about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: experimental

Number Eleven – Outlimits

Number Eleven – Outlimits
[EEM063]

Number Eleven

“Outlimits”

When reality fails to meet the system’s requirements for existence, it gets neglected and removed as an input. The system is designed to analyze reality using its units of measurements, but now it can only quantize the noise from the observer. Lack of standard units drives the whole reality-observer-intermedium-system circus insane, continuing the feedback loop of madness, trying to find its own quantization noise drenched in an unpredictable fluctuation from the observer itself.

Lengthy progression of monotonous chaotic structures with only subtle hints of repetition, glued using reverb on things barely reaching the idea of understanding the function of notes.

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posted 11 November 2022

To the Skies – Look to the East

To the Skies – Look to the East
[MARAV968E]

To the Skies

“Look to the East”

Look to the East is the Extended Play, by To the Skies. The album is comprised of three instrumental metal songs. The trio, two guitarists, and one drummer, are from Belmar, New Jersey. After forming in the Autumn of 2013, they played concerts at the Jersey Shore, such as at the Stone Pony, in Asbury Park, and at the Brighton Bar, in Brighton, in between 2014, and 2016. The album was promoted as ‘instrumetal,’ circulated on CD-R, and released on line at Reverbnation.com.
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posted 11 November 2022

Lenard Ahmad – Nagual

Lenard Ahmad – Nagual
[pn055]

Lenard Ahmad

“Nagual”

So let’s talk about Ignacio Morales. About Leonardo Ahumada. About Nawito Dúo, which isn’t a dúo after all. About the baldy one in El Banco Mundial. About the baldest baldy in Ensamble Majamama. About the only man in Guorl Miusic.

Let’s talk about feedback. But not about electroacoustic feedback – extensively exerted by Nawito – but the one that presents a way of thinking (about) the music one makes when listening to it. That one where the cause is indistinguishable from the effect, where the effect is not necessarily predicated in the cause, where materials precede the shape that forms the materials.

Let’s listen to a jungle music – it’s impossible to avoid metaphores by now – born from José Vicente Asuar Guararia Repanoo; but it is not representing jungle, but coming from there. Infinite organisms in friction, superimposing each other in harmony. At the moment of listening, finding out what was acoustic, electroacoustic or digital is rendered useless in the first place, the jungle factory turns original, filtered or simulated indistinguishable, but the painstaking work which erected it sounds in its complexity, it is the making sounding.

Real hard work: let’s talk about fingers, nails, tact, epidermis of Nawito’s fingertips. That is – in David Tudor’ words – the most sensitive control point in a machine.

Apparati and their connections, colombina’s strings tension, diagrams, patches, springs and iron pieces, are temporary line-ups, nodes, pretexts, software; the operator that sets up and makes the machine, the real jungle territory. There are coagulations, geological faces, pressure points, complex detail zones, energies in the point of transformation, not choosing this or that way: a cave with countless leakage and drain pipes, thick, resounding tones – the wind blows outside the cave – feedback screeches, rumors from a beehive’s working mode, mechanisms rattling, the jingling of exotic birds which cannot be seen covered by the leaves, metal on metal (yes, in every sense of the word); white noise’s faceted roaring, the Mekano girls worn-out sticker; Providencia’s buzzing, hissing in unknown time; an unexpected ringtone; and the most remarkable, particular characterístic in music: a multiplicity of realms and activities, what was called polyphony in the good old days. The mystified concreteness of the on-screen software, where modules are connected, expanding and contracting, and the material proof of the tamed sound idea: a trompe and an mbira.

After almost a decade devoted to electroacous-tic music, Nawito, Leonardo, the ‘noise he-baby’, whoever he would be there inside him, makes news of headway in “Nagual”, not in a militant avant-garde fashion sense – please, let’s keep avant-garde requiescat in pace – but of a curious passerby carelessly strolling thru the park.

