Ivan Black – Somnium Hypnotic

[brhnet44]

Ivan Black

“Somnium Hypnotic”

Ivan Black has reinvented himself with this new full-length album, in Somnium Hypnotic displays his well known style of high level ambient perfectly fusioned with an oriental touch. Occasionally, there are major revelations in contemporary music, do not miss this one.
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Psychoz – Under the golden Oak (EP)

Psychoz

“Under the golden Oak (EP)”

Psychoz has released many different styles in the past, latley involving on his ethno-oriental style.
This is some of his last work he made in this direction

released September 5, 2016

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Safir Nòu – Groundless

[LBN036]

Safir Nòu

“Groundless”

Safir Nòu (Antonio Firinu) is a composer, guitarist and accordionist.
The music collected in the album Groundless could be identified as “total music”, influenced by different styles and genres, from world music to post-rock to jazz. The sounds and the melodies bring the listener to an ethereal and hypnotic dimension, which is the “groundless” dimension indeed.
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ISH IL SEGNO – QUIYXOTL

[IYE013]

ISH IL SEGNO

“QUIYXOTL”

Bjorn Jordan is a musician who already know, being a member of Phobos 3. Here with Matteo Pinna at the drums gives us the new single of Ish The sign, a very interesting project that takes us between esoteric mysteries, Tool and good writing at the edge of wet forests on the edge of the sea . You will be impressed by the power of images to what is Bjorn, or a modern shaman, who leads us where he wants, where there is peace.
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Fake Cats Project – Russian Canon

[SCL183]

Fake Cats Project

“Russian Canon”

Russian Canon is the first CD of the Moscow based Fake Cats Project. The title certainly doesn’t mean our seventeen pieces form the Russian Canon, rather we are in search of it.
We try to avoid Russian cliches, but sometimes play with them. There are no folk songs accompanied by bayan (the Russian Accordion) though you will hear Kiriill Makushin playing bayan. We don’t play typical Russian rock, though Alexey Borisov is a luminary of Russian rock himself, of the bands Nochnoi Prospect and Tsentr. This is not an album of the Russian intelligentsia, singing their sad, simple songs around the kitchen table, though some fragments were recorded by Igor Levshin in Alexey’s kitchen.
Our Russian Canon is not confined to national culture: we use the Turkish saz and Latin percussion. Our electric guitars certainly do not originate from Russia, and Konstantin Sukhan’s trumpet is more akin to Free Jazz rather than any Russian tradition.
Any overlaps with industrial music or krautrock are sometimes coincidental and sometimes deliberate. Since there is a Russian tradition of fierce speculation on philosophy or revolution at the kitchen table, we use for our sound not cast iron rails, but a buffet filled with utensils, bottles, glasses and a trash bin. We’ve also added the creaks of rusty swings, screams, laughter and the songs of ordinary people in the Moscow streets. We include both the sane and insane, because no Russian Canon can go without a touch of insanity.
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Mike Cooper – Forbidden Delta Planet Blues

[LOR 066]

Mike Cooper

“Forbidden Delta Planet Blues”

Linear Obsessional is delighted to present this album of two recent pieces by the legendary British folk/blues/world/avant garde guitarist Mike Cooper.
“Forbidden Delta Planet Blues” is a long form work built from over lapping loops and featuring some beautiful Hawaiian style slide guitar.
“The Pain Was Bad, But The Tuna Good” is a spellbinding live solo performance recorded at London’s 100 Years Gallery. A solo for a steel resonator guitar (and some voice) which explores all the nuances of the instrument’s considerable cultural baggage, with breathtaking extended technique (bowing, electric fan) and a fascinating stream of invention- it lives up to Cooper’s science fiction/trad interface admirably.
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VV.AA. – Di algo… Pueblo Nuevo 10° Aniversario

[pn100]

VV.AA.

“Di algo… Pueblo Nuevo 10° Aniversario”

Pueblo Nuevo Netlabel se complace en presentar su disco conmemorativo “Di algo… Pueblo Nuevo 10° Aniversario“, un compilado realizado con 100 mensajes llegados de distintas partes del mundo, a través de una convocatoria abierta que invitaba a enviar grabaciones de máximo 100 segundos de duración. ¡Muchas gracias a todos los participantes!

