Milbentia is back to VSR with another short but great release! 4 vaportrap infused lofi beats for you to enjoy. ♡
released December 12, 2020
Music and production by Milbentia.
milbentiaofficial.bandcamp.com
soundcloud.com/gene-benavidez
youtube.com/channel/UCeYj7I2BPCjs0rEn5rty9VQ
[VSS_113]
It’s a sad day for Caveiras and Arabia Saudade: no more the best Portuguese speakers in the lepers produtcions roster. Let’s enjoy one of the early works of Irmão Victor when it was not the star of today.
“I recorded Cronópio? during the year of 2017. It was when I decided to leave university in the city of Porto Alegre and to move to the Island of Florianópolis, to focus on my compositions and recordings. The álbum is in some way about the doubts I had in that time about my live and career choices. I recorded It while moving all the time. It was recorded in Passo Fundo – my hometown -, Porto Alegre, and Florianópolis, in different family and friends houses, and 3 or 4 songs where recorded in Dom Rodolfo Studio. A lot of the instruments were borrowed also, as I was always moving at the time – the situation is not that different now actually… It was released 3rd january 2018.”
More Irmão:
irmaovictor-popsup.bandcamp.com/album/irma-o-victor
popsuperette.bandcamp.com/album/maripos-rio
irmovictor.bandcamp.com
credits
released December 4, 2020
Slenko, Sinead (Sylvia?) & Hyde
credits
released February 20, 2020
Like Furry & Bukka’s “Party! At Home,” this record is more documentary than album. A collection of moments, caught in the wild and imprinted onto magnetic tape, during the first two nights of the new year.
Track 4, “Dec. 31, 2019,” contains an impromptu recitation of C. M. Slenko’s last poem of the decade. Tracks 6 and 14 capture Henry Hyde’s newest composition in the act of becoming.
Over 20 tracks, “slush” finds SSH re-visiting old memories from Slenko & Hyde’s back catalog, and crawling out of the past into new improvisations, inspirations, and interpretations.
All filtered through substance and sleep-deprivation — and a heavy dose of tape hiss — “slush” is unedited and uncertain, but honest and unwavering in its’ direction — forward, with one last sweeping backward glance, to survey the past for relics we will carry with us into the future.
Ambient, drone y tape loops a la “lo-fi” desde Monterrey, México. Damos la bienvenida al talentoso productor TORRES a Virtual Soundsystem con este lanzamiento de lujo, mismo con el que cerramos la fila de artistas mexicanos que nos acompañaron con su estilo único durante todo este mes patrio. 
Welcome TORRES! Enjoy the music! 
released September 26, 2020
Produced by TORRES.
torresfernando.bandcamp.com
youtube.com/user/ferjth20
[VSS_109]
2020 Virtual Soundsystem Records, Mexico.
New 20 track beat tape from mexican producer COMPLΣX MATHΣMATICS. – Vaportrap / instrumental hip hop beats for the aesthetic music lovers. 
Enjoy the music. ♡
Bralitz 2014 was special. Well, Bralitz is always special. But 2014 – „Aaahhwoo” – probably was our most distinctive and fun festival. Being our first two day festival, it took a lot of work preparing it. We even built an outside stage with our own hands, while getting eaten by mosquitoes.
Still we managed to record some music during the week. For the first time there was a song with German lyrics – that’s special, too.
Bralitz connoisseurs will surely miss Nicolas Falcon’s trade mark voice and songwriting – he couldn’t be there that year. But he will be back for one of the next chapters!
more chillhop!
“New places” contains a sample by Chris Zabriskie
art by Ogawa Kazumasa
Pour sa 46ème sortie, Da ! Heard It Records fait dans la haute fidélité.
Les années passent mais la passion reste : voilà ce que semble raconter Wankers United à travers Solo Romance, un nouvel album où l’Audonien continue de créer de belles histoires avec ses machines.
Deux ans après Polygon Soup (2018, Da ! Heard It), Thomas Lanza affirme encore un peu plus son amour pour les sonorités franches héritées de l’électro de Détroit. Ce laps de temps a permis à son funk robotique de prendre un peu de vitesse, de s’étoffer de multiples mélodies chaleureuses et de s’offrir un son plus épais, notamment grâce au travail de mastering réalisé par le Finlandais Mesak, compagnon de longue route du musicien.
Il faut dire que contrairement à ce que le titre de cette cassette laisse entendre, Thomas montre au fil des morceaux qu’il reste toujours bien entouré. Au-delà du portrait ornant la pochette dessinée par son ami marseillais Poborsk, ce faux solitaire prend ainsi plaisir à émailler le nom de chaque instrumental d’allusions à son entourage ou à d’autres bons souvenirs bien enfouis dans la bobine. L’ensemble, s’il laisse percevoir une petite pointe de nostalgie, n’est pas passéiste pour autant : il rappelle surtout à ceux qui l’écouteront tout le chemin parcouru par ce fin connaisseur de sonorités électroniques.
