www.zenapolae.com/releases/zen233/zen233__unnamedFox__Black_lake_process__02_Phase_2_The_descent.mp3
CD only bonus tracks:
B1. Por que o pôr do sol fica rosa às vezes (6:01)
B2. Futuro (7:55)
Remixes:
R1. Coletivo NSLO and Trixie Delight – CharlaTrix (remix) (4:11)
R2. Coletivo NSLO and Lone Cosmonaut – Novos Sururus E Quiprocós De Um Convescote Chumbrega [Enhancement] (9:33)
Rosa dos Ventos presents instrumental compositions by Heitor Oliveira, performed by Dario Rodrigues Silva (piano), Gina Arantxa Arbeláez (flute), Renan Simões and Sabrina Souza (guitars). With significant independent artistic and academic trajectories, the musicians join forces for a collaborative endeavour that result in a series of phonographic releases, of which Rosa dos Ventos is the third.
The album Rosa dos Ventos presents three more pieces from the authorial repertoire of Coletivo N.S.L.O, closing the cycle of phonographic releases related to the founding project of the group. In the pieces of this album, the musical materials are cells that at times support games of guided improvisation, at other times they are presented with ostinatos and rhythmic lag procedures. In the duos El viejo de bien, for flautist and guitarist, and The meme loop, for pianist and guitarist, references to memories shared by the performers frame energetic instrumental performances. The track Rosa dos Ventos is a quartet that refers to the very experience of the group’s creative process in its multiple movements, directions, alternating roles and encounters.
The other albums are here
Charlatório: tcfsr.bandcamp.com/album/charlat-rio
Sururus Perdidos: tcfsr.bandcamp.com/album/sururus-perdidos
credits
released July 3, 2021
Mixed by Fred Garibalde
Cover by Flaviana OX
“Submarine” is the first single off Iñaki’s 4th album “Océanide”. The title song itself is a cover of Icelandic singer Björk’s song “Submarine” from her 2004 album “Medúlla”.
NOT to be sold!
All vocals, recording, editing, remixing: Iñaki Barrocal Castro
Brain factory in Metropolis.
Lofi plough and extended lunch break.
The supervisor bends his head, and bangs.
From Dresden’s electronica underground comes Plutonien and ploughs our brain walls with experimental-beat-heavy lofi art, most of which was produced using Sunvox, which is of course great. Head banging is allowed, even dancing is possible with some of the tunes. The artist of the project Plutonien has a liking for all arts, art history, but also for more or less strange human creations of all kinds. The openness and at the same time strictness associated with this is easy to hear in the tunes. The sounds are not charming at all, more like sitting in the middle of a mechanical clockwork, listening to and watching its production. The big machine is rolling. And it is not soothing but, to put it mildly, revealing.
This is the first time we have re-released a musical work that was already published under Creative Commons before. With a licence that is given and somewhat different from our standard licence.
Basically, a re-release of CC music is possible at any time. In the context of attention islands in media oceans, this somehow also makes additional sense.
It also makes sense from a long-term perspective, because digital releases are much more ephemeral than, for example, records and CDs that are still traded.
>From the time of the beginnings of music publication on the net, almost none of the hundreds of labels are active or accessible any more.
Archive.org is of course a wonderful implementation, especially thanks to Simon von Monotonik, who recognised the potential early on and built the bridge between the netlabels and archive.org.
The contact to Plutonien was established via Rajko, thanks.
The Necrophile Hummingbird presents RESEAU CULTE by rADio eNd
“Interzone Music for Outsider People”
About the depths of this album :
Do you remember ?
K/W/A/Y archive.org/details/NomenclatureGenerale and next La 6ème République…
archive.org/search.php?query=creator%3A%22la+6Eme+REpublique%22
Indeed a secret friends meeting with a guest.
Water flowed under the bridges since the time of our noise supergroup, which was the same sort of fake self proclamation than with queer movement at its beginning.
In reality we were 3 Folks (and a ghost) lost within a lost industrial city.
Since my two friends grown up ST Noiz stnoiz.bandcamp.com/
Now we are all on our own, but it’s good to be one more time together,
with Magic Bullet www.mickmagic.net/ to help us turn this more in an Extended Play extended by remixes than an usual album.
If you are too much short in time to enjoy the full journey there is a preview here https://www.youtube.com/watch?v=FVFbuoFmJ_8
About the surface of the album :
“The truth is, no one of us can be free until everybody is free.” Maya Angelou.