Pueblo Nuevo Netlabel is pleased to introduce its commemorative album “Di algo… Pueblo Nuevo 10° Aniversario” (Say something … Pueblo Nuevo 10th Anniversary), a compilation made with 100 messages arrived from around the world, through an open call that invited to submit recordings of max 100 seconds long. Many thanks to all the contributors.

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Crossworlds – Day & Night

[SCL172]

Crossworlds

“Day & Night”

«The brand-new Crossworlds recording – “Day and Night” – exchanges ethnography for a family setting. Mikryukov informs us that: “The LP was conceived as a present for my daughter. Initially it was to be published on vinyl, with the two sides given over to daytime and nocturnal themes. Everything was recorded over the course of two years, from February 2013 to February 2015. The album contains both our own, original material and some lyrics by Lesya Ukrainka. The result is a fairly strange, yet organic mixture of folk, academic music, downtempo tendencies, and experimental elements.”»
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Karaoke Tundra x Radimo x 3ck – Menu

Karaoke Tundra x Radimo x 3ck

“Menu “

Bears are at the top of the food chain. They will eat almost anything: grass, leaves, wild berries, nuts, seeds, fruits, bulbs, tubers, beetles, termite nests, worms, ants, rodents, squirrels, foxes and other small animals.

released 27 July 2015


Bitcho – Bomba

[EdP074]

Bitcho

“Bomba”

BITCHO é um projecto performativo/musical centrado numa figura ambígua meio ancestral com um híbrido folk.

Parte da reflexão sobre o hoje e dá corpo ao animal feminino. É um projecto que se encontra em constante mutação nos seus vários âmbitos o sonoro, o textual, o performático, o imagético, jogando com uma multiplicidade de influências.

Bomba é a recolha de alguns dos temas que são trabalhados ao vivo com uma forte componente visual. Foi concebido por Susana Chiocca, em colaboração com Sílvio Almeida.

Voz: Susana Chiocca
Música: Sílvio Almeida
Poema “Preparatórios”: Luca Argel

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SousLePont – EtLàC’EstQuoi

SousLePont

“EtLàC’EstQuoi”

SousLePont are characterised by their unusual instrumentation (trombone, marimba & accordion) and their original repertoire which is mainly written for couple dances, but it doesn’t end there!
Recorded and mixed at Studios La Buissonne by Nicolas Baillard and Gérard de Haro between december 2014 and march 2015.
Graphism : Rob Taylor

Wings of an Angel & Tziona Achishena – The Dialogues Of Longing

Self-Release

Wings of an Angel & Tziona Achishena

“The Dialogues Of Longing”

Creating music in collaboration with Wings of An Angel was like singing in front of a magic mirror that reflected to me only my beauty and mystery, leaving me surrounded with angel choirs and newly opened caves and pathways inside of my heart. And so many questions. I wondered: Is this really happening? And every song sparked more and more songs and poems, that are pouring out of me like clear clean waters from the belly of the earth, and from the center point of my soul. Perhaps we can know the holiness of others, to the extent that connecting with them, through an act of kindness, a prayer, or a song, brings back to us lost parts of our souls, awakening our hearts with love, and an awareness of our own preciousness. A holy man, or woman, in recognizing us, gives us back what is actually ours, inspiring us to sing our own songs, which then heal us. I have experienced a great awakening, an embracing love of all creation, and, in a way, have fallen in love with the reflection in the magic mirror. But rather than being entranced by a vision of self, I see within me the whole world. Because that mirror reflects a deep place inside of me. You could call it my soul, or even, where my soul meets all souls…and so I expand and contain within me ever increasing space, inner space in which to travel to hidden, private lands beyond the sight of the human eye””

VA – From Ritual to Romance

EdP071

VA

“From Ritual to Romance”

Et Quid Amabo Nisi Quod Aenigma Est?

