Just some improvisations along with different iPad apps … or myself.
Interweaving two distinct forms of creative expression, Eric Zwang-Eriksson aka EaZy aka Klangwahn fashions a variety of audio-visual installations. Likewise, he works with performers, authors and theaters as a musician and a composer. The artist’s approach is shaped by his 30 years’ experience in improvised music.
The necrophile hummingbird & Hamfuggi Records present the third issue of Studio112 wonderful “Alien Trilogy”.
Welcome back far before the 4th Dimension, in the retro future world of Astounding Stories of Super-Science… Adjust the mirrored sun glasses, adjust the seat and fasten the seat belt, the end of this race promises to be an exhilarating ride !
Studio112 is the main project of Alain Grille also electric guitarist and musicmaker in Multiple Personality 3 / PIRATE Tapes / EVA Vertigo / TKno BeurK / MK-Ultra
The two previous issues are here
https://archive.org/details/Music_for_Alien_Parties_Studio112
https://archive.org/details/A_Piece_Of_Sunlight_And_Other_Stories_Studio112
Download in Flac and Wav format here :
https://hamfuggirecords.bandcamp.com/album/adorateurs-du-culte-extraterrestre
Artwork by Alain Grille
The necrophile hummingbird & Hamfuggi Records present a marvellous journey on the Dark Side Of Wonderland by Mescalibur.
Alice trip has been revisited many time, from the Jan Švankmajer’s Alice to the Jeff Noon’s Vurt… it’s always very psychedelic… but this time it’s the dark side… then perhaps the rabbit hole is actually more looking like Norman Spinrad LSD description in The Mind Game… you know like watching inside a bubble with the whole surface made in mirror. Some call also this kind of bubble a Eye Ball. I don’t know where you are know but take care, next to listen this, perhaps you will think that you are still in the same dimension… but I really don’t know… Sometime things are not what they seems. I wouldn’t spoil the end of your travel.
Mescalibur is here http://mescalibur.fr/ perhaps… the only one who knows that kind of answers.
Iryna Maziuk – vocal,
Pavał Silivončyk – vocal,
Dzianis Kudraŭcaŭ – guitar,
Eryk Arłoŭ-Šymkus – double bass,
Frydrych Samotny – tenor saxophone,
Uładzisłava Chaŭratovič – hapi drum,
Vasil Pankrataŭ – percussion, Korg monotron,
Viktar Siamaška – text, declamation, winds, percussion.
The Memorial Museum-Studio of Zair Azgur, Miensk, Biełaruś, 24-04-2015.
The second season in our streaming concert series, Salon Bruit Rerouted on https://frbb.out.airtime.pro/frbb_a
and on https://www.colaboradio.org/
based in Berlin, but stretching far and wide. May 2020
Taking place every Thursday between 8 – 10pm (CET) with four 30 minute acts of live experimental music performance.
A virtual version of the concerts we are all missing out on during this time of self isolation.
Each week we will bring you a diverse selection of music performance and sound art.
with…
Son Samin (Berlin/South Korea) https://www.instagram.com/saminsonstudio/
Victoria Shen (Boston, USA) https://www.instagram.com/evicshen/
Knifemi Xingloop (Berlin/Ireland) https://lifeloop.org/
Krusha Antena (Prague, Czech Republic) https://krushaantena.bandcamp.com/
Dinelka Liyanage (Sri Lanka) https://soundcloud.com/aklenid
Dirar Kalash (Palestine) https://albayan.bandcamp.com
Martina Bertoni (Berlin/Italy) https://martinabertoni.bandcamp.com
Dr. Nexus (Berlin/Germany) https://soundcloud.com/dr-nexus-meditations
Danny McCarthy (Cork, Ireland) https://soundoutin.blogspot.com/
Akita Yra (Prague, Czech Republic) https://soundcloud.com/akitayra
Lichene (Berlin/Italy) https://www.mixcloud.com/licia-lithium/
Fabrizio Modonese Palumbo / ( r ) (Turin, Italy) https://fabriziomodonesepalumbo.bandcamp.com/
Erika Sofia Sollo (Turin, Italy) – https://soundcloud.com/sollosofia
Kris Limbach (Berlin, Germany) – http://krislimbach.com
Clodo Misère III (Tatie Petanol, Tenenbaum Ruben and An Dao) (Nancy, France) – https://soundcloud.com/tatie-petanol/sets/la-deconfiture-coronaire
SLOW SLOW LORIS (Berlin/USA/Germany) – http://www.slowslowloris.com
We met online on the basis of interest in non-standard electronic music its production and distribution.
Trio 303 as an improvisational gang has formed in St. Petersburg, where the participants met on the pretext of the apartment renovation around 2011. The guys devoted all possible time to getting to know local musicians, organizing performance parties and exploring the environment.
In the process of renovation, sound equipment appeared in the flat in the form of a subwoofer amp from a PC system 5.1 and the Radiotehnika S30 speaker. That how we started to improvise in a free style using mostly computers.
We do this constantly and periodically to this day, slightly changing the composition of the participants. Today we are happy to present our a new album.
Attention! illocanblo (6,7), Nishimaru (8) and Potential DifferenSe (9) participated in several jams. Thank you.
Ricardo Marichal – tenor sax
Dennis Mateis – guitar and effects
Joachim Spieth – trumpet and flugelhorn
……………….