Nicolás Carrasco
(Santiago, Marzo / March 2010)

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posted 10 November 2022

LjdB TION

LjdB  TION

LjdB

“- TION”

The new album entitled -TION was originally just based on making a few tracks with titles ending in tion, but soon became something different. It was made initially utilizing drummachines and keyboards edited in softwate for a few tracks, but then turning to simple laptop webcam mic recordings of television, videogames and movies aswell. Even unreleased music from the past gathered from LjdB’s oldest still-working laptop. Tracks was sequenced to tell a story that makes sense to LjdB, even if it might make no sense to the casual listener. Echoing the collaboration betweem CRGIII and Ljdb (Mucilage,wich can be heard here : archive.org/details/Mucilage ),the editing and manipulation of sound played a big role in the creation of -TION, so the very same newsclippings used for the collage cover of Mucilage was reasembled to make the cover of this album. (Thank you CrgIII for sending those across the pond)
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posted 01 November 2022

Failure Circle – Frozen Clinamen #6

Failure Circle – Frozen Clinamen #6
[Eg0_255]

Failure Circle

“Frozen Clinamen #6”

Frozen Clinamen is serie of works by Failure Circle (a solo project of Kecap Tuyul) started on autumn 2017. It follows a simple method inspired by the the possibilities of his no-input mixer set-up (and sometimes other modular set-ups) and the will to use a limited sound material in a posteriori compositions : all the sounds included in these works are recordings of moments that feature no human intervention. Frozen Clinamen #6 was recorded and mixed between March 2019 and June 2022 using no-input mixer and analog synthesizer.

Artwork by Jules-Valentin Boucher

Methodology
step (1) Tweaking the set-up until it produces some seemingly autonomously self-sustained sound sequences.
step (2) Stopping tweaking, then recording for at least 20 minutes without any intervention on the set-up.
step (3) Repeating steps (1) & (2) several times.
step (4) Using the generated sounds as only source in a posteriori compositions. The only variations used while mixing are equalization, panoramics and volume levels.
step (5) play it at low/high volume with open/closed window while complety asleep / fully conscious.

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posted 30 October 2022

Various Artist – On est Là Mais pas Là

Various Artist – On est Là Mais pas Là
[Pertin​-​nce 092]

Various Artist

“On est Là Mais pas Là”

This EP was due to be released as a small edition of lathe cuts & CD-r’s + extra stuff , but due to various delays and complications with the cutting machine we decided to release it as a free EP for your own enjoyment.

We love to share music and we hope you will have fun listening to this release.

We are 3 dudes from Quebec city and we met thru music and became friends. Even thought we live in the same province / area it does not mean we see each other all the time or hang out. We mostly speak on internet… therefore one the reasons that made me decide of the title (which translate from French to English to something like) ”he/we are there but not there” …

extra links:

Shango :
soundcloud.com/shango-qc

Kado :
soundcloud.com/vincent-cadorette

Bleupulp:
bleupulp.bandcamp.com

released October 28, 2022

Audio by Kado, Shango, Bleupulp.
Mastering by Maxime Tanguay
Additional mastering by Pheek (tracks 2 & 3)
Art work and Cover by Maxime tanguay

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posted 29 October 2022

ANTEPOP & PIRATE Tapes – Acéphale

ANTEPOP & PIRATE Tapes – Acéphale
[LCNLP153]

ANTEPOP & PIRATE Tapes

“Acéphale”

ACEPHALE by ANTEPOP & PIRATE Tapes is an album created for Le Camembert Electrique netlabel camembertelectrique.bandcamp.com/ based on the self-titled french poetry review and hosting few other poems by Georges Bataille, available in free download here archive.org/details/ANTEPOP_PIRATE_Tapes_Acephale
For Flac and Wav formats it’s in paywhatyouwant zero include here camembertelectrique.bandcamp.com/album/ac-phale

The Acephalus includes the minotaur, Dionysus, Oedipus. He is an incarnation of the Nietzschean Superman. “He is not a man, he is not a god either, he is not me but he is more me than me”.
Acephalus recognized the intimate link between eroticism and death and he was able, thanks to that, to kill the father, to kill god, he cut off his head to have access to a higher lucidity and to obtain a belief.

