – JUR
[SFA085]

Viktar Siamaška Dy Kumpanija

“JUR”

Iryna Maziuk – vocal,
Pavał Silivončyk – vocal,
Dzianis Kudraŭcaŭ – guitar,
Eryk Arłoŭ-Šymkus – double bass,
Frydrych Samotny – tenor saxophone,
Uładzisłava Chaŭratovič – hapi drum,
Vasil Pankrataŭ – percussion, Korg monotron,
Viktar Siamaška – text, declamation, winds, percussion.

The Memorial Museum-Studio of Zair Azgur, Miensk, Biełaruś, 24-04-2015.

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posted 25 June 2020

Yamashita Takuya – Renkinjutsu​-​shi no taitō

Yamashita Takuya – Renkinjutsu​-​shi no taitō
[[mi267]]

Yamashita Takuya

“Renkinjutsu​-​shi no taitō”

Contagious beats and danceable rhythms, so we are welcomed by Yamashita Takuya, the alter ego of the Portuguese Fábio Pinto. The dance floor transposed to our home, to our living room, to our body. An incessant energy, reminiscent of colorful oriental realities!

Electronics and Japan, in one reality! Anime driven Beats!
Over 5 themes, 5 short discharges of sweet and melodic rhythms, of hard beats, 5 aural, punitive amalgams that will drag you across the dance floor, that will embrace you until you fall asleep.

https://mimirecords.bandcamp.com/track/night-classes

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posted 23 June 2020

Yasuyuki Uesugi – I’m Not Normal Unless I Can Control Extreme Emotional Changes

Yasuyuki Uesugi – I'm Not Normal Unless I Can Control Extreme Emotional Changes
[mi268]

Yasuyuki Uesugi

“I’m Not Normal Unless I Can Control Extreme Emotional Changes”

From Sapporo, the japanese noise artist Yasuyuki Uesugi brings us eight tracks of old school noise.

The sounds on this album are repetitive with deep textures and exotic timbres. The drones unfold and unfurl into a huge soundscape giving us the impression to the listeners that we’re on a factory

This album is the view of an artist who dialogues with previous observation and impressive demonstration, dark and abyssal, however the sounds are not abrasive. sometimes mesmerising, sometimes close to harsh noise wall. A must listen!
credits
released June 23, 2020

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posted 23 June 2020

Shari DeLorian / Alice Bachmann – INESSERE (Live at Avantgardening 2020)

Shari DeLorian / Alice Bachmann – INESSERE (Live at Avantgardening 2020)
[SR222]

Shari DeLorian / Alice Bachmann

“INESSERE (Live at Avantgardening 2020)”

April 2020.

The multidisciplinary platform Avantgardening commissioned to sound artist Shari DeLorian a music project to be performed at the first online edition of the festival. This become soon an a/v project in collaboration with French video artist Alice Bachmann.

This is the recording of the performance, called INESSERE, which has been performed on 19th April 2020.

Inessere is an audio/visual portrait of a place created by human beings, a place where you can’t and can be at the same time: a paradox of absence and presence. A world on a human scale, but deprived of its humanity; the spacial acoustics as the proof of its absence.

Credits:

Shari DeLorian: music

https://soundcloud.com/sharidelorian

Alice Bachmann: video

https://vimeo.com/entropiquestropiques

INESSERE

Racconto sonoro di un luogo creato dall’essere umano, in cui non può esserci ma allo stesso tempo c’è, in un paradosso di presenza/assenza. Un mondo a scala umana ma privato della sua umanità, l’acustica spaziale come fredda testimonianza della sua assenza.

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posted 23 June 2020

Roberto Vodanović Čopor – Nobody

Roberto Vodanović Čopor – Nobody
[GFR, 131]

Roberto Vodanović Čopor

“Nobody”

Roberto Vodanović Čopor is a multimedia artist from Zadar, Croatia. Born in Split in 1970. He released the music for various independent publishers from the region but also from Europe and America. In his music he often combines the sounds of nature or the sounds of cities, and as a background he uses the sounds created from everyday objects. He has published three collections of poetry “Insomnia”, “Almost a Little Book”, “Walls are barking”. His poetry has been included in several collections of the group of authors. He publishes poetry on various regional portals for culture and art. He is also an author or co-author of several performances that he often performs as part of his concerts. So far, he has had several exhibitions of his art works. He has exhibited at several group exhibitions.
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posted 23 June 2020