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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: improvisation

José Gallardo A – Diario de una depresión

José Gallardo A – Diario de una depresión
[pn178]

José Gallardo A

“Diario de una depresión”

Listening to the recent work by José Gallardo is an experience that voids any interruptions and defines its own place.

Everything starts with pulses that resonate at low loudness and frequencies, which peek out from the environment. As time passes, they flatten out until they form a sound background that appears for moments like a figure broken up into accents. Slowly we enter into the trance of a phrase to mutate the idea and the state, all in a slow and fractional way. This step becomes evident when appearing in the center of a new tale.

When sound is clearer and calmerthrough inflections towards distortion, static and noise produced by saturation are integrated as rougher textures that outline part of the limits of each volume.

In “Diario de una depression” (“Diary of a depression”) the musical matter is located between the electric guitar melody and the effects mass, which runs on an independent timeline. These are the two most identifiable layers that structure the total of this work;however, its greatest virtue is not in what is perceived in an apparent way, but in the resonances with which a dialogue is established when listening to it again.

Oscar Santis
(Concón, Chile. Enero / January 2021)

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posted 18 January 2021

Fernando Bocadillos – A Day at the Sound Market

Fernando Bocadillos – A Day at the Sound Market
[VSS115]

Fernando Bocadillos

“A Day at the Sound Market”

Iniciando 2021 con un lanzamiento muy especial. ♥

Desde Argentina, Fernando Bocadillos nos visita de nuevo para esta vez, presentarnos un poco de su material en solitario.

“El último fetiche. Inusitadamente satisfactorio. Se desliza por casi una hora entera. Pequeños temas engarzados el uno con el otro en una sola canción. El rostro de una mujer casi beatificada. El himno de un hombre crucificado. La santidad merecida de la paz. Ese extraño y raro oasis en medio de el caos de todos los dias. una guitarra nueva (La Faim SG), y dos noches y media inspiradas, de musica torpe pero nutriente. Los viajes de las brumas de los sueños, diurnos y nocturnos. Pactemos una tregua con esos momentos no musicales y disfrutemos del ocio como quien espera en una terminal de autobuses a que llegue un abrazo renovado. esa chispa, ese ámbar que destroza la obscuridad. La letanía soportable de los santos y de los borrachos y de el interior de las iglesias y los burdeles (probablemente sean lo mismo pero con mas o menos ropa).”

released January 17, 2021

Music & production by Fernando Bocadillos.

fernandobocadillos1.bandcamp.com

A burgundy colored Faim SG guitar was Used in all tracks, Mixcraft for recording the tracks and a little bit of chorus and a pinch of compression and overdrive for the jazzy/unjazzy tones. No amp was used, all the guitars were injected straight into the computer audio board.
Bass: Caiola Mobel Precision.
Classical guitar: Antigua Casa Nuñez.

Dedicated to the memory of EVH.
Cover photo: Ornella Muti, 1971

[VSS_115]

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posted 17 January 2021

Martini + Marte / Reche / Haase + Santis – Exploradores del Sonido VI

Martini + Marte / Reche / Haase + Santis – Exploradores del Sonido VI
[PT114]

Martini + Marte / Reche / Haase + Santis

“Exploradores del Sonido VI”

Concert of free improvisation and experimental music, organized by Pueblo Nuevo Netlabel and Radio Valentín Letelier.
Recorded live at Sala Musicámara, Valparaíso, January 2018.
All Tracks improvised live by the artist.
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posted 09 January 2021

EVA vertigo – Dizzy Spell

EVA vertigo – Dizzy Spell
[LCNLP112]

EVA vertigo

“Dizzy Spell”

Recorded live summer 2020 in the Studio 112 in Dole (france).
Members on this record :
Alain Grille : Electric Guitar +FX
https://studio112.bandcamp.com
Ed End : Kaossilator + Turntable + VX
https://ello.co/ed_end
EF : Drums
https://soundcloud.com/sicnar-frei
Krackers : Electric Guitar + VX
https://soundcloud.com/doktorkrackers
Yan B. Trumpet + FX

If you enjoy Brainticket, The Residents, This Heat… this is not exactly the same sound, but if the no wave is your cup of tea, MARS for example… this is for you.