Esta obra mantiene los ambientes etéreos que son seña de identidad de Dennis Mateis y Ricardo Marichal en sus anteriores ediciones, ahora enriquecida por el impecable sonido de Spieth cuya interpretación encaja a la perfección con los conceptos sonoros del dúo. Una combinación feliz que nos devolverá a esos vuelos lentos por los que el dúo Sinavisar es plenamente reconocido y apreciado… read more
……………
Recorded by Dennis Mateis at Aguagarcía (Tenerife) 2 Nov. 2019
Produced by Sinavisar and Víctor Sequí for Alina Records 2020 – AL085
Mastered by Víctor Sequí. May 2020
Cover by CovAL desing
Christoph Gallio: alto & soprano saxes
Omar Grandoso: trombone & fx pedals
Sam Nacht: trombone & fx pedals
Marcelo von Schultz: drums & percussion
Recorded by Sam Nacht in Estudios Libres, 16/11/2018. Buenos Aires, Argentina.
Mixed by Sam, Marcelo, Christoph & Omar.
Mastered by Gerardo Morel.
released March 27, 2020
arte por Diego Maia @miragemmaia
produzido e gravado por Vitor C.
mixado por Vitor C. e Diego Maia
masterizado por Diego Maia
released March 26, 2020
todos os instrumentos por Vitor C.
todas as vozes por Vitor C.
áudios/samples captados por Vitor C.*
no texto de “Um sonho incontido” tem também a letra de “Niños Heroes”, por Negro Leo. gentilmente cedido pelo Artista.
todas as músicas por Vitor C., exceto “A faca instrumental”, música por Vitor C. e Bruno Rafael.
o texto de “Eletricidade” é um poema, com o mesmo nome, de Raisa Christina
*áudio de ligação telefônica em “A faca instrumental”, voz: Bruno Rafael
*áudio de ligação para auto-atendimento bancário.
attenuation effect ° 1025 ° 2020
live @ villa, Augsburg, 23.04.18
photography by Felix Montfort
recording, mastering and design by EMERGE
Harald Lillmeyer: electronics
Sascha Stadlmeier: guitars, bass, effects
Seuil Optique, duo of Sig Valax and Nicolas Tourney, offers a unique experience of listening to music in the dark. Immersing the stage and the public in constant darkness, Seuil Optique creates soundscapes where electronic transmissions, acousmatic landscapes and refined drones intersect. By jostling the boundaries between listening, blind manipulation of machines and immersive experience offered to the audience, the two musicians explore new sound tracks, in permanent dialogue with hybrid musicalities and the practice of singular instruments: persephone, field recording, electro-acoustic devices, matrices and samples.
On stage, they use deliberately “open” improvisation strategies and defeat the boundaries between manipulating machines in the dark, harmonics tinged with noise-producing materials and the “eyes closed” hearing experience offered to the public.
Seuil Optique’s third album, Les Habitants, focuses on the practice of electronic improvisation. Recorded in three days and three nights, in Paris, in total darkness, Les Habitants aims to be a place of recognition of gesture as a creative act. No preparation beforehand, no benchmark, no intro or climax, only the interaction between two ways of producing spectral imprints. In this sound dialogue, electronics are the vector of total sincerity: the inhabitants target the listener, bringing them to live the experience of the moment that guides the “non-idiomatic” music of Seuil Optique, in which each sound, each transmitted waveform is dedicated to the inhabitants of the present.
Linear Obsessional is delighted to present a solo album by Jude Cowan Monague (of Montague Armstrong who released the acclaimed “Hammond Hits” on LinOb last year.
“To India” was originally self released as a very limited CDr – this re-issue includes the original CDr packaging as jpg files.
Mixing Jude’s trademark mix of quirky travel reportage, poetry and a fascination with archaic keyboard instruments, “To India” is a joyous collection of songs from this unstoppable and endlessly creative artist.
tracks 1 – 7 – written on an art residency on Goa India
tracks 7 – 9 – written in Mauritius and first published as poems in “The Groodoyals of Terre Rouge” (Dark Windows Press 2013)
Thanks to Rekha Sameer and my fellow artists and to Kiran Groodoyal and her brilliant family
credits
released March 14, 2020
tracks 1-6 recorded at J.C. Montague’s, London by Matt Armstrong
Jude Cowan Montague – Vocals, Hammond, Fender Rhodes, Min-Moog
Matt Armstrong – Bass, Backing Vocals, Philichorda
Tom Murrow – Drums
tracks 7-9 recorded and mixed at Bark Studios, London by Brian Ono
Jude Cowan Montague – Vocals/Alesis Micron
Matt Armstrong – Bass/Percussion/Vocals
Mark Braby – Vocals
Cyff Gwawd is Stuart Estell, a piano, and a couple of barely-functional tape machines. The project draws on his love of Satie, Cage, Feldman and Basinski while also being a logical step from his compositions for drone/doom tuba outfit ORE, which he left in 2014. Cyff Gwawd is named in tribute to Mark Hollis. It means “Laughing Stock” in Welsh.
The pieces on this release started as miniatures, some of the material freely composed, and some of it restricted to sets of just four pitch classes. In performance, however, they took on a life of their own and didn’t seem to want to be constrained to what had been written down — resulting in what might be better described as planned improvisations.
The same side of the same C90 — an old and far-from-clean TDK SA90, naturally — was used to record all four pieces. The older cassette machine’s completely unreliable motor and faulty tape head resulted in some happy accidents (speed changes, incomplete erasure) that would be impossible to reproduce. Apart from EQ, some additional reverb and the occasional overlaying of additional tracks (from the same source material), the only editing here has been structural. Other than that, what you hear is how it… more
credits
released March 6, 2020