Direct download link (MP3) here archive.org/compress/rADio_eNd_RESEAU_CULTE/formats=VBR%20MP3&file=/rADio_eNd_RESEAU_CULTE.zip
Featuring :
ardleg on track 2 &5
ardleg.bandcamp.com/
Magic Bullet on track 6
mickmagic.bandcamp.com/
KHΛOMΛИ on track 7
khaoman666.bandcamp.com/
Ed End on all tracks.
www.horsnorme.org/EDEND/Ed_End_Flashback.html
Free Download in Wav & Flac with also an extra video track.
yoshiwaku.bandcamp.com/album/r-seau-culte
Two tracks are also on two Cian Orbe Netlabel (became Internet Daemon) compilations.
archive.org/details/v-a-anime-compilation
archive.org/details/va-tribut-to-serial-experiments-lain
rADio eNd is a process more than a simple musical project…
More informations about rADio eNd on the official page
horsnorme.org/rADio_eNd/rADio_eNd_english.html
Special thanks to Mamoru Oshii for the angel’s egg.
Dedicated to all the mutants lost in the labyrinth… the exit is nigh.
Thus it’s an old dream to be able to escape this fake reality if you achieve this quest it would be such a joy.
Video Art Clips here
In The Hand Of The Odd https://www.youtube.com/watch?v=BRePiy90UJc
Serial Experiments Lain Spoiler https://www.youtube.com/watch?v=FVFbuoFmJ_8
Latest news on ello.co/ed_end
Mono o Estéreo? presents “Clicses”, an album of 14 remixes of 6 songs belonging to his debut album “Clics”, released in 2017 independently and reissued in 2021 by Pueblo Nuevo.
“Clicses” puts on stage a fraction of electronic artists summoned based on a curatorship that works by extrapolating readings to Mono o Estéreo?‘s music, offering a local sound map where experimentation and creative freedom prevail.
Formed in January 2016, the duo “Mono o Estéreo?”, made up of Loreto Ríos Montecinos and José Toro Concha, released their debut album “Clics” in December 2017. The band, which had only published a few demos on their Soundcloud account, with the release of the single “Iguales Distintos”, increased their presence in specialized media, which gave them the confidence to unveil the rest of their musical proposal.
The album, with 6 songs and 38 minutes long, exposes the personal songbook that José Toro Concha created between 2007 and 2015, to later give it its final form with the production of “Mono o Estéreo?”, also with the participation of Diego Gilabert Valiente, Pablo Muñoz from Janeiros Estudios, Diego Ridolfi, photographer José Moraga, Carolina Cue Silva and Francisco Holzmann from Clio Mastering.
“Clics” went on sale on digital media such as Bandcamp, iTunes, and for listening on streaming platforms, such as Spotify, Apple Music or Deezer. Now, with this reissue in Pueblo Nuevo, it is available for the enjoyment of all those interested in this attractive combination of electronics and avant-rock.
The Necrophile Hummingbird Netlabel & HAMFUGGI Records & Camembert Electrique presents Hum Antenna by rADio eNd.
“Psychedelic Music for Industrial People”.
About the depths of this album :
Do you remember ?
The first time you took an unknown substance and you were awaiting the mindblowing effect. The slowburn unsetting of all your controls when it was growing inside finding it’s way to the core, till the epic psychedelic climax when it explodes all your landmarks.
Do you wanna take a timeless brainticket in your ears ?
If you are too much short in time to enjoy the full journey there is a shortcut here to go straight to the top https://www.youtube.com/watch?v=yDO1zsSM9M4
About the surface of the album :
At the beginning of rADio eNd we were blindfolded, now it’s the fourth release and perhaps it’s possible to guess the vision behind, on one side the non exclusive model as an experiment to mess up the unhuman system which enslave us mostly with the property blackmail. On the other side to get ride of any bonds to seek what kind of music can be release when the process of its birth is really free.
I think that digg the influences is as unrelevant that take care of this music being recognize for what it is. It’s up to everyone to make their own dream…
More important is that each of fourth members involve in brought their own univers, melt them to get this psychoactive cocktail.