Die Elektrischen Vorspiele, a blog founded on January 15 2009, and whose sixth anniversary is commemorated with this release, was envisioned as a space for the nurturing of a “savage thought” (that is, of an undisciplined nature). In its essence, and as an individual project, it aims mostly to be a vehicle for its author’s vast-reaching interests, while at the same time harnessing them into some form of discipline. More than just a reflection on the fascination caused by the themes implicit to its lexical field of action, as shown by the coordinates and key concepts that define the boundaries of its territory, i.e. “Occultism” / “Esotericism”, this virtual space mainly maps some of the topologies enclosed in the History of Ideas. A vast and sometimes ignored area of Knowledge, whose apparently paradoxical character drives a magnetic pull towards the need to identify its true nature, as ubiquitously manifested along various historical cycles, in an unending drama staged in the theatre of the Anima Mundi. This is, in fact, the true raison d’être of Die Elektrischen Vorspiele.
As a direct result of its existence, November 2010 saw the publication of the book “Summa Techno(i)logicae”. This work, as implied by its title, is a thoroughly compiled and systematised patchwork reflecting the interests that guide its author’s research. From then on, periodic collaborations with other projects ensued, such as the magazines Finis Mundi, Infernus and Antibothis.
Still under the aegis of Die Elektrischen Vorspiele, and always through the establishment of complicities and connections, a number of events were created and carried out in the past six years. This set of actions (with Music as a constant common denominator) has had as its main goal the evocation of the life and work of various figures that have left behind crucial legacies. The people celebrated include the musician John Balance (Coil); the historian of religions Mircea Eliade; the poet and theatre director Antonin Artaud; the philosopher Georges Bataille; and the Japanese writer Yukio Mishima. It is also worth mentioning the series of events spanning along the year 2013, Occult Esoterica AV Gatherings, curated in collaboration with intermedia artist Ana Carvalho.
The proposal made to EdP – Editora do Porto (in the person of its administrator, João Ricardo) for the release of this compilation emerges as a consequence of shared common cosmologies which have gradually been transmuted into friendship, and also of João Ricardo’s encyclopaedic musical knowledge, while the invitations made to the artists taking part in it are the logical result of a chaining together of elective affinities (a process permanently taking place since the first Homeric dawn).

Júlio Mendes Rodrigo
Porto, December 23, anno 2014, era vulgaris


VA – The Golden Bough

EdP070

VA

“The Golden Bough”

Et Quid Amabo Nisi Quod Aenigma Est?

Die Elektrischen Vorspiele, a blog founded on January 15 2009, and whose sixth anniversary is commemorated with this release, was envisioned as a space for the nurturing of a “savage thought” (that is, of an undisciplined nature). In its essence, and as an individual project, it aims mostly to be a vehicle for its author’s vast-reaching interests, while at the same time harnessing them into some form of discipline. More than just a reflection on the fascination caused by the themes implicit to its lexical field of action, as shown by the coordinates and key concepts that define the boundaries of its territory, i.e. “Occultism” / “Esotericism”, this virtual space mainly maps some of the topologies enclosed in the History of Ideas. A vast and sometimes ignored area of Knowledge, whose apparently paradoxical character drives a magnetic pull towards the need to identify its true nature, as ubiquitously manifested along various historical cycles, in an unending drama staged in the theatre of the Anima Mundi. This is, in fact, the true raison d’être of Die Elektrischen Vorspiele.
As a direct result of its existence, November 2010 saw the publication of the book “Summa Techno(i)logicae”. This work, as implied by its title, is a thoroughly compiled and systematised patchwork reflecting the interests that guide its author’s research. From then on, periodic collaborations with other projects ensued, such as the magazines Finis Mundi, Infernus and Antibothis.
Still under the aegis of Die Elektrischen Vorspiele, and always through the establishment of complicities and connections, a number of events were created and carried out in the past six years. This set of actions (with Music as a constant common denominator) has had as its main goal the evocation of the life and work of various figures that have left behind crucial legacies. The people celebrated include the musician John Balance (Coil); the historian of religions Mircea Eliade; the poet and theatre director Antonin Artaud; the philosopher Georges Bataille; and the Japanese writer Yukio Mishima. It is also worth mentioning the series of events spanning along the year 2013, Occult Esoterica AV Gatherings, curated in collaboration with intermedia artist Ana Carvalho.
The proposal made to EdP – Editora do Porto (in the person of its administrator, João Ricardo) for the release of this compilation emerges as a consequence of shared common cosmologies which have gradually been transmuted into friendship, and also of João Ricardo’s encyclopaedic musical knowledge, while the invitations made to the artists taking part in it are the logical result of a chaining together of elective affinities (a process permanently taking place since the first Homeric dawn).