This quote from ANTEPOP could suffice as a unique presentation of this album, yet I would detail a little its creation and its underlyings.

Was it chance that put Georges Bataille back in my path?
Years ago, I interpreted the Solar Anus https://www.youtube.com/watch?v=m0oPNLBK9-U charmed by its transgressive dimension, without however pursuing the exploration of his work further. Then during the 2016 edition of Back To The Tree event I discovered the existence of Acéphale thanks to a conference by Laurent Devèze https://www.youtube.com/watch?v=G4AosZvpo4E more enthused under the trappings of this strange cult is the back-to-nature dimension relatively similar to Henry David Thoreau’s Walden. Poetry is a sensitive tool for connecting to the universe and in the era of screen partitioning this reminder seems relevant to me. Also since the creation of the french website for the review “Le Grand Jeu” morne.free.fr/celluledessites/Game/index.htm it’s been my hobby to exhume the poetic journals that have emerged in over time in France. So after the review “Discontinuity” archive.org/details/pirate_tapes_discontinuite it made sense that PIRATE Tapes presents some excerpts from the review “Acéphale” accompanied by other poems by Georges Bataille. Also we are very happy that the lyrics are in french language, because despite the audience for musical experiments is very small here, it matters a lot to be able to use our native language in our music. If you want to get the english translations seems it’s findable online.

Originally, because of many affinities, I wanted to make an album in collaboration with ANTEPOP for Le Camembert Electrique. Hence the titles taking up the process of making the cancoillotte, just to not take ourselves too seriously and thus enjoy greater creative freedom. A first piece was extracted from this improvisation session and was completed by a field recording in order to participate in the Phonographies compilation camembertelectrique.bandcamp.com/album/v-a-3 This process therefore imposed itself as obvious for the development of the other tracks on the album. It is also the only track that has not been supplemented by poems. Curiously at the beginning we had recorded poems by Apollinaire, it was only later that the paths of intuition led us to prefer those of Georges Bataille. The verses of the unpublished Acéphale questioned me a lot, to the point that I hesitate to include it, but I preferred not to censor it and leave everyone free to make their own interpretation. It may be interesting to keep in tune with the present time, bringing hope and serenity, when its qualities are sorely lacking in the world in which we live. But it would be to misunderstand the mere revealing nature of art to seek to polarize it. It seems to me vital to preserve the roughness, the wanderings of thought, all that for me makes sense in the writings of Bataille is precisely to confront the monstrosities to question our dark side and perceive our deep non-dual nature. For me in everyone is the universe, all the good as all the bad, it is our choices that guide us, our actions that define us. Hence, the importance of the presence of monsters in fiction, like in the subconscious, not only allows them to be contained, but is also a space that allows them to be studied without real risk, like a virtual box machine that allows you to test a potentially dangerous executable. It is not by sanitizing the past, by practicing censorship, by concealing the traces of obscurantism that one can protect oneself from it*. On the contrary, it is by allowing us to experience confronting ourselves with what bothers us and therefore to train ourselves knowingly, that we can develop a critical mind that makes possible a future that does not reproduce the past mistakes.
As for the Acéphale, if my heteronym Ed End has the same meaning, it is not for nothing and that explains why it was difficult for me not to interfere more than I would have liked in the ANTEPOP part of this album. So which is actually more a kind of antepop ante-pirate tapes participation. Isn’t a part of the reason one loses one’s head to try to know the others better?

* Just to be clear, I specify that as much as I find it dangerous to rewrite past fiction as much as I find it necessary to intervene in the public space because in this case it is a question of putting an end to the glorification of monsters. Although my creative vision would be rather than destroying a statue of Colbert to put in front of it a statue of a slave who breaks his chains.