Featuring :
Peter Hope & Studio 112 & Ed End on all tracks (except 4 for Peter Hope)
and Konejo on track 4 (Konejo built this track from sampling the improvised jam sessions, in the same spirit of improvisation)
peter-hopes-explodingmind.bandcamp.com/
studio112.bandcamp.com/
ello.co/ed_end
konejo.bandcamp.com/
Free Download in Wav & Flac of the instrumental improvisation demo tracks also here with an extra track.
yoshiwaku.bandcamp.com/album/hum-antenna
This album is allready release in wav on Hamfuggi Records hamfuggirecords.bandcamp.com/album/hum-antenna and will be on Camembert Electrique netlabel camembertelectrique.bandcamp.com/ and on Wrong Revolution with also CDR physical edition peter-hopes-explodingmind.bandcamp.com/.
rADio eNd is a process more than a simple musical project…
More informations about rADio eNd on the official page
horsnorme.org/rADio_eNd/rADio_eNd_english.html
Special thanks to Luna Menta for the help on Gravity’s Rainbow.
Dedicated to all the psychedelic pioneers expanding as mind than music.
Thus it’s an old dream to be able to translate the psychedelic experience explosion into music if you feel it thru listening it would be such a joy.
Video Art Clip here www.bitchute.com/video/kBNjREaEhGqv/
and here https://www.youtube.com/watch?v=yDO1zsSM9M4
avantgarde in electrics
STRöHM combine experimental music (avant-garde ambient drone) with free improvisation and create imaginative sound structures from it. Novel sounds, rhythmically underlaid, expressive, dynamic, then again impulsive with romantic elements, are the musical result of the mutual interplay.
www.zenapolae.com/releases/zen232/zen232__Stroehm__Chromosome__01_Mentions_in_our_Name.mp3
3 free WAV tracks of deep minimal techno for monoKraK netlabel (www.monokrak.net)
mastering by Pheek (audioservices.studio)
“Construcción Social” (“Social Construction”), the latest album by Pablo Gómez Bate, offers us a varied listening, walking through different landscapes, (de) (re) building provocative atmospheres through the use of natural, acoustic, friendly and recognizable sounds, plus vocalizations that remind us in some passages of the “Windowlicker” of the British twin referent, accompanied by glitches, noises and synthetic or digital discharges.
All of the above, which could be understood as overly cerebral music, occurs without renouncing sensory and rhythmic enjoyment, in songs like “Jajause” or “FM10”, where, as in social constructs, we can agree to follow certain conventional rules, but without a doubt the artistic risk that Pablo takes on this album is precisely to question, expand and / or demolish them, breaking the usual stylistic structures with samples and unexpected breaks.
Almost 48 minutes of clear, high-resolution sound, to enjoy while we contemplate the inevitable rewriting of the parameters and norms that govern or de-govern us.
Mika Martini
(Santiago, Chile. Junio / June 2021)
Nicolas Tourney is a french experimental musician and sound designer, also owner of the label Snow in Water Records. His new album Music for Piano focuses on the acoustic properties of the instrument used in various ways in order to generate rich and subtle resonances. But the artist himself says it more precisely :
“Entirely recorded in the hours of the night, in order to capture very low amplitude sounds that neighboring noises would have made imperceptible, the twelve configurations of Music for Piano reflect research on vibration. The piano used is a late 19th century German grand piano, allowing, when it is wide open, all kinds of placements, preparations, rebounds. Some drones evolved continuously for several days in a row, in order to see the gradual emergence of new timbres produced by the microscopic movements of objects inside the piano. By releasing a resonance rather than a note, the pressure of the keys then opening a void, other modes of play have required tools with a roundabout function and instruments that our daily habits have made their own.”
Credits :
Nicolas Tourney : Piano, Objects, Bows, E-bow, Pure Data System, LOM Usi Microphones.
The Necrophile Hummingbird presents the aftermath of a funny spiritual experience. “Acousmatic Music for the Concrète People”
This EP will be part of the album “La Fête du Sillon Sacré”.
No Undergods Were Harmed in the Making of this EP.