Júlio Mendes Rodrigo
Porto, December 23, anno 2014, era vulgaris


various artists – CC Affiliates Mixtape #1

[nwscomp006]

various artists

“CC Affiliates Mixtape #1”

The global community of Creative Commons Affiliates is starting a new tradition: collectively compiling an annual mixtape of great music from artists using CC licenses. This idea follows the 10-year anniversary mixtape that the European Affiliates put together back in 2012, only this 2015-edition covers the entire globe. We hope that this will be the beginning of an annual tradition: a musical tribute to – and celebration of – the talent of the artists and Creative Commons sharing tools.

The mixtape has been made by the Creative Commons Affiliates – the custodians of the CC licenses in each of these countries – as a fun volunteer side-project to showcase the musical wealth of their countries. This means, and we’d like to highlight this, that these are not artists officially endorsed by Creative Commons, but rather personal favorites of some of those community members advocating sharing culture and promoting the use of CC licenses.

Across the world millions of creators are using Creative Commons licenses to promote and spread their creativity and to find a global audience. Many of these are music artists, performers and songwriters and for this year’s tape a whopping 25 countries have contributed, covering 4 continents of amazing music cultures and artistic talents of all audio trades. Dive in to discover what the world has to offer while at the same time appreciating sharing culture. Enjoy!


M-PeX – ODÝSSEIA

enrmp364

M-PeX

“ODÝSSEIA”

Latest album by M-PeX, his 5th on Enough Records is a double album. It draws it’s inspirations from two odysseys: Homero’s and Kubrik’s. The first cd, sub-titled “Prologus” is entirely acoustic, with M-PeX on the Portuguese guitar and André Coelho on double bass. The second cd is titled “Epilogus”, adding electronic elements to the sounds and featuring additional guest artist DJ X-Acto providing some additional electronics and scratch sounds. Artwork by Marco Madruga.

Ethernet Orchestra – Diaspora

pn094

Ethernet Orchestra

“Diaspora”

“Diaspora” is the debut album from the Ethernet Orchestra, an Internet based music ensemble exploring intercultural tele-improvisation. It is a compilation of live freely improvised vignettes from performances recorded between 2009-2014. It features musicians from a diverse range of cultures and musical traditions performing simultaneously between Iran and Australia via North America, Canada, Brazil and Europe. Distance is embodied in the material quality of the works, which not only serves as testament to the technological achievement of such a project but also forms part of the grain of the medium itself.

During this period we also had the great fortune to collaborate with the late Richard Lainhart, who is featured on many of the recordings. Ethernet Orchestra would like to dedicate this album to Richard, whose passion and generosity touched us all and his music continues his presence in our lives.

The album also contains works from the “Distant Presences” trilogy of performances. These events included networked VJs Helen Varley Jamieson, Neil Jenkins, Graziano Milano and Michael Szpakowski mixing live cinematic visual collages in the audiovisual platform VisitorsStudio, which can be viewed from diasporasound.wordpress.com/vjmixes

Roger Mills
(Sydney, Australia, December 2014)


DubRaJah – Enkang

DPH018

DubRaJah

“Enkang”

DubRaJah is a project of Sergey Gabbasov, a Russian anthropologist and ethnomusicologist, specialized in the peoples of East Africa and Indonesia and student of “Dhow Countries Music Academy” (Zanzibar, Tanzania). He has made many ethnographical expeditions in different parts of Africa, Asia and Europe, produced several films about indigenous peoples and studied their native music. This is Sergey’s first release on Dubophonic.

“Enkang” means in the Maasai language “homestead” .Maasai is one of the very few tribes who have retained most of their traditions, lifestyle and lore. “Enkang” is also the name of DubRaJah’s EP, which was recorded in the period from Autumn 2013 till Summer/Autumn 2014 in Arusha (Tanzania), Stone Town (Zanzibar, Tanzania), Wete (Pemba, Tanzania) and Moscow (Russia). DubRaJah fuses a deep digital dub style with organic sounds, traditional African melodies and chants from the people of Maasai, Datooga, Hadza, Pemba and Zanzibar, incorporating also samples of Mad Professor on “Eyasi Dub” and “Zanzibar Dub”. Each track has is own magic, from the ritual chants in “Laibon” to the mystical beauty of the “Ngezi” forest, cleansing the body, the mind and the soul.