Credits
ANTEPOP jetfm.fr/site/-The-Russian-Fortune,165-.html elmutschwartz AT gmail.com
PIRATE Tapes www.horsnorme.org/PIRATE_Tapes/ including :
Daceed https://soundcloud.com/doktorkrackers
Studio 112 studio112.bandcamp.com/
Ed End ello.co/ed_end

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posted 23 October 2022

Filmy Ghost – ☹░ᔕŦᗩᒪKEᖇᔕ░💘

Filmy Ghost – ☹░ᔕŦᗩᒪKEᖇᔕ░💘
[None]

Filmy Ghost

“☹░ᔕŦᗩᒪKEᖇᔕ░💘”

Filmy Ghost is a dark experimental, vaporwitch, ghost drone project from Rancagua, Chile. Created by Sábila Orbe.-

For more music visit:
hearthis.at/filmy-ghost/
open.spotify.com/artist/0POUvA4r7hzETPMnrn59My
archive.org/details/fav-sabila_orbe02
freemusicarchive.org/music/Filmy_Ghost

All sounds mixed, cover collage by Sábila Orbe.
track 7: vocals, music background by {AN} EeL.-
track 8: instrumentation by IDTAL
track 9: original music by Cosmic Shock Absorber from his album: Burning Judas.
track 10: vocals, instrumentation by IDTAL
track 11: in collaboration with Thomas Park.

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posted 16 October 2022

Elvii Marten – Mohelemenc

Elvii Marten – Mohelemenc
[enrmp505]

Elvii Marten

“Mohelemenc”

Jazzy experimental electronics album by Martin Rach under his pseudonym Elvii Marten on secret fungi societies. Melancholic schizophrenic sounds with a tripstep flavour. Co-released at Cavern Brew Records April 2022 who are sadly reported to be closing down their activities.
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posted 13 October 2022

Talons’ – At Light​/​Dark

Talons’ – At Light​/​Dark

Talons’

“At Light​/​Dark”

One of the joys of parenting is watching your child learn how to speak. In the process of figuring out which words to use while building a vocabulary, kids come up with creative and poetic ways to verbalize their emotions and describe the world around them. My son started using the word “lightdark” to describe both dusk and dawn and we have adopted it into the family vocabulary over the past few years.

Talons’ at Light/Dark pays tribute to this in-between time. A time between awake and asleep but also a time of uncertainty, transition and change. The music, built out of ebow-ed guitar and synthesizer, is meant to reflect this tension between rest and anxiety, calm and worry, day and night.

Seagulls:

At Light/Dark, I don’t know where I am
Almost 40 and even more lost than I was at 20
And have I ever really said how I feel without overwhelming guilt?
Guilt rules everything

And everyone’s a mess
Broken, broke and hoping for a little bit of luck.
Seagulls circling the dump
But despite what we believe, there is nothing down there for us.

released October 7, 2022

MT- guitar/eurorack/singing. Recorded at home in Ohio in 2021 for Dead Currencies. Recorded/Mixed for lathe-cut LP.

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posted 11 October 2022

rADio eNd – ARZAK

rADio eNd – ARZAK
[LCNLP152]

rADio eNd

“ARZAK”

The Necrophile Hummingbird netlabel presents ARZAK by rADio eNd in free download here archive.org/details/rADio_eNd_ARZAK_Free_Download

“Abnormal Music for Abnormal People”