Full EP in free download in Flac or Wav on this bandcamp profile yoshiwaku.bandcamp.com/album/new-ordeal-world
The first two tracks designed for this french selfportrait podcast
aligrefm.org/agenda/le-colibri-necrophile-ed-end-480
Which may be related to Ordalie Found Footage https://www.youtube.com/watch?v=baYeo97yqQA
Last year full (except rADio eNd) retrospective is interesting for a global hearing.
https://panoramamix.tumblr.com/post/623102835945537536/ed-ends-retrospective-a-free-to-share
Cinemix :
Bugey pour mémoire
More free music by CorteX
archive.org/details/le-colibri-necrophile?and%5B%5D=creator%3A%22cortex%22
an ambient random sequence d.i.y. installation, inspired by Eno, Satie and the passage of time
Uhr / To Fade To is an experimentally experiential sound piece which questions the individual listener’s agency within the listening experience and preconceived expectations around the acts of active and passive listening. Comprised of 240 thirty-second triad sinetone drones, this album is to be downloaded and randomly shuffled in a player of one’s choice. The result is a seemingly endless array of tonal possibilities, a larger-than-human-life melody full of aleatoric twists and turns.
The impetus of this piece is to dig deeper into an inquiry that Erik Satie opened with the advent of his so called “Furniture Music” and which was later expanded upon by Brian Eno’s popularisation of “Ambient Music”. This is piece is to be played into an open space and to be forgotten about and returned to. As each track is precisely 30 seconds long, it acts as an abstracted clock. Listeners may drift from and to the space in which they choose to listen in. As the content of this album is made up completely of sinetones, the piece is inherently relativistic and allows listeners to move through the peaks and troughs of the waves.
There are
4,067,885,363,647,058,120,493,575,921,486,885,310,172,051,259,182,827,146,069,75 5,969,081,486,918,925,585,104,009,100,729,728,348,522,923,820,890,245,870,098,65 9,147,156,051,905,732,563,147,381,599,098,459,244,752,463,027,688,115,705,371,70 4,628,286,326,621,238,456,543,307,267,608,612,545,168,337,779,669,138,759,451,76 0,395,968,217,423,617,954,330,737,034,164,596,496,963,986,817,722,252,221,059,76 8,080,852,489,940,995,605,579,171,999,666,916,004,042,965,293,896,799,800,598,07 9,985,264,195,119,506,681,577,622,056,215,044,851,618,236,292,136,960,000,000,00 0,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000,000
possible variations of the melody that this piece and randomised album present, if shuffled and played from beginning to end.
www.zenapolae.com/releases/zen231/zen231__Ben_Glas__Uhr_ToFadeTo__146.mp3
Memórias de Oneyda was created during the residency held by São Paulo Cultural Center (CCSP) in celebration of the 85th birthday of the public record library “Discoteca Oneyda Alvarenga” which has one of the biggest archives of latin america and is named after the director and founder Oneyda Alvarenga.
Percussions, beats, harmonic layers, and almost all details were extracted solely from the vast collection of the library, with exception of a few field recordings and instrumentals I’ve recorded for other occasions. These additional audios are also used as sound collage. I took most of the vocals from the historical 1938’s folklore research mission, which aimed into recording traditional music from the north and northeast of Brazil.
I’ve adapted the sonority of the tracks to the quality and texture of the oldest recordings, seeking a sound in between contemporary and a 30’s recording – as it was an old dirty recording of a parallel reality. The são paulo musician and engineer Bruno Palazzo helped me to enhance this feeling with an analog tape master.
Minimum suggested donation is 5.50€ + vat. 50% of the profits will be donated to the movement of the indigenous woman of Xingu – ATIX Mulher. Depending on how much is raised, other indigenous ONGS will be included.
released February 4, 2021
Criação e Mixagem: Numa Gama
Design: Numa Gama
Masterização: Bruno Palazzo
Fonte desenhada: Clau Smith
The 100th release on TCFSR Bandcamp is the 28th release by tourmaline hum, although it is five years since their last album ‘system Imperfect’ tcfsr.bandcamp.com/album/system-imperfect
During this time the duo of Lone Cosmonaut and Dental Drill have each created a number of solo releases and contributed to a variety of other projects (and Dental Drill has taken on the day to day running of the TCFSR label) so the tracks for ‘Invasive Species’ were created intermittently between 2017 and 2021. Nonetheless the album demonstrates a thematic consistency. The album has a darker edge than most of tourmaline hum’s previous work.
credits
released June 1, 2021
Everything that you can hear: tourmaline hum
Design: DRILLArt
Photos: Kate Tree, Trixie Delight
Anything else: The Committee For Sonic Research
“Poemas de Porcelana” (“Porcelain Poems”) is the title of the album that brings together a selection of two performances realized within the context of the exhibition “De las Prácticas Cotidianas de Oposición” (“From Daily Practices of Opposition”) by Jorge Cabieses-Valdés in the D21 Art Projects (2020). In an individual exhibition the artist presented the works “Porcelanatron IV & V”, musical instruments constructed from pieces of glazed stoneware ceramics. Inspired by the acoustic potential that every piece of ceramic possesses, the instruments emit a sharp and crystalline sound that comes from the hollowness and hardness of their ceramic material.