Crossworlds – Ivana Kupala Night

[SCL150]

Crossworlds

“Ivana Kupala Night”

Crosswords is a mixture of abstract IDM/Downtempo by King Imagine and East Slavic singing of Irina Skripnikova. The overall sound appeals to the old Ukrainian traditions.
It is a place where the noise of postindustrial world becomes a dark forest. Following the cat’s song listener travels to the ancient times. There are pagan rituals of Ivan Kupala. There girls make wreaths, water-nymphs sing and fern is in bloom.

Credits:
Recorded & Mixed between June2013 – February2014
In Soundtrack Studio Kyiv
Cover Art by Alexandra Solodchuk
Skrypochka — vocal, lyrics
King imagine — music

Contact:
https://vk.com/club55673890
https://crossworlds.bandcamp.com/


Holocaos – Simbolos

TRANZ056

Holocaos

“Simbolos”

RELEASE INFO:
ARTIST: Holocaos
RELEASE TITLE: Simbolos
CAT Nº: TRANZ056
RELEASE DATE: November 12, 2014
FORMAT: Mp3 / 320kbps/ 44.100 MHZ
GENRE: Electronic
SUB-GENRE: IDM / Minimal / Techno / Experimental
TOTAL TIME: 01:22:56
SIZE: 206 MB

TRACKLIST:

01. Holocaos – Inside (6:36)
02. Holocaos – Lostanswerstounknownquestions (6:54)
03. Holocaos & Eletromariola – O Sonho da Caverna (10:08)
04. Holocaos – Onzeonze (9:17)
05. Holocaos & Blasquez – Umaetreze (10:27)
06. Holocaos & Bmind – Nokubuya Kulo Hologram (10:02)
07. Holocaos – Simbolos (7:30)
08. Holocaos & Eletromariola – Earlymac (7:04)
09. Holocaos – Floatingslowly (7:32)
10. Holocaos – Quest (7:26)


Outsider Leisure – Едоки Собачьих Хвостов

PICPACK213

Outsider Leisure

“Едоки Собачьих Хвостов”

01-Ванильный Трип-Хоп(2:00)
02-Orevuar Big Brother(3:24)
03-Living Like An Animal(2:00)
04-Внутриутробный Быт(2:44)
05-Едоки Собачьих Хвостов(4:48)
06-Жопа(1:36)
07-Завтра Будет Конец Света(2:12)
08-Как Ток(2:40)
09-Папа Знает(2:36)
10-Рупор Свободы Блевал Нас Вон(2:24)
11-Рыбы Молчат(1:44)
12-Так Себе Человек(1:52)
13-Ты Говоришь, Что Я Говно(3:28)

I Neurologici – Five Unorthodox Strategies

SDR020

I Neurologici

“Five Unorthodox Strategies”

New digital release by this dub collective from Rome, Itaky

.Zigo – Drupas Migrantes

pn088

.Zigo

“Drupas Migrantes”

.Zigo has an apocalyptic “Blade Runner” world in his sonic conception. He swings comfortably between sulfuric sunrises, romantic evenings to the cyberpunk distopians.

This work, like his others; and many other things that I have enjoyed in concert, has its own peculiar character, the detail that blows the mind and that eccentricity carries it to work every detail like a careless tide, but he has the control, so many years on the path have not made him aloof, and he applies every consciousness, every experience.

It shows in the quality of the sound and in the domain of reaching the very edge of the break, without breaking.

Tiny pearls invade each of the tracks, and yes, he is one of the masters in this sense, in showing us that heavy noise with delicate sonic touches, that are not lost, on the contrary, he makes them be noticed.

In “Drupas migrantes” we hear from the beginning with “Zaxsibulan”, mantric drones that invade, and leave us almost perplexed to wait any longer.

We pass through quasi organic states like those in “Drupa” and “Ralokhao”, cyber-robotic moments like “Aeasxoolar” and “Drirl” to descend to the shamanic poetry of “Xeticanteral”.

Can this work be classified? It cannot – you can only listen and enjoy- qualifications do not count, just immerse yourself or be engulfed by it.

.Zigo without a doubt “is” in past, present and he shows the future, and all this comes together for capture us to hear.

———————

.Zigo tiene el apocalipsis Bladeraniano (de “Blade Runner”) en su concepción del sonido. Se hamaca cómodamente entre amaneceres sulfúricos y atardeceres románticos a lo cyberpunk.