Since the very beginning when I coined the “hors-norme” (Outside of the Norm or Apart from Standard) as a style to define the music shared on this netlabel the main purpose was to make room for any musics rejected by the mainstream music. And this was not only a struggle against artistic conformism, but more about the society rejecting any differences by the reign of the Norm. If the society is rule by white old heterosexual you will get racialized people, women, lesbian gay trans queer, people with disabilities and young people, whatever, pushed into the margin.
This is a marginalization process. Same way that when scientists study nature they will not care of the singularity, example if the bonobos are not using patriarchal model they will avoid studying them and focus on other primates to get better proof to sustain their dominant ideology.
The first time we tried to bring the lights on this was in 2004 with the Tribute to Necktar archive.org/details/Tribute_to_Necktar We called this marginalization process “Deviance’s Genocide”. It could seem strong, but this is what it is, people sometime suicide not by choice but because of exclusion making it impossible for them to live. The society, or specifically, those who conform to the norm bullying them to the death, we wanted to say it’s a real genocide.
The normal people or indeed thinking to be normal, pushing the abnormal people to disappear, consciously or not. Same way, the mainstream pushing the underground out of sight.
So now we are in 2022 and there are reactions like Black Lives Matter, Metoo… but often doing like if it was only for certain categories of people, when it’s the rulers of the world against all the others.
When it’s the norm against any differences.
And that’s why I added Epaminondas speech to Spinalonga track, ( archive.org/details/l-ordre-1973-jean-daniel-pollet ) because the inhabitants of this leper colony after knowing what it is to be rejected by the whole society didn’t want to be back to the norm.
That’s what they learned, and I hope it could be an example for any rejected people instead to try to be included choice the sedition, the separatism, and build their own micro society, surely it won’t be perfect, but at human scale there are more chances to avoid exclusion and get more alternatives.
Thus, there are also tracks related to Moebius & Alejandro Jodorowsky Incal for the same reasons. For me in this comic “La Paterne” is more the pattern, alias the norm, and the same way that the energy of the dissident in the snowpiercer is used by the power to regenerate itself, the mainstream music grub everything coming from the underground, removing everything which is subversive inside, keeping only the shapes. Like the industry did for the organic food in the hexagone, when it was first at least half or more about build a local system free of intermediaries than to care about the food being not toxic.
And there is also a track about war, because to be aware that our differences are our salvation, goes to with the idea that no matter who is the other, only few are enough crazy to worship the nations and their rulers. Most are just only not strong enough to create choices when it seems impossible to get some.
Last but not least, the change of internet from a freedom tool to a self slavery tool. People mostly stuck in the social network bubbles except if it’s for buying something. It seems a lot of the remains of free culture may disappear at the same time the new norms are applied to control everything online with help of A.I. when needed. It reminds me imperialism colonization, after taking control of a land they eradicate the previous culture, under the fake excuse of few trolls, they hunt all the witches. For example, few weeks ago the Radio Free Albemut h o r s n o r m radioblog with only legal free download music on Tumblr (nearly 1000 releases) has been suspended without explanations and my main Tumblr Panoramagix too. Few months ago it was the Wild Worm Web YouTube channel erased with no warning despite without new publications for months. Only my personal examples.

Finally it’s only music, but these are the kind of dreams hidden behind that very instrumental album. Stay tuned, and please share your dreams and the other ones.

Dedicated to everyone who will be never define in a single word.

Ed End on all tracks
www.ello.co/ed_end

Speech on track 5 by Epaminondas Raimondakis

More information about rADio eNd
www.horsnorme.org/rADio_eNd/rADio_eNd_english.html

Video Art Clips :
ARTSAKH Ersatz.
ww.youtube.com/watch?v=nT8l4DJfUCI
www.bitchute.com/video/TFJgd6n07roj/
And La nOrme a remix of L’Ordre
http://www.youtube.com/watch?v=8OrFCxthjb4

For Flac and Wav formats or in case of trouble with downloading it’s also in free download on bandcamp here yoshiwaku.bandcamp.com/album/arzak

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posted 11 October 2022

Various Artist – Dreams in the Witch House [🔮Cosmic🦑 Magick❂]

Various Artist – Dreams in the Witch House [🔮Cosmic🦑 Magick❂]
[None]

Various Artist

“Dreams in the Witch House [🔮Cosmic🦑 Magick❂]”

Compiled, cover artwork collage by Sábila Orbe.
released by Internet Daemon (ex-Cian Orbe):
internetdaemon.bandcamp.com/
archive.org/details/fav-obscvre_triangle_compilations

Various artists music compilation inspired in the master piece tale: “Dreams in the Witch House” written by H.P. Lovecraft. Published at July, 1933.