The previous albums released by EVA vertigo are available here in free download https://archive.org/search.php?query=creator%3A%22EVA+vertigo%22

The members were the same than in PIRATE Tapes but with EVA vertigo drummer so you should check also
https://archive.org/search.php?query=creator%3A%22PIRATE+Tapes%22

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posted 23 December 2020

entropija – genealogija B: 2016-2018

entropija – genealogija B: 2016-2018
[EEM060]

entropija

“genealogija B: 2016-2018”

Continuing on from “genealogija A”, this is the second instalment of a retrospective collection. Including sounds from even before the start of entropija project, the album timeline spans almost 2 years, between August 2016 and June 2018. In contrast to previous album‘s colorful dynamics, this is a document of a more abstract side of entropija‘s performative spectrum. Clusters and bits of sound engage in complex interactions, trying to morph into a cohesive body, but the form seems to escape each time just before solidifying. Hints of order or harmony are quickly overwhelmed, and by the end, completely buried under layers of intersecting accidents. If there was a genre label suitable for this record, “liquid noise” would probably be it.
Button: by-nc
posted 20 December 2020

AARD – The Night over Arundel Gate

AARD – The Night over Arundel Gate
[pn175B]

AARD

“The Night over Arundel Gate”

AARD had an intense existence for three years, performing several electronic improv sessions, all recorded at the University of Sheffield Studios, also known as The Sound House, they also had several live presentations at various opportunities and spaces in the city of Sheffield.

These tracks correspond to rehearsal sessions for a concert given at the Foodhall, located in the city centre and which performs a great social work as community kitchen and public dining room.The title refers to a nearby avenue where the duo traveled numerous times in search of a concert or a few beers.This is a surrealistic dark journey into the night flying over an imaginary version of that avenue…

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posted 12 December 2020

ASA – avoiding sharks attacks

ASA – avoiding sharks attacks
[PT113]

ASA

“avoiding sharks attacks”

Luca Pissavini : 5 strings upright Bass
Fabrizio Bozzi Fenu : electric guitar
Emilio Bernè : laptop mimics drums

recorded by Nicolas Dick at “Le Puits Sonore”,Gardanne November 2019
mixed and mastered by Nicolo’ Terrasi at “Studio RSNZ” Marseille December 2019
cover design by Neeva

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posted 12 December 2020

PIRATE Tapes – Rose Bed On The Moon

PIRATE Tapes – Rose Bed On The Moon
[LCNLP116]

PIRATE Tapes

“Rose Bed On The Moon”

Listening Rose Bed On The Moon is like watching ghosts of Tuxedomoon waving goodbye to Genesis Breyer P-Orridge… in a lofi parralel universe.
Unvolontary full of our influences flavour with our own very improvised recipes,
well, pell out nostalgia skin to reach the delicious acid core.

Ingredients : pink flamingos, white rabbit, blue rosebud, in the mood for love, man on the moon, pink narcissus, trip/reset…

About the rapture of My Wagonnet Eretique Singer this is was not a joke !
But since that time he’s gone. For a better chonologic understanding it’s important to considere that this album is a kind of prequel, it has been done before Cosmic Hobos Cult.
https://archive.org/details/PIRATE_Tapes_Cosmic_Hobos_Cult

More info about PIRATE Tapes http://www.horsnorme.org/PIRATE_Tapes/

Paint by Alain Grille
Video Art Clip here (adults only)
Pink Narcissus Cinemix
https://www.youtube.com/watch?v=CGn8sSjfNXU

Recorded the 9th february 2020 at Cave Haven in Foucherans (france).

Alain Grille Electric Guitar & Prepared Sounds & FX.
https://studio112.bandcamp.com
Krackers Voices
https://soundcloud.com/doktorkrackers
Ed End Kaossilator & Turntable & Clarinet & FX
https://ello.co/ed_end

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posted 28 November 2020

Wilfried Hanrath & Occupied Head & Sascha Stadlmeier – live @ re​​​:​​​flexions sound​​​-​​​art festival

Wilfried Hanrath & Occupied Head & Sascha Stadlmeier – live @ re​​​:​​​flexions sound​​​-​​​art festival
[ACP 1287]

Wilfried Hanrath & Occupied Head & Sascha Stadlmeier

“live @ re​​​:​​​flexions sound​​​-​​​art festival”

Wilfried Hanrath: bass, fx
Occupied Head: nanomite, kalimba, synths
Sascha Stadlmeier: violin, electronics

live @ abraxas, Augsburg, 04.07.20
thanks to Gerald Fiebig
recording and pre-mastering by Occupied Head
final mastering, photography and design by EMERGE