Este disco, como otros y muchas otras cosas que he disfrutado en vivo, tiene su peculiar sello, el detalle de la voladura de cabeza y esa excentricidad que lo lleva a trabajar cada detalle como en una descuidada marea, pero él tiene el control, tantos años de carrera no le son esquivos, y aplica cada conocimiento, cada experiencia.

Se nota en la calidad del sonido y en ese dominio de llegar hasta el borde mismo del quiebre, sin llegar a quebrarse.

Diminutas perlitas invaden cada uno de los tracks, y si, es uno de los maestros en este sentido, en mostrarnos ese heavy noise con delicados toques sonoros, que no se pierden, al contrario, los hace notar.

En “Drupas Migrantes” oímos desde el comienzo con “Zaxsibulan” drones mántricos que se nos vienen encima para invadirnos y dejarnos casi perplejos para esperar más.

Pasamos por estados cuasi orgánicos como en “Drupa” y “Ralonkhao”, ratos cyber-robóticos como “Aeasxoolar” y “Drirl” para descender a la poesía chamánica de “Xeticanteral”.

¿Cómo podemos calificar este disco señores? No se puede, solo se puede escuchar y disfrutar, los calificativos no cuentan en una obra tan completa, solo meterse en ella o ser engullida por ella.

.Zigo sin duda está en el pasado, el presente y nos muestra el futuro, y todo conjugado para que lo tomemos, para que lo oigamos.

Luis Marte
(Buenos Aires, agosto 2014)


Whitely – सन लाइफ मौत

TWG020

Whitely

“सन लाइफ मौत”

TWG has always prided itself in its genre diversity. With the fourth in our line of final releases, Whitely brings us what is easily his most surprising and one of his best realised pieces yet. Indian influenced ambient music, with ethereal vocals provided by Whitely himself, thick in atmosphere, emotion and tension.
There is not much else that can be said about this release, other than it’s Whitely as you’ve never heard him before, a listening experience that is an experience as much as it is a journey, and that we’re incredibly proud to have this here on TWG. Not necessarily chiptune, but incredible all the same.
Chiptune is dead anyway, right?

Various artists – 2

[COMP003]

Various artists

“2”

A little compilation for our second anniversary. Be different, be the first!

VAD – Щедрый вечер

MIXG034

VAD

“Щедрый вечер”

The second album by VAD where he continues to mix mellow electronic music elements with traditional slavic folk songs. Rich colorful tunes from the past will blend into your present, filling it with long wanted balance and harmony whilist modern touch to it will make it fresh and alluring. Enjoy!

Red Star Martyrs vs Dubophonic All-Stars – Time for Tea (EP)

DPH013

Red Star Martyrs vs Dubophonic All-Stars

“Time for Tea (EP)”

The Red Star Martyrs return with the 2nd EP on Dubophonic. This time the UK musician and producer Stanley Wood unleashes the herbal energy of tea, brewing some special blends, mixing the finest musical flavours of Europe, Jamaica, Orient and Occident in a tasty and relaxing chill out drink. Alongside with him, many artists from the Dubophonic netlabel family. Ibel, The Dubbstyle, Mr Mefistou and Koncrete Roots prepared their own special recipes and are ready to serve their exclusive versions of Stanley’s riddim. So, sip your cup and let the journey begin.

The EP starts with the taste of mint in our mouth, as the oriental vibes flow inna mystical way in the atmosphere. The river of tranquillity passes right in front of us, as we embark in a journey, that sets our mind and soul in a perfect balance. The magical voice of Ibel guides us ina Rub-a-dub journey of irieness, as he prepares his special Jamaican blend of tea, served in two different mixes.

The sounds of the far east travel to Argentina where mint receives a special treatment by the Dubbstyle, being mixed with the yerba mate leaves, only to be transformed into a antioxidant and cholesterol-lowering beverage, cleansing the body from all Babylon diseases. The logical outcome is the cleansing also of the mind and Mr Mefistou uses his double ethnical background and adds for the next recipe a touch of flamenco style guitar mixed with a New York influenced sound.

Finally our herbal beverage returns back to the country it started its journey, only to be chilled in the fridge and to be served with ice by the Koncrete Roots inna special dubplate style. Once we are cleansed, in body and in spirit, we can enjoy the last cup of tea served exactly at five o’clock by Stanley Wood himself. Give thanks for that wonderful journey!


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