Each track composed by the respective artist. Links:
– Humanfobia: humanfobia-official.bandcamp.com/
– ImpulseGame: impulsegame.bandcamp.com/
– Axis Project: www.axisproject.net/
– Filmy Ghost: humanfobia.jimdo.com/filmy-ghost/
– Bosque Oscuro: https://soundcloud.com/bosqueoscuro
– melcom: melcom.bandcamp.com/
– PLOMQVIST [ONKVLO]: https://soundcloud.com/onkvlo
– Yaka-anima: humanfobia.jimdofree.com/yaka-anima/
– Rukirek: archive.org/details/rukirek-arabian-nightmare
– koolsamarkand: koolsamarkand.bandcamp.com/
– Wolfbeard: https://soundcloud.com/wolfbeardsounddesign
– Wivresse: archive.org/search.php?query=creator%3A%22Wivresse%22
– Alexarrakis: archive.org/search.php?query=creator%3A%22Alexarrakis%22
– RAUPPWAR: rauppwar.bandcamp.com/
– M.NOMIZED: mnomized.bandcamp.com/
– EISENLAGER: eisenlager.bandcamp.com/
– The Whalestoe Institute: https://soundcloud.com/the-whalestoe-institute
– GZG: aggressive-tormentor.bandcamp.com/
– systemctl: https://soundcloud.com/systemctl
– sticktopath: https://soundcloud.com/user238234944
– F3$+3R: https://soundcloud.com/fffesterrr
– aweful: https://soundcloud.com/azathothsneakerz
– S1ght: archive.org/details/MNMN555

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posted 07 October 2022

Obhod – Interlace

Obhod – Interlace
[mhrk321]

Obhod

“Interlace”

Anton Paunov, born in 1988 in Blagoevgrad and since 2006 based in Sofia, has been producing music for 20 years, going through hip-hop, house, techno, electro and other directions as Anton Pau, having released tracks in digital and on vinyl, also DJing.

Since 2020 he started working more in the experimental electronic music field, playing a lot with analogue and digital synths and mixing as DjObhod or just Obhod.

In 2022 his debut Obhod album titled “Interlace” was complete and released on Mahorka.
credits
eleased October 4, 2022

Composed and produced by: Obhod a.k.a. Anton Pau

Mastering by: Vasil Hristov, George Eve

Cover artwork by: Elina Ivanova, Vanyo Dimitrov

Video teaser by: Elina Ivanova
license

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posted 06 October 2022

various artist – Space Ambient🌠☽

various artist – Space Ambient🌠☽
[None]

various artist

“Space Ambient☽”

Compiled, cover artwork collage by Sábila Orbe.-

Released by Internet Daemon Netlabel (Post-Cian Orbe):
internetdaemon.bandcamp.com/
archive.org/details/fav-obscvre_triangle_compilations

Each track composed by the respective artist. Links:
– Filmy Ghost: humanfobia.jimdo.com/filmy-ghost/
– Humanfobia: humanfobia.jimdofree.com/discography-ii/
– LR Friberg: linktr.ee/linfri
– Wilfried Hanrath: wilfriedhanrath.bandcamp.com/
– Pestzone: lessthanone.bandcamp.com/
– Infected Senses: infectedsenses.bandcamp.com/
– Mean Flow: meanflow.bandcamp.com/
– WXR_JR: bandcamp.com/search?q=WXR_JR&item_type
– DJ_Frankenstone // DJ_Iterate: archive.org/details/ThomasParkBenchmarkHub
– flyoversx: flyoversx.bandcamp.com/
– Laudanum Quilt: laudanumquilt.bandcamp.com/
– Niacinamide: niacinamide.bandcamp.com/
– Persefone: https://soundcloud.com/user-451414046
– Eric Hausmann: erichausmann.bandcamp.com/
– El Zombie Espacial: elzombieespacial.bandcamp.com/
– blackt00th: blackt00th.bandcamp.com/
– ╬ Sh Sh Zombie Mamba ╬ : https://soundcloud.com/user-20316104-649672009