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posted 23 November 2020

Mauro Sambo & Matilde Sambo – sentieri paralleli

Mauro Sambo & Matilde Sambo – sentieri paralleli
[PT112]

Mauro Sambo & Matilde Sambo

“sentieri paralleli”

Mauro Sambo – electronics, contra-alto clarinet, gong, tibetan bells, percussion, zither, cello, kumbus
Matilde Sambo – electronics, electric guitar, field recordings
photo – Matilde Sambo “senza titolo” 2020
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posted 21 November 2020

Guilherme Darisbo + Peter Gossweiler – Tocan el Blues

Guilherme Darisbo + Peter Gossweiler – Tocan el Blues
[080]

Guilherme Darisbo + Peter Gossweiler

“Tocan el Blues”

Tocan el blues. Using the Blues patterns framework. Perhaps the best album by Gossweiler + Darisbo partnership. Recorded probably in 2013, it waited for several years for release. Whenever the two artists met, they remembered, “What about that blues record?” A vida tem dessas coisas. Hey yeah. Tell me what you gonna do.
credits
released October 11, 2020

Peter Gossweiler: drums, cymbals
Guilherme Darisbo: electric guitar, cymbal (9)

Sleeve by Darisbo, on art by AI @ boredhumans.com/art.php
Each song has the title of a short story by Horacio Quiroga.

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posted 15 October 2020

melophobia with Fernando Bocadillos – REC GEE NEAT GRAIN

melophobia with Fernando Bocadillos – REC GEE NEAT GRAIN
[VSS111]

melophobia with Fernando Bocadillos

“REC GEE NEAT GRAIN”

Welcoming melophobia (experimental music and noise project from Greece) & Fernando Bocadillos (composer and musician from Argentina). ♥

A collaborative project done remotely within three days of August 2020. 11,780 km distance but so close… Fernando played his guitars and Melophobia use them as raw material to create a musique concrete version of today.

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posted 12 October 2020

Guillaume Gargaud & Eero Savela – HELSINKI

Guillaume Gargaud & Eero Savela – HELSINKI
[PT109]

Guillaume Gargaud & Eero Savela

“HELSINKI”

This album is a meeting of two new friends. Coming together is always a chance for new directions, a chance to learn from each other and enjoy the free flow of music.
Recording in Helsinki 21st of February 2020 by Eero Savela.
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posted 26 September 2020

PIRATE Tapes – Cosmic Hobos Cult

PIRATE Tapes – Cosmic Hobos Cult
[LCNLP111]

PIRATE Tapes

“Cosmic Hobos Cult”

Cosmic Hobos Cult is above all another page in the logbook of our improvised sound adventures. In a world under control, rigid, where everything obeys objectives, preaching the flexibility of vagrancy seems really saving. Not trying to please is obviously an act of resistance. From Kerouac to Kaufman, from Henry David Thoreau to Eden Ahbez, wandering leads to transcendence. Taming the silence. Free yourself from certainties. The spirituality of experience emerges through encounters, communion with wild nature, revelations of extreme states. The realization that you can just be alive. That it makes no sense to worry about appearing when the mind can break through like the celestial tramps.

These songs are too long for those who don’t want to like them, without values ​​for those who want to miss them. Yet those who will not be put off by the filth and take this road far from the information superhighways … are already walking by our side.

Recorded at the Cave Haven Sunday 6th September 2020.
A musical dive into the celestial tramps poetry…
Thanks to Kerouac and all the Beat Generation for the inspiration.
This is improvised music… so we do not remove anything, that mean this isn’t formated for mainstream listeners… this is freewave.

Artwork made by Ed End with the help of the A.I of deepdream generator
https://deepdreamgenerator.com/u/edend/

Alain Grille aka Studio 112 : Electric Guitar & FX.
Yan B. : Trumpet.
Ed End : Kaossilator & turntable & FX.

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posted 17 September 2020

Johannes Feuchter & Stanislas Pili – über.zeit

Johannes Feuchter & Stanislas Pili – über.zeit
[PT108]

Johannes Feuchter & Stanislas Pili

“über.zeit”

Johannes Feuchter : Contrabass clarinet, clarinet and objects
Stanislas Pili : Percussions and objects

Recorded in Tonstudio der Hochschule der Künste Bern
Recording, mix and mastering by Benoit Piccand

All musics are created by Johannes Feuchter and Stanislas Pili

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posted 11 September 2020