For “Porcelanatron IV & V” the artist’s work is based on 14 vases from the Lota Ceramic Factory belonging to the Pedro Montes collection, typical of the domestic and ornamental environment. The ceramic pieces made by the artist try to imitate the appearance of these vases, failing irretrievably and presenting themselves in total deformation, thus forcing their rigid surfaces to vibrate and sing grotesquely.
This is not the first time that the artist has worked with the traditional ceramics of Lota. In 2018 he manipulated figures belonging to the collection of the Museum of Decorative Arts (Orfeón, Lota) where each figure had a large-scale acoustic replica that emulated the sound percussed on the figures.
The album features the participation of the musician and producer Marcelo Peña Cortés aka MIOPEC (Tobías Alcayota, MKRNI), who plays viola and synthesizer arrangements and is also in charge of mixing and mastering the album.
archive.org/download/pn188/pn188_01_Jorge-Cabieses-Valdes_1.mp3
released May 28, 2021
…………………………
Música y letra: Diego Lorenzini
Diego Lorenzini: Voz, U-Bass, ukelele, teclados, batería y percusiones.
Tiare Galaz (Niña Tormenta): Voz
Grabado por Diego Lorenzini
Mezclado y masterizado por Arturo Zegers en Estudio 050
Arte de portada: Diego Lorenzini
…………………………
Music and lyrics: Diego Lorenzini
Diego Lorenzini: Vocals, U-Bass, ukulele, keyboards, drums and percussions.
Tiare Galaz (Niña Tormenta): Vocals
Recorded by Diego Lorenzini
Mixed and mastered by Arturo Zegers in Estudio 050
Cover artwork: Diego Lorenzini
[Version Française en dessous]
The Necrophile Hummingbird netlabel presents an automatic poetry & music album.
“Ghost poetry & music for ghost listeners”
Under the same title that Arthur Adamov’s ephemeral revue “Discontinuité”are reunited two poems by Monny de Boully. The first one “l’Aorte des fantômes” published only in this revue . The second one Er l’Arménien also published in “Le Grand Jeu” revue. morne.free.fr/celluledessites/Game/index.htm
Free Download in Flac and Wav format on our bandcamp profile
zonefusion.bandcamp.com/album/discontinuit
Improvised Music recorded the 28th January 2020 at Studio 112 in Dole.
Line-up :
Studio 112 studio112.bandcamp.com/
Ed End ello.co/ed_end
We choise to keep volontary buzz, crackles, any kind of sound slags in this recording. This is not sanitized music.
Sleeve Artwork “PAS ENCORE” by Dida de Mayo.
Another track extract from the same session is available on yoshiwaku.bandcamp.com/track/welc0me-0n-n0netw0rkz0ne
[English version at the top]
Le netlabel le Colibri Nécrophile présente un album de poésie automatique accompagné de musique improvisée.
“Poésie et musique fantomatiques pour public fantome”
Sous le titre de l’éphémère revue d’Arthur Adamov “Discontinuité”. Voici réunis deux poèmes de Monny de Boully. Le premier l’Aorte des fantômes n’a été publié que dans cette revue. Le second Er l’Arménien a été aussi publié dans le Grand Jeu. morne.free.fr/celluledessites/Game/index.htm
Téléchargement gratuit au format Flac ou Wav sur notre profil bandcamp
zonefusion.bandcamp.com/album/discontinuit
Musique improvisée enregistrée le 28 Janvier 2020 au Studio 112 à Dole.
Membres présents :
Studio 112 studio112.bandcamp.com/
Ed End ello.co/ed_end
Le souffle, les craquements, toutes les scories de cet enregistrement, ont été volontairement conservés. Ceci n’est pas de la musique aseptisée.
Illustration de pochette “PAS ENCORE” par Dida de Mayo.
Un autre morceau issu de la même session est disponible sur Mushotoku Ear Bleeding yoshiwaku.bandcamp.com/track/welc0me-0n-n0netw0rkz0ne