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posted 24 September 2022

Gussoni / Northover / Magliocchi – A Castle Of Ghosts

Gussoni / Northover / Magliocchi – A Castle Of Ghosts
[PT135]

Gussoni / Northover / Magliocchi

“A Castle Of Ghosts”

Bruno Gussoni (C flute and Shakuhachi)
Adrian Northover (Soprano saxophone)
Marcello Magliocchi (Drums/percussions)

Recorded at
Castello D’ Albertis – Museo delle Culture del Mondo, Genova – 24.03.2022

All music by Gussoni / Northover / Magliocchi
Front photo & cover design by A.Northover
Rear photo by Gabriele Gussoni

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posted 24 September 2022

Wintermute – Rubber

Wintermute – Rubber

Wintermute

“Rubber”

Nouvelle sortie en téléchargement libre pour notre netlabel, signée Wolf City (Paris) et Innocent But Guilty (Bordeaux), fondateurs respectifs des excellents netlabels Lotophagus et Foolish Records, qui joignent leurs forces pour donner naissance au projet Wintermute.

Guitares noisy ou post-rock, beats aiguisés aux influences tribales voire hip-hop et atmosphères froides et ténébreuses faites de drones et de synthés donnent naissance à ces 9 instrus particulièrement évocateurs, qui devraient parler aux admirateurs des regrettés Picore, Lab° ou 2kilos &More voire pourquoi pas des grandes heures de 65daysofstatic !

—–

“Rubber” is the first collaborative album from Wolf City (Paris) and Innocent But Guilty (Bordeaux) as Wintermute. Noisy/bluesy post-rock guitars, sharp beats with tribal influences and deep, cold atmospheres of synth textures and drones are the foundations for those 9 dark and cinematic instrumentals that will haunt your imagination for many winters to come !

Also available on :
– Lotophagus Records : lotophagusrecords.bandcamp.com/album/wintermute
– Foolish Records : apocalypsesounds.bandcamp.com/album/rubber
credits
released September 14, 2022

All guitars, beats and drums by Wolf City.
Synths, drones and textures by Innocent but Guilty.
Bass by Wolf City and Innocent but Guilty.
Saxophone on “River Ganges” by JD Roberts.

Recorded between Achères and Bordeaux – July-August 2022.
Mix and mastered by Innocent but Guilty at FDR Studio.

wolfcity1.bandcamp.com
innocentbutguilty.bandcamp.com
jdrobertsmusic.bandcamp.com

Artwork by Max Guy-Joseph : supermaxguyjosephstuff.tumblr.com

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posted 20 September 2022

Kolna – Tehilim šer​é​, cesty země

Kolna – Tehilim šer​é​, cesty země

Kolna

“Tehilim šer​é​, cesty země”

releases September 26, 2022

Obsazení:
Jan Faix – Hammondovy varhany
Zdeněk Hmyzák Novák – diatonická citera Hora, mbira, rámové bubny, trubka, šamanský buben, hlas,
zobcové flétny, Korg monotron, Korg Kaosspad, Korg Kaossilator,
tuboflaut, tonový generator, Kastle
Josef Jindrák – basová kytara, elektronický live processing
(mixpult, efektová jednotka, looper), Korg Kaoss DJ, kalimby, ukulele
René Pařez – elektrická kytara

hosté: Ondřej Ježek, S.d.Ch., Miloš Dvořáček

Salvy poděkování: Ondřej Ježek, studio Jámor (nahrávka, míchání,
mastering)

Button: by-nc-nd
posted 20 September 